Although ancient buildings carry compelling architectural presence, demolition or radical change is often their fate. While some architects prefer to introduce thoroughly new structures, others choose to honor the works of historic architects, who built the basis and foundations of structures that helped shape up cities today.
For the refurbishment of Paris’ Hotel Fouquet Barrière, located one block facing Avenue des Champs Elysées, Edouard François was selected to renovate the entire property, including offices, spa services, façade, and courtyards. François’ design strategy was rather unambiguous, using only two keywords as reference: “COPY-EDIT”; a reinterpretation of the “old” through contemporary technologies and modified material.
Known for his sensuous materiality and attention to place, 2009 Pritzker LaureatePeter Zumthor (born April 26, 1943) is one the most revered architects of the 21st century. Shooting to fame on the back of The Therme Vals and Kunsthaus Bregenz, completed just a year apart in 1996 and 1997, his work privileges the experiential qualities of individual buildings over the technological, cultural and theoretical focus often favored by his contemporaries.
One of Sweden’s most esteemed living architects, Gert Wingårdh (born 26 April 1951) brought Swedish architecture out of the tradition of the International Style and into contemporary times with his playful design spirit and love of eye-catching materials. With his use of bright colors and geometric motifs, his recent buildings have been described as "Maximalist" or "Modern Baroque."
Many of us have already lived, are living, or will live in a shared student house - a good mix of cheap housing and intense socializing with friends and school mates. For a reasonable price, it is possible to have a single private room and share common spaces. In fact, not only university students are living this way nowadays. The concept of co-living is becoming more and more an attractive and effective solution.
Louisiana Channel has released a video interview conducted with world-renowned architect Daniel Libeskind, where he advises young architects to follow their dreams, take risks, and expose themselves to the possibilities of short term sacrifice for long term gain. Reflecting on the pace of change, Libeskind says “the world is always changing, but not very slowly. It changes just suddenly. It doesn’t change by evolution, it changes suddenly. If a young architect realizes this, it is a big help. It took me a while to realize that.”
https://www.archdaily.com/915734/watch-daniel-libeskinds-advice-for-young-architectsNiall Patrick Walsh
When you start to consider implementing the BIM (Building Information Modeling) methodology, whether as an independent professional or as a construction firm, it's necessary to take into account three key aspects: the technology, the process, and the people who bring it all together. In this article, we will address the key points in every one of these three aspects in order to give you insight into how to best start using BIM.
Today in the United States, buildings account for nearly 40% of carbon emissions (EESI) and 78% of electricity usage. The most sustainability-focused firms run energy simulations for less than 50% of their projects (10% for a typical firm) and only doing so late in the process when design changes are limited and insufficient to combat red flags found in the performance report (AIA 2030 report). We can make building performance widespread once we help the entire community discuss the subject in terms of investment and return. Especially during a project pursuit, since having the buy in from the whole team helps ensure the key project metrics are met. Owners are seeking out teams who are using actual metrics and data driven processes that affect their bottom line. This new approach to practice is what makes the younger teams’ standout and will benefit both the climate and the bottom-line. Here are 5 ways to talk about building performance in your project pursuits:
Archdaily is working with the "Eyes of the City" curatorial team, to publish a series of articles by international architects, designers, writers and thinkers who will discuss the ways in which new technologies - and Artificial Intelligence in particular - might impact architecture and urban life. After the publication of the curatorial statement by Carlo Ratti, Politecnico di Torino and SCUT, we are hosting a text by Chinese architect Yung Ho Chang, curator of the first edition of Shenzhen Biennale in 2005. The open call for proposals for the “Eyes of the City” will run from April 1st to May 31st: www.eyesofthecity.net
https://www.archdaily.com/915461/we-are-looking-back-yung-ho-changs-response-to-curatorial-statement-at-shenzhen-biennial-2019Yung Ho Chang
The Bachelor of Architecture (B. ARCH) at the American University in Dubai was inaugurated in the fall of 2009 and much like Dubai, is young, dynamic, and has achieved considerable milestones over a short period of which NAAB accreditation is at the top. The architecture department along with the Interior Design and the Visual communication departments make up the School of Architecture, Art, and Design (SAAD), which is the only school outside of the USA to have obtained the three primary accreditations (NAAB, CIDA, and NASAD). These accreditations reflect high education standards and quality assurance of SAAD’s programs.
As the world recognizes Earth Day 2019, the public discourse is increasingly dominated by citizen action across the world manifesting a widespread fear and frustration at a perceived lack of action by governments and officials to confront the issue forthrightly. From the Extinction Rebellion protests that have gripped London, to school student strikes across 125 countries, global cities are increasingly finding themselves on the front line of a battle to limit the effects of global warming.
https://www.archdaily.com/915510/how-three-major-us-cities-are-preparing-for-climate-changeNiall Patrick Walsh
Last year I was invited to teach design studio for the first time by Tsinghua University in Beijing, home to the top architecture school in China and one of the strongest in the world, according to the latest international ratings. There, I met husband-and-wife teaching practitioners Qing Fei and Frank Fu. As soon as I witnessed their unorthodox way of teaching by challenging students with rigorous questioning, I wanted to interview them. Their innovative approach did not fit my impression of how architecture is tackled in China. Fei and Fu are Tsinghua graduates; they moved to America in the late 1980s where they studied, worked, and researched both art and architecture for almost two decades. They opened their experimental practice after coming back to Beijing in 2005. Since then they produced urban masterplans, design guidelines for public spaces in Beijing’s 798 Art Zone, and exhibited their work in galleries. We met before their class where they oversaw students’ designs for a new architecture school in place of the current one, articulating what works, what doesn’t, and how to make it a more exciting place to explore architectural possibilities. We discussed their teaching, the impossibility of solving a problem without questioning it first, why they see every one of their projects as a fight, and the importance of fun. They said, “Architecture is a game and we want to play it seriously.”
Now that it's time for the Easter Holidays, kids (and young-at-heart adults) will be busy searching for colorful eggs hidden here and there. As for you architecture lovers, illustrator Chanel Dehond took egg hunts to the next level and found a way to make the activity a bit more relatable.
Take a look at Dehond's eggceptional collection of illustrations, inspired by some of your favorite structures from all over the world.
If you come to think of it, the urban development of the world's largest cities is like playing a game of Tetris; No matter how condensed or crowded, for architects, there is always room for more. However, this act of 'structural stacking' often creates unique architectural compositions.
As a follow-up to his first photo-series, Singaporean photographer and visual artist Kevin Siyuan put together 'Corridors of Diversity', a short montage of communal corridors and HDB (Housing and Development Board) block facades, featuring the dynamic designs and forms of Singapore's densely built environment.
Located near the Neue Museum, the concrete structure was designed by German architect Prof. Heike Hanada. The architect followed the school’s minimalist approach, and developed a 5-storey cubic building, with a clearly defined geometric form and horizontal grooves all around the facade. The museum’s permanent exhibition, which was designed and curated by Barbara Holzer of Holzer Kobler Architekturen, houses the world’s oldest Bauhaus collection, bringing forth debates on contemporary design and showcasing the school’s most notable inventions.
In an exclusive interview with ArchDaily, Holzer explains the creative process of designing the exhibition space, and some of the challenges she faced while exhibiting Bauhaus' distinguished works.
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10 Years in the Making
When Raffles City was completed in the second half of 2017, it undoubtedly marked an important moment for UNStudio. This large-scale project (almost 400 000 sqm) formed the first presence of UNStudio in the ‘Middle Kingdom’. And they entered the large market with a bang. The 2 towers rise to 250 meters in height, gently weave, twist and turn to form a dynamic ensemble while incorporating a large-scale mall at its base. The project is located in Hangzhou, a city about 150 km from China’s financial center Shanghai. While Hangzhou isn’t that well known outside China, the city is one of the most prosperous on the mainland. Nowadays perhaps more famous by being the home of technology juggernaut Alibaba than the more idyllic west lake, Hangzhou is rapidly developing with new areas, districts and financial centers. Raffles City is a key point in one of those new districts. Located along the river, Qianjiang New Area is aiming high. Skyscraper after skyscraper rising out of the ground, the one bolder than the other. But no doubt that UNStudio’s dynamic lines shape the new face of Hangzhou.
On March 1, 1967, João Batista Vilanova Artigas, Brazilian modernist architect, proffered at the College of Architecture and Urbanism of Sao Paulo University an inaugural lesson that marks his return to the university after the exile imposed by the Brazilian military coup. This lesson became one of the most influential concept to the next generation of Brazilian architects and we share here the entire speech.
One of the most important factors when designing is the specific climate of the site, this can represent a difficulty when dealing with extreme climates and it is necessary to use insulating materials that adapt to changing conditions. However, when talking about Mexico and its privileged climate, this becomes an advantage for architects, allowing the creation of microclimates and spaces that fade into the transition of what is the inside and the outside.
Amer Ismail, architect-turned-artist based in London, has developed a spectacular set of intricate “Globe Drawings” of cities around the world. Beginning in 2016, Ismail developed these 5-point-perspective drawings with heavy inspiration from artist Stephen Wiltshire. Having spent many years drawings architecture, including time at Foster+Partners, Ismail tasked himself with developing a series that encompassed his “interest for architecture, city planning, travel, drawings, and Star Wars.”
It is often claimed that “there is nothing more outdated than science fiction.” Indeed, history is awash with speculation on future ways of living, as futurists imagine how advancements in technology, trends, and social norms could alter how we live, and what we live in. The period between 1958 and 1963 could be described as “The Golden Age of American Futurism” where technological milestones such as the founding of NASA coincided with cultural icons such as The Jetsons. Some of this era’s wildest ideas centered on how the houses of the future would look.
At the start, train cars stand ready with cement and bales of fibers. A machine processes the mixture layer by layer into panels of the desired size and thickness. However, some specific production knowledge must be considered in the manufacture of the building material. Marco Ziethen, Swisspearl’s head of production technology, explains us the fabrication process of fiber cement.
In their day-to-day work, architects face a lot of distractions and challenges: managing clients, collaborators and contractors; keeping up to date with the latest software and technologies; drafting planning applications and paperwork; and if you're lucky, even getting to design some things in between. Originally published by ArchSmarter, this post offers 21 tips on how to maximize your productivity and minimize unnecessary work.
Project schedules are getting shorter and shorter. Building types are getting more complex. We already work hard but there are only so many hours in the day. As architects, we need to work smarter, not harder. How can we maximize our effectiveness and our efficiency? How can we manage the increasing flow of information? How can we design better, faster?
Here are 21 ways you can work smarter, not harder:
Last week, we asked our social media followers, "What does public architecture mean to you?" These thoughts are intrinsic to the architectural debate and come into play in various types of projects, especially in those related tothe planning of common-use spaces in cities.
The Tchoban Foundation - Museum for Architectural Drawing in Berlin shared with us this article about the exhibition Siza: Unseen and Unknown curated by architect António Choupina together with Dr. h. c. Kristin Feireiss. According to them, "this exhibition was conceived as a family show, not in the sense of an architectural dynasty but rather as a lyrical collection of drawings from the architect’s private surroundings". The selected drawings are from the Siza family’s own collection and include sketches from known and less well-known projects, as well as architectural fantasies.
Álvaro Siza was born in 1933, on the same year that the Bauhausclosed its doors. He is perhaps the last living modernist or, at the very least, the most significant voice to carry out the unfinished modernist project all the way into the 21st century.
Siza: Unseen and Unknownshowcases this continuity through 100 sketches, as well as its unavoidable contradictions. These drawings are from his most personal archive, in addition to small collections of close friends and family. Hence, they focus not only on the professional legacy but also on the familial one, where Maria Antónia Siza (1940-1973) takes centre stage. His wife will draw him, he will draw her and the loving embrace of the human body will be transversal to architecture, art, life.
If there is any consistent factor in his work, says Pritzker-winning architect Tadao Ando, then it is the pursuit of light. Ando’s complex choreography of light fascinates most when the viewer experiences the sensitive transitions within his architecture. Sometimes walls wait calmly for the moment to reveal striking shadow patterns, and other times water reflections animate unobtrusively solid surfaces. His combination of traditional Japanese architecture with a vocabulary of modernism has contributed greatly to critical regionalism. While he is concerned with individual solutions that have a respect for local sites and contexts Ando’s famous buildings – such as the Church of the Light, Koshino House or the Water Temple – link the notion of regional identity with a modern imagining of space, material and light. Shoji walls with diffuse light are reinterpreted in the context of another culture, for instance, filtered through the lens of Rome’s ancient Pantheon, where daylight floods through an oculus. Ando’s masterly imagination culminates in planning spatial sequences of light and dark like he envisioned for the Fondation d’Art Contemporain François Pinault in Paris.