Daniel Libeskind

The Cooper Union for the Advancement of Science and Art in New York has unveiled an exhibition showcasing 50 years of undergraduate architectural thesis projects by students of the Irwin S. Chanin School of Architecture.

Drawing together the works of Elizabeth Diller, Laurie Hawkinson, Daniel Libeskind, and others, the exhibition titled “Archive and Artifact: The Virtual and the Physical” presents hand-drawn, digital, and three-dimensional works.

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In the next chapter of his ongoing Urban Geometry project, self-taught Spanish photographer Andres Gallardo captures the elements of color, form, and materiality of post-war architecture in Berlin. This photo series, with installments featuring the modern marvels of Beijing, Seoul, Copenhagen, and Tallinn, among other cities, has become representative of Gallardo's personal growth from his humble start in his career as a professional photographer.

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Following the announcement by SpaceX founder Elon Musk that Japanese billionaire Yusaku Maezawa would be the first paying customer to visit the Moon, the retail tycoon generated further excitement by declaring he would bring between six and eight artists to accompany him.

The “Dear Moon” project would see a painter, musician, film director, and others, accompany Maezawa in order to “dream dreams that have never been dreamed…to sing songs that have never been sung, to paint that which has never been seen before.”

Russian-German architect Sergei Tchoban of Tchoban Voss Architekten has won the Gold Medal in the First Athens Architecture Club Exhibition, organized by the Chicago Athenaeum and The European Centre for Architecture Art Design. Participating architects included Steven Holl, Daniel Libeskind, and Santiago Calatrava.

The Athens Architecture Club seeks to resurrect the historical architecture clubs of the 19th century, functioning as an “open forum, an infrastructural framework, and support platform for architects, artists, and writers to discuss, challenge and enrich a dialogue among practitioners and scholars.

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Louisiana Channel has released a new video interview with acclaimed architect Daniel Libeskind, in which he retraces the story behind his architectural career. In the interview, Libeskind unravels his view of architecture, and the architectural profession, drawing comparisons between architecture and music, while reflecting on the adherence to legislation and inherent optimistic outlook required to practice architecture.

In the 30-minute in-depth interview, Libeskind guides observers through his childhood, the roots of his architectural career, and reflects upon his most noted schemes, including the Jewish Museum in Berlin and the World Trade Center Masterplan in New York.

In the architecture world, few designers can claim to have a more clearly-defined style than Daniel Libeskind (born May 12, 1946). Much of Libeskind's work is instantly recognizable for its angular forms, intersecting planes, and frequent use of diagonally-sliced windows, a style that he has used to great effect in museums and memorials—but which he has equally adapted to conference centers, skyscrapers, and shopping malls.

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In PLANE-SITE's latest video from their Time-Space-Existence series, Daniel Libeskind describes his work in relation to Shakespeare's quote that "time is out of joint." Weaving in his philosophy regarding time, memory and architecture, Libeskind discusses his seminal works such as the Jewish Museum Berlin and the Ground Zero master plan. These ideas will be transferred to his new project named Facing Gaia, an architectural sculpture to be located in Giardini Marinaressa, which explores the connections between climate, time, space and existence.

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The complications of war and violence demanded a bold piece of architecture to provoke the public's understanding of the impact it had on Germany. Daniel Libeskind chooses to engage with such events in his extension to Dresden's Military History Museum, by crashing a huge steel and concrete structure through the neoclassical facade, tearing apart the symmetry of the original building. Photographer Alexandra Timpau has captured the sharp edges and harsh angles of the museum's extension that convey the pain and the stark reality of war Libeskind and the museum refer to.

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New renderings and details have been revealed of Studio Libeskind’s competition-winning mixed-use tower development located in the downtown business district of Vilnius, Lithuania as the project has secured funding. Located at the intersection of the White Bridge, the Neris River and Old Town, the 20,000 square meter (215,000 square foot) complex will be home to a class-A business center and the region’s first Radisson RED-branded luxury hotel, along will an array of restaurants, shops and public amenities.

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A simultaneous celebration of their cultural iconicity and distillation from their various contexts, Beautified China is a photographic essay by Kris Provoost (one-half of the vlogging duo behind #donotsettle) that tracks the evolution of Chinese architectural landmarks over the course of the past 7 years. Beginning his investigation with the 2010 World Expo in Shanghai, Provoost considers a decade of architecture proposed for China by the profession’s biggest names, many of which have been built now with monumental reputations in rising cities.

“Most ‘starchitects’ had their chance to build, or to fulfill their wildest dreams,” explains Provoost. “Some of them became landmarks: CCTV headquarters by Rem Koolhaas and Ole Scheeren or the Bird’s Nest/National Stadium by Herzog and de Meuron for example. Others have turned a suburb into a new center, or have established a new city on its own.”

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“If you took the whole world and collapsed it into one little ball, you’d find it here, in this city.”

In this video from the Louisiana Channel, Daniel Libeskind talks about the chaotic beauty of and his love for New York City. Born in Poland, at the age of 13 Libeskind immigrated to New York, where he witnessed both the building and the collapse of the World Trade Center’s Twin Towers. Intimate with the site, Libeskind was later tasked with designing the masterplan for the World Trade Center's reconstruction.

Check out the video to hear the architect discuss the tolerance, complexities and fascination of his adopted home.

Studio Libeskind and the Dutch Auschwitz Committee have revealed plans for the Holocaust Monument of Names, to be located in the heart of Amsterdam’s Jewish Cultural District. Incorporating the letters of the Hebrew word לזכר (meaning “In Memory of”), the memorial will be the first to memorialize the names of all 102,000 Dutch victims of the Holocaust.

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