Known for projects geared toward wealthier clients in São Paulo and abroad, Isay Weinfeld, surprisingly, has a social housing building for the Minha Casa Minha Vida program among the firm's ongoing projects. Located in São Paulo, facing the Elevado Presidente João Goulart—which may soon become Minhocão Park—the development is aimed at the bracket known as HIS 2, which comprises families earning up to six minimum wages.
Architect and artist Tom Capobianco shared with us a series of recent works that explore the tension between the two-dimensionality of the frame and architectural space through environments encapsulated within wooden frames.
On September 12, the winners of the international urban planning and architectural design competition organized by the Slovenian company Dimnikcobau to design one of the largest business parks in Ljubljana, Slovenia, were announced. Of the eight firms invited to participate, the winning project selected was by BAX studio, a Barcelona-based firm led by Boris Bezan and Mónica Juvera.
A disruption of chronological order. This is what we know as Anachrony, and it is also the perfect concept to describe the creative process of Chilean architect Juan Agustín Soza. Through his sketches, Soza reveals a timeless creative process—one that does not aim to graphically represent the future final result of a work, but rather expresses ideas through aesthetic codes to establish design guidelines and parameters for the project.
Below, you can read more about the drawing process as a design tool in our interview with Juan Agustín Soza.
Almost exactly one year after being declared a historic monument, the historic Villa San Luis in Santiago, Chile, is back in the public eye. According to digital news outlet El Mostrador, Chile's National Monuments Council (CMN) overturned the designation on June 26, authorizing the demolition of the two remaining blocks, which survived the progressive dismantling of the housing complex since the 1990s.
In the fall of 2017, a 7.1-magnitude earthquake struck at least nine states in Mexico, leaving several areas severely affected across Mexico City, Puebla, Morelos, Oaxaca, Veracruz, Tlaxcala, Guerrero, and the State of Mexico. Jojutla, a municipality located in Morelos, was one of many reduced to ruins after the earthquake shook Mexico on September 19, leaving much of its infrastructure damaged. Consequently, through an initiative by Infonavit, a master plan was launched to reconstruct the municipality's primary public buildings.
The casa chorizo is a residential typology historically used in Argentina, primarily in the city of Buenos Aires. It consists of a succession of similarly sized rooms connected along a longitudinal axis that open onto a gallery or courtyard, from which they receive light and ventilation. Typically built on plots between party walls, their service areas are grouped at the back. Today, numerous projects address the rehabilitation of this type of housing. These can be understood as research initiatives exploring how a city's characteristic construction matrix can be reviewed and updated to adapt to contemporary ways of living.
Currently, nearly 65 million people worldwide have been forced to flee their homes due to conflicts unfolding across the globe, leaving behind their belongings, years of personal history, and years of hard work to find themselves adrift. Many of these families are forced to cross oceans and diverse terrains in search of a promising future to start from scratch. These journeys often lead to informal settlements where many perish due to rampant disease and shortages of medicine, food, and clean water.
The new workplace paradigm, driven by digital transformation, is introducing significant changes to employee profiles and the roles people perform within their work environments. At Actiu, these shifts represent an opportunity to turn workspaces into strategic levers of change, allowing organizations to align their transformation goals with the well-being and satisfaction of their workforce.
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ALCUADRADO Arquitectos + Habitar Colectivo won first place in the national public competition for the environmental, landscape, and urban design of the Cali River urban environmental corridor in Colombia. The competition aimed to explore how to integrate the city with the river, seeking to coordinate the main and complementary ecological structures through the integration of pre-existing elements. Read on to discover the winning project in the words of its designers.
Residencia WW is a project in Mexico born from the idea of fostering community among women. Located in a 1920s house at 102 Edgar Allan Poe Street in Polanco, Mexico City, the space functions as a social and business club designed to build and support this community's growth.
In the wake of the social crisis unfolding in Chile, ArchDaily speaks with urban and territorial specialists to understand its impact on our cities. On this occasion, we talk with architect Olga Segovia, an architect at SUR - Corporación de Estudios Sociales y Educación and coordinator of the Red Latinoamericana de Hábitat.
Today marks the opening of the XI BIAU in Asunción, Paraguay, along with the presentation of the 17 winners of the Panorama Obras Award—a recognition that explores architecture and urbanism projects built in Ibero-America.
From October 6 to 11, the city will host exhibitions, debates, and lectures by renowned architects such as José María Sáez, Toni Gironés, Rozana Montiel, Entre Nos Atelier, and Barclay & Crousse, among others, under the theme aî paragua y (inhabit - the water).
The XI Ibero-American Biennial of Architecture and Urbanism (XI BIAU) recently announced the 210 projects selected for its upcoming edition, which will be held for the first time in Asunción this October.
Blind walls that speak: a highly impactful intervention is underway, notable for its history, scale, and relevance.
