The Documentation Center of Cambodia’s (DC-Cam) has commissioned Zaha Hadid to design the much-anticipated genocide studies institute in Phnom Penh. The new campus, known as the Sleuk Rith Institute, will serve as an extension of DC-Cam’s work as the country’s go-to archive for Khmer Rouge history as well as a leading center for genocide studies in Asia. Within a modest campus, the institute will house a “cross-section of pursuits,” including a genocide studies center, a school, a museum for memorial and education purposes, and more.
“Youk Chhang’s vision is inspirational,” stated Zaha Hadid. “His brief for the Sleuk Rith Institute calls for beauty and an optimism for the future to heal and reconnect a country, with the Documentation Centre of Cambodia being key to that process.”
UPDATE: The Washington Post reports that Japan’s minister of education, Hakubun Shimomura, has announced a plan to trim the budget proposed for the Olympic stadium (now expected to cost $3 billion) designed by Zaha Hadid Architects. While he did not reveal the details of the scale-down, he maintained that the “design concept will be kept.”
Pritzker Prize laureate Fumihiko Maki has rallied together a number of Japanese architects – including Sou Fujimoto, Toyo Ito and Kengo Kuma – to oppose the massive scale of Zaha Hadid’s competition-winning National Stadium. Planned to be Tokyo’s main venue for the 2020 Olympic and Paralympic games, Hadid’s 290,000 square meter stadium is accused of being “too big and too artificial” for the surrounding context.
Inspired by the dolls’ house that Edwin Lutyens designed for The British Empire Exhibition in 1922, twenty British practices are each designing a contemporary dolls’ house in aid of the disabled childrens’ charity KIDS. Each version will sit on a 750mm square plinth to be auctioned at Bonham’s on the 11th November and contains one feature which would make life easier for a disabled child. Among the participating practices is Zaha Hadid Architects and Rogers Stirk Harbour + Partners. FAT will also be working with Turner Prize recipient Grayson Perry CBE, and Studio Egret West with artist Andrew Logan.
See all the entries after the break…
Scheduled to open its doors in 2016, the new office building and hotel designed by Zaha Hadid for Dubai is already under construction. Dubbed “Opus,” the new tower will be the first mixed-use building to be developed in the city as two individual structures, conceived as a single cube formed by a conventional slabs stacked vertically and served by a circulation core.
Architects: Zaha Hadid Architects
Location: London, England, UK
Design: Zaha Hadid with Patrik Schumacher
Project Director: Charles Walker
Project Team: Ceyhun Baskin, Torsten Broeder, David Campos, Suryansh Chandra, Inanc Eray, Matthew Hardcastle, Dillon Lin, Elke Presser, Marina Duran Sancho, Timothy Schreiber, Jianghai Shen, Marcela Spadaro, Anat Stern, Laymon Thaung, Claudia Wulf
Area: 1,566 sqm
Photographs: Luke Hayes
With the opening of her latest London project, the Serpentine Sackler Gallery in Hyde Park, Xan Brooks of the Guardian conducted this interview with the enigmatic Zaha Hadid. They discuss some of her greatest successes (The MAXXI museum) and some of the contentious issues around some of her buildings (Galaxy Soho, for example) – before moving on to her approach to designing for oppressive regimes (yes, “if it helps people”) and finally her apprehension over a return trip to Iraq, the homeland which she has not returned to in over 30 years. You can read the full article here.
Inspired by the dolls’ house that Edwin Lutyens designed for The British Empire Exhibition in 1922, twenty British practices are each designing a contemporary dolls’ house in aid of the disabled childrens’ charity KIDS. Each version will sit on a 750mm square plinth to be exhibited during this year’s London Design Festival (14th – 21st September, 2013) before being auctioned. Each design must contain “a unique feature to make life easier for a child who is disabled.”
From “Paper Architect” to employing over 400 staff working on 950 projects in 44 countries, Zaha Hadid has proven that her avant-garde ideas are not only buildable, but also the most popular architectural brand in the world. China, Russia and Saudi Arabia are among the countries first in line to commission Hadid icons. Rowan Moore, however, claims that her recent accolades have come at the cost of her original ideals, becoming trapped in her own public persona. Read the full article, Zaha Hadid: queen of the curve.
We know that Tokyo won the race and that is why today we invite you to take a virtual tour of the Olympic Stadium project designed by Zaha Hadid, which involves the refurbishment of the former Japan National Stadium, originally built for the 1964 Games. Once complete, the expanded sports complex will be able to accommodate 80,000 spectators.
