During the modern period, the buildings that used the traditional sloping roofs with tiles, draining the waters as quickly as possible, have begun to give way to the well-known 'waterproof flat roofs.' In spite of delivering a clean aesthetic to the project, allowing the use of the last slab as a space for living and contemplation, this solution can become a headache for its occupants if its execution and design are not careful. It is no accident that there have been infiltrations in famous modern buildings, such as the Vile Savoye or the Farnsworth House, designed by great masters of architecture. Currently, the civil construction industry has developed more sophisticated products and techniques that drastically reduce the chances of subsequent infiltration. However, we could say that waterproof flat slabs continue to be fragile points in buildings. The architects from Brasil Arquitetura have improved an inventive and very simple solution to avoid infiltrations in flat slabs, much used in the 70's by architects like Paulo Mendes da Rocha and Ruy Ohtake, filling them with vegetation.
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Hereyou can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT. If you are interested in taking part in the exhibition at UABB 2019, submit your proposal to the “Eyes of the City” Open Call by May 31st, 2019: www.eyesofthecity.net
https://www.archdaily.com/917724/the-monarch-sanctuary-mitchell-joachim-for-the-shenzhen-biennale-uabb-2019Mitchell Joachim
Recorded on August 31st, 2011 at the architect’s New York office
I first met Daniel Libeskind on December 18, 2002, when he presented his vision for the New World Trade Center at the newly restored Winter Garden of the World Financial Center. I see that morning as the birth of starchitecture phenomenon and him as the very first starchitect, as he presented first in front of the mainstream world media and the way he did it, it was clear – here is the winner. Something clicked, and I thought – I must interview this great architect, even though I have never interviewed anyone before. But as soon as he left the stage, the man was mobbed by the press. Dozens of superficial questions flew his way… I looked across the grand atrium and saw the architect’s wife, Nina, standing proudly, but alone. We had a quick chat and set up my very first interview for the following day!
Though many designers today spend their working hours immersed in computer drawing programs, few would deny that hand-drawn work still holds a unique beauty. The traditional lightbox as a drafting tool has become sadly scarce in the modern architectural practice, but architecture graduate Tom Williams hopes to encourage more people to utilize them once again with his free monthly zine, The Lightbook.
Everyone is blameworthy for at least one bad habit / behavior at his/her workplace: talking on the phone too loudly, stealing someone else's mug, walking around the office with a very odorous lunch...
After a little reunion with her friends who work in the architecture field, illustrator Chanel Dehond couldn't help but notice a few "crimes" that almost all architects are guilty of.
Take a look at Dehond's illustrations of the petty crimes done by architects and designers.
The use of steel in architecture is considered as one of the most innovative construction developments in history, allowing architects to create structures in scales they never thought they could. Fast-forward a few centuries, and steel remains as one of the most crucial materials in architecture. But there is a lot more to the material than just tensile strength and durability, some architects were well-aware of steel's potential and transformed it into lighting fixtures, facades, decorative elements, and finishes.
Here are 15 projects where architects looked beyond steel as structural support and explored its diverse possibilities in architecture.
Past, Present, Future is an interview project by Itinerant Office, asking acclaimed architects to share their perspectives on the constantly evolving world of architecture. Each interview is split into three video segments: Past, Present, and Future, in which interviewees discuss their thoughts and experiences of architecture through each of those lenses. The first episode of the project featured 11 architects from Italy and the Netherlands and Episode II is comprised of interviews with 13 architects from Spain, Portugal, France, and Belgium.
The goal of the series is to research these successful firms and attempt to understand their methods and approaches. By hopefully gaining a clearer picture of what it means to be an architect in the 21st century, the videos can also serve as inspiration for the next generation of up-and-coming architects and students as they enter the field.
João Luís Carrilho da Graça is a Portuguese architect, lecturer, and founder of Carrilho da Graça Arquitectos. In addition to his award-winning projects, the architect has taught at the Technical University of Lisbon, guest-lectured at the Autonomous University of Lisbon and University of Évora, and has been invited to several universities, seminars and conferences all over the world. His work mostly focuses on public projects, creating uniquely-designed spaces for the community.
