In recent years, the Gulf region has emerged as a global center for cultural and architectural development, commissioning internationally acclaimed architects to design its most high-profile museums and institutions. These projects, ranging from Louvre Abu Dhabi by Jean Nouvel to Museum of Islamic Art in Doha by I. M. Pei, are often designed by foreign architects, yet they aim to embed themselves within their context through strategies that reference the region's landscape, climate, and architectural traditions. This raises a fundamental question: What defines local architecture in the 21st century?
Cladding is an essential element in architecture, combining functionality, technology, and aesthetics to protect and enhance buildings. Among the various materials available, such as stone, wood, and composites, metal cladding stands out for its durability, low maintenance, and design flexibility. In addition to offering weather resistance and fire safety, its recyclability makes it a sustainable and cost-effective solution for projects of all sizes. To meet these demands with efficiency and sophistication, Parallel Architectural Products offers a range of metal claddings and other innovative products designed to optimize installation, reduce labor costs, and ensure high-quality finishes.
Wars, decolonization, economic crises, civil movements, and industrial-technological revolutions: the 20th century was a period of radical and far-reaching transformations. These upheavals reshaped societies and redefined how people expressed their evolving aspirations, with architecture leading the way. Machines and industrialization promised technological progress and modernization, advocating for a clean break from the ornamented, historically rooted styles of the past while embracing a vision focused on functionality, efficiency, and innovation. This shift, embodied by modernism, introduced new concepts, methods, and material uses—all shaped through experimentation.
https://www.archdaily.com/1026242/formal-and-material-experimentation-key-lessons-from-modernist-architecture-pioneersEnrique Tovar
Social fragmentation and economic divides have fractured the fabric of urban environments. In this context, ecovillages emerge as influential remedies to societal and ecological crises, microcosms where sustainable living, social cohesion, and economic resilience drive urban growth. Rooted in environmental stewardship and circular systems, ecovillages offer a scalable model to inspire the development of regenerative urban neighborhoods across the world. Traditional urban and suburban development has led to sprawl and social isolation which have had detrimental effects on community cohesion and the environment. Alongside this phenomenon, cities have become inhumane, characterized by anonymity, unaffordable housing, traffic congestion, and pollution. The lack of access to nature solidifies these issues, leaving many urban dwellers disconnected from elements that promote well-being and a sense of belonging.
The registration period for MICROHOME 2025 Competition is coming to a close. The competition offers a 100,000 EUR prize fund to celebrate cutting-edge, sustainable solutions for compact housing. Sponsored by Kingspan, this global competition invites architects, designers, and creative thinkers to redefine the concept of small-scale living.
Visit the competition page to register before the deadline on 13 February 2025.
Architecture competitions have long been a means for nations to shape their identity, cultural landscapes, and built environment. They provide a platform for international architects to contribute to national projects, often reflecting broader ambitions of modernization and global recognition. In 1976, Bahrain launched potentially the first major architectural competition—a call for designs for a National Cultural Centre, bringing some of the world's leading architects into the Gulf's emerging architectural discourse. Though the winning design by Timo Penttilä was never built, the competition remains a key moment in Bahrain's history, illustrating the challenges of translating external visions into local realities.
The Latin American territory encompasses a vast diversity of climates, atmospheres, and temperatures across its entire expanse. Amid forested landscapes, jungles, or coastal settings, many architects choose to design cabins immersed in natural surroundings, seeking to foster a deeper connection with nature by distancing themselves from the city. While experimenting with different materials and local techniques enhances a stronger bond with the site's traditions and creates a distinct architectural identity for each region, the integration of technological innovations and new construction materials can offer greater resilience to climate change, improve short- and long-term maintenance, optimize construction timelines, and address other key considerations.
In recent years, working from home has become increasingly common, creating a need for domestic spaces that accommodate both professional and personal life. This is especially true for artists, where the integration of living and working spaces is essential. Often, these spaces must also serve as areas for exhibiting artistic production, such as paintings, sculptures, ceramics, and more.
This fusion of work and living environments has influenced architectural and interior design trends, prioritizing flexibility, multifunctionality, and aesthetics that foster both creativity and comfort. Open-plan layouts, modular furniture, and adaptable lighting solutions are now key elements in designs that support the seamless coexistence of work and personal life.
Disciplines such as architecture, interior design, product design, and fashion rely on awards to celebrate innovation, set industry benchmarks, and inspire excellence. Beyond mere recognition, these accolades validate creative achievements, strengthen reputations, and expand the visibility of ideas that challenge conventions. They also foster interdisciplinary collaboration, encourage professional growth, and highlight the transformative impact of design on everyday life.
