Spanish architect Miguel Arraiz has introduced the design for the 2025 Burning Man Temple, titled Temple of the Deep. Drawing inspiration from the natural landscape of the Black Rock Desert, the Temple aims to provide a space for reflection, healing, and connection. The Temple of the Deep explores the concept of radical acceptance, emphasizing the importance of fully experiencing emotions as part of the healing process.
SO-IL (Solid Objectives – Idenburg Liu) is an architectural design firm based in Brooklyn, New York, founded in 2008 by Florian Idenburg and Jing Liu. Known for an architecture deeply engaged with social, cultural, and environmental contexts, the studio focuses on exploring innovative materials, creating fluid spatial experiences, and prioritizing ecological sustainability. SO-IL's work spans various scales and program types, reflecting their versatile approach to design. In 2024, their housing project 450 Warren in Brooklyn was selected as ArchDaily's Building of the Year by the audience in the housing category.
In their latest book, In Depth: Urban Domesticities Today, SO-IL explores the evolving concept of home in contemporary urban contexts, transforming it "from a source of vulnerability into a tool for empowerment." The book redefines domesticity as an active and shared experience and examines how architects can address pressing urban challenges such as affordability, density, and sustainability. SO-IL's work advocates for flexible, resilient housing that fosters community while integrating ecological and social dimensions. ArchDaily spoke with the architects about the innovative solutions and ideas presented in the book, delving into how their projects challenge conventional systems and envision a future where architecture is a tool for empowerment.
In Delirious New York, Rem Koolhaas vividly discusses the Downtown Athletic Club, a striking example of how an unassuming building exterior can conceal a vibrant mix of distinct, self-contained programs. Inside the uniform facade of this skyscraper, a private athletic club hosts an eclectic range of facilities—boxing gyms next to oyster bars and interior golf ranges below swimming pools—all segregated yet highly accessible. The Downtown Athletic Club epitomized the dynamism of New York's skyscrapers at the time, showcasing the thrill of capitalism through a selective, inward-focused world of leisure and privilege for the selected. This "machine of programs" operated independently of the external city as an isolated ecosystem within its walls. Yet, one might ask: could a similar model, designed for public use, create a more inclusive, lively community and neighborhood experience? This will activate the building within, instead of only serving the selected elites, and influence and transform the urban fabric and shapes around the building. In Hong Kong, a distant parallel can be drawn with the Municipal Services Buildings (MSBs)—publicly-funded structures that serve the community by integrating diverse functions within a singular vast building mass, much like the Downtown Athletic Club.
A "meanwhile space" refers to the temporary use of an otherwise vacant area—whether it's an empty shop, a disused building, or a site awaiting redevelopment. The concept revolves around making productive use of these spaces during the interim period before a long-term purpose is established. Essentially, it's about what happens in the meantime, turning unused spaces into vibrant, functional places during periods of uncertainty or transition.
Zaha Hadid Architects has been selected to design the Zhejiang Shaoxing Shangyu District Cao'e River Culture and Art Center, located within a newly planned cultural district in Shaoxing's Shangyu area in Zhejiang province, China. The project is situated along the Cao'e River, a location with historical significance, and is envisioned to serve as a key cultural and artistic space for both the local community and visitors. Its design seeks to integrate contemporary functionality with the architectural and cultural traditions of the region.
Buildner has announced the results of itsHospice - Home for the Terminally Ill competition, the third in a series of architectural idea challenges focused on creating compassionate spaces for individuals facing terminal illnesses. This competition encouraged architects to move beyond traditional medical models, designing environments that prioritize comfort, dignity, and community.
In 2024, architecture continues to evolve in response to global challenges, with an increasing focus on sustainability, cultural context, and social responsibility. ArchDaily's interviews with leading architects, such as Kengo Kuma and Anne Lacaton, highlight how design is shifting towards environmental and community-centric solutions. These conversations also shed light on the emerging voices from the Global South, where innovative practices are addressing unique socio-political and environmental challenges. Architects from regions like Africa, Asia, and Latin America are offering fresh perspectives, pushing the boundaries of traditional architecture to reflect their diverse cultural narratives and local contexts.
La Valiente Focaccería + Maíz / OHIO Estudio. Image Cortesía de OHIO Estudio
Creating spaces for social interaction involves design processes aimed at countering the individualization of people by fostering bonds and connections between them. While advancements in information and communication technologies provide new tools that optimize the development of certain activities and functions, their societal impact often tends to increase individual practices, such as remote work, virtual fitness activities through apps, or the digital consumption of goods, services, and events, among others. From architecture and interior design to urban planning, many emerging practices face the challenge of consolidating spaces for social interaction through design strategies, uses, and natural connections that prevent the replacement of physical space with virtual alternatives.