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Hereyou can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT. If you are interested in taking part in the exhibition at UABB 2019, submit your proposal to the “Eyes of the City” Open Call by May 31st, 2019: www.eyesofthecity.net
https://www.archdaily.com/917723/seoul-city-machine-liam-young-for-the-shenzhen-biennale-uabb-2019Liam Young
It is expected that within the next few of decades, Earth will have absolutely nothing left to offer whoever/whatever is capable of surviving on it. Although the human race is solely responsible for the damages done to the planet, a thin silver lining can still be seen if radical changes were to be done to the way we live on Earth and how we sustain it.
Since architects and designers carry a responsibility of building a substantial future, we have put together an A-Z list of every sustainability term that you might come across. Every week, a new set of letters will be published, helping you stay well-rounded on everything related to sustainable architecture and design. Here are the terms that start with letters D, E, and F.
Talieh Ghane researches the interaction between light and health at the California Lighting Technology Center. We talked about the biological vs. visual system of light, how to synchronize your circadian clock for better health, how light is like a drug, and why you shouldn’t be on your phone right before bed (guilty).
https://www.archdaily.com/917345/what-is-healthy-lightingSponsored Post
Although The Architecture of Happiness did not gain momentum after its publication in the mid-2000s, the ideology of architecture and well-being has remained a topic of intrigue until today. To further explore this ideology, the Canadian Centre for Architecture (CCA), with the curation of Francesco Garutti, have put together an exhibition that explores how the "happiness industry" has controlled every aspect of contemporary life after the 2008 financial crash.
Our Happy Life, Architecture and Well-being in the Age of Emotional Capitalism is a non-archival show that exhibits work from architects, artists, and photographers. Metropolis' Samuel Medina spoke to Garutti to discuss the notion behind the exhibition, social media, and architecture's new spaces of meaning.
Paul Goldberger has a new book out, released just this week, entitled Ballpark: Baseball in the American City. Taking a page from the Ken Burns playbook, the book looks at a particularly American building type as a lens for looking at the broader culture of cities. Goldberger’s premise is a good one: Ballparks do parallel, to a remarkable degree, trends in American urbanism. They start as an escape from the city, then the city builds up around them. Post–World War II, they escape to the suburbs, then decades later return to the city. Today, privatization of the public realm and real estate development are driving the agenda. Recently I talked with Goldberger about the new book and a whole slew of magical ballparks, both living and long gone.
The International Festival of Concentric Architecture and Design is characterized by its temporary displays that take place throughout the city. For this year's festival, 16 exhibits have been created that seek to experiment with spaces both within and outside the city of Logroño, bringing with them a whole new way to see and experience the urban surroundings.
This Article was originally published on Metropolis Magazine here.
The story of architectural Modernism in New York City goes beyond the familiar touchstones of Lever House and the Seagram Building.
Eighty-five years on, the little white town house on East 48th Street by William Lescaze still startles. With its bright stucco and Purist volumes, it pulls the eye away from the do-nothing brownstones on one side and the noirish sub-Miesian tower on the other. The machined rectitude of its upper floors, telegraphed by two clumsily large spans of glass block, is offset by the freer plastic arrangement of the bottom levels. Le Corbusier’s five points are in evidence (minus the roof garden), suggesting an architecture ready to do battle. Built in 1934 from the shell of a Civil War–era town house, this was the first Modernist house in New York City, and its pioneering feeling for futurity extended to its domestic conveniences. (A skeptical Lewis Mumford noted its central air-conditioning.)
The need to substantially reduce our impact on the planet must be translated into a significant change to our lifestyle and habits. One of these is to consume responsibly and consider that waste does not exist, but that all material can be transformed into something useful again following a circular ecological system.
In his book Upcycling Wood, Reutilización creativa de la madera, the architect and artist Bruno Sève writes and edits a non-exhaustive guide of the uses and possibilities of recovered wood, as a framework for responsible reuse; from small scale, such as furniture or artists' canvases, to medium scale, with its use in interiors and facades. This book seeks to raise awareness among professionals and citizens in general through analysis of the life cycle, examples of uses and finishing processes, leading to an ecological and responsible framework. The book is illustrated by numerous design and architecture teams who follow the guidelines of ecological design with reclaimed wood.
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