The firm EArquitetos has developed a design proposal for a bridge over the Vrbas River in Banja Luka, Bosnia and Herzegovina. The project received an honorable mention in the international competition. See the proposal below, accompanied by the project description.

In the experiment by the collective Mouraria 53, the spatial operation—unlike a typical architectural project—begins before construction is finished and is integral to its ongoing development. Exhibitions, presentations, concerts, workshops, and classes serve as a daily exchange in building the house. The process itself is of paramount value to this initiative, bringing together projects, materials, dialogues, execution, and collective dreams.

The Casa da Arquitectura - Portuguese Centre for Architecture has reached an agreement with Pritzker laureate Eduardo Souto de Moura to deposit his archive at the Portuguese institution. Signed on May 6, the agreement adds approximately 8,500 drawings and all textual and photographic documentation detailing the projects from the architect's 40-year career to the 604 models already housed at the institution since 2009.

One of Belo Horizonte's main landmarks, the Pampulha Church, designed by Oscar Niemeyer, has undergone a meticulous restoration and will reopen to the public today, October 4. The building had been closed since June of last year, when work began to address water infiltration. This included a complex project to replace the wooden ceiling of the central nave, as well as general maintenance such as cleaning and restoring the external ceramic tile cladding, repainting the chapel, and repairing the Portuguese pavement sidewalks.

Much has been said since the then-new minister of economy, Paulo Guedes, stated that it was necessary to “take a knife” to the S System. However, these discussions have focused almost exclusively on the financial aspects of the system. To truly understand the relevance of the S System to Brazilian society—whose flagship organizations include SENAC (National Service for Commercial Apprenticeship), SESC (Social Service of Commerce), SENAI (National Service for Industrial Apprenticeship), SESI (Social Service of Industry), and SEBRAE (Brazilian Micro and Small Business Support Service)—it is far more instructive to examine the original motivations behind this vocational education system, the pedagogical and political project that drove its creation, the role of architecture in its facilities to achieve its goals, and its ongoing relevance in the fields of education and culture.

With hundreds of projects published every month, it is easy to imagine that some of this archive remains buried deep in our database, out of our readers' sight. Knowing this, we regularly publish articles that serve as lists, compilations, or curated selections from the vast collection of works on our platform, focusing on specific design features. Within this context, one of our most popular series is Brazilian Houses, which brings together residential projects built in Brazil, grouped by various architectural aspects.

This biweekly episode discusses the SESCTV series "A cidade no Brasil" [The City in Brazil], inspired by the publication of the same name by anthropologist, historian, poet, and essayist Antônio Risério. The series is directed by sociologist and filmmaker Isa Grinspum Ferraz, who joins us as one of our guests. Her previous work includes the documentary series "O povo brasileiro" [The Brazilian People], based on the work of Darcy Ribeiro, and the 2012 documentary "Marighella." Rounding out our guest panel, architect and urbanist Álvaro Gianninni shares his perspective as an enthusiastic viewer of the channel's programming.

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Following the massive success of the last edition, which recorded 32,000 visits, the dates for the 5th Open House Porto (OHP) have been set. On June 29 and 30, a wide range of spaces in Matosinhos, Porto, and Vila Nova de Gaia will open their doors for free, showcasing the excellence of the architectural heritage of the three cities. This itinerary features 70 spaces, 60 percent of which are new additions opening to the public for the first time. Since its first edition in 2015, OHP has welcomed nearly 100,000 visits.

On January 23, 2019, during the opening of the exhibition showcasing the 20 selected projects out of 127 entries from 16 Brazilian states and the Federal District, the three winners of the 1st Instituto Tomie Ohtake Leroy Merlin Design Award and one honorable mention were announced.

Bioconstruction refers to a building process utilizing materials and techniques with low environmental impact, alongside adapting architecture to local conditions and managing waste during the building's lifecycle. Consequently, building according to these principles does not necessarily mean using so-called sustainable materials—which often must be transported over long distances or undergo prefabrication before use—but rather utilizing local materials, techniques, and labor, drawing on vernacular strategies that address these very factors.

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Walking is the simplest, most lightweight, economical, and low-impact way to travel in urban areas, especially for trips under two kilometers. More people walking means a better quality of life for residents and their cities, resulting in reduced government spending on public health. These concepts are universally accepted by urban planners and other contemporary thinkers.

