Although the practice of architecture has historically done little to address the basic needs of those in the developing world, in recent years architects have gradually extended their reach into the realm of humanitarian work, as most notably exemplified by Pritzker Prize winner Shigeru Ban. Despite these advances, one third of the world’s population does not have access to adequate sanitation. This is astounding given the amount of resources and technology we have available to us in the 21st century, and it is a problem that architects have the opportunity to solve; some architects, including Julia King, have already begun to take on this challenge. It is also the focus of “Zero Project,” the first initiative of non-profit organization BuildAChange. Read about their proposal after the break.
On the 26th of September, Norman Foster will be at the Guggenheim Museum in Bilbao as the inaugural recipient of the very first BIA (Bilbao Bizkaia Architecture) Award. Recognizing Foster’s contribution towards the development of Bizkaia through architecture and urban regeneration, the prize highlights Foster’s iconic original design for the Metro Bilbao stations in the Basque Country.
After months of planning and preliminary design, it is expected that architecture firm KPF will be given permission to proceed with their New Bondway project in Vauxhall, London. This residential complex is sited in the Vauxhall Nine Elms Battersea Opportunity Area, in close proximity to the new US embassy. The property was previously to be the site for the Octave Tower designed by Make architects, until the proposal was rejected by the Secretary of State.
Wim Pijbes, director of Amsterdam’s Rijksmuseum, has declared in an open letter to the Dutch newspaper NRC Handelsblad that the Dutch capital is “dirty, filthy, and too full.” Complaining primarily about the culture of short-stay accommodation, segways, scooters and canal cruisers in the historic heart of the city, he argues that “the charm and spirited character has long since faded.” Amsterdam, an apparent magnet for those who enjoy an “anything-goes atmosphere,” faces an uphill battle in order to remold a dwindling reputation.
Initiatives like Project 1012, which seeks to put a cap on (and even shut down) some of the brothels and marijuana ‘coffee shops’ in the city’s historic core, is part of a wide-reaching clean up campaign. For Feargus O’Sullivan however, “if Amsterdam loses its sense of license, its aura of permissiveness, and its immaculate order held in delicate balance, then it will lose some of its delight, its uniqueness – even its Dutchness.” Read his article in The Atlantic’s Citylab in full here.
The component parts of Monditalia, the 41 projects that line the vast corridor of the Arsenale, provide contextualization for architecture operating within larger systems, be it politics, media, border control, religion, etc. When we spoke to Ippolito Pestellini Laparelli of AMO, Monditalia’s head curator, he stressed that “the exhibition is a method, more than anything. This idea of the scanning through the country, selecting case studies, selecting another way to represent the case studies…it’s a method that can be applied also elsewhere.”
Monditalia mobilizes the other sectors of the Venice Biennale — Cinema, Dance and Music — in order to capture a “polyphonic” portrait of a European country with what Laparelli describes as “extreme conditions.” Infographics produced in preparation for the exhibition demonstrate the statistical disparities between Italy and other nations. The scan of Italy begins from the south and continues to the north, allowing “different topics to collaps[e] or collid[e] onto each other, such as you would find when you travel through a real territory.”
Monditalia’s events have been programmed to take place between June and November in conjunction with a series of 21 Weekend Specials that allow further exploration of the issues/topics/case studies brought forth in the exhibition at large.
Watch Ippolito Pestellini Laparelli explain Monditalia in the video above, read on after the break for the curatorial statement, and see the rest of ArchDaily’s Biennale coverage here.
Architecture competitions offer an opportunity for architects to launch their careers, and in some cases generate unexpected designs in the process. Many iconic works of architecture, including the famous Sydney Opera House, were the result of open design competitions – but do architecture competitions today maintain the influence they might have had in the past? While critics in the United States have recently argued that it could be time to quit competitions, Donald Bates argues that Australians should be organizing more. In his article on The Conversation, Bates discusses the state of design competitions in Australia, and why we should take another look. Read the full article here.
New York-based architect and co-founder of WORKac, Amale Andraos, has been selected as the new dean of Columbia University’s Graduate School of Architecture, Planning and Preservation (GSAPP), the Columbia Spectator has reported. Andraos will assume the position on September 1, replacing Mark Wigley who announced his retirement last year.
What will New Orleans look like in one year? Ten years? Fifty years? The Future Ground design competition, hosted by the Van Alen Institute, is looking for multidisciplinary teams help shape the city’s future by answering these questions. The competition is specifically looking for teams to “generate flexible design and policy strategies to reuse vacant land in New Orleans, transforming abandoned landscapes into resources for the city.”
Request for qualification applications are due September 29, 2014 and the three winning teams will be announced the following month. These three teams will be awarded $15,000 to participate in a six-month research and design process alongside national experts and local stakeholders. The outcome of their research will be socially, economically, and ecologically sensitive solutions that the New Orleans Redevelopment Authority (NORA) can implement and other cities can replicate.
For more information, click here.
During the frenzied press preview of the Venice Biennale, the ArchDaily team received an unexpected and delightfully odd request. Rem Koolhaas, the subject of interviews with countless media outlets, was going to turn the tables. This time, he would be the one asking the questions. He wanted to show his appreciation for the work of Charles Brooking and The Brooking National Collection.
A collector from a young age, Charles Brooking was encouraged by a tutor to pursue his love of rescuing discarded building parents (elements of architecture, if you will). He founded the collection in 1966 and, in the process, has “chart[ed] the evolution of Britain’s constructional elements over the last 500 years.” Though Brooking’s collection of approximately half a million items contains everything from fire grates to stairs and shoe-stoppers to postboxes, the OMA exhibition highlights the evolution of the window.