The Paseo de la República Vía Expresa was inaugurated in 1967, more than 50 years ago. Coincidentally, its route aligns with one of the main branches of the Qhapaq Ñan (Inca Trail) that once crossed the Rímac Valley. As one of Lima's most vital thoroughfares, it spans 66 blocks, cutting through the city from north to south across the districts of Lima Centro, Lince, La Victoria, San Isidro, Surquillo, Miraflores, and Barranco. It is popularly known as the zanjón ("the ditch") because of its sunken, multi-lane design. While critics initially argued that low traffic volumes did not justify its construction, today the highway is heavily congested. In addition to hosting the Metropolitano bus rapid transit system along its entire length, bumper-to-bumper traffic jams are a daily reality during rush hour.
Today, the zanjón has a distinctly gray appearance, serving as a prominent showcase of concrete in Lima. Although it was once a canvas for mosaic murals—some fragments of which survive to this day—the walls now appear neglected amid spontaneous graffiti. Notable artists such as Fernando de Szyszlo, José Carlos Ramos, Bárbara Kukier, and Enrique Bustamante participated in these original mosaic murals along the Vía Expresa. During the 1980s, the mayor of Lima at the time, Eduardo Orrego, supported the creation of the "world's largest mural," which was intended to span Paseo de la República from Plaza Grau to the exit in Barranco. Although ambitious for its time, the project was left unfinished and remains pending.
A sustainable social housing unit featuring productive and commercial spaces is the winner of the third edition of the Chilean competition Construye Solar. The project, known as Casa Mercado, was developed by a team of students from Universidad Mayor.
The project emerged as an opportunity to increase accessibility to Buenos Aires's Hipódromo de San Isidro—currently privately managed—through minimal interventions. By creating a linear park around the perimeter, the proposal makes this urban green lung more inclusive, transforming it into a social hub that enhances both the environment and quality of life.
The following research, developed within the Master's in Sustainable Habitat and Energy Efficiency program at the Universidad del Bío-Bío by C. Matías Tapia Maureira and María Beatriz Piderit M., addresses the integration of resilience and sustainability criteria in the design of educational buildings in Chile. Read a summary of their work below.
The final thesis project represents a major milestone in earning an architecture degree, and one of the fairest ways to honor it is through promotion and visibility. To discover the valuable output of Peruvian universities, in January we launched our open call, inviting architects to submit their respective final graduation projects (PFC) defended through 2018. Although we originally published a compilation of undergraduate theses in 2015, this is the first official call in Peru on par with previous editions held in other Latin American countries such as Argentina, Mexico, Colombia, and Brazil, placing us at the heart of this international dialogue.
This first edition received 75 submissions from 17 universities across various cities nationwide. After an exhaustive evaluation, 15 final projects were selected by the editorial jury of ArchDaily en Español. The selection values precision and detail, a cohesive line extending from the design to its presentation, and above all, the boldness to advance revolutionary ideas in the face of a seemingly harsh yet diverse reality. They do not necessarily result in a building; rather, they suggest the promise of architecture without limits, demonstrating critical thinking and a firm stance on the country's major (and urgent) issues. In doing so, they pave the way for multidisciplinary, collaborative work that strongly emphasizes the social role of the architect. All of these architectural projects maximize the capacity to imagine, experiment, and design, proving to be not only the culmination of a well-learned academic chapter but also the beginning of building those dreams. Let us not forget this transformative spirit as we cross the threshold.
Below, explore the selected projects in detail.
The city of Asunción hosted the XI Ibero-American Biennial of Architecture and Urbanism (XI BIAU). To mark the occasion, ArchDaily spoke with Paraguayan architect and coordinator of this edition of the international event, José Cubilla.
An exceptional small house, right there among all the other homes dotting the hillsides of Lima. At first glance, it might seem out of place, but once we learn its history and process, it couldn't be more relevant.
As the Egyptians, Aztecs, Greeks, and Incas well knew, nature holds within itself the answers to life's great mysteries. We only need to observe it closely to decipher the enigma. Often, we move heaven and earth searching for what has been right in front of our eyes all along. Immersed in our cell phones and concrete cities, when was the last time we walked on the grass or gazed at the stars?
Ancient civilizations did so constantly. By studying the path of the sun, the seasons, and the rain, they left a legacy of structures that have survived for millennia and still stand today. Without Google or computers, they acquired knowledge through the observation and study of their surroundings: nature.
Photographer Manuel Sá shared with us his perspective on the Coati Restaurant, designed in 1987 by Lina Bo Bardi, João Filgueiras Lima - Lelé (precast reinforced mortar), Marcelo Ferraz, and Marcelo Suzuki.
The entire complex—comprising a restaurant, a bar, and three historic houses converted into nine apartments with ground-floor commercial space—is located in the Pelourinho district of Salvador, and is part of the pilot project for the Bahia Historic Center Recovery Plan proposed by Lina. The restaurant is unfortunately abandoned and falling into disrepair, as is the rest of the complex.
Today, January 27, marks the 113th birthday of Félix Candela—of Spanish and Mexican nationality—who is one of the most globally recognized architects of the 20th century. His career was defined by his exploration of reinforced concrete through experiments that resulted in his famous cascarones (concrete shells): key structural and design elements that support many of his works, such as the Cosmic Rays Pavilion at UNAM, Mexico City (1951); the Palmira Chapel in Cuernavaca (1958); the Los Manantiales Restaurant, Xochimilco (1958); and the Palacio de los Deportes for the 1968 Olympic Games in Mexico City.
