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Past, Present, Future is an interview project by Itinerant Office, asking acclaimed architects to share their perspectives on the constantly evolving world of architecture. Each interview is split into three video segments: Past, Present, and Future, in which interviewees discuss their thoughts and experiences of architecture through each of those lenses. The first episode of the project featured 11 architects from Italy and the Netherlands and Episode II is comprised of interviews with 13 architects from Spain, Portugal, France, and Belgium.

The goal of the series is to research these successful firms and attempt to understand their methods and approaches. By hopefully gaining a clearer picture of what it means to be an architect in the 21st century, the videos can also serve as inspiration for the next generation of up-and-coming architects and students as they enter the field.

Juan Herreros is an acclaimed Spanish architect with multiple award-winning projects to date. In addition to his impressive creations in the construction field, he has strived to redefine the practice of architecture by teaching at the School of Architecture in Madrid and at the GSAPP Columbia University in New York. His collaborative office, Studio Herreros, is an award-winning firm with projects built all over the world, ranging between residential and public spaces. These projects vary between small-scale, "immediate" projects, and internationally-commissioned structures and building competitions, allowing the architect to be one of the most influential Spanish architects practicing today.

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Although architecture has been constantly evolving, past builders have laid out a huge amount architectural heritage for us to learn from and get inspired by, and integrating natural elements with man-made structures is no exception.

Shanghai-based architect and architectural photographer Amey Kandalgaonkar found inspiration in the rock cut-tomb of Madain Saleh in Saudi Arabia, and with the same architecture approach, designed two residential projects that incorporate architecture with the rigid parts of nature.

What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT. If you are interested in taking part in the exhibition at UABB 2019, submit your proposal to the “Eyes of the City” Open Call by May 31st, 2019: www.eyesofthecity.net

Without the city, modernity could never have been invented.  What we are in the midst of discovering now is whether modernity can survive in a city transformed by the digital revolution. The village may offer security and community, but what it does not allow its inhabitants is the possibility of being different, a phenomenon that is as true now as it was during the witch-burning era. 

When we think about a perfect match between acoustics and good design it may not be as easy as it seems. A number of technical decisions in order to make an interior space acoustically efficient -and to achieve its programmatic purpose correctly- can make some of the architect's design intentions fade and be replaced by standard and prefabricated panels.

In this article, we present a selection of architecture projects that are able to create a memorable visual impact as well as an impeccable interior solution for acoustics. These are our favorite 14 music venues that fascinate inside and out.

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The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted and long-format conversations that allow for thoughtful takes and more personal discussions. Honesty and humor are used to cover a wide array of subjects: some episodes provide useful tips for designers, while others are project reviews, interviews, or simply explorations of everyday life and design. The Midnight Charette is available for free on iTunes, YouTube, Spotify, and all other podcast directories.

On this episode of The Midnight Charette podcast, hosts David Lee and Marina Bourderonnet discuss six career questions regarding office and employee reputation in Architecture from the Archinect forum thread, The Issue of Reputation in Architecture. If you have any questions or advice about portfolios or any other design-related topics, leave a voicemail at The Midnight Charette hotline: 213-222-6950.

American video game and software development company Epic Games today welcomes Twinmotion as the latest offering to help visualization professionals in the architecture, construction, urban planning, and landscaping industries better communicate their designs. Powered by Unreal Engine 4, Twinmotion delivers real-time, final-quality rendering through a simple and intuitive interface, with the ability to quickly produce a variety of presentation options including images, panoramas, videos, and virtual reality content.

On April 19th and 20th, fifth year SCI-Arc undergraduates presented their final thesis projects to panels of faculty and guest juries comprised of some of the top architects, critics, and theorists in the field – including Undergraduate Program Chair Tom Wiscombe, Undergraduate Thesis Coordinator Jenny Wu, and Special Thesis Advisor and former SCI-Arc Director Neil M. Denari. This year’s thesis advisors were Kristy Balliet, Marcelo Spina, and Peter Testa.

The ventilated façade is a construction solution that uses a double enclosure distanced from each other by a support structure to generate an air chamber for ventilation. This operation creates a chimney effect that activates air currents by convection, improving the acoustic and thermal insulation of the building, and increasing its energy efficiency.

Due to its nature and manufacturing, the 3.5 mm porcelain tile is a great choice for ventilated façade cladding. Its high resistance to weathering, dimensional stability, and lightness reduce the support structure requirements. It weighs 3 times less than a traditional porcelain tile and allows large formats, up to 3.6 meters, reducing the number of joints. It also delivers high color stability, impact resistance, and low maintenance over time.

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Los Angeles’ booming hospitality industry has provoked many designers to develop fresh, state-of-the-art spaces that fascinate citizens and visitors of the contemporary city. However, some designers are experimenting with abandoned structures, merging historic buildings with contemporary features. The relatively new design trend of adaptive reuse, which was a novelty in the early 2000’s, has now become an in-demand practice in LA, standing front and center in the restaurant / hotel industry.

