Photographer Laurian Ghinitoiu has shared with us this sneak peek of Zaha Hadid Architects' latest completed work, the Dominion Tower in Moscow. Led by Project Director Christos Passas, the building's eight rectilinear stories are each staggered and cantilevered over the one below and feature ribbon windows with a trademark Zaha Hadid twist, while the interior features a dramatic top-lit atrium criss-crossed by stairs. Read on to see Ghinitoiu's full photo set.
In It’s A Wonderful Life the film’s protagonist George Bailey, facing a crisis of faith, is visited by his guardian angel, and shown an alternate reality where he doesn’t exist. The experience gives meaning to George’s life, showing him his own importance to others. With the increasing scale of design competitions these days, architectural “could-have-beens” are piling up in record numbers, and just as George Bailey's sense of self was restored by seeing his alternate reality, hypothesizing about alternative outcomes in architecture is a chance to reflect on our current architectural moment.
Today marks the one-year-anniversary of the opening of Phase 3 of the High Line. While New Yorkers and urbanists the world over have lauded the success of this industrial-utility-turned-urban-oasis, the park and the slew of other urban improvements it has inspired almost happened very differently. Although we have come to know and love the High Line of Diller Scofidio + Renfro and James Corner Field Operations, in the original ideas competition four finalists were chosen and the alternatives show stark contrasts in how things might have shaped up.
On this key date for one of the most crucial designs of this generation, we decided to look back at some of the most important competitions of the last century to see how things might have been different.
Just two weeks after the Japan Sport Council launched a second call for New National Stadium proposals, Zaha Hadid Architects and partner Nikken Sekkei have withdrawn from the competition. Although the duo promised to develop a "cost-effective" design that strictly adhered to the new competition's scaled down brief, they were unable to secure a contractor and therefore were forced to step down from the competition.
"It is disappointing that the two years of work and investment in the existing design for a new National Stadium for Japan cannot be further developed to meet the new brief through the new design competition," said ZHA in a press release.
Often, all that is needed for that big break in your career is getting experience at the right firm. But getting your foot in the door is daunting, especially if your ideal firm is one where thousands of other architects are applying constantly, regardless of whether a vacancy has been advertised. In this article originally posted on The Architect's Guide, Brandon Hubbard reaches out to some of the world's top architecture firms (Zaha Hadid Architects, Snøhetta, Perkins+Will, BDP and Callison) to find out how you can maximize your chances in the application process.
I recently reached out to several of the world’s top architecture firms and asked them a series of questions on what they look for in potential architecture job applicants.
After my discussions with these firms I discovered a common theme in how they acquire many new hires. As I covered in a previous article, Want a Great Architecture Job? Don't Send a Resume, many new employees are found through personal references and word of mouth. Developing these relationships within the architecture community is essential for a successful career.
The questions are structured to cover the various steps of the architecture job application process, from the first point of contact to the interview.
Update: On September 1st, the Japan Sport Council launched a new competition to find another design for Japan’s New National Stadium - this time for a design and build project with more stringent cost restrictions. Today, contractor Nikken Sekkei and Zaha Hadid Architects have confirmed that they will be re-entering the contest together, bringing forward work from their original design. “Our firm is certain that retaining the team of Design Supervisor and designers will deliver the best National Stadium, and we have invited Zaha Hadid Architects to join the design team” said Nikken Sekkei in a statement. “Applying this knowledge and experience of the project, this team can further develop the design to the new brief as a cost-effective proposal to realize the world’s best National Stadium.” The article below was originally published on August 26th.
In mid-July, Japanese prime minister Shinzo Abe declared that ZHA's design for a New National stadium would not be completed and that plans for the Tokyo Olympics-Paralympics stadium would "start from zero." In response Zaha Hadid Architects has just issued a press release and a link to a 23-minute video presentation. The video, ZHA explains, "outline[s] in detail the unique design for the New National Stadium which has been developed over two years to be the most compact and efficient stadium for this very special location in Tokyo. Zaha Hadid Architects welcomes a new contractor bidding process for the New National Stadium to reduce costs and ensure value for money in terms of quality, durability and long-term sustainability."