Among the world's most prestigious design competitions, the A' Design Awards & Competition is now open for submissions—an opportunity for designers, architects, and creative professionals to showcase their work on a global stage. Winning this award brings unparalleled benefits, including international exhibitions, media exposure, and a coveted place in the World Design Rankings. Past winners have had their work showcased in global exhibitions, featured in renowned publications, and presented at industry events, connecting them with influential leaders and expanding their reach in the competitive design market.
In the early 20th century, tuberculosis presented a significant public health challenge across Europe, prompting the construction of specialized facilities for patient recovery. The Paimio Sanatorium in Finland stands as a groundbreaking example of architecture's potential to promote healing. Designed by Alvar Aalto between 1929 and 1933, the sanatorium combined innovative design principles with a deep understanding of human needs, setting new benchmarks for healthcare architecture.
Alvar Aalto, a leading figure in modernist architecture, envisioned the Paimio Sanatorium as more than a functional response to a medical crisis. He crafted a space where architecture became an instrument of care, integrating natural light, ventilation, and harmonious forms to support physical and emotional well-being. This project marked a turning point in Aalto's career, showcasing his ability to blend modernist ideals with a profound sensitivity to context and human experience.
Examining the houses that architects designed for themselves can provide insight into their design process, priorities, and philosophy. While often reduced in scale, these personal residences offer a peek into the architects' mindsets and the way in which they translate their ideas into lived spaces without having client-imposed restrictions on the end result. The structures also reflect their creators' personal values, lifestyles, and aesthetic preferences.
These projects are often experiments and testing grounds for their own design principles, pushing the boundaries of architectural expression. From Ray and Charles Eames, who ended up spending their lives in an experimental house created for prefabrication, to Frank Gehry, who used his Santa Monica Dutch colonial house to test out the ideas of deconstructivism that would later come to define his career, these projects represent showcase a different face of the design process of world-renowned architects.
For almost four decades, ABB, the Swedish-Swiss multinational leader in electrical engineering, has been at the cutting edge of innovation and expertise. A standout initiative in their portfolio is the Frozen Music video series,a video series showcasing exceptional architectural projects and the architects who create them.As Katrin Förster, Global Key Account Manager at ABB, explains, 'When producing an episode for Frozen Music, I always begin by sending a bespoke questionnaire to the architect.'For Episode #24, a conversation with Mustafa Chehabeddine, Design Director at KPF, helped shape the narrative, emphasizing the formal and functional qualities of Ziraat Bank's new headquarters in Istanbul.
The concept of "sponge cities" has gained prominence since it was introduced by Chinese landscape architect Kongjian Yu, founder of Turenscape, and was officially adopted as a national policy in China in 2013 to combat urban flooding. This approach prioritizes nature-based infrastructure such as wetlands, rain gardens, and permeable pavements, creating landscapes with porous soil where native plants can thrive with minimal maintenance. When it rains, these systems absorb and slow down water flow, reducing flood risks. In contrast, traditional concrete- and pipe-based drainage solutions, though widely used, are costly, rigid, and require frequent maintenance, sometimes even making cities more vulnerable to flooding due to blockages and overflows.
Park Hill, a large social housing complex in Sheffield, stands out as one of the most ambitious examples of modernist architecture in post-war Britain. Designed in 1961 by Jack Lynn and Ivor Smith, its innovative concept of "streets in the sky" aimed to combine high-density housing with the community spirit of traditional neighborhoods. By the late 20th century, the complex had fallen into severe neglect, marked by social problems and structural degradation that undermined both its functionality and reputation. Gradually, Park Hill became synonymous with the failure of modernism, carrying a heavy social stigma and marginalizing its residents.
Starting in the 2000s, significant efforts began to reverse this narrative through a two-phase revitalization process. The first phase, led by Urban Splash in collaboration with the architectural firms Hawkins\Brown and Studio Egret West, focused on preserving and enhancing the building's historical elements while introducing modern interventions to create a livable, functional, and attractive space. This stage demonstrated the potential of adaptive reuse in revitalizing communities and reclaiming architectural icons. The second phase of the renovation, carried out by the firm Mikhail Riches, sought to build on this initial work by introducing new elements that deepened the connection between the existing spaces and contemporary living. With an approach that combined historical sensitivity and architectural innovation, Mikhail Riches continued the process of transforming Park Hill into a landmark example of how modernist architecture can be adapted to meet current needs without losing its original identity.
Sustainability has been deeply rooted in EGGER's corporate DNA since 1961. Long before it became a global imperative, Fritz Egger Sr. recognized the immense value of wood and laid the foundation for a business model built on responsible resource use. Working in closed cycles is a central element of the corporate philosophy. The wood-based material specialist gives the valuable resource of wood many lives and assumes comprehensive economic, ecological and social responsibility.
