In “How (Not) to Host the Olympics,” I suggest that, when it comes to Olympic Planning, there is one Golden Rule: “The best thing to do if you’re bidding for the Olympics, Is to Not Get the Olympics.”
However, a recent article from The Atlantic Cities’ Emily Badger takes that claim to question.
Badger follows up in Chicago, a city that bid – hard – for the 2016 Olympics (which will take place in Rio de Janeiro). As she puts it: “We often ask what Olympic cities really get in return for all the money, energy, and construction chaos invested in hosting the world’s largest sporting event. But the story of cities that vie for but never win the Games raises a different question.
‘What does putting together a bid that is unsuccessful leave you?’”
LEESER Architecture’s design for the Museum of Moving Image has recently been announced as the winner of the 2013 Red Dot Design Award in its highly competitive Architecture and Urban Design category. Completed in 2011, the Museum of the Moving Image houses a comprehensive collection dedicated to educating the public about the art, history, technique, and technology of film, television, and digital media.The existing structure is seamlessly integrated with the substantial new addition through a grand lobby which connects the two. More information on their award after the break.
Fusing Architecture and Music: Philip Kennicott On the Inspiration Behind Steven Holl’s Daeyang Gallery and House for Dwell
Awarded yesterday with the 2013 Pulitzer Prize for criticism, Philip Kennicott has built an honorable reputation as a art and architecture critic for Washington Post’s Style section. One of his most recent works, Music Holl: A Copper Clad Pavilion - exclusively published in Dwell’s May Issue Global Style - recounts the inspiration behind Steven Holl’s award-winning Daeyang Gallery and House in Seoul.
Designed as an experiment on “the architectonics of music,” the basic geometry of the Daeyang Gallery and House was inspired by Istvan Anhalt’s 1967 ‘Symphony of Modules’ – a uniquely transcribed sheet of music found in John Cage’s contemporary music compendium, Notations. Reminiscent of the “blocky and shard-like shapes” of Anhalt’s sketch, Holl’s design features three copper-clad pavilions punctured by a symphony of carefully placed, rectangular skylights that animate the interior with “bars of light”. As Kennicott describes, Holl uses music as a “powerful metaphor for the dynamic unfolding of experience” (captured in this film by Spirit of Space).
Read Kennicott’s Music Holl: A Copper Clad Pavilion in its entirety here on Dwell. Continue after the break to compare Steven Holl’s Daeyang sketch above with Anhalt’s ‘Symphony of Modules’.
There are many ways that the architecture profession has lead the way in environmentally friendly design – but when it comes to the process of creating buildings themselves, the industry works its way through huge amounts of paper. Frank Gehry, through his offshoot technology company Gehry Technologies, is aiming to change that.
The company has recently announced that its GTeam software, which has so far been available for less than a year, will now make use of Box, a cloud based storage system that is well suited to large files associated with complex 3D models that are often required in designing buildings.
Read more about Gehry Technology’s new software collaboration after the break
It’s surprising to think that Los Angeles - the home of the U.S film industry – doesn’t have a museum solely dedicated to its homegrown artform. However, all that is about to change should the Academy of Motion Pictures have their way.
Last Thursday, plans were unveiled for the long-touted Academy Museum of Motion Pictures, a new museum designed by Renzo Piano and native Los Angeleno architect Zoltan Pali, which will be located in the streamline-moderne Wiltshire May Company building at Wilshire Boulevard and Fairfax Avenue, on the campus of the Los Angeles County Museum of Art (LACMA). Although the designs are at an early stage, the released drawings propose to convert the historic building into a museum, while marrying it with a 140-foot-diameter glass dome.
Read more about the project after the break…
Across the globe, architecture programs are cutting resources and raising fees in an effort to stay afloat. Meanwhile, architecture students feel powerless to demand more – to demand quality, to protest fees, to suggest how curricula could better serve them for the future (a poignant concern in this troubled economy, where even a competitive degree doesn’t guarantee post-grad employment any more).
In this Catch-22 of a situation, what can students do? Well, as any good architect-in-training, they can use their craft to form a solution.
Which is exactly what, on the 9th of April, 20 architecture undergrads from the University of Sydney did.
More on the University of Sydney students’ architectural protest, after the break…
The Architectural League of New York announced early this month the award of its 2013 President’s Medal to Renzo Piano of the Renzo Piano Building Workshop.The President’s Medal is the Architectural League’s highest honor and is bestowed, at the discretion of the League’s President and Board of Directors, on individuals to recognize an extraordinary body of work in architecture, urbanism, or design. This award also exemplifies the Architectural League’s 130-year history of encouraging and honoring excellence in architecture, urbanism, and design. The medal was presented to Renzo Piano, one of the world’s most admired architects, by Architectural League President Annabelle Selldorf on April 9th at a dinner with over 350 guests in Manhattan. For more information, please visit here.
We have already written about the dauntingly high rates of unemployment that are awaiting architecture-degree graduates in the profession these days, but a recent survey conducted by the AIA/NCARB Internship and Career Survey reveals an optimistic view of job growth and job placement in the two years since the “intense economic contraction” of 2010. The AIA writes, “emerging professionals have begun experiencing a rebound, with higher employment levels, more young designers getting licensed, and any remaining unemployment becoming, in most cases, mercifully short”. (more…)
Nearly two years after unveiling the design to the public, Herzog & de Meuron broke ground this morning on the new ‘Grand Stade de Bordeaux’ in France. Surrounded by lush vegetation typically found in this green belt district, the stepped concourse transitions visitors through a forest of slender white columns to the stadium’s bowl, whose form ensures maximum flexibility and optimal visibility for all 43,000 spectators.
Completion is set for 2015, just in time to host the Euro 2016 football championship.
