Friends of the High Line, along side James Corner Field Operations and Diller Scofidio + Renfro, have unveiled what could possibly be the gateway into the third and final stretch of New York’s most prized parkway. Planned to mark the northeast terminus of the High Line at Rail Yards on 10th Avenue at West 30th Street, the “immersive bowl-shaped structure,” known as “The Spur,” hopes to bring a pocket of New York’s lush woodlands to the heart of the city.
As cities continue to attract more people, naturally vegetated areas slowly wither, leaving little to no green spaces for city dwellers to escape to, no trees to purify the air and enhance the environment. Australia plans to change this. The 202020 Vision is a concerted effort from the government, academic and private sectors to create twenty percent green areas in Australia’s urban centers by 2020. “Urban heat islands, poor air quality, lack of enjoyable urban community areas are all poor outcomes when green spaces aren’t incorporated into new developments and large scale building projects.” Read about the 202020 initiative here, “More green spaces in urban areas, says new national initiative.”
In the mutable world of architecture it’s easy to get distracted by the trendy new thing, be it the tallest tower or the “blobbiest” form. Robert A. M. Stern (Dean of the Yale School of Architecture and a practicing architect in his own right), on the other hand, remains purposefully old-fashioned (to the point of becoming obsolete). In an exquisitely written article for the New York Magazine, Justin Davidson reports that, despite the mockery of his colleagues, Stern seems unfazed. If his architecture has the power to inspire, he says, then he’s done his job. Read the full must-see article here.
The celebrated architect and designer began his architectural education at the Architectural Association in London in 1968, eventually founding OMA (Office of Metropolitan Architecture) with one of his former professors, Elia Zenghelis (along with Zoe Zenghelis and Madelon Vriesendorp).
Despite it’s current ubiquity, the firm’s beginnings in 1975 were fairly modest. The commission of the high-profile Euralille project in 1989 was a turning point; the firm then began to move away from small scale projects (such as the Villa dall’Ava) to the large scale works that they’re known for today.
Dream of one day making your own home? Well, here’s a fun mini alternative in the meantime. The “DIY Concrete House Ring” is a high quality silver and concrete ring that lets users experience the process of ‘making’. The ring itself is made from a DIY compact kit, and comes in two familiar architectural silhouettes – gable roof or saltbox roof – and in either light or dark concrete. The project was developed by Linda Bennett, author of “10 Things They Don’t Teach You in Architecture School” and “Searching for a Job in Architecture? 10 Things You Need to Know…” via her blog, archi-ninja. Check out the project’s debut on kickstarter (which offers fantastic perks for backers) for more information.
Industry leaders recently came together to announce the winners of the 2013 Architecture at Zero competition, which included five professional and one student awardee. The competition, which is co-sponsored by AIA San Francisco and Pacific Gas & Electric, focuses specifically on the design of zero-net energy structures.
While zero net energy is easily achieved in smaller buildings, it’s a challenge in larger structures – and the competition challenged entrants to think big. With the aim of being as close to zero net energy as possible, competition entries had to be a mix of affordable and market rate housing units and include a full neighborhood-serving grocery store on the ground level.
Read more for the winners…
Last week’s devastating typhoon in the Philippines has reminded designers of the ongoing challenge of creating safe, temporary shelters when natural disasters hit. Crates of food and water are some of the first types of aid delivered to these ravaged areas; so what if these resources could be designed to also provide shelter and minimize waste? The New York Institute of Technology’s School of Architecture asked just that question and came up with a solution: SodaBIB, a new type of shipping pallet that would allow commonly used plastic bottles to be used for shelter.
PLAT Journal invites content for its forthcoming issue, Mass. At once a spatial and social practice, architecture produces mass: an accumulation that, given momentum, projects a social attitude. Mass is assertive—whether through a tactful manipulation of scale, an astute engagement of its context, or a specific formal legibility, it speaks plainly but with conviction.
Taking as its site the point of exchange between a form and its constituency, this issue of PLAT Journal will investigate how notions of mass come to the fore of contemporary architectural practice.
Mass is pop with agency. Fast and loose, high and low, how does a form take on mass culture through its presence in an urban fabric? What is its agenda?
Mass has the capacity to define a collective. How do architectural projects articulate a plurality in a way that’s relevant to today?
Mass gains coherence through the magnetism of its parts: local attractions have global repercussions. What’s next? How does its impact extend beyond its envelope?
PLAT 4.0 welcomes design projects, abstracts, essays, visual media, narratives, manifestos, and conversations that engage the notion of mass in the discourse and production of architecture today. Please submit an abstract and (if applicable) images by January 1, 2014 to curator@PLATJournal.com. Click here for more information.
Submissions should be in American English and formatted in accordance with the Chicago Manual of Style, with all sources clearly documented. Images should be a JPEG, 2 MB or smaller. Authors should have high-resolution, publication-quality images available if selected. All authors must have rights or permissions for all images submitted before final publication. Any questions should be sent to firstname.lastname@example.org.
PLAT is an independent architectural journal published by students at the Rice School of Architecture. Its purpose is to shift architectural discourse by stimulating new relationships between design, production, and theory. It operates by interweaving student, faculty, and professional work into an open and evolving dialogue that progresses from issue to issue. Curating worldwide submissions in two annual issues, PLAT serves as a projective catalyst for architectural discourse.
