In 2021, CRA-Carlo Ratti Associati’s proposal to create sustainable alternatives for urban heating networks was selected as one of four winners of the global Helsinki Energy Challenge. The project entitled Hot Heart proposed “island-like, floating seawater reservoirs to heat the city of Helsinki in a green way”. Using Twinmotion, Epic Games’ real-time visualization platform for the architecture industry to design the intervention, the large scale infrastructural project needed a digital representation tool to possibly put scale into perspective, offer a real immersive experience to engage the client, and exhibit instant changes related to natural factors such as daylight. Come SpaceForm, a data-driven virtual presentation and design tool. Created to facilitate remote cooperation, the technology allows clients or stakeholders to be more immersed in the story of the design.
Architectural Representation: The Latest Architecture and News
On the Latest Representation Trends and Immersive Experiences in Virtual Design Platforms: SpaceForm x CRA
With an increasing amount of architectural visualizations being published on social media, it’s easy to get overwhelmed. Adding this to how the famous algorithm works, we end up always being exposed to social media publications that are, in many ways, similar to each other. But for us as architects, designers, and students, social media is not only a platform for networking and sharing our works. It also serves as a source of inspiration. If the algorithm isn’t helping us to discover new and different ideas, then it’s up to us to go out of our way and look for them.
As Francis D. K. Ching explains in his book Architectural Graphics, unlike the traditional, two-dimensional orthographic drawings used to represent layouts, sections, and floorplans, which only allow a project to be glimpsed through a series of fragmented images, axonometries, or axonometric projections, offer unique, simultaneous three-dimensional views of a project with all the depth and spatiality of tried and true technical illustrations.
Silvia Garcia Camps has presented a series of collages of renowned works of architecture to show that, nothing is ever really invented, it's simply borrowed and mixed. In this article, we highlight her presentation.
In a visually over-stimulating environment, architecture projects compete for attention through eye-catching visuals and intriguing graphical representations of their concepts. Visualization skills rank high in the architectural profession, but they also demand significant time and effort to develop. Arch-Vizz is a website dedicated to both students and professionals who aim to improve their visualization skills and broaden their perspective on architectural representation.
Contemporary visualization tools have rendered exceptional illustrations, proving to be crucial in architectural representations today. However, some choose to explore objects in unprecedented manners instead of diving into "digital post-collage", unleashing different realms of design.
Created as an experimentation of visual narratives, (ab)Normal is a graphic patchwork that expresses design, scenography, illustration, architectures, and social utopias of a culture that revolves heavily around Internet, gaming, and religion. The iconographic images, which particularly focus on architectural representation, explore all the potentials of rendering, deconstructing, and reassembling photo-realism with a different hierarchies.
I was part of the last generation of architectural students who didn't use computers (we’re only talking the early 1990’s here; there was electricity, color TV’s, rockets, just no renderings.) In my final year at college I miscalculated how long it would take me to finish my thesis project. As the deadline approached, I realized it was too late for me to match my fellow students’ presentations. At the time Zaha Hadid, and her deconstructivist paintings, set the style for architectural illustration. That meant many student projects being rendered in oil paints on large canvases.
With the mission of providing tools and inspiration to architects all around the world, ArchDaily’s curators are constantly searching for new projects, ideas and forms of expression. For the past three years, ArchDaily has showcased the best discoveries of each year, and in keeping with tradition, we would like to share the best architecture drawings published throughout 2018.
What is the role of contemporary drawing in architecture? We approach the definition of drawing as design itself. Drawings are used to explain principles, to deliver ideas, to construct new architecture, and to document creative processes.
Below you will see the selection of drawings arranged under six categories: Context, Architectural Drawings, Sketches & Hand-drawn, Digital Collages, Conceptual Drawings & Diagrams and Animated Gifs. Each chosen drawing strengthens the proposed construction or enhances the built work.
An active ArchDaily collaborator, architect and doctor Rogelio Ruiz Fernández, has emerged as a great enthusiast of cinema, architecture, cities and landscapes. He expresses his love for visual arts, architecture, and culture through his drawings. In these moments, he documents trips, his favorite locales, and project ideas that will later become works of architecture.
Below, Ruiz Fernandez explains his creative process and the importance of sketches in his work.
In partnership with Make Architects and Sir John Soane’s Museum, the World Architecture Festival (WAF) has announced the call for entries for the second edition of The Architecture Drawing Prize. Launched in 2017, the prize is conceived to celebrate and showcase the significance of drawing as a tool in capturing and communicating architectural ideas.
The Architecture Drawing Prize embraces the creative use of digital tools and digitally-produced renderings, while recognising the enduring importance of hand drawing. The organisers invite entries of all types and forms: from technical or construction drawings to cutaway or perspective views – and anything in between.