The architect’s description after the break…
Danish architecture firm, BIG - led by Bjarke Ingels – has been announced as the winner of an international invited competition for the design of Europa City, a 800,000 square meter cultural, recreational and retail development in Triangle de Gonesse, France. Combining city development with an open landscape, Europa City creates a dynamic center of activity for visitors and residents, appealing to the variety of functions of city life. Europa City is situated along the route from Charles de Gaule Airport to Paris and has a wide range of programs that is part of a larger initiative to attract international tourism into the northern parts of Paris.
More on the project after the break…
With the United States Senate opening up the debate on legislation for increased gun control, we felt it was time to revisit a question we’ve asked ourselves in the past: what can design do to prevent gun violence?
Read more about the recent debate about the potential of design for gun violence, after the break…
There are many sustainable technologies designers can utilize these days to make a project more Earth- and people-friendly, but smog-eating cement isn’t the most talked-about – until now. The City of Chicago is pioneering the use of a revolutionary type of cement that is capable of eradicating the air around it of pollution, potentially reducing the levels of certain common pollutants by 20 – 70% depending on local conditions and the amount of exposed surface area.
Peter Wilson, co-founder and director of Bolles+Wilson, was awarded the Australian Institute of Architects Gold Medal, their highest accolade, at a ceremony last month in Canberra. The Institute bestows the medal upon architects who have designed, or executed, exceptional buildings, promoted the knowledge of architecture, or have made some defining contribution to the field.
Peter Wilson, partner in the Münster based office of BOLLES+WILSON, was recently awarded the AIA‘s (Australian Institute of Architects) highest honor, its 2013 Gold Medal. The recognition acknowledges Peter Wilson’s role as remarkable statesman for Australia as well as an outstanding body of architectural works of great distinction, widely published and exhibited over more than thirty years. The Gold Medal also cites Wilson’s longstanding contribution to the development of architectural drawing as a tool of representation and research. More information on Wilson’s award after the break.
Selections of the AIA’s 2013 small project awards have been announced, revealing a broad range of projects, varying in scale, program and function that bring attention to the value of architectural practice no matter the size or scope of the project. The ten projects were selected on the basis of four categories: small project construction up to $150,000; small project construction up to $1,500,000; up to 5,000 square foot project in which the architect played a significant role in construction and or fabrication; and an inbuilt workhorse up to 5,000 square feet. Among the recipients are MIN | DAY, Kariouk Associates, Johnsen Schmaling Architects, Mell Lawrence Architects, Cooper Joseph Studio, Robert M. Gurney, FAIA, WRNS Studio, and Edward Ogosta Architecture.
Join us after the break for more information on the ten recipients and the projects that earned the AIA’s recognition for the 2013 small project awards. (more…)
In July 2012, the AA, in partnership with the Adriano Olivetti Foundation and Gehry Technologies, launched Factory Futures: A three year research program aimed at exploring innovative architectural responses for the productive landscape of the future. The mission of Factory Futures is to connect the realms of contemporary urban theory with computational design techniques for the affirmative re-empowerment of the architectural practice within contemporary conditions of production. This year, the Ivrea Visiting School will develop design tools and research concepts to confront this phenomenon, which is challenging the conventions of both architectural design and urban theory during their workshop which takes place July 1-12. More information after the break.
The G Project, hosted by G Adventures and The Planeterra Foundation, is giving four lucky innovators, inventors, visionaries and designers the opportunity to bring a humanitarian and forward-thinking project to fruition. The G Project is inviting anyone to submit a design idea of any scale that will have a “positive impact on your planet”. The idea must be a proposal that falls into one of four categories: freedom, beauty, knowledge or community. It is a crowd-sourcing exercise that seeks to engage ideas of any variety and asks the global community to contribute to deciding which projects deserve to be realized.
This week at the 52nd edition of the Salone Internazionale del Mobile in Milan, over 2,500 exhibitors showcased an endless collection of the latest international products and home-furnishing designs. Among them included a variety of elegant and intelligently designed items envisioned by some of our favorite architects. Continue after the break to scroll through a list of the best architect-designed products featured at the Milan Design Week 2013.
This week, 2008 Pritzker Prize laureate Jean Nouvel is expressing his vision for the workspaces of the future at the Salone Internazionale del Mobile in Milan. Nouvel was asked by Cosmit, the Salone’s parent company, to create a huge project tailored specifically to the Saloni that would document the tremendous changes that have altered living and working spaces over the past few years. Nouvel responded with a project that “frees up the office space” and is a “counter to urban segregation and the zoning of other specially dedicated workplaces.” He achieves these goals in his design by rejecting cloned and enclosed spaces as well as serial repetitiveness, suggesting more cohesive formulas that will better serve the domestic and international workplaces of the future.
More from Cosmit on “Project: office for living” after the break.
New York’s City Council have unanimously backed a proposed plan to restore and redevelop the aging giant that is Pier 57. Built in 1952, the 300,000 square foot pier was hailed by Popular Mechanics as a ‘SuperPier’ for its vast size and unconventional construction, as most of the pier’s weight is supported by ‘floating’ air-filled concrete cassions. The pier was originally used as a bus depot by the New York City Transit Authority, however it has been lying vacant since 2003. The latest decision brings a concrete end to years of speculation as to what the fate of the pier would be.
Read more about the proposal after the break…
London’s Design Museum has announced the seven category winners for the annual Designs of the Year Awards, celebrating the best of international design from the last 12 months. Among the seven category winners include the renovation and reimagining of a faded 1960s tower block in Paris and the ”quiet” graphics of David Chipperfield’s 2012 Venice Architecture Biennale, Common Ground.
The seven category winners are: