On October 24, 2024, the Rogelio Salmona Latin American Architecture Prize award ceremony took place, honoring works that have significantly created meaningful, open, and collective spaces for the public in the region. During the event, held at the Virgilio Barco Public Library auditorium in Bogotá, Colombia, the winners of this prestigious award were announced. This year marked the fourth cycle, titled "Open Spaces/Collective Spaces," with participation from 47 projects.
The jury, composed of international figures such as Sol Camacho (Brazil-Mexico), Nicolás Campodonico (Argentina), Carlos Campuzano (Colombia), and Mauricio Rocha (Mexico), first shortlisted 26 selected works, from which two were awarded the first prize in the Latin America and Colombia categories.
For centuries, burial practices across various cultures have connected honoring the deceased to the earth, with cemeteries firmly grounded in the soil as a symbol of eternal peace. Yet, as discussed in one of our articles, No More Room for the Living or the Dead: Exploring the Future for Burials in Asia, land shortages in densely developed urban areas present significant challenges to traditional burial practices, especially as societies like Japan face an aging population. Given these spatial constraints, how can above-ground cemeteries and columbariums be designed to provide a dignified, tranquil resting place while respecting cultural values?
In this context, the adoption of 19th-century Gothic Revival styles and Classical Revival styles of the early 20th century became popular. Today, many of those buildings remain as prominent landmarks across the country and have become integral parts of the urban landscapes. This curated collection explores how Canadians are integrating traditional elements with modern materials like glass and steel. These efforts preserve the historical significance of the buildings while adapting them to meet the functional demands of modern life.
Much of the production of modern architecture on the American continent was based on the model of European architects who, with their works, projected the fundamental premises and ideas for modern living. These pillars of architecture were transferred and consequently adapted to the American territory, introducing, at the same time, their own characteristics according to the territorial, socio-cultural and economic context.
We understand that good architecture is that which serves as a model for solving problems inherent to the discipline of architecture in general. This is why certain references that we consider today as "classics" are examples of good architectural practices that have been appropriated by other architects, taking the pertinent and necessary elements to achieve a result in accordance with the particular context.
Courtesy of Safdie Architects | Marina Bay Islands
Nestled in the heart of Southeast Asia, Singapore stands as a beacon of sustainable urbanization. According to the 2016 Green City Index, the city-state of Singapore was the greenest city in Asia at one point. Renowned as the "City in a Garden," Singapore has intertwined lush greenery, verdant parks, and new environmental policies into its urban fabric/ After gaining independence in 1965, the city-state stands as a testament to how urban life can integrate with nature.
Architectural grafting, a concept recently popularized by Jeanne Gang inThe Art of Architectural Grafting, presents a transformative approach to urban regeneration and sustainability. Drawing inspiration from botanical and horticultural practices — where new growth is added to existing plants for enhanced resilience — this architectural method integrates new structures with existing ones, allowing them to coexist and adapt. Rather than pursuing demolition, grafting prioritizes adaptation, extending the life of buildings while safeguarding their cultural and historical significance.
While Studio Gang has played a pivotal role in advancing this method, architectural grafting embodies a broader principle that architects have long used to enhance sustainability, conserve resources, and honor heritage. Across scales — from individual buildings to urban landscapes —grafting reshapes the relationship between past and present, adapting existing structures for contemporary needs while addressing environmental demands. By reimagining historic buildings for modern use, this approach fosters a sustainable evolution of cityscapes.
In recent weeks, a series of significant architectural developments have been announced, showcasing the varied work of renowned firms from around the globe. These projects, revealed between late September and October 2024, emphasize the transformative potential of architectural design in rehabilitating historical structures, revitalizing urban areas, and proposing new facilities to meet the evolving needs of communities. Notable names such as Zaha Hadid Architects, Kohn Pedersen Fox (KPF), and Studio Egret West are among those leading ambitious projects, from the waterfront residences on Qetaifan Island in Qatar to the reimagining of London's Earls Court. This collection of recent announcements provides a glimpse into the ongoing evolution of urban landscapes and community-centric architecture.
Snøhetta has won an international competition for the design of the new stations for the city cable car in Koblenz, Germany. Given that the location is within the UNESCO World Heritage Site of the Upper Middle Rhine Valley, the project necessitates a sensitive and respectful approach to the historical context. The proposed stations are designed as contemporary architectural statements that harmonize with the existing heritage, blending into their surroundings.
