Created as an experimentation of visual narratives, (ab)Normal is a graphic patchwork that expresses design, scenography, illustration, architectures, and social utopias of a culture that revolves heavily around Internet, gaming, and religion. The iconographic images, which particularly focus on architectural representation, explore all the potentials of rendering, deconstructing, and reassembling photo-realism with a different hierarchies.
I was part of the last generation of architectural students who didn't use computers (we’re only talking the early 1990’s here; there was electricity, color TV’s, rockets, just no renderings.) In my final year at college I miscalculated how long it would take me to finish my thesis project. As the deadline approached, I realized it was too late for me to match my fellow students’ presentations. At the time Zaha Hadid, and her deconstructivist paintings, set the style for architectural illustration. That meant many student projects being rendered in oil paints on large canvases.
With the mission of providing tools and inspiration to architects all around the world, ArchDaily’s curators are constantly searching for new projects, ideas and forms of expression. For the past three years, ArchDaily has showcased the best discoveries of each year, and in keeping with tradition, we would like to share the best architecture drawings published throughout 2018.
What is the role of contemporary drawing in architecture? We approach the definition of drawing as design itself. Drawings are used to explain principles, to deliver ideas, to construct new architecture, and to document creative processes. Below you will see the selection of drawings arranged under six categories: Context, Architectural Drawings, Sketches & Hand-drawn, Digital Collages, Conceptual Drawings & Diagrams and Animated Gifs. Each chosen drawing strengthens the proposed construction or enhances the built work.
We also invite you to review collections from previous years here or other drawing-related posts selected by our editors in the following link.
An active ArchDaily collaborator, architect and doctor Rogelio Ruiz Fernández, has emerged as a great enthusiast of cinema, architecture, cities and landscapes. He expresses his love for visual arts, architecture, and culture through his drawings. In these moments, he documents trips, his favorite locales, and project ideas that will later become works of architecture.
Below, Ruiz Fernandez explains his creative process and the importance of sketches in his work.
In order to explain projects and design decisions properly, architects must use often rely on creative representation techniques instead of words. It’s part of the job. The quality of drawings - simple, complex, or anything in between - is fundamental for the correct reception of the ideas. Digital media has enabled new ways of representation including animation and adding a new dimension in a single image: processes.
Animated gifs can provide the same amount of information in constructive terms as a section, program distribution as a diagram and main decisions as a master plan, while at the same time showing the progress and chronology of the project.
The following 30 projects use animated gifs as a tool to represent the design process, construction details, use of layers and interior spatial sequences.
In partnership with Make Architects and Sir John Soane’s Museum, the World Architecture Festival (WAF) has announced the call for entries for the second edition of The Architecture Drawing Prize. Launched in 2017, the prize is conceived to celebrate and showcase the significance of drawing as a tool in capturing and communicating architectural ideas.
The Architecture Drawing Prize embraces the creative use of digital tools and digitally-produced renderings, while recognising the enduring importance of hand drawing. The organisers invite entries of all types and forms: from technical or construction drawings to cutaway or perspective views – and anything in between.
What do architectural drawings do? Convey visual information about the design of buildings. This much is certain. They do much else besides. They can be idiomatic and ideological, they can express the personality of those who make them and by whatever means—charcoal, pencil, pen, or computer program. They can inspire, provoke and radicalize. They might be realistic or the stuff of fantasy. Or, of course, they can instruct those charged with building a three-dimensional representation of what they see on paper or, in recent years, on computer screens. Intelligence visible, they can also be art.
So, judging an open competition of architectural drawings from around the world, like The Architectural Drawing Prize, can only ever be an exercise in open-ended judgment even when these have been sorted into three technical categories: Hand-drawn, Digital, and Hybrid. How do we begin to compare Chris Raven’s intriguing digital analysis of Publicly Accessible Spaces in St Paul’s Cathedral with Xinyuan Cao’s almost fond cross-section through the Renovation of Denggao Village, two commended entries in the Digital Drawings category?
For the past two years, we have found ourselves wanting to highlight what is the foundation of architectural practice: the architectural drawing. We realized that even after almost a decade of publishing the best projects from around the world, we should take on the task of singling out the exceptional cases of representation, taking into account all varieties and species of drawings. Following up on the criteria used in the previous edition, all the architectural drawings we have selected this year have a sensitive expression— whether it be artistic, technical or conceptual—and they all aim to express and explain the respective project using simplicity, detail, textures, 3D and color as main tools.
Below you will see the selection of drawings arranged under eight categories: Architectural Drawings, Axonometrics, Context, Diagrams, Sketches, Animated Gifs, Details and Other Techniques.
The World Architecture Festival, with co-curators Make Architects and the Sir John Soane’s Museum, has announced the winner of the their inaugural Architecture Drawing Prize, established to recognize the “continuing importance of hand drawing, whilst also embracing the creative use of digitally produced renderings.”
From 166 entries from architects, designers and students across the globe, 38 of the best drawings were shortlisted within three categories: Digital, Hand-drawn, and Hybrid. From that list, commendations and a category winner were chosen, with the overall grand prize awarded to the year’s best drawing. Submissions were evaluated on technical skill, originality in approach and ability to convey an architectural idea, whether for a conceptual or actual building project.
This year, the overall winner was Momento Mori: a Peckham Hospice Care Home by Jerome Xin Hao Ng, produced as part of Ng’s final diploma project at The Bartlett School of Architecture, University College London.