Air rights transactions have become essential in urban development, allowing cities to grow vertically while preserving limited land resources. Typically defined as the right to use or sell the space above a property, air rights enable property owners to transfer unused floor area ratio (FAR) to neighboring parcels, creating increased density and financial gain opportunities. However, the definition can vary based on locality and region, as each country interprets air rights and the ability to build or transfer them differently. As urban centers face mounting pressures from limited land supply and population growth, air rights continue to offer a creative solution that fosters architectural innovation and economic efficiency.
The Aedes Architectural Forum in Berlin presents over the next two months the trajectory and works of Christoph Hesse Architects. The exhibition, titled "Rural Rebellion," focuses on the studio's architectural projects that address the challenges of working in rural areas, particularly in Korbach—Hesse's hometown—and other villages across Germany. It highlights how the practice reimagines and reinterprets traditional building methods, translating them into contemporary contexts while emphasizing a collective and collaborative approach to architecture.
The Pritzker Architecture Prize has released a special video honoring Riken Yamamoto, the 2024 Laureate. Presented in a documentary-style format, the film celebrates Yamamoto's distinguished architectural career and his contributions as the 53rd Laureate, honored earlier this year in Chicago. This milestone coincided with the 100th birthday of Cindy Pritzker, co-founder of the Prize with her late husband, Jay A. Pritzker.
Amid a significant global housing shortage and an increase in urban growth, the residential phenomenon of co-living is expanding, fostering a community-based lifestyle where socialization becomes a fundamental principle. Resources, values, interests, and experiences are shared, creating new ways of living. While co-living buildings also incorporate spaces for individuality, this new form of communal domesticity emerges as a viable alternative suitable for diverse users, not only students or young adults but also older residents, promoting efficient space utilization and intergenerational interaction.
In Belo Horizonte’s Aglomerado da Serra, Brazil’s third-largest favela complex with 50,000 residents, the Lá da Favelinha Cultural Center stands out as a vibrant hub of art and education. Founded in 2015 by the multifaceted artist Kdu do Anjos, the striking red building that stands out in the outskirts has gained recognition in both national and international architectural circles, earning several prestigious awards Yet, the recent renovation by Coletivo LEVANTE—honored as one of the Best New Architectural Practices of 2024—represents far more than vivid colors and bold design. It symbolizes the creativity and potential of the community itself. As a space for support and inspiration, Lá da Favelinha reflects a collective, democratic vision that merges the community’s dreams with the dedication of its founders.
Community Development Center in Tapachula / Laboratorio de Acupuntura Urbana. Image
How do community centers emerge? Why do they often represent a need for the appropriation and development of society? In the pursuit of improving the quality of life in the most vulnerable communities, community centers present themselves as an alternative capable of providing healthcare, educational, cultural, and recreational services, along with spaces that contribute to the present and future development of communities. In Mexico, numerous community centers are created and supported by government institutions, civil foundations, or private companies, as well as co-management initiatives that aim to integrate children, youth, adults, and older adults into spaces for gathering, socializing, and recreation, where they can engage in activities from learning to developing individual and collective skills.
On the first Monday of October, World Architecture Day offers an opportunity to reflect on the role that architecture plays in shaping our world and our communities. Established by the International Union of Architects (UIA) in 1986, this day was designated as a basis for the ongoing discussions on innovations in architectural practice, new approaches to the ever-changing role of architects and designers, and the varied responses to emerging concerns.
As in previous editions, UIA sets a central yearly theme to guide these conversations. This year, the theme of World Architecture Day 2024, "Empowering the Next Generation to Participate in Urban Design," opens up multiple interpretations, contemplating the impact of urban design on the next generation, as well as highlighting the impact and contributions of young architects in shaping the cities of tomorrow. This year's event aims to address crucial challenges faced by the urban environments and their impact on the next generations. The focus is on creating cities that are not only greener and more environmentally friendly but also inclusive, catering to the diverse needs of various groups in society.
In the year 2000, the Royal Institute of British Architects (RIBA) awarded its prestigious Stirling Prize to Peckham Library, by architects Alsop and Stormer. Although it wasn't the first time for a library to win the prize, it was the first time a local library won it. It was an illustration of the times when public finances could conjure briefs with the intention to "create a building of architectural merit that will bring prestige to the borough." The library was commended for the public open space it created, its fun and colorful design, and its environmental credentials. It sits proudly in the heart of the community and it is interesting that its sign, projecting above the roof line, simply spells 'Library', an indication of the importance of this building's function to the area.