Inspired by the idea of creating something from ‘nothing’ and starting from scratch, RIBA presents a special evening exploring big urban thinking on a blank canvas. Selected from an open call, the Make No Small Plans program features fast-paced and dynamic selection of screenings (including a ‘Bring Your Own Beamer’ event), talks, active installations, readings and workshops, all from a wide range of professional and student architects, artists and curators. With special guest Alexander Eisenschmidt via Periscope video feed delivering a unique talk LIVE from Chicago, USA.
As a profession with the power to alter people's cities and neighborhoods - and indeed therefore their lives - architecture is often a controversial business to be involved in; many members of the public have learned to be suspicious of any plans for development in places they care about, often turning architecture into a villain to be fought. One proposed solution to this conundrum is to include public participation as much as possible, but many architects are skeptical of such an approach. At a time when the responsibilities of architects are being eroded by engineers and project managers, what would be left to architects if the public is allowed control over the design? Seeking to understand this challenge, in this interview from MONU Magazine's latest issue on "Participatory Urbanism," Bernd Upmeyer speaks to Jeremy Till, a British Architect, writer and educator who has written extensively about the need to for architects to relinquish control and involve local communities in their design process.
Bernd Upmeyer, on behalf of MONU, spoke with the British architect, writer, and educator Jeremy Till. He is the head of Central Saint Martins and Pro Vice-Chancellor of the University of the Arts, London. Previously he was Dean of Architecture and the Built Environment at the University of Westminster, and Professor of Architecture and Head of School of Architecture at the University of Sheffield. Till’s research and writing concentrate on the social and political aspects of architecture and the built environment. His written work includes "Flexible Housing," "Architecture Depends" and "Spatial Agency." In 2005 he was one of the editors of the publication “Architecture and Participation” to which he contributed a piece entitled "The Negotiation of Hope." The interview took place on September 3, 2015.
The Suffolk Downs Urban Design Workshop is the third in an ongoing series of Urban Design Workshops organized by the BSA Foundation. The workshops’ overall goal is to open up dialogue and stimulate thinking about the design potential of places with particularly significant and compelling opportunities.
The Suffolk Downs Urban Design Workshop is the third in an ongoing series of Urban Design Workshops organized by the BSA Foundation. The workshops’ overall goal is to open up dialogue and stimulate thinking about the design potential of places with particularly significant and compelling opportunities.
The evening will include an introduction to the scope of and goals for the workshop, followed by a lively panel discussion moderated by Renée Loth, editor of ArchitectureBoston magazine. Suffolk Downs represents an opportunity to create a forward-looking 21st-century neighborhood that is equitable, diverse, environmentally aware, and in tune with shifting development trends.
Since 2010, the Danish architects from Schønherrhave been developing a series of large-scale urban interventions for the Aarhus Festival, the largest cultural festival in Denmark. These temporary projects have transformed the streets and parks into extraordinary public spaces, changing the natural topography of the city to attract citizens and bring them together.
We present their last four projects: "The Forest" (2010), "The City Park" (2012), "The Plaza" (2014) and "Bishops Square" (to be completed this 2016).
The University of Oregon John Yeon Center for Architecture and the Landscape and Design Week Portland invite proposals to define, design, and bring to life Portland’s proposed “green loop”—a six-mile pedestrian/bike urban promenade linking the city’s east and west sides.
The winner(s) will receive up to $20,000 to further develop and implement schemes.
Proposed by the Bureau of Planning and Sustainability in the Central City 2035 Plan, the loop offers a potentially powerful new means of thinking about and traveling through the city. Connecting the two sides of the Willamette River at the Broadway Bridges and Tilikum Crossing, the loop will link
"Within humanitarian responses, programmatically, children often become invisible." (Marc Sommers)
The Syrian crisis has forced thousands of families to leave their homes in search of safe places to continue with their lives. Many families have moved to Lebanon, where the UN has raised a series of informal settlements. While effective in providing shelter, they don't provide specific solutions for children, many of whom have had their studies interrupted and don't have public spaces equipped to play sports and interact with other kids.
In response to this situation, the architects of CatalyticAction have designed and built a playground in one of the schools developed by The Kayany Foundation and American University of Beirut's Center for Civic Engagement and Community Service, involving children throughout the entire process and allowing the structure to be easily disassembled, transported and either reassembled or repurposed.
Held annually, the International Festival of Art and Construction (IFAC) is a 10-day event that brings together 300 students from all over the world, joined by architects, scientists, musicians, artists and craftsmen. Together they carry out 30 workshops across different disciplines that “are bound together by the architecture through which they are expressed,” according to the website. In an article originally written in Spanish for ArchDaily en Español, Ana Asensio Rodríguez shares her experience at the 2015 edition of IFAC, reflecting on the powerful intersection of art and architecture, and the collective nature of the event.
Sometimes you get to meet people who fill you with energy and electricity -- fleeting, intense crossroads full of shared views and beautiful ideas. Spontaneous connections, which however tiny, will remain with you for a very long time.
Sometimes, these crossroads are not between people, but between arts, crafts, talents and experiences. Among these intersections is the inevitable attraction between art and architecture: explosive collages, a romance drunk with imagination. And, on very few occasions these two types of crossroads occur at the same time. And in those moments you can only hope that it will happen again.
