Opening to much fanfare earlier this week, Zaha Hadid Architects' Port House holds a commanding presence over the port of Antwerp. The design combines a listed and formerly derelict fire station, which was restored as part of the project, with an eye-catching glass extension which rises out of the older building's courtyard and thrusts itself towards the water in a dramatic cantilever. In the context of the port, where large infrastructure and colossal machines form the backdrop to everyday functions, the building boldly stakes its claim as the operational centerpiece, providing a space for the Port of Antwerp's 500 employees. Photographer Thomas Mayer visited the building, capturing its striking external presence and investigating how its structural gymnastics translate to the building's internal space.
Zaha Hadid Architects
Zaha Hadid Architects' new Port House in the Belgian city of Antwerp, which has been almost a decade in planning and construction, officially opens this week. A monumental new structure sits above a repurposed and renovated (formerly derelict) fire station, providing a new headquarters for Europe's second largest shipping port. Housing 500 staff, who will now be under the same roof for the first time, the building represents a sustainable and future-proof workplace for its employees. Photographer Laurian Ghinitoiu has visited to capture his unique perspective on this new addition to the city's crane-covered skyline.
Weston Williamson + Partners has won an international competition for a 125,000 square meter “Science City” along the western edge of Cairo, Egypt, beating out entries from Ngiom Partnership and Zaha Hadid Architects. The project will be built from the ground up in the desert surrounding the city, and will serve as a 21st century science museum and new national institute for scientific innovation. The competition called for an integrated master plan and conceptual design that express “a particular vision of the quest for knowledge and the pursuit of science.”
The jury selected the winning design for its overall comprehensiveness and identity, as well as its ability to be intelligently constructed in phases.
“This project was the one that best responded to the challenges of the brief. The design is subtle but rich. It involves various levels of planning,” said the jury in a statement. “It displays a blending of aspects of several of the “types” that were so visible: the circle, the striation, the berm (or dune), the legible apparatus of sustainable performance, the complex of courtyards, the oasis, etc. But the overall impact is one of a unified composition of great elegance and finesse.”
Continue reading for more on Weston Williamson’s design and to see images from all of the winning entries.
This video, presented by the BBC, takes a look at the work of Zaha Hadid as inspired by her favorite artist: the Russian Suprematist painter Kazimir Malevich. Featuring interviews with the dame herself, the narrative looks all the way back to Hadid’s origins, including her time at the Architectural Association School in London. It was there that she designed “Malevich’s Tektonik,” a hotel along the Thames River based upon the works of Malevich. Hadid believed that this work radically drove the architectural outlook she would employ for the remainder of her career:
“I was very fascinated by abstraction and how it really could lead to abstracting plans, moving away from certain dogmas about what architecture is. That project really liberated me, freed me from all these rules.”
Lilas, Zaha Hadid Architects’ design for the 2007 Serpentine Gallery pavilion, has been reinstalled at a new location on the south lawn of Chatsworth House, the Derbyshire home of the Duke and Duchess of Devonshire. The mushroom-like pavilion has been put on display as part of Sotheby’s annual Beyond Limits sculpture exhibition, and is for sale through the international auction house.
Update 7/5/17: Zaha Hadid Architects has announced the signing of Mandarin Oriental Hotel Group as manager of the new signature hotel and branded residences located within the Collins Street Tower. Mandarin Oriental, Melbourne will manage 196 guestrooms and suites and 148 of the tower’s upper floor residences, as well as an all-day dining restaurant, a spa and fitness center, and a bar with roof terrace access. Owners will have access to hotel amenities, as well as shared spaces including a private residents’ lounge. The project is expected to open in 2023.
Zaha Hadid Architects has released new images and an animation of the firm’s “Stacked Vase” tower in Melbourne’s Central Business District to coincide with the building receiving approval from the Department of Environment, Land, Water and Planning, the City of Melbourne and the Office of Victorian Government Architect. The 54-story (178m) mixed-use skyscraper will be Zaha Hadid’s only tower in Melbourne, and upon completion will become an new emblem of “the most livable city in the world.”
Zaha Hadid Architects have released plans for a 70,000 square meter (750,000 square foot) hotel and residential tower in the Marina District of Lusail City, Qatar. The design is the first of two ZHA projects commissioned by H.H. Sheikh Mohammed Bin Khalifa Al Thani for Lusail City’s integrated community master plan, which when complete will become Qatar’s first and largest sustainable city, providing entertainment, employment and accommodation for up to 450,000 residents and visitors.
Zaha Hadid Architects’ (ZHA) 170-meter-tall Generali Tower has topped out at 44 stories in Milan, Italy. The Generali Tower, along with two other towers, forms the centerpiece for the CityLife masterplan to revitalize the old site of Milan’s International Fair, which closed in 2005.
Through the redevelopment, which began in 2004, the site will be open “to year-round public use, with the inclusion of new civic spaces, public parks, and residential buildings, in addition to shopping areas and corporate offices, all with direct transport connections via the Tre Torri station on the line 5 of the city’s metro system.”
Zaha Hadid’s exhibition design for Kurt Schwitters: Merz opened to the public earlier this week at Galerie Gmurzynska in Zurich. In an article about the exhibition in T Magazine, senior designer and director at Zaha Hadid Architects (ZHA), Patrik Schumacher said, “It’s literally the last project of Zaha, finished by her team.”
The exhibition, presenting seventy works – in all media – from each period of the artist’s career, honors five decades of the gallery showing Schwitter’s work. Hadid’s design is a reflection on the artist’s well-known, but destroyed, Merzbau, a sculpture that filled the artist’s workspace from 1923-1937. According to the Hadid’s office, “[Merzbau was] a living, inhabited collage, ever-shifting and expanding, and this was the starting point for [Zaha’s] exhibition design which pushes beyond mere random collage to embrace the unpredictable richness and the complex variegated order found in nature.” The design builds on an established relationship between Hadid and Galerie Gmurzynska; Merz following in the footsteps of an earlier exhibition space designed for another of the architect’s inspirations, Kasimir Malevich.