“[The drawing is] a superbly conceived and executed perspectival view looking down through the building from roof level, praised for its technical skill and the sensitivity with which it depicted the spaces found in such institutions as settings for multi-generation social interaction,” said Jeremy Melvin, Curator of World Architecture Festival (WAF).
The 2017 World Architecture Festival will take place in Berlin from November 15-17. Learn more about the Festival and purchase delegate passes here. Use the discount code ARCHDAILY17 to receive 20% off. An incredible list of speakers including Alison Brooks, Charles Jencks, Pierre de Meuron and Francis Kéré will feature across 3 days from November 15th to 17th at the Arena Berlin, Germany. Conferences, city tours, lectures and critiques of the shortlisted projects from the 2017 WAF awards are among the events scheduled for the festival.
When it comes to forms of architectural representation, there is no method more expressive or foundational than the drawing. The series of decisions—drawing utensil, paper type, line style, hand versus digital—combined with the choices of what an architect includes (or excludes) in their drawings reveal the true intentions behind the design of a project in perhaps the noblest and purest fashion.
In previous years, we've published round-ups of our favorite images from our database of selected projects (which we will do again this winter!), but this year, we wanted to do something a little different to engage with our community: we asked our readers to submit their own best drawings. The response was overwhelming – we received more than 1200 drawings from our network of readers across the globe, ranging from atmospheric perspectives to interpretive sketches to highly-technical sections.
From those submissions, the ArchDaily team has selected 80 of our favorites, organized into 7 categories: Visualizations, Axonometric - Isometric, Sections, Collages, Context, Sketches and Plans.
Check them out, below.
https://www.archdaily.com/878262/the-80-best-architecture-drawings-of-2017-so-farAD Editorial Team
Communicating ideas through imagery are central to the design process. In client presentations, site visits, or public exhibitions, we are required to represent important aspects clearly to the receiver, who is often not an architect. Furthermore, producing detailed architectural drawings can allow us to identify and modify certain aspects of the design.
Diagrams and charts, because of their non-spatial characteristics, are often neglected until the last moments of the design process, however, they can be a useful tool for analysis and organization. Taking the time to think and articulate these elements yield positive results, from understanding and organizing a design process to providing an unexpected change of idea.
In an effort to enhance the graphics and diagrams in architectural representation, check out this series of case studies to help you boost the visual, analytical, organizational power of your work.
“An image is a sight which has been recreated or reproduced. It is an appearance, or a set of appearances, which has been detached from the place and time in which it first made its appearance and preserved – for a few moments or a few centuries. Every image embodies a way of seeing.” - John Berger / 1972 / Ways of seeing
Digital tools have given architecture the ability to manipulate information, allowing architects to interact with existing information and reshape it in a different way according to the author’s ideals or thoughts about architecture.
Representation becomes a project itself; it is a graphic manifesto of what the author wants to deliver, a critical vision of a design intervention in a particular context.
In this path, collage has become an active tool to facilitate the reproduction of multi-layered atmospheres made by the curated assemblage of different forms to create a complex stage for an architectural idea.
A collage engages all senses to define the experience of a space. The symbolic and tactical associations between fragments of images provide a way to understand all the stories behind a space, transgressing the limits of perception to reach an intuitive process that exhibits the atmosphere of a project.
Here we introduce 12 architecture offices that describe atmospheres by using complex collage compositions to express social, cultural and political environments for their designs.
Architect and illustrator Diego Inzunza has created a new series titled "Architectural Classics," which presents and analyzes 20 iconic architectural works from the 20th-century. Using a graphic technique based upon axonometric views, the style allows each building to be seen from multiple sides, creating a comprehensive overall interpretation of the architecture.
Designing and building a project is a challenge in itself. However, once the project is complete there are also challenges in expressing the project so that it can be understood by a new audience. This is especially true in digital media, where online readers don't necessarily spend the same time reading an article as in print media. Drawings and all new forms of visual representation – such as animated Gifs – play an important role in the project's understanding.
At ArchDaily we push ourselves as editors to look for the best drawings from the architects that work with us. We are constantly looking to get the best out of the projects we receive to share with the world and deliver knowledge and inspiration to millions of people. The drawings we have chosen are not only visually entertaining but they serve as a way of educating and learning fundamental architectural representations.
Regardless if they are digital or hand-drawn, all the architectural drawings we have selected this year have a sensitive expression, whether it be artistic, technical or conceptual, and they all aim to express and explain the project using simplicity, detail, textures, 3D and color as main tools.
This year we want to highlight a selection of 90 drawings arranged under eight categories: Architectural Drawings, Axonometrics, Context, Diagrams, Sketches, Animated Gifs, Details and Other Techniques.
We believe good projects should be able to express and explain themselves. Architectural representation plays a fundamental role in how a project is perceived by the audience, which is why today ArchDaily is recognizing the most outstanding, original and self explanatory drawings of the year.
The selected drawings cover the diverse range of different techniques used in architectural representation today, from hand drawing images to perfectly detailed axonometrics and animated GIFs - but one thing they all have in common is the deep insights they provide into the appearance, construction or concept of the buildings they represent.
https://www.archdaily.com/779344/the-best-of-architecture-drawingsAD Editorial Team
Ben Johnson is a painter preoccupied by realism – especially when it comes to the two-dimensional representation of architectural space. A British artist practicing in London, Johnson has been working professionally since the mid-1960s. In that time his extensive œuvre has encompassed painted cityscapes and prints to depictions of rooms designed—among others—by Norman Foster, John Pawson, I. M. Pei, and David Chipperfield.