After an extensive five-year restoration carried out by David Chipperfield Architects and Generali, the iconic Procuratie Vecchie in St. Mark's Square has opened again to the city, with an installation by Italian artist Edoardo Tresoldi. Titled "Monumento", the artwork responds to the new socially-driven functions presented by the vast space, "renewing the language of the monumental column and the values to which society aspires in order to reflect its own epoch".
Excerpt from the book: Real and Fake in Architecture–Close to the Original, Far from Authenticity? (Edition Axel Menges)
The term “fake” has been in the media frequently in the early 21st century, referring to headlines and fictional statements that are perceived as real and are influencing public opinion and action. Replacing the historically more common term “propaganda,” fake news aims at misinformation and strives to “damage an agency, entity, or person, and/or gain financially or politically, often using sensationalist, dishonest, or outright fabricated headlines.” Tracing fake news and differentiating “real” information from personal opinions and identifying intentional (or unintentional) deceit can be complicated. It is similarly complex to trace the duality of fake and real in the built world. To explore the larger context of fake statements in architecture and environmental design, a look at the definition of fake and related terms might be necessary.
Architect Cino Zucchi (b. 1955) grew up and practices in Milan, Italy. He was trained at MIT in Cambridge and the Politecnico di Milano, but claims to be largely self-taught, although influenced by such of his countrymen as Aldo Rossi and Manfredo Tafuri. He is internationally known for diverse projects across Europe. Many are both abstracted and contextual residential complexes in Italy, particularly in Milan, Bologna, Parma, Ravenna, and, most notably, in Venice. Zucchi’s D residential building in Giudecca, attracted international attention and praise when it was completed in 2003. I met Cino Zucchi last year during the Venice Architecture Biennale; that meeting led to an extensive interview that we recently engaged in over Zoom between New York and the architect’s sunlight and books-filled Milan studio.
In this two-part episode of Design and the City - a podcast on how to make cities more livable – reSITE covers the 17th Venice Architecture Biennale, exploring the question of “How will we live together". Part-one looks into the works of the U.S, Nordic, and Luxembourg Pavilion curators, focusing on their use of timber construction as an answer to the exhibition's theme. Part-two features curator Hashim Sarkis and Greg Lindsay, along with the British and Austrian pavilion curators, as they explore the topic of accessibility.
The city of Venice has decided to replace the glass on Santiago Calatrava’s Ponte della Costituzione with stone, as the slick surface was the cause of numerous incidents. The decision comes after several attempts to limit slips using resin and non-slip stickers, even placing keep-off signs on the glass surface when the winter weather rendered the floor increasingly dangerous. Inaugurated in 2008, the bridge has been the subject of controversy and protest from the onset, as the building costs and timeframe surpassed initial estimates and complaints about falls began early on.
Despite a year-long postponement and strict pandemic regulations, the 17th International Architecture Exhibition of La Biennale di Venezia has finally come to an end with over 300,000 visitors, exceeding the previous edition. Titled "How Will We Live Together", the 2021 edition of the event featured 112 participants and 60 national participations hailing from 46 countries, displayed across the Giardini, Arsenale, and the streets of Venice from May 22nd to November 21st, 2021. UAE's Wetland by curators Wael Al Awar and Kenichi Teramoto took home the Golden Lion for Best National Participation, for presenting an innovative contextual alternative to cement, one of the key emitters of the world's carbon dioxide.
This month, UNESCO has announced a series of decisions concerning important heritage sites, giving rise to conversations around preservation and urban development. Last week, the World Heritage Committee decided to strip Liverpool of its heritage status, as the new developments are considered detrimental to the waterfront's integrity. These projects placed the city on the List of World Heritage in Danger in 2012, a designation which Venice managed to avoid earlier this week, due in great part to the recent ban on cruise ships.
The Italian government has announced the permanent ban of large cruise ships in the Venetian lagoon, after several years of protests, petitions, and threats of being put on UNESCO’s endangered list. The ban will be effective as of August 1st, 2021, and will prohibit ships exceeding 180 meters in length or weighing 25,000 tons from entering the lagoon, hoping to sustain Venice's historic canals, waterways, and public squares.
