The COVID-19 pandemic has reshaped urban life, and so too has it left many streets and buildings empty as people practice social distancing. From Times Square to the Place de la Concorde in Paris, photographers are capturing these "empty cities" in a defining moment across the globe. In turn, The New York Times recently published a piece dubbed "The Great Empty", showcasing a new side to urban life in these structures and streets. Now five photographers have been commissioned to photograph Rotterdam during the pandemic.
Calls to quarantine and social distancing throughout the world, in response to the novel coronavirus, have left unique and historical postcards: the cloudy canals of Venice are now crystal clear and the satellite images of China show a significant decrease in pollution. The renowned photographer Erieta Attali, with her phone in hand, was able to walk through the empty streets of Paris and portray, under her signature gaze, the French capital in isolation.
Through its urban planning and civic buildings, Chandigarh represents an iconic fragment of Modernist architecture. This economic and administrative centre was meant to showcase the progressiveness of the 1950s' newly independent India.
RIBA presents Forms of Industry, an exhibition of contemporary photographs by Alastair Philip Wiper (1980) and archival images by Eric de Maré (1910-2002) from the RIBA Collections. Separated by more than 50 years, the two photographers share a common interest in industrial buildings and landscapes, yet their differing approaches create a commentary on changing attitudes towards industrialisation and sustainability.
The historic village of Indein, Myanmar was founded by monks around the 3rd century B.C, who wanted to spread Buddhism across the country. Hundreds of pagodas, ornaments, and statues of Buddha were built around the area, but with time, the village was abandoned and its temples were consumed with greenery. Nowadays, the site stands as a visual contradiction of old and new, as people have begun renovating and preserving the historic structures little by little, surrounding the crumbling temples with brand new white stupas.
Photographer Romain Veillon had the chance to explore and photograph Indein, capturing the raw remains of the historic site.
Grey Cube Gallery proudly presents the first Black & White Show for the month of February 2020. The contest is open to all artists worldwide over 18 years of age. Entries must include the black and white or shades of gray as the primary focus. All visual art mediums (except video and sound) are allowed. The Best of Show winning artwork will be displayed as the poster of the show. All wining artists ( Merit Award & Honorable Mention) will receive a digital award certificate. The application fee is $16 for the 2 images of artwork. You may enter more than once. The deadline to submit entries is March, 05 2020.
Alexey Kozhenkov is a freelance photographer currently based in Russia, with a strong interest in urbanism, architecture and man-made structures. Kozhenkov was born in 1993 in Riga, Latvia and became a self-taught photographer after graduating from university.
Architectural Photographer Laurian Ghinitoiu recently won in three categories in the Architectural Photography Awards 2019. The categories where he received awards were Social Housing, Exterior and Buildings in Use.
What started as a curiosity for Ghinitoiu, photography, through hard work and passion soon became a lifestyle and a continuous journey around the world. To date, this journey, has allowed him to receive an improved and more complex understanding of architecture, where he documents the built environment.
For the 1957 International Builders Fair, Oscar Niemeyer developed the Interbau Apartment House, a modernist eight-storey building that sits on V-shaped pillars in the city of Berlin. While the building's facade consists of uniform windows and loggias clad with primary-colored mosaics, it is interrupted by enclosed pathways that connect the structure to the external elevator.
Architectural photographer Bahaa Ghoussainy explored the building and highlighted the complementary relationship between its uniform modernity and dynamic suspensions.
A lot can change in a city within one year; from demolitions, to reconstructions and project completions, a city's urban fabric is constantly being altered. During the past 4 years, Chilean architect and photographer Francisco Ibáñez Hantke of Estudio Ibanez has put together a photo-series titled Non-Structures, which focuses on London's urban regeneration and transformation and captures its various moments of ruins, planning, process, and eventually, complete architecture.
The Museum of Art, Architecture and Technology, Lisbon, Portugal by Amanda Levete shot by Inge Schuster. Image Courtesy of The Architectural Photography Awards 2019
The Architectural Photography Awards 2019 has revealed its shortlisted images under 6 categories: Exterior, Interior, Sense of Place, Buildings in Use, Mobile, and Portfolio. Sponsored by Sto and supported by the World Architecture Festival (WAF), this year’s lineup was selected from nearly 2000 entries from 42 countries.
Cats just don’t care. They don’t care if you bought them gourmet food. They don’t care if you got them customized furniture or luxury cardboard boxes, and they definitely don’t care if they are barging into an architectural photo shoot (although, we do think it’s their way of being the center of attention).
Don't believe us? Here's a collection of photographs collected from our projects database where cats are clearly not trying to steal the spotlight.
Hong Kong is considered to have one of the most exceptional skylines and urban schemes in the world: contemporary skyscrapers stand amidst the mountains and harbour, ancient houses nestled between futuristic structures, neon lights, landscapes... But among Hong Kong's numerous remarkable architectures, its spatial typology of death is like no other.
Over the course of five years, RIBA-nominated architectural photographerFinbarr Fallon captured the hyper-dense graveyards of Hong Kong, showcasing the sublime geometry of its mountainside burials in a series titled "Dead Space".
Ste Murray has recently visited Chicago and photographed the famous John Hancock Center on its 50th Anniversary. Completed in 1969, and conceived by architect Bruce Graham and structural engineer Fazlur Khan of Skidmore Owings and Merrill, the building was once the tallest structure in the world outside of New York.
The Berlin Philharmonic by Hans Scharoun is one of the most prominent mid-20th century structures in the German city. The expressionist-style building with its bright-colored facade is the first of its kind by the German architect, as well as his most famous project to date. Scharoun’s design interprets rhythm and music as architecture, both conceptually and physically.
Architectural photographer Bahaa Ghoussainy unfolds Scharoun’s unique architecture by highlighting the concert hall’s dramatic angular geometry, vibrant yellow-hued facade, and play of lines and forms.
Photography is still one of the most widely used means of representation and communication in architecture. Although it does not incorporate the temporal dimension, the level of fidelity with which photography represents the other three dimensions of the built world makes it one of architect's favorite tools to convey their buildings.
To celebrate World Photography Day, we've gathered 15 photographers from around the world who are worth knowing - and following on Instagram.
Cala d'Oliva agrarian penal colony branch, copyright Paolo Emilio Pisano
Every human intervention on an island – even those that interpret it as an ideal space for confinement - starts as an act of colonisation aimed at reducing the unescapable condition of insularity. Enacting the power of nomads as decolonising agents, Casting Castaways will migrate every two years from island to island across a former carceral archipelago in the Mediterranean Sea. We will seek for a pedagogy that, while suggesting future scenarios vis a vis current trends in tourism, environmental preservation and heritage, interrogates those territories to understand how and whether architecture can challenge and escape from the very ideas of incarceration and colonisation.