To dig deeper into why Los Angeles’ hospitality industry is embracing historic buildings, Metropolis Magazine spoke with key hospitality designers and developers in the city such as Historic Resources Group, 213 Hospitality, and Design, Bitches, to learn more about their take on adaptive reuse.

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Contemporary Chinese architects can be divided into two main categories. One is a huge network of government and university-owned design institutes and the other –independent, privately-run architects’ studios, a phenomenon that was started by Beijing-based architect Yung Ho Chang when he opened the very first such practice in 1993. While it is these independent architects that succeeded in producing many, mostly small-scale original works that collectively established a new architectural identity that is unmistakably Chinese, it is the design institutes that produce the greatest bulk of the built environment in the country. For this reason, I wanted to talk to Weiping Shao, the Chief Executive Architect of the Beijing Institute of Architectural Design, BIAD. In a way, Mr. Shao is the chief architect of the Chinese capital. He also serves as the Executive Director of the Architectural Society of China. Shao graduated from Tongji University in Shanghai in 1984 with a master’s degree. Apart from heading BIAD’s design efforts, the architect is the head and leading designer of his 30-architect studio called UFo, which was founded in 2003. We met at Shao’s office, full of international magazines and with an expansive view over Downtown Beijing and spoke with the help of translator and architect Zewo Zhou who works at the studio.

This article was originally published on Metropolis Magazine.

Designed by EAA–Emre Arolat Architecture, the 199-room hotel in Antakya, Turkey, features prefab modules slotted into a massive network of steel columns.

The urban surfaces we walk on, planed sidewalks cleared of debris or asphalt streets kept in good repair, are simply the topmost layers of human-churned earth extending sometimes hundreds of feet belowground. In some cities, digging downward exposes dense infrastructure networks, while in others—Antakya, Turkey, for one—construction workers can’t turn over a rock without uncovering priceless relics. The newly opened Antakya Museum Hotel, designed by the firm EAA–Emre Arolat Architecture, has turned one such discovery into a bold new strategy for historic preservation.

Past, Present, Future is an interview project by Itinerant Office, asking acclaimed architects to share their perspectives on the constantly evolving world of architecture. Each interview is split into three video segments: Past, Present, and Future, in which interviewees discuss their thoughts and experiences of architecture through each of those lenses. The first episode of the project featured 11 architects from Italy and the Netherlands and Episode II is comprised of interviews with 13 architects from Spain, Portugal, France, and Belgium.

Contemporary visualization tools have rendered exceptional illustrations, proving to be crucial in architectural representations today. However, some choose to explore objects in unprecedented manners instead of diving into "digital post-collage", unleashing different realms of design.

Created as an experimentation of visual narratives, (ab)Normal is a graphic patchwork that expresses design, scenography, illustration, architectures, and social utopias of a culture that revolves heavily around Internet, gaming, and religion. The iconographic images, which particularly focus on architectural representation, explore all the potentials of rendering, deconstructing, and reassembling photo-realism with a different hierarchies.

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As ingenious solutions for environments that require additional space and ventilation, articulated or accordion doors and windows operate by folding their leafs one over the other and onto the sides of the opening. They moving via upper and lower rails which can be embedded into masonry and allow separation and integration rooms while adding aesthetic value to the project.

This system generates a similar effect to that of a sliding door or window, but it differs in that all its leafs remain in the same plane when they are closed, giving a clean appearance to the façade.

What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions". ArchDaily is working with the curators of the "Eyes of the City" section at UABB 2019 to set up a discussion on how new technologies - and Artificial Intelligence in particular - might impact architecture and urban life. Here you can read the “Eyes of the City” curatorial statement by Carlo Ratti, Politecnico di Torino, and SCUT. If you are interested in taking part in the exhibition at UABB 2019, submit your proposal to the “Eyes of the City” open call until May 31st, 2019: www.eyesofthecity.net

Urban development has intensified the development of a national landscape of energy production – a territory that could be called the ‘extraction infrastructure web’. This landscape exists out of sight; obfuscated by a complex distribution of corporate, government and environmental databases. The city benefits from the energy network, while averting its gaze from the social and environmental consequences of the flow of energy from the territories of extraction to the metropolis. 

“The greenest building is the one that is already built." (Carl Elefante, FAIA)

The world’s urban population will double by 2050, and cities need to come up with sustainable ways to accommodate this mass movement. We often see projects being built as quickly as possible to support growth, however, rapid growth often leads to cities and buildings that lack originality.

A smarter and more sustainable solution is to increase the density of existing centers, as well as to recover existing structures through refurbishment and repurposing. But, turning something old into something new is a challenging process — it requires a bold vision and a rigorous commitment to design.