With the development of better-insulated alternatives, Brooking’s collection of windows continues to grow. In fact, it is precisely this dialogue between old and new that is emphasized in the Windows room in the exhibition: Brooking’s window collection graces a wall that surrounds current high-tech window-building machinery. As we (architects, clients, users) engage in a relentless pursuit of uniformed comfort, especially when it comes to architectural detailing, Koolhaas asked Brooking what he thought this meant for the “the very things we want to preserve.” He asks Brooking, “Are you willing to suffer for the principle of authenticity and preservation?”
Design firm Platform for Architecture + Research (PAR) has been awarded AIA Los Angeles’ Presidential Emerging Practice Award. The award, which reflects “notable, innovative achievements in design and service to the profession,” is the highest honor given by AIA LA each year. This year, in response to Los Angeles’s continued urban evolution, the award jury nominated those firms who “take leadership roles in advancing the profession and thus, the City.” PAR fit the bill, both for their research-based design approach, and their commitment to improving public life through design. See some of their latest work, after the break!
In an interview with Rowan Moore for The Observer, British born architect David Adjaye discusses his work, personality and ambitions as head of the one of the fastest growing internationally operating practices. With Moore’s immersive descriptions and expertly written narrative, the “breadth of Adjaye’s vision” becomes apparent. Featuring precise descriptions of some his upcoming projects, including the designs for the Smithsonian’s National Museum of African American History and Culture and a number of smaller buildings in London, Moore’s discussion ultimately explores Adjaye’s early (and successful) steps into the African architectural market. You can read the interview in full here.
Today marks the 45th birthday of Joshua Prince-Ramus. Receiving a bachelor of arts in philosophy from Yale, Prince-Ramus graduated from Harvard’s Graduate School of Design in 1996. He was one of the founding principals of OMA’s New York office, eventually buying out Rem Koolhaas’s share of the company in 2006 to form a separate office entirely: REX. Prince-Ramus continues as head of the firm to this day.
Details have been leaked of a major new development on the Southern edge of downtown Toronto, just East of Union Station. The scheme, uncovered by UrbanToronto and its inquisitive users, involves the connection of sites on both sides of the railway tracks, and will include three towers and a pedestrian bridge featuring a park and retail space. It is understood that Wilkinson Eyre are the architects, after BD confirmed last week that they have recently won a major competition in Toronto.
Read on for more details of the project
Renowned architect, theorist and educator Peter Eisenman turns 82 today. Eisenman initially rose to fame in the late ‘60s, as part of the New York Five, a group that shared an interest in the purity of architectural form. Eisenman’s work, whether built, written or drawn, is characterized by Deconstructivism, with an interest in signs, symbols and the processes of meaning-making always at the foreground. As such, Eisenman has at times been a controversial figure in the architectural world, professing a disinterest in environmental sustainability.
Rio de Janeiro has been selected to host World Congress of Architects UIA 2020, one of the world’s most important architecture forums. The news was announced yesterday by one of the UIA’s former presidents and current Secretary of the Session, Vassils Sgoutas, during the General Assembly of this year’s congress in Durban, South Africa. Rio’s application was spearheaded by Brazil’s most important architecture institution – Instituto de Arquitetos do Brasil (IAB). The South American city beat out two strong candidates: Melbourne and Paris.
After the presentations of the three candidate cities, two rounds of voting began. In the first round Rio got 85 votes, against Melbourne’s 73 votes and Paris’ 44 votes. In the second round Rio beat Melbourne with 107 votes against 95.
ArchDaily has teamed up with the The Berlage to provide exclusive access to their newly digitized archive of lectures. The Berlage is a postgraduate international institute where some of the world’s most renowned architects, thinkers, designers, photographers and other professionals come to share, exchange and critically reflect upon their ideas. Over the last 23 years, The Berlage has built up an extensive archive of seminal lectures. Thanks to this partnership we can now share them with you. ArchDaily is committed to providing inspiration and knowledge to architects all over the world, so please look forward to monthly publications of these lectures during the coming year.
What is Europe’s new role in a globalized, post-terrorist world? In this lecture from 2001, Italian architect Stefano Boeri meditates on the intersection of socialism, urbanism and globalization in a world still reeling from the attacks on September 11th, which had occurred just months prior. ”Multiplicity,” he explains, is about creating an opportunity to discuss the myriad of components affecting the all-encompassing world of architecture. Boeri paints his ideas in broad strokes, punctuating with specific examples of social uprising as catalysts for movements within architecture.
“Europe cannot be read as geographical or geopolitical environment” says Boeri, “it has a history of mobile borders.” In a world turned upside down by a new culture of terrorism, Boeri delves into the traveling museum exhibition as a worldwide vehicle for research, discussion and progress. Referencing his research on urban planning in “Mutations” with Rem Koolhaas, Boeri places architecture on the leading edge of societal progress, as typified in his later project Bosco Verticale in Milan.
Check out the other lectures in The Berlage Archive series:
The scaffolding has come down, revealing the first glimpse of FAT‘s extraordinary A House For Essex. Designed in collaboration with British ceramic artist Grayson Perry and commissioned by Alain de Botton’s alternative holiday rental project Living Architecture, the house will be the final built work that FAT complete. The bejewelled two bedroom dwelling, topped with a shimmering golden copper alloy roof and clad in glinting green and white tiles, sits in the rolling landscape of Essex – Charles Holland (FAT) and Perry’s home county. Adorned with sculptures integrated into a wider narrative that spatially recounts the life of a fictional character called Julie, the barn-like shape, bold colours and decoration has not simply garnered widespread attention but has also captured people’s curiosity.
Find out more about the project in an interview with the architect after the break.