Recently announced as one of the shortlisted entries in the People’s Choice Award competition organized by Major Projects Victoria, this design for the Flinders Street Station weaves together the history of the station with a potent new form to create a new public place for the future. Designed by Zaha Hadid Architects + BVN Architecture, their concept resolves the functional challenges while celebrating the travel experience. More images and architects’ description after the break.
New renderings of Zaha Hadid Architect‘s 215 meter-high One Thousand Museum Tower in downtown Miami have been released. As the first Zaha Hadid-designed skyscraper to grace the skyline of the Western Hemisphere, the 60-story luxury condominium will mask its program with a prominent concrete exoskeleton. As Hadid described to the Wall Street Journal, the tower is designed with an interest in “how the structure is manifested” so that it may avoid the “generic modernist typology” that is commonly found in Miami.
One Thousand Museum Tower is one of several by high-profile architects that are beginning to take root in Miami, changing the tide of investment from real estate that is solely driven by waterfront locations to architecture that is high-end and luxurious.
Read on for more images and information…
On September 28, 2013, Zaha Hadid Architects will be celebrating the completion of the Serpentine Sackler Gallery. An extension to London’s famous Serpentine Gallery, the new innovative arts venue will be housed in a 208-year-old, Grade II-listed building, formerly known as The Magazine, in Kensington Gardens just north of the main gallery.
This project will be Zaha Hadid’s first permanent structure in central London and second commission from the Gallery, as she designed the inaugural Serpentine Gallery Pavilion in 2000.
Zaha Hadid Architects recently announced they are building the sixth and final Messner Mountain Museum at Plan de Corones, South Tyrol, Italy which is set to be completed in the summer of 2014. In collaboration with Reinhold Messner, one of the world’s most renowned mountaineers, as well as Kronplatz, the largest ski resort in the region, the Messner Mountain Museum (MMM Corones) is embedded within Mount Kronplatz. A composition of fluid, interconnected volumes, the 1000 sq. m. MMM Corones design is carved within the mountain and informed by the geology and topography of its context. More images and architects’ description after the break.
The RIBA has announced three projects—two located in Asia and one in the United States—for the shortlist of the RIBA’s Lubetkin Prize. Named for Berthold Lubetkin, a Georgian-born architect, the prize celebrates the work of RIBA members building outside of the UK. Zaha Hadid’s Galaxy Soho, Grimshaw’s Via Verde and Wilkinson Eyre’s Cooled Conservatories will face off for the honor; the winner of this year’s Lubetkin Prize will be announced (along with the winner of the prestigious Stirling Prize) on September 26th in London.
Angela Brady, RIBA President, said:
“The 2013 RIBA Lubetkin Prize shortlist features three exceptionally innovative projects that meet three very different urban challenges. From the blueprint for New York affordable housing and the creation of an impressive new shopping district in central Beijing to Singapore’s new sustainable gardens, these are all extremely clever solutions. These cutting-edge schemes show the leading role that architects play in delivering visionary new thinking about urban issues, and illustrate why UK creative talent has such recognition around the world.”
More on the shortlisted projects after the break…
Spearheaded by New York developer Related Companies, the “sculpted” glass and steel residential development hopes to lure buyers with its expansive, double-height entrance lobby, communal garden, generous terraces, private courtyards, and, of course, exclusive views of New York’s most beloved attraction: the High Line.
The Design Museum in London has confirmed that Zaha Hadid has purchased their original building, which they’ve called home since 1989, just over a year after placing a bid with a private backer. According to the Architects’ Journal, Hadid will use the building to house her practice’s archive as well as serve as an occasional exhibition space. “The building will give an opportunity to consolidate our archive in a single location,” she said, “and also engage in a collective dialogue by exhibiting the research and innovation of global collaborations in art, architecture and design.”
Zaha Hadid Architects worked together with design offices Kollision, CAVI and Wahlberg to create the interactive installation ‘Parametric Space’ for the exhibition ‘Zaha Hadid – World Architecture‘, which is on view at the Danish Architecture Centre through September 29, 2013. The installation is a fully parametric space that reacts to the visitors’ movements by changing shape and expression. Learn more after the break.
The small teaser above is a glimpse into the Zaha Hadid – World Architecture exhibition, which opens today, June 28, in Copenhagen. Together, the Danish Architecture Centre and Zaha Hadid Architects have created an exhibition experience beyond the ordinary. The viewer will experience a world of towers, floating shells, selected projects and design objects all within a “borderless landscape” that reveals how Hadid’s work arises in an advanced digital and geometric universe.