The research project Aurelio Martinez Flores: The Work of the Mexican Architect in Brazil (1960-2015) investigates the life and architectural career of Mexican architect Aurelio Martinez Flores (1929–2015) from 1960 to 2015, aligning with Latin American architectural history and the growing interest in recovering architects whose careers ran parallel to the mainstream movements in Brazil over the last several decades. Although little known, his work exerts a significant influence on one of the most successful currents of contemporary Brazilian architecture.

Trains are not the primary mode of transportation in South American countries, whether for cargo or passengers. The rail networks across the continent are poorly connected and, even domestically, are largely outdated or in disrepair. Nevertheless, from an era when transportation relied primarily on rail, beautiful railway stations remain, still serving cargo and passenger trains today.

This year, the Pritzker Prize announced Japanese architect Arata Isozaki as its 2019 laureate. Since the 1960s, the architect has been considered a visionary by his peers, with work that bridges Western and Eastern cultures, reinterpreting global influences in his architecture. In this episode #71, our conversation spans both the multicultural ground Isozaki trod across more than 100 built works and the uniqueness of the concept of “Ma,” an interpretation of interstitial spaces in architectural work.

On March 1, 2019, MAM’19 - Maia Architecture Month - Fast Forward will open, curated by Portuguese architect Andreia Garcia. The event aims to envision the territory 100 years from now and will feature eight emerging architecture practices and four architecture critics. As part of a partnership between ArchDaily and MAM'19, we will publish a series of articles by guest critics in the coming days. See below for Andreia Garcia's introduction to the event.

After graduating in 1960, Ruy Ohtake has practiced architecture for over five decades, having worked alongside other major names in Brazilian architecture, such as Vilanova Artigas and Paulo Mendes da Rocha. Until the mid-1980s, his work was characterized by projects closely aligned with what was being produced in São Paulo at the time—a highly Brutalist architecture, defined by a limited material palette and a well-defined vocabulary.

Since 2017, the extraction and sale of asbestos has been banned in Brazil by the Supreme Federal Court (STF). However, this ruling did not prevent the state of Goiás from authorizing the extraction of chrysotile asbestos last Tuesday (16). The law stipulates that the extracted material must be used exclusively for export.

Throughout the entire construction process—from the conception of the architectural design to its physical realization—the job site is perhaps where most issues arise. Varying widely in nature, construction setbacks become less frequent the more time is dedicated to the design and planning stages; in other words, the more time invested off-site, the lower the likelihood of major disruptions during construction. 

The City of São Paulo has begun the first phase of interventions to revitalize Largo do Arouche, a busy area in the city's central district. The project includes paving and leveling the square's promenade and installing new street furniture, including benches, bike racks, drinking fountains, bollards, and guardrails.

Over the course of a building's history, it may take on functions other than those for which it was originally designed. This is the case, for example, with houses that have become museums—either because they became architectural icons or because they eventually lost their original purpose and underwent renovation to host an exhibition space.

Imagine a setting worthy of Mad Max, but filled with high-tech art installations. This is what the landscape of Burning Man looks like, the American art and counterculture festival that every year builds—and immediately afterward destroys—an entire city in the middle of the Nevada desert to host the event. Now, however, Brazil is joining the lineup, hosting its own annual edition of the festival: Tropical Burn.

Architectural modernism emerged in the wake of the early 20th-century European avant-gardes. The movement was fueled by industrial capitalism and the thrilling technological progress unfolding before everyone's eyes. The break with the past had been deliberately ushered in by intellectual, artistic, and technical movements since the mid-19th century. The Crystal Palace, for instance, designed by Sir Joseph Paxton, was built in London to host the Great Exhibition of 1851 and represented a structural revolution in the use of lightweight materials such as iron and glass.

Tekôa is a space within Ekôa Park that explores solutions by bridging theory and practice. It is a hub for integrative permaculture practices based on two principles: developing a practical ecology and experimenting with low-environmental-impact solutions that yield positive social impacts, thereby inventing new ways of living, building shelter, and producing food. Sem Muros believes that to achieve an ecologically sound and socially just life, people must develop autonomy. To this end, the techniques used are simple, easily replicable, and tailored to the environmental context of the project's territory.

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Since 1980, with the first exhibition dedicated exclusively to architecture, titled The Presence of the Past and directed by Paolo Portoghesi, the Venice Biennale has positioned itself as a turning point in the history of contemporary architecture. Since then, 16 editions have occupied the spaces of the Giardini and the Arsenale, addressing themes ranging from the fundamental elements of architecture to the future of the discipline.