What do architectural drawings do? Convey visual information about the design of buildings. This much is certain. They do much else besides. They can be idiomatic and ideological, they can express the personality of those who make them and by whatever means—charcoal, pencil, pen, or computer program. They can inspire, provoke and radicalize. They might be realistic or the stuff of fantasy. Or, of course, they can instruct those charged with building a three-dimensional representation of what they see on paper or, in recent years, on computer screens. Intelligence visible, they can also be art.
So, judging an open competition of architectural drawings from around the world, like The Architectural Drawing Prize, can only ever be an exercise in open-ended judgment even when these have been sorted into three technical categories: Hand-drawn, Digital, and Hybrid. How do we begin to compare Chris Raven’s intriguing digital analysis of Publicly Accessible Spaces in St Paul’s Cathedral with Xinyuan Cao’s almost fond cross-section through the Renovation of Denggao Village, two commended entries in the Digital Drawings category?
For the past two years, we have found ourselves wanting to highlight what is the foundation of architectural practice: the architectural drawing. We realized that even after almost a decade of publishing the best projects from around the world, we should take on the task of singling out the exceptional cases of representation, taking into account all varieties and species of drawings. Following up on the criteria used in the previous edition, all the architectural drawings we have selected this year have a sensitive expression— whether it be artistic, technical or conceptual—and they all aim to express and explain the respective project using simplicity, detail, textures, 3D and color as main tools.
Below you will see the selection of drawings arranged under eight categories: Architectural Drawings, Axonometrics, Context, Diagrams, Sketches, Animated Gifs, Details and Other Techniques.
The World Architecture Festival, with co-curators Make Architects and the Sir John Soane’s Museum, has announced the winner of the their inaugural Architecture Drawing Prize, established to recognize the “continuing importance of hand drawing, whilst also embracing the creative use of digitally produced renderings.”
From 166 entries from architects, designers and students across the globe, 38 of the best drawings were shortlisted within three categories: Digital, Hand-drawn, and Hybrid. From that list, commendations and a category winner were chosen, with the overall grand prize awarded to the year’s best drawing. Submissions were evaluated on technical skill, originality in approach and ability to convey an architectural idea, whether for a conceptual or actual building project.
This year, the overall winner was Momento Mori: a Peckham Hospice Care Home by Jerome Xin Hao Ng, produced as part of Ng’s final diploma project at The Bartlett School of Architecture, University College London.
“[The drawing is] a superbly conceived and executed perspectival view looking down through the building from roof level, praised for its technical skill and the sensitivity with which it depicted the spaces found in such institutions as settings for multi-generation social interaction,” said Jeremy Melvin, Curator of World Architecture Festival (WAF).
The 2017 World Architecture Festival will take place in Berlin from November 15-17. Learn more about the Festival and purchase delegate passes here. Use the discount code ARCHDAILY17 to receive 20% off. An incredible list of speakers including Alison Brooks, Charles Jencks, Pierre de Meuron and Francis Kéré will feature across 3 days from November 15th to 17th at the Arena Berlin, Germany. Conferences, city tours, lectures and critiques of the shortlisted projects from the 2017 WAF awards are among the events scheduled for the festival.
See the winners and shortlisted drawings below.
When it comes to forms of architectural representation, there is no method more expressive or foundational than the drawing. The series of decisions—drawing utensil, paper type, line style, hand versus digital—combined with the choices of what an architect includes (or excludes) in their drawings reveal the true intentions behind the design of a project in perhaps the noblest and purest fashion.
In previous years, we've published round-ups of our favorite images from our database of selected projects (which we will do again this winter!), but this year, we wanted to do something a little different to engage with our community: we asked our readers to submit their own best drawings. The response was overwhelming – we received more than 1200 drawings from our network of readers across the globe, ranging from atmospheric perspectives to interpretive sketches to highly-technical sections.
From those submissions, the ArchDaily team has selected 80 of our favorites, organized into 7 categories: Visualizations, Axonometric - Isometric, Sections, Collages, Context, Sketches and Plans.
Check them out, below.
Communicating ideas through imagery are central to the design process. In client presentations, site visits, or public exhibitions, we are required to represent important aspects clearly to the receiver, who is often not an architect. Furthermore, producing detailed architectural drawings can allow us to identify and modify certain aspects of the design.
Diagrams and charts, because of their non-spatial characteristics, are often neglected until the last moments of the design process, however, they can be a useful tool for analysis and organization. Taking the time to think and articulate these elements yield positive results, from understanding and organizing a design process to providing an unexpected change of idea.