It's called IFAC, the International Festival of Art and Construction. It is a 10-day long celebration that brings together more than 300 people from all over the world - creatively restless individuals, who meet somewhere in the European countryside. I felt immeasurably lucky to be one of those 300 people, and so I wanted to share how fascinating IFAC is from the inside.
Using an innovative method of casting concrete in lightweight fabric molds, the architects of Orkidstudio -- along with StructureMode -- teamed up with a group of Khmer women in Sihanoukville, Cambodia to rebuild a community centre in the city’s urban heart.
The construction technique was developed and tested by engineers from StructureMode using a combination of physical testing and computer analysis software, Oasys GSA Suite, to predict the stretch of a particular fabric when concrete is poured inside. Through three-dimensional sketches the seamstresses and building teamcould understand the construction sequence of the form, completing the entire project in just eight weeks.
By the year 2025, the urban population in Sub-Saharan Africa is predicated to increase by almost 70% -- a rapid urbanization that will inevitably affect the construction sector.
To address this expected growth and to help lay the foundations for a sustainable urban and social development, students from the Institute of Experimental Architecture at Bauhaus-Universität Weimar and EiABC (Ethiopian Institute of Architecture Building Construction and City Development) worked together to build three residential prototypes at a 1:1 scale for Addis Ababa: the capital of Ethiopia and the heart of hyper-urbanization. See all of the project details, below.
Za'atari Refugee Camp, Jordan. Image Courtesy of Pilosio Building Peace
Using the ground “beneath your feet,” the Pilosio Building Peace organization, along with architects Pouya Khazaeli and Cameron Sinclair, have developed RE:BUILD, an incredible constructive system for building safe and comfortable structures in refugee camps. The system allows for the construction of temporary buildings of high quality through the use of wall panels formed with scaffolding and grids, which are then assembled and filled with gravel, sand or earth, creating well insulated interiors at a low cost.
Although the structures can be used for hospitals, housing, and other functions on this occasion we present two schools constructed using this system in Jordan.
Born in 1957 in Moscow, artist Nikolay Polissky creates impressive, handcrafted structures in the middle of Russia's vast landscapes. Mostly carried out in the town of Nikola Lenivets -- located 200 km from the Russian capital -- his works are built entirely by the area's residents, using local materials, such as branches, trunks and wooden tables. Traditional construction techniques are used as a starting point for the projects.
His work is inspiring not only because of its imposing form, but also because he managed to re-activate a semi-abandoned village through art and architecture, involving residents in the creative process and transforming the region into a sort of open cultural center. Since 2003, his work has been part of Archstoyanie, the largest Land-Art festival in Russia.
Videos
Bolling Municipal Center - Roxbury, Boston (MA). Image Courtesy of Mecanoo / Sasaki Associates
In an article for the New York Times, Alexandra Lange discusses a number of US projects which are "transforming, but not disrupting," their respective communities. In this vein, she cites Mecanoo and Sasaki Associates' new Bruce C. Bolling Municipal Building in Roxbury, Boston, as a prime example of a new kind of architecture which "comes from understanding of past civic hopes, redesigning them to meet the future." Examining some of the key concepts that make for successfully integrated community buildings, such as the creation of spaces that actively forge personal connections, Lange concludes that perhaps it is now "time for strategic architecture."
A Rose Fellow working on a community design project. Image Courtesy of Enterprise Community Partners
Shelter is a basic human need, but over 11 million families cannot afford a safe and stable place to live. In a crusade to change this sad fact, the Enterprise Rose Fellowship gives socially-minded architects the tools they need to pursue careers in affordable housing and community development. For more on the learning opportunity, head over to Next City and click here.
In Kuku Town, dwellings were rearranged to face a communal courtyard - where people can gather for activities and keep an eye on their neighbors and shared facitilies.. Image Courtesy of Future Cape Town
The city of Cape Town has adopted a new strategy for improving informal settlements - re-blocking, "the reconfiguration and repositioning of shacks in very dense informal settlements in accordance to a community-drafted spatial framework." Re-blocking serves to create communal spaces, make neighborhoods safer, and improve dwelling structures - among many other things. To see how it has been implemented and where, head to Future Cape Town and continue reading here.
In an article for the New York Times, Michael Kimmelman gets to the bottom of an unusual local dispute: a McDonald's in Queens, New York is kicking out groups of elderly Koreans who are out-staying their 20-minute welcome (and who have no access to community spaces nearby). The story raises an important question: how can we design our cities with elder populations in mind (a generation on track to out-number all others in the next few years)? You can read this poignant tale in full here.
"The Community" might be the most frequently used term over the last 50 years of Architectural and Urban discourse. For decades, "the community" has served as a legitimization for anything from Team X to New Urbanism, from Celebration to "vancouverism". But what is "the community"? Where should we look for the proper definition? How did communities appear in the past and how do they form today? Can 'the community" influence the design of its own space, territoiry or context? If yes, what could be the relationship between the community and architecture in the future?
In his Strelka talk Reinier de Graaf is trying to answer these and other, even more complex questions.
cop.jpg?1444858664)
_920_613_80.jpg?1403469613)