In late 2024, an important addition was made to the growing literature on Modern architecture in Africa. "Modernism in Africa: The Architecture of Angola, Ghana, Mozambique, Nigeria, Rwanda, South Africa, Sudan, Tanzania, Uganda" was published by Docomomo International and Birkhäuser, shedding light on multiple previously unpublished buildings. The book has a focus on education, although other building types are included. Amongst these are several university buildings in Nigeria which are explored here. Like other Modern buildings on the continent, they illustrate historical narratives of independence, decoloniality, international relations, and architectural education.
In early Mongolia, herders dismantle their yurt - a portable round tent made of felt or animal skin - in pursuit of new lands where they can raise their livestock. Not much further away is a digital nomad in Bali, preparing their next move into a co-living space in Ho Chi Minh City. Though separated by vast distances and cultural divides, these individuals are united by a timeless human desire - a quest mobility and adaptable living spaces. In light of geopolitical changes and emerging lifestyles, the demand for flexible residential architecture intensifies. In this era of increased mobility, is it enough for people alone to move, or will the buildings of tomorrow need to follow suit?
As people take greater control over the rituals surrounding their deaths, cremation has become an increasingly popular option worldwide. This shift has prompted the thoughtful design of spaces that address the profound emotions tied to cremation, life and death, and stillness. Architects are increasingly grappling with the question of what role architecture plays in these rituals.
When discussing modernist living, several iconic private residential projects may first come to mind—Le Corbusier's Villa Savoye, the Case Study Houses, most notably by Richard Neutra, Pierre Koenig, and Charles and Ray Eames, as well as the glass houses by Mies van der Rohe and Philip Johnson. Most of these projects exemplified an idealized vision of modern living, set in picturesque landscapes and characterized by experimentation with new construction methods, materials, and spatial concepts. Their designs embraced openness, blurring the boundaries between private and public spaces, largely unburdened by constraints such as density, efficiency, accessibility, public transit integration, or communal considerations.
While these modern homes remain influential in contemporary residential design, they also—perhaps unexpectedly—laid the groundwork for high-density housing principles. Concepts such as the interplay between public and private space, modular construction, and prefabrication, initially explored in these private residences, have been adapted to the vastly different constraints of social housing.
Educational architecture globally is undergoing a significant transformation, moving away from static, rigid designs toward more dynamic, interactive, and nature-driven environments. As cities become denser and land availability diminishes, architects are reimagining schools not just as places for learning but as ecosystems where children can grow holistically. A key element in this shift is the integration of landscape and topographical design, which allows schools to transcend traditional boundaries, combining education with play, exploration, and connection to nature. These designs aim to create engaging spaces that challenge children to interact with their environment physically and emotionally, fostering creativity, independence, and well-being. By layering natural elements such as mounds, gardens, terraces, and play structures into architectural plans, educational spaces are being reshaped into vibrant, multi-dimensional landscapes that encourage movement, imagination, and discovery.
On a slope, along the banks of a river, among trees, or on an expansive hillside, each territory serves as a living testament to its local traditions. Through its architecture, the experimentation, appreciation, and use of certain materials, construction techniques, local crafts, and site-specific tools aim to preserve stories and pass on the discoveries and learnings that have shaped many of the practices still used in construction today. In Chile, the language of wooden shingles evokes a reflection rooted in history and an understanding of relationships, timelines, and life networks.
At the intersection of the inevitable influence of the international modern movement and Argentinian architectural tradition, the Grupo Austral emerges as a collective of architects proposing a reinterpretation of Le Corbusier's rationalism, adapting it to the particularities of the local context. In this framework, we can speak of an international architecture that is not merely incorporated but can be considered "appropriated" architecture, meaning it is rooted in Argentina's climatic conditions, lifestyles, and local materials. This leads us to question: How does European architecture correspond with the local? Is it the product of similar situations or a process of transferring architectural images, as has happened throughout history? Is it a mix of both factors? Can we talk about appropriated architecture?
Modernism emerged in the early 20th century as a revolutionary movement that rejected historical styles, prioritizing functionality, innovation, and rationality. Grounded in the promise of industrial progress, architects like Walter Gropius, Le Corbusier, and Ludwig Mies van der Rohe championed using new materials and construction methods, striving for a universal architectural language. Their work introduced radical ideas: open floor plans, expansive glazing for natural light, and pilotis that elevated structures, symbolizing a new architectural era. However, alongside its groundbreaking ideas, modernism's relationship with sustainability has sparked ongoing debates.
While modernist architects sought to address social and economic challenges through affordable housing and efficient design, their reliance on energy-intensive materials like concrete and steel created unintended environmental consequences. The large-scale industrialization celebrated by modernists often disregarded local climates and ecological systems, leading to inefficiencies. Yet, the principles of functionality and adaptability embedded in modernist architecture laid the groundwork for what we now recognize as sustainable practices. From Le Corbusier's rooftop gardens to Frank Lloyd Wright's integration of nature, the seeds of environmentally conscious design were undeniably present, albeit limited in their execution.
