The Royal Institute of British Architects (RIBA) has announced Sutherland Hussey Architects and Gross Max Landscape Architects as winners of a competition to design a new community hub for Sessay Village in North Yorkshire. The proposal, which jury chair Robin Snell believed to have “best expressed the client vision,” aims to become a well-used public destination that properly serves more than 20 local organizations, including a primary school, cricket club and the Sessay First Responders.
The narrow, single-story pavilion will stretch between two circular sports fields, connecting it’s inner halls directly to the outdoors. Continue after the break for more images of the project.
Several projects have been selected to receive this year’s Institute Honor Awards for Architecture, chosen by the American Institute of Architects (AIA). The award celebrates projects which exhibit design excellence in the field of architecture, and is one of the highest such awards in the industry. The recipients will be recognized for their work at the AIA 2015 National Convention and Design Exposition in Atlanta.
View the winners after the break.
Working in reverse, Italian architect Federico Babina’s latest set of illustrations deconstructs the stylistic forms of 25 famous architects into a series of abstract compositions that embody the essence of each architect’s style. This “process,” as Babina says, aims to reveal the “ideal connection between architecture itself as a form of representation and the representation used in its design.”
“The architecture is a set of shapes that draw volumes and voids which sequence generates functions and meanings. These illustrations are one of the possible ways to watch, observe and describe architecture… In these pictures you can read architectural references or simply let your mind get lost between the lines and colors for more imaginative interpretations.”
View all 25 illustrations, after the break.
This past year was a record-breaking season for skyscraper construction. According to a new survey by the Council on Tall Buildings and Urban Habitat (CTBUH), 2014 saw the completion of 97 buildings that were at least 200 meters tall. Of those, 11 were 300 meters or taller, earning them the classification of “supertall.” These are the highest figures on record, with 2011, for example, seeing only 87 200-meters-plus buildings completed.
In addition, in 2014 the total height of completed buildings (23,333 meters) broke the 2011 record of 19,852 meters. With major countries like China becoming increasingly urbanized, and the world economy recovering from recession, the CTBUH expects that these numbers will only increase. See the details of CTBUH’s report, and learn what the numbers may predict about the future of skyscraper construction, after the break.
In The New Yorker’s latest Postcard from Rome Elizabeth Kolbert talks to Renzo Piano in his Senate Office at the Palazzo Giustiniani, just around the corner from the Pantheon. Piano, who was named a Senator for Life by Italian President Giorgio Napolitano in September 2013 (when he was 75 years of age), immediately “handed over the office, along with his government salary, to six much younger architects.” He then “asked them to come up with ways to improve the periferie - the often run-down neighborhoods that ring Rome and Italy’s other major cities.” Kolbert attests to Piano’s belief in the power of museums and libraries and concert halls. For him, ”they become places where people share values [and] where they stay together.” “This is what I call the civic role of architecture.”
Five consortiums have been shortlisted to envision the University College London’s (UCL) new 125,000-square-meter campus on a key section of London’s Olympicopolis. Planned for the site’s cultural and educational district, nearby the future homes of Victoria & Albert Museum, University of the Arts London and Sadler’s Wells, the campus’ first phase will include the university’s first School of Design, a “Museum of the Future,” and the UCL Center for Experimental Engineering.
The complete shortlist, including Aecom, Gehl Architects and Stanton Williams, after the break.
Rem Koolhaas and art philanthropist Dasha Zhukova will be gracing the WSJ. Magazine’s February cover as “art partners” embarking on a transformation that will turn a ruined Brezhnev-era Communist landmark – the Vremena Goda in Moscow’s Gorky Park – into the Garage Museum of Contemporary Art’s new home. “The building is basically a found object,” said Koolhaas, regarding his “raw” design and intent to preserve the structure’s decay. “We are embracing it as it is.”
The museum’s new home will “challenge the white-cube tradition of Western museums,” says Zhukova. A double layer of polycarbonate plastic will encase the intact structure so it appears as a translucent box hovering six feet above ground. Commissioned artworks will be presented on a backdrop of “raw brick and broken tiles.” Learn more about the Garage’s design, here, and read the WSJ. Magazine’s full report, here.
Ole Bouman, former director of the Netherlands Architecture Institute (NAi), has been appointed director of the new Victoria and Albert Museum-backed Shekou Design Museum in Shenzhen, China. Set to open at the end of 2016 in a Fumihiko Maki-designed building within the Sea World Arts and Culture Center, the new design museum aims to serve as an international platform for Chinese design.
“We wanted to offer the local residents an internationally important museum that would help promote the development of China’s creative industries and further progress design in China,” stated China Merchants Group (CMG) vice president Sun Chengming. CMG is collaborating with London’s V&A to realize the project.
More about Bouman’s appointment, after the break.
UPDATE: Congratulations to winners Robert, Angelo, Nathaniel, Enasaveva, and Avi! We will be contacting you via email.
When Italian architect Federico Babina released his Archibet set this past year, it was an instant hit; no surprise, considering Babina’s illustrations depict the styles of 26 famous architects, from Alvar Aalto to Zaha Hadid, in a clever way unlike anything else. Now, thanks to Babina and publisher Laurence King, five of our readers can win their very own Archibet set.
Official rules: Check out Babina’s complete Archibet set (here) and let us know your favorite “letter” in the comment section below. Five winners will be chosen at random from entries received between Monday, January 12th and Sunday, January 18th 11:59 EST. Anyone in the world is welcome to participate. One entry per person. ArchDaily will enforce verification and remove duplicated ones before choosing the winner.
Bonus: ArchDaily readers can purchase a copy of Archibet by Federico Babina at a discount of 30% when ordering from www.laurenceking.com. Enter the code ARCHIBET30 at the checkout.