The Moinian Group announced that they had been collaborating with the late Zaha Hadid to develop a “visionary” new project for New York City. The project, at 220 Eleventh Avenue in West Chelsea, is a multi-residential apartment building with a cultural institution at street level.
This announcement comes after Zaha Hadid Architects pledged to complete all 36 projects that were in construction or design development at the time of her death, as her office continues her powerful legacy.
In a city as renowned for its historic buildings as Prague, urban change can often be hard to come by – which is why the announcement earlier this month that Zaha Hadid Architects will be designing a large complex of buildings around a railway station close to the city's historic center was big news. But is this the design that Prague needs? In this interview, originally published in Czech by Česká televize, Michaela Polakova speaks to Martin Barry, the Chairman of Prague-based NGO reSITE, for his analysis of how the design will impact the city's future.
Michaela Polakova: What is your opinion on the new Zaha Hadid Architects building in Prague?
Martin Barry: To me, it seems is too early to comment on the aesthetics of the buildings. We should focus on how the collection of buildings enhances the urban character of the city, and how they can improve the urban condition around the buildings. The city is a collection of buildings; the spaces between are what influence people’s lives; not so much the materials and forms of the architecture. That being said, this is a major development site and relatively large footprint of buildings from ZHA adjacent to the historic center of the city. So, we should pay close attention to how the designs develop. At present, it is clear that it is early and they need work.
One Thousand Museum, the Zaha Hadid-designed skyscraper in Downtown Miami, has unveiled new interior renderings, including communal spaces designed by the architect. The 62-story tower, which began construction in December of 2014, will contain only 83 residences, consisting of a two-story duplex penthouse, four townhouses, eight full-floor residences, and 70 half-floor units. Overlooking the Pérez Art Museum by Herzog & deMeuron, the soon-to-be-completed Patricia and Phillip Frost Museum of Science by Grimshaw Architects, and the American Airlines Arena by HOK & Arquitectonica, One Thousand Museum tilts the scales in luxury residences from a market historically centered on Miami Beach to Miami’s rapidly densifying Downtown.
In celebration of the four decade career of the late Zaha Hadid, Fondazione Berengo will host an exhibition of her paintings, drawings, and models at the 16th century Palazzo Franchetti in Venice, coinciding with the 2016 Venice Biennale. The exhibition will display the full range of Hadid's design work from built projects, to those under construction, and others ultimately never realized. Some of the early, unrealized work that will be represented includes Malevich’s Tektonic, a bridge concept for the Thames River, which Hadid developed while she was still a student at the Architectural Association School in London (1976-77), as well Peak Club, Hong Kong (1982-83), Hafenstrasse, Hamburg (1989), Grand Buildings, Trafalgar Square, London (1985), the Victoria City master-plan for Berlin (1988), and the Cardiff Bay Opera House (1994-95).
Heathrow Airport is offering a first glimpse at commissioned expansion proposals by Zaha Hadid Architects, Grimshaw, HOK, and Benoy, that will shape the future of the global hub in London. The project brief called for "bold ideas to create a world-class sustainable airport that [will] deliver innovations in passenger service, integrate local communities, and showcase the best of British design." Challenging the architects to push the boundaries of what is the current airport typology, the proposals are meant to drive a step change in global airport design.
Zaha Hadid Architects (ZHA) has revealed plans to design and redevelop more than 22,000 square meters of brownfield land in Prague, in a 90,000 square meter development adjacent to the city’s Masaryk Railway Station. ZHA was selected by project partner Penta, an investment company active in ten markets across Europe, as the winner of a 2014 competition for the site. Devising a new central business district, the ZHA plan seeks to integrate with existing means of transit, including suburban and domestic rail services, a bus terminal, Line B of the city’s metro, and a future airport rail link to Vaclav Havel International Airport. Approximately one kilometer from Prague’s central square, the design seeks to create a balance between the horizontality of the railway lines and the verticality and publicness of the Old Town.
Zaha Hadid Architects (ZHA) has announced a new project in Moscow, winning a competition to design the Sberbank Technopark at the Skolkovo Innovation Centre. This is the firm’s first announcement of new work since the untimely death of Zaha Hadid late last month. As the market leader of the Russian banking and economic circulatory system since 1841, Sberbank’s new 131,000 square meter facility will accommodate 10,000 to 12,000 workers in the sectors of marketing and information technology.
Zaha Hadid Architects has begun construction on the NürnbergMesse Hall 3C for international exhibition and congress company NürnbergMesse, in Nuremberg, Germany. The design for Hall 3C is a continuation of the design principles from Hall 3A, which was built by Zaha Hadid Architects in 2014.
As a part of the NürnbergMesse exhibition company, Hall 3A connects existing hexagonal grid halls from the 1970s to the rectangular halls at Grosse Strasse. Hall 3C will be modeled in a similar fashion, featuring a trapezoid-shaped and spaning 10,000 square meters.
Zaha Hadid Architects has 36 projects underway in 21 countries, and four of them will be completed this year. The Salerno Maritime Terminal will open later this month, the Port House, Antwerp, in September, the King Abdullah Petroleum Studies and Research Center (KAPSARC) in Riyadh, in October, and the Mathematics Gallery at the Science Museum in London, in December.
In spite of the untimely death of the practice’s namesake last month, the firm has pledged to continue with its slate of projects, stating, “Zaha is in the DNA of Zaha Hadid Architects. She continues to drive and inspire us every day, and we work on as Zaha taught us – with curiosity, integrity, passion and determination.”