With completion aimed for 2018, the Nobel Center plans to become on of Stockholm’s most attractive destinations. Not only will the Center’s large auditorium host the annual Nobel Prize Award Ceremony, but it will offer key amenities to serve its surrounding public; In addition to a library, restaurant and retail shop, the Center will include spaces for exhibitions, school programs, events, and interdisciplinary meetings.
The proposals, listed in no particular order, are:
After three months of in-depth analysis and public outreach, the U.S. Department of Housing & Urban Development (HUD) has shortlisted 10 design “opportunities” for the third and final round of Rebuild by Design. The design competition, focused on making New York’s Sandy-effected regions more resilient, sustainable, and livable, will now have the final project teams collaborate with local and regional stakeholders in developing their projects over the next five months. The goal is to arrive at projects that are implementable and fundable, leveraging the variety of federal recovery investments being made in the region.
OMA, BIG and WXY are just a few practices involved in the final round. Read on to review a glimpse of each shortlisted proposal.
After months of design refinement and engineering, Synthesis Design + Architecture (SDA), winners of the “Switch to Pure Volvo” architecture competition, have launched a free-standing mobile pavilion capable of harnessing solar energy to power the new Volvo V60, the world’s first diesel plug-in hybrid car. The ‘Pure Tension’ Pavilion was birthed by SDA’s extensive research on dynamic mesh relaxation, utilizing bendable, lightweight aluminum structures with flexible fabrics that can be stored in the trunk of the car and easily mounted within one hour, similar to a tent.
Four designs for two large commercial towers in the heart of Sydney have been unveiled by Parramatta City Council, with proposals from Sydney based Francis-Jones Morehen Thorp, Johnson Pilton Walker, Bates Smart, and Italian practice Mario Cucinella Architects. Attracting over 73 submissions from around the world, the two towers will act as the centerpiece for the Parramatta Square’s three-hectare site.
The shortlist is part of stages five and six of the total master plan, previous projects of which have been awarded to the likes of Grimshaw Architects. Review the projects and read the jury’s comments after the break…
As science continues to propel forward, it seems that the architecture to support scientists and their advancements is falling behind. The problem of laboratory design was recently brought up in an article by The Financial Times‘ Edwin Heathcote, who cited labs around the world, from Mendelsohn’s Einstein Tower to Cern’s giant timber globe, as great examples of an architecture of collaboration and experimentation. If some of our greatest discoveries today are often happening in mundane environments, what would happen if the architecture of labs and offices began to support and inspire innovation? Read the full story here.
Zaha Hadid has been selected to design the new Iraqi Parliament building in Baghdad. The controversial decision comes after London-based Assemblage was crowned as winner of a RIBA-led competition for the building, which place Hadid’s proposal third. Though a dispute began once the competition’s client sparked conversations with Hadid after the winning firm was named, the client stated that competition rules allow for any shortlisted design proposal to be ultimately chosen for construction.
It’s been almost two months since we revealed that the Southbank Centre had agreed to support a fundraising campaign by Long Live Southbank, the campaign aiming to preserve the skatepark in Southbank’s undercroft and save it from the £120 million redevelopment of the site as a whole.
This was just one twist in a story that included criticism from the UK’s design council CABE and from the neighboring National Theatre, a 50,000 strong petition from skateboarders, an unsuccessful attempt to have the skatepark listed as a village green, a successful attempt to have it classified as an ‘asset of community value’, and a delayed planning application.
So after all this controversy, what has happened in the last two months?
Howard Roark, the fictional architect envisioned by Ayn Rand in The Fountainhead, has possibly done more for the profession in the past century than any real architect at all – inspiring hundreds to enter architecture and greatly shaping the public’s perception. And, according to Lance Hosey, Chief Sustainability Officer at RTKL, that couldn’t be more damaging. In his recent article “The Fountainhead All Over Again,” for Metropolis Magazine, he details why it’s such a problem, going so far as to accuse Ayn Rand’s dictatorial protagonist of committing architectural terrorism.
It came out in 1943, exactly 70 years ago this summer. In the movie version a few years later, Gary Cooper played Howard Roark, the character famously modeled after Frank Lloyd Wright. Since then, Ayn Rand’s The Fountainhead, her “hymn in praise of the individual” (New York Times), has made legions of young people want to become architects. The late Lebbeus Woods wrote that the story “has had an immense impact on the public perception of architects and architecture, and also on architects themselves, for better and for worse.” I’d say worse. In fact, the Fountainhead remains the perfect representation of everything that’s wrong with the profession.
Shortly after the approval of Apple’s new corporate headquarters in Cupertino, never-before-seen images have emerged to reveal a glimpse into the campus’ massive, 2.8 million square foot “mothership” and its surrounding facilities.
Provided by the City of Cupertino and released by Wired, the images depict just what Steve Job’s hoped for: a world-class, state-of-the-art office campus that promotes innovation through vibrant communal spaces and healthy employee amenities. From the net-positive main building to a private, subterranean auditorium placed within a forested, California-native landscape by OLIN, the Foster + Partners-designed Apple Campus 2 has the potential to be, as Job’s believed, “the best office building in the world.”
Read on to view a collection of the newly released renderings…