Creating an atmosphere that enhances exhibitions and enriches the visitor and user experience requires a thoughtful balance between preserving a space's unique character and adapting it to meet the needs of artistic and cultural production. The challenge lies in maintaining a building's industrial atmosphere while accommodating the specific requirements of exhibition design or the various uses the new building will require. This delicate task involves careful consideration of spatial layout, material choices, and lighting solutions, all of which play a significant role in shaping the new environment.
Architecture is often defined by its physical form, materials, and structural elements, but light and shadow truly shape the experience of space. These elements influence perception, guide movement, and evoke emotional responses, transforming static structures into dynamic environments. Throughout history, architects have harnessed the interplay of light and shadow, using it as a fundamental design tool to create atmosphere and meaning.
Through the post-war 20th century, the Global South saw much influence from foreign architects, often invited by local governments to bring their expertise and visionary thinking. Sought as a symbol of modernity, buildings designed by "starchitects" elevated the image of nations. Decades later, as local industries advance in capabilities, the desire for foreign talent continues to exist. Is this a natural result of globalization or is the continued presence of international architects in the Global South a persistent dependency?
Buildner has released the results of its Pape Info PointCompetition, organized in partnership with The Latvia Programme of the World Wide Fund for Nature (WWF Latvia) which focuses on environmental conservation, biodiversity protection, and sustainable resource management in Latvia.
This international competition invited architects and designers to propose a new visitor information point for Pape Nature Park, a protected area on Latvia's Baltic coast. Participants were challenged to design a structure that enhances the park's role in conservation and ecotourism while blending harmoniously with the surrounding landscape. The goal was to create an engaging and educational space that informs visitors about the park's rich biodiversity, migratory bird populations, and unique ecosystems while maintaining a minimal environmental footprint.
For nearly the past two decades, cities around the world embraced "starchitecture"—futuristic, eye-catching buildings designed by globally renowned architects. In China, this trend was particularly pronounced as rapid urbanization fueled the construction of iconic megastructures like Zaha Hadid's Galaxy SOHO, OMA's CCTV Headquarters, and Herzog & de Meuron's Bird's Nest Stadium in Beijing. At the time of their construction, these were all celebrated as symbols of progress and global ambition. However, architecture worldwide has begun shifting toward a more context-driven, human-centered approach, with China emerging as one of the key contributors to this transformation. This year, Liu Jia Kun's 2025 Pritzker Prize further underscores that shift.
To a first-time visitor, Mumbai presents itself as a kaleidoscope of sensory overload. Architecturally, the peninsula city is host to numerous styles. Mumbai's architectural identity emerges from centuries of cultural exchange and colonial influence. What makes the experience unlike that of other historical cities is the density and the proximity in which juxtapositions occur.
"Feeling at home" is more than just an expression—it is the sense of warmth and comfort that transforms a space into a true refuge. To achieve this, elements like color, texture, lighting, and materials play a crucial role in shaping an environment that fosters relaxation and well-being. Backed by research in environmental psychology and neuroscience, the connection between physical spaces and human behavior highlights how architecture can directly influence the atmosphere, turning chaos into tranquility.
Buildner in collaboration with the Dubai Roads and Transport Authority (RTA), invites architects, designers, and visionaries worldwide to participate in theDubai Urban Elements Design Challenge. This international competition seeks innovative designs for small-scale architectural elements that enhance public spaces and contribute to Dubai's evolving urban identity.
What is our vision of public spaces from the past? Consider, for instance, a park—arguably the most iconic example of this typology. It is an environment designed with winding paths and rest areas, where we often find tables and fixed benches, positioned along the way. Its design prioritizes permanence and contemplation. But when we turn to the present, how do we envision it now? Indeed, the traditional concept of public space has not disappeared entirely. However, our way of interacting with it has changed, driven by the need for flexibility in ever-changing environments. This shift has sparked the exploration of new design approaches. As a result, modular seating systems have become a dynamic field of experimentation, continuously adapting to changing uses and perceptions.
https://www.archdaily.com/1027386/are-modular-seating-systems-redefining-our-perception-of-public-spacesEnrique Tovar
Architecture evolves, particularly in how it reflects the relationships between people, their behavior, and the environment. Even subtle variations in these dynamics can influence how we think and live in our communities. According to the World Bank, 56% of the population currently lives in urban environments, and it is estimated that by 2050 this number will reach 70%. This projection echoes the speed and magnitude of urban growth, posing challenges for architects and design firms, from the viability of buildings to the sustainability of the built environment, encompassing residential architecture and other typologies that influence daily life.
https://www.archdaily.com/1027788/case-studies-in-community-centered-living-innovative-residential-designEnrique Tovar
In March 2025, the actor Adrian Brody rose to the stage to collect his Academy Award for playing the role of László Toth in the acclaimed film, The Brutalist. The film is about a Bauhaus-educated architect who escaped Nazi Germany in the 1930s for the United States. Whilst the story is fictional, it reflects the lives of several émigré architects who left Central Europe in search of better working and intellectual conditions. These included the first three directors of Bauhaus, the renowned German school of design established in 1919. The first and third directors of the school, Walter Gropius and Mies van der Rohe respectively, ended up in the US where their careers in teaching and building both flourished. Lesser known is the second director, Hannes Meyer, who took a different path from his colleagues.
I love putting together lists of original manifesto-like statements by architects perpetually searching for breaking new ground. They provoke us to imagine possibilities we haven't dared to consider before. Questioning conventions should be a critic's primary objective to engage in a conversation with a creative. Otherwise, what is there to discuss, really? That's why speaking with Elizabeth Diller about her studio's work and intentions is like a breath of fresh air, especially nowadays when so many architects are happy to align themselves in pursuing what's expected. In one of our previous conversations, Diller put it bluntly: "We don't take professional boundaries seriously. Every time we are handed a program, we tear it apart and continuously ask new questions. Nothing is fixed." This time, we spoke about Diller Scofidio + Renfro's new monograph, "Architecture, Not Architecture." The book, a project in itself, aims to rethink the very limits of architecture. It reinvents what a book can be in the process. During our 1-1/2-hour discussion over Zoom, which I prefer for its frontal dual recording, she said eagerly, "We were always critiquing; we were always throwing grenades at things."
Metal roofs have a long history dating back to ancient civilizations, with early examples found in Roman and Byzantine architecture, where copper and lead sheets were used for durability and weather resistance. During the 19th century, advances in industrial manufacturing led to the widespread adoption of corrugated iron and steel roofing, which became popular for their strength, affordability, and ease of installation. Today, modern metal roofing systems use materials such as aluminum, galvanized steel, and zinc, offering superior performance against extreme weather conditions, fire resistance, and energy efficiency. These surfaces can be designed in various profiles, including standing seam, corrugated, and metal shingles, allowing for aesthetic flexibility and structural integrity. Additionally, reflective coatings and insulation options contribute to energy savings, making metal roofs a preferred choice for sustainable and long-lasting building solutions.
Historically, public bathing was a fundamental necessity for hygiene, giving rise to communal bathhouses in regions where private bathrooms were a rarity. In Japan, for instance, sento bathhouses emerged during the early Edo period, serving as essential facilities when most households lacked their own bathing spaces. Similarly, in other parts of the world where plumbing and water management were considered luxuries, shared public baths became vital components of urban life. Over time, these spaces evolved beyond their functional role, becoming venues for socializing, relaxation, and a temporary escape from daily routines.
However, in the modern era, private bathrooms have become ubiquitous in contemporary homes, effectively addressing the hygiene concerns that once made public bathhouses indispensable. With the rise of alternative social spaces—cafés, fitness centers, bars, and jazz lounges—the traditional communal bath no longer serves the same essential function. While some may still appreciate the social aspect of public bathing, the inconvenience of changing clothes and getting wet in front of strangers can deter many from engaging in the experience.
Al agua patos de K37.lab (Carlos Iraburu Elizalde, Álvaro Oriol, José Rodríguez-Losada, Carlos Iraburu Bonafé), España.. Image Cortesía de k37.lab
The renowned festival of ephemeral architecture and the city, Concéntrico, is gearing up for its eleventh edition, which, as every year, will take place in the city of Logroño. In 2025, the event will be held from June 19 to 24, featuring a program that includes various activities, conferences, and tours aimed at reflecting on public space, cities, and the ways we intervene in and interact with them.
Nowadays, attention to mental health and well-being—not only physical but also emotional and psychological—has become an increasing focus not just in clinical settings but also in relation to numerous everyday factors. A notable example is the White January campaign, which emphasized this urgency, inviting us to reflect on mental and emotional well-being. In this scenario, neuroaesthetics and neuroarchitecture emerge as fields that serve as allies in this pursuit. They are not merely academic disciplines; they are practical approaches that seek to understand how our physical environment affects our psychological state. Neuroaesthetics, in particular, studies the relationship between aesthetic perception and neurological processes, as highlighted by Colin Ellard, a psychologist at the University of Waterloo and author of Places of the Heart: The Psychogeography of Everyday Life (2015).
At a global level, contemporary architecture continues to explore tools and design methodologies to integrate nature into habitable spaces, given its proven benefits and contributions to improving people's quality of life. While there are diverse religious beliefs around the world, religious architecture generally expands beyond its uses and functions to connect with the sacred. Senses, memories, and emotions are transmitted in these spaces through the use of certain materials, spatial organizations, and even sounds and aromas that enhance experiences in atmospheres of spirituality, divinity, and reflection. In Mexico, Chile, Ecuador, Brazil, and Uruguay, projects for places of worship open to the outdoors reflect an architecture that adapts to different natural environments while maintaining the premise that each religion is tied to a social identity and requires a particular connection with its community and surrounding landscape.
Architecture and its atmospheric qualities have long been a subject of discussion, yet reaching a consensus on the matter remains elusive. This is largely because spatial experience is deeply personal—rooted in emotions, sensory perceptions, and individual preferences that are difficult to articulate in words alone. The way one perceives, feels, and interacts with a space adds another layer of complexity, making it challenging to define and agree upon its atmospheric impact. Nevertheless, architects and designers continuously strive to shape environments that are not only functional and comfortable but also capable of evoking emotions and leaving a lasting impression on their occupants.
Many major cities in the United States are grappling with large industrial buildings that have fallen into disuse. These buildings hold historical and architectural significance and are often protected from demolition. Consequently, architects face the challenge and responsibility of adapting these buildings to contemporary functionalities. Opting against demolition reflects a sustainable construction approach and highlights the importance of honoring the built heritage.
For many years, technology has been shaping the future of various industries, and the architecture, engineering, and construction (AEC) industry is no different. Initially, architects used to draw sketches on paper, which later progressed to 2D drawings, 3D digital blueprints, and now BIM—these technological advancements have changed how modern architects approach design by making it more sustainable and efficient. According to the 2024 RIBA AI study, 57% of architects believe AI will improve design process efficiency, and 54% expect to integrate it into their practice within the next two years.
Sustainability in architecture is often framed as a universal challenge, leading to standardized solutions that prioritize efficiency over context. However, architecture is inherently tied to its environment — buildings interact with climate, topography, and cultural history in ways that demand specificity. Instead of relying on standardized sustainability checklists, how can architecture embrace site-specific solutions? This conversation is deeply connected to the concept of Genius Loci, or the spirit of a place, introduced by Christian Norberg-Schulz and embraced by architects advocating for designs that resonate with their surroundings. It suggests that architecture should not be imposed upon a site but rather emerge from it, informed by its materials, climate, and cultural significance. This philosophy challenges the widespread application of generic sustainable technologies, instead proposing that sustainability must be inherently tied to the location in which it operates.
For the 5th Anniversary Edition of the "Monaco Smart & Sustainable Marina Rendezvous", M3 Monaco unveils the new theme of its annual international architecture competition. Students, young architects, and professionals are challenged to imagine a new vision or rethink the development of Certosa Island's infrastructure in Venice, creating a unique dialogue that incorporates regenerative tourism, the maritime journey, the UNESCO World Heritage listing, and the context of "La Serenissima."
The creative fusion of art and activism in urban spaces has propelled the British collective Led by Donkeys into the spotlight, garnering millions of views for their interventions on social media. Their critical visual occupations - whether billboard messages during the day or large-scale projections at night - raise a compelling question: which medium holds the greater persuasive power? The book "Led by Donkeys: Adventures in Art, Activism and Accountability" offers a deep dive into their conceptual approach, charting their rapid evolution over six years. What began as a London-based response to Brexit has expanded into a global critique of political hypocrisy, addressing issues in Europe, the Middle East, and America. For Peter Weibel, former director of the ZKM Center for Art and Media in Karlsruhe, Germany, the innovative fusion of activism and art—or "Artivism"—represents the first new art form of the 21st century. Years of experience in environmental activism provided the group with crucial insights into the mechanics of political communication, the organization of public interventions, and the challenges of achieving meaningful societal change.