The Western Australian Government has announced the upcoming renovation of the Perth Concert Hall, a 51-year-old heritage-listed venue known for its significant role in the city's cultural landscape. Originally designed by architects Jeffrey Howlett and Don Bailey, the concert hall will undergo extensive upgrades led by OMA's Australian office in collaboration with Perth-based WITH Architecture Studio. The project is set to begin in early 2025, aiming to provide a modern home for the West Australian Symphony Orchestra (WASO) and improve visitor facilities through new public spaces, upgraded amenities, and improved seating.
In this roundup, ArchDaily consolidates this year's transformative updates in cities worldwide, organized into thematic clusters that capture the evolving nature of urban design and policy in 2024. Projects like the extensive renovations of Barcelona's La Rambla and the preservation efforts around Chicago's historic skyscrapers highlight preservation of urban heritage, while initiatives in Venice and Los Angeles respond to overtourism and housing pressures, balancing livability with growth. Meanwhile, ambitious master plans have been announced, including the revitalization of industrial sites in Tallinn and Connecticut, reflect how cities are reimagining their urban fabric. Finally, post-disaster rebuilding in Kharkiv and Türkiye underscores the urgency of resilience-driven design, ensuring that cities can endure and evolve even in challenging times. Together, these updates offer a glimpse into the global forces reshaping urban landscapes
WXCA Architectural Design Studio has unveiled its design for a new museum aiming to honor the 1918-1919 patriotic uprising and victory of the people of Greater Poland. Situated near the historic St. Adalbert's Hill, home to an 800-year-old church, the museum is set to become a significant cultural and historical site. In addition to its preservation of history, the museum aims to offer the people of Poznań a contemporary public space to highlight this collective heritage. WXCA architects won the 2019 competition for the museum design and urban concept. The project began construction in early 2024 and is expected to open to the public in 2026.
Snøhetta has revealed its design for a new building dedicated to a well-loved institution, the OmahaChildren's Museum. Located just a few blocks from the Kiewit Luminarium and overlooking the river, this new facility is designed following best practices in early child development, providing exhibits and programming aimed at fostering joy, curiosity, and connection for young children and their caregivers.
Chapman Taylor's Saadiyat Beach District Residences project has moved to the construction phase, marking a new development within Saadiyat Island's expanding cultural and residential landscape. This waterfront project, part of the broader Saadiyat Island masterplan for Nael & Bin Harmel, situated near Abu Dhabi's urban center, will introduce a range of residential options, including apartments, townhouses, and villas.
The middle of the Twentieth Century saw the independence of most countries on the African continent. Those euphoric times brought forward-looking sentiments and a wish to break with the past. As an architectural movement, Modernism was ideal for the day, and newly independent countries had extensive building programs to assert themselves as fully functioning nations.
Hotels are one type of building that illustrates the complex architectural and political history of the times. Some were built specifically to host international delegations, others to boost tourism, while some were built as strong leaders' wishes. Although a marginal building type, several hotels across Africa stand as physical records of important parts of their respective country's history. Following an exploration of the histories of West Africa's Modernist Hotels, this second article turns to East Africa to uncover the ways in which this understated typology relates to larger histories of independence and national identity.
Over 5 years after a devastating fire threatened to destroy Paris' most famous cathedral, Notre Dame is scheduled to reopen to the public on December 8, 2024. The heritage building has been undergoing an extensive and, at times, controversial restoration process aiming to rebuild its timber roof and reconstruct the collapsed spire, a 19th-century addition to the gothic cathedral designed by French architect Eugène Viollet-le-Duc's design. In preparation for the grand reopening, France's culture minister, Rachida Dati, has proposed introducing a €5 entrance fee to contribute to a fund aimed at protecting the country's historical churches and monuments.
Iceland presents the Lavaforming at its National Pavilion for the 19th International Architecture Exhibition – La Biennale di Venezia. Led by architect Arnhildur Pálmadóttir, founder of s.ap architects, the pavilion is commissioned by Halla Helgadóttir, Iceland Design and Architecture. Lavaforming envisions a provocative and speculative future in which the elemental force of lava is no longer seen solely as a natural hazard but instead embraced as a generative, architectural medium. By harnessing and directing controlled lava flows, the project explores the potential of molten rock to shape urban environments, transforming destruction into construction. Through a series of physical experiments and research-driven installations, Lavaforming demonstrates how this often-feared geological phenomenon could become a renewable and expressive material in the creation of future cities.