The world of travelling is a multifaceted one. There are the everyday trips one takes for work or school, commuting to a set location during the week, usually within the confines of a city. There are the longer trips too, the trips which usually involve getting into an aeroplane to visit someplace a bit farther from where the traveller usually resides. These trips are frequently done for business purposes, but for those who have the means to afford it, these trips are undertaken for learning and leisure – where the traveller can be defined as a “tourist”.
Developed by architect Gerardo Caballero, in collaboration with Paola Gallino, Sebastian Flosi, Franco Brachetta, Ana Babaya, Leonardo Rota, Emmanuel Leggeri, Sofia Rothman, Gerardo Bordi, Edgardo Torres, and Alessandro De Paoli, "The Infinite House", a project inspired by traditional Argentine houses, will represent Argentina in the upcoming 2021 Venice Architecture Biennale. The project reflects on the identity of Argentine public housing and the role collective housing, both public and private, has played in the country's history and society. The Infinite House aims to push the limits of the domestic and to highlight the importance of the collective rather than the individual by illustrating that a home extends beyond one's own living space: "it is the city, the country, and even the world."
Titled "Planet of the People", the Lithuanian pavilion at the 17th International Architecture Exhibition - La Biennale di Venezia, brings cosmic imagination to the picturesque Renaissance church Santa Maria del Derelitti. Curated by Jan Boelen, the pavilion will be on display from May 22nd until November 21st, 2021.
Part of the official collateral events of the 17th International Architecture Exhibition of la Biennale di Venezia, Caravane Earth Foundation will bring a unique bamboo Majlis, to the gardens of the Abbazia di San Giorgio Maggiore in Venice. Designed by internationally acclaimed bamboo architects Simón Vélez and Stefana Simic, the project will be on display from 22 May to 21 November 2021.
The French pavilion at the 2021 Venice Biennale, “aims to reflect on the meeting between architectural know-how and the inhabitants’ own experiences of their living spaces”. Curated by Christophe Hutin, the intervention entitled “Communities at Work” will provide an immersive experience with the help of images in motion. Using five specific case studies on different continents: in Europe, Asia, America, and Africa, the exhibition presents a journey into a world where communities transformations their own living spaces, without following any formal schemes designed by an architect.
Entitled Primitive Migration from/to Taiwan, the National Taiwan Museum of Fine Arts (NTMoFA) and curatorial teams Divooe Zein Architects and Double-Grass International Co., organized an immersive exhibition for the Biennale Architettura 2021. Taiwan’s Collateral Event for the 17th International Architecture Exhibition of La Biennale di Venezia will run from 22 May to 21 November 2021 at Palazzo delle Prigioni.
Entitled utopias of common life, Brazil's official participation in the 17th Bienalle Architettura 2021 is curated by the collaborative studio Arquitetos Associados and the visual designer Henrique Penha. The exhibition at the Brazilian Pavilion in the Giardini, in Venice, begins by mapping utopias that exist on Brazilian soil, from the Guarani world vision of a Land Without Evil to contemporary times, highlighting a few singular moments among them.
Conceived before the Covid-19 pandemic, which has temporarily suspended the possibility of physical proximity in a large part of the world, the proposal gains new meanings in the current context and dialogues with the overall theme, by curator Hashim Sarkis: How Will We Live Together?
Scheduled originally from August to November 2020, the 17th Venice Architecture Biennale was postponed, like every other event this year, and will be held from May 22nd to November 21st, 2021, due to the pandemic. Questioning “How will we live together?” the original statement of curator Hashim Sarkis, called upon architects “to imagine spaces in which we can generously live together”. Relevant today more than ever, with the current worldwide circumstances, the theme of the Biennale is in fact the focus of interest of the global scene.
After having discussed “How will we live together?” in 2019 with Hashim Sarkis in Venice, ArchDaily had the chance to open the debate once more and re-examine the question of the Architecture Biennale. In a two-part interview, the architect tackles the theme, the Biennale, the present situation, and the future.
.jpg?1637575616 "Grand Duchy of Luxembourg: Homes for Luxembourg by LUCA Luxemburg Center for Architecure (Andrea Rumpf). Image © Laurian Ghinitoiu")
.jpg?1637576323 "Serbian Pavilion . Image © Laurian Ghinitoiu")