Visiting a city as large as Chicago can be overwhelming. For the architect, this is doubly true. The city is a treasure trove of architectural history, perhaps most notable as the birthplace of the skyscraper and the Chicago School. Names like Louis Sullivan, Frank Lloyd Wright, and Daniel Burnham are commonplace in Chicago, their buildings nestled amidst more modern works by the likes of SOM, Jelmut Jahn, and Studio Gang Architects.
Still more works are hidden away in obscure corners of the city, less well known but equally representative of the time and style in which they were built. In the interest of cataloging these buildings, and bringing attention to those that may not be on the typical city tour, blogger John Morris has created Chicago Architecture Data. A near-comprehensive survey of projects built before 1940 organized by neighborhood and architectural style, Chicago Architecture Data is a veritable history book for the architecture of the Windy City.
The Berlage’s Master of Science in Architecture and Urban Design: Architectural Education in the Age of Global Practice
In the second decade of the twenty-first century, the built environment continues to be redefined on an unprecedented scale by global shifts of culture, economy, and geopolitical structures. Cities and countrysides are transforming differently from country to country; national and local governments continue to define specific legal frameworks impacting building practice; and value systems and social norms remain strongly bound to culture. At the same time, different regions around the world deal with similar changes, from urban sprawl and rapid urbanization to the consequences of an aging population and the lifestyle challenges of the middle class.
In the last two decades the spread of professional skills and new technologies around the world expanded the market for international design services. The looming new role of global professionals raises crucial questions regarding the knowledge and expertise of architects and urban designers: How can we learn from different cultures of building all over the globe? How can designers perform within the clash of cosmopolitanism and localism? Which design strategies and research approaches mediate between international and local conditions? How can a globally oriented designer engage with local mores and trades? Do practitioners who operate internationally have an ethical duty to assist in transferring new skills to local architects? These considerations underscore how globalism is affecting every practitioner, even those who never leave their home nations.
Drawings, technologies, clients, and workforces flow easily between networked continents and cultures. Yet designers are often confronted with the intractability of local circumstances. How can architects and urban designers critically contribute to the construction of a borderless, cosmopolitan culture that transcends national borders and identities?
The 2015 RIBA Norman Foster Travelling Scholarship has launched and is inviting applications from schools of architecture around the world. A £6,000 grant will be awarded to one student by a panel of judges which will include Lord Foster and the current President of the RIBA, Stephen Hodder. First established in 2006, the scholarship is now in its eighth year and is designed to fund international research on a topic related to the survival of our towns and cities in a location of the student’s choice.
Registration is now open for AIA Convention 2015, one of the largest and annual gatherings of architects and design professionals in the US. This year’s much-anticipated schedule includes: President Bill Clinton’s day one keynote address, 300+ career-changing workshops, seminars, tours, and events led by visionaries, grassroots champions, change agents, and rising stars. A dynamic expo floor turned into a temporary built environment with hundreds of exhibitors, first looks, and surprises. All the details can be found, here. ArchDaily will see you there!
There are 207 branch libraries in the city of New York, each providing a number of services to city residents. From the simple lending of books to adult technical literacy classes, these institutions are as vital as they were before the advent of the internet, and their attendance numbers prove it. Between the years of 2002 and 2011, circulation in the city’s library systems increased by 59%. Library program attendance saw an increase of 40%. In spite of this, library funding was cut by 8% within this same timeframe, which has made it difficult to keep many of the system’s buildings in good repair. To spark interest and support from city leaders, The Architectural League, in collaboration with the Center for an Urban Future, instigated the design study Re-Envisioning New York’s Branch Libraries.
Sponsored by the Charles H. Revson Foundation, the study is the effort of five design teams chosen by the League. These teams – including MASS Design Group and SITU STUDIO - were charged with proposing exciting new library designs that follow the League’s themes of “integrating libraries into the city’s housing and community development goals, reconfiguring libraries to meet community needs, and developing new ideas for expanding the impact of branch libraries.” The teams presented their work at a January 4th symposium. See each of the proposals, as well as video footage of that symposium, after the break.
In 2013, Bjarke Ingels Group came first in Paris‘ Europa City competition, an 800,000 square meter cultural and recreational facility on the far North-Eastern outskirts of the city. In an attempt to explain the design of this huge project, filmmakers Squint/Opera have enlisted the help of Bjarke Ingels and a green screen to describe the project - Minority Report style – with a combination of live action and futuristic video effects. In a second video, a detailed walkthrough of the building enlists both 2D and 3D graphics “to capture the excitement and energy of this unique centre.” Read on after the break for both videos.
The city of Bressanone, Italy, is looking for a new School of Music, and Tomas Ghisellini Architects have won a recognition of honor for their proposal. Taking inspiration from the loggias, piazzas and cloisters of the surrounding city, their school design creates a “landscape within a landscape” in which students may study and practice music. Called “Supernova,” the design includes a rehearsal hall, classrooms, and plenty of indoor and outdoor spaces that act as transitional space between the city fabric and the abutting parkland. Learn more, after the break.
The AIA Small Project Practitioners (SPP) invites architects and architecture students to submit design ideas to the 2015 SPP Small Project Design Competition – POP-UP 2015: “A Safe Space.” In this unique design competition, submitters are asked to design a discreet, compact and efficient shelter for the homeless. The fully constructed and completed winning design will be donated to the local non-for-profit partner, The Mad Housers, for use by their clients and program participants.
Four projects have been selected by the American Institute of Architects’ (AIA) for honorably expanding the role of the architect beyond the building and into the realms of urban design, regional and city planning, and community development. These projects will be honored with the AIA’s Institute Honor Awards for Regional and Urban Design at the 2015 National Convention and Design Exposition in Atlanta. See the winners, after the break.