Watch the video - or if you haven't got 23 minutes, read our synopsis - after the break.
Following the ground breaking last December, construction has begun on Zaha Hadid’s One Thousand Museum in Miami, with 9,500 cubic yards of concrete already poured. Designed in association with the local architect of record, O’Donnell Dannwolf Partners Architects, the residential skyscraper will rise 62 stories, comprising half- and full-floor residences, duplex townhomes, and a single duplex penthouse, overlooking Museum Park and Biscayne Bay at 1000 Biscayne Boulevard. As a burgeoning area, Museum Park—once called Bicentennial Park—is home to the Peréz Art Museum Miami and will soon be home to the Frost Museum of Science.
Zaha Hadid Architects are no longer the architects of the New National Stadium, Tokyo's headline venue for the 2020 Olympic Games. You probably already knew - ZHA have been making quite a fuss about it, with a 1,400-word statement released last month and a 23-minute video released yesterday, both arguing that scrapping their design is a bad idea.
Clearly, brevity is not one of ZHA's strong suits, so for those who don't have 30-plus minutes to chew their way through both video and statement, the basics are as follows: the official reason given by the Japanese government for scrapping the stadium has been the rising costs of the design. ZHA have countered this complaint by saying that the rising costs are not a result of their design but of an uncompetitive tender process for the construction, and of skyrocketing construction prices across the whole of Tokyo. They add that by starting the project from scratch, Japan risks overshooting their 2020 deadline for the Olympic venue.
An extra complication is added by the widespread public dislike of the stadium's design, scale and location - most notably coming in the form of a petition led by Fumihiko Maki and Toyo Ito - which has caused some to speculate that Japan's Prime Minister Shinzo Abe is secretly bowing to political pressure. In response, ZHA's video emphasized the features of the design which were either required by the brief or an attempt to respond to the context, in an attempt to absolve themselves from blame.
However, with the decision to start anew now over a month old, the question remains: will ZHA's attempts to win back the project be enough? More importantly, should this campaign be taken seriously?
With the construction of their High Line-adjacent residential building 520 West 28th Street, Zaha Hadid Architects have constructed a temporary construction shelter to protect pedestrians in the event of any falling construction materials. However, as is often the case with Zaha Hadid designs, this is a construction shelter unlike any other, serving as a protective shelter but also as an artistic installation.
Named Allongé, the installation is "is inspired by the connectivity and dynamism of movement along the High Line," allowing visitors to the High Line to move through 34 meters (112 feet) of sweeping metallic fabric supported by a curvilinear steel frame, offering a spatial experience that foreshadows the presence of Hadid's building at the site.
Zaha Hadid Architects has been announced as winner of the Danjiang Bridge International Competition in Taiwan. The new bridge was designed to "make a conspicuous landmark against the backdrop of Tamsui's famous sunset," says ZHA director Patrik Schumacher. It will be comprised of a cable-stayed bridge design that will minimize its "visual impact" by needing only one concrete structural mass to support its 920-meter-long span.
"The Danjiang Bridge will be the world’s longest single-tower, asymmetric cable-stayed bridge," said ZHA in a press release. Read on to see how the bridge will be constructed.
Following the news earlier this month that their design for Tokyo's 2022 Olympics stadium would be scrapped, Zaha Hadid Architects have released a comprehensive statement about the project's cancellation. Despite the many critics of the project's design - including Toyo Ito and Fumihiko Maki - it was ultimately the project's increasing costs that sparked its demise. However, the 1400-word statement from ZHA attempts to put distance between the firm and the claim by the Japan Sport Council (JSC) that much of the increase in costs was due to a complex design, instead arguing that "At every stage over the two years of development, the design and budget estimates were approved by the JSC" and adding a number of times that "ZHA worked proactively to reduce the estimated cost throughout."
Read on after the break to find out where ZHA pins the blame for the cost increases and to read the statement in full.
Following the news in 2012 that Zaha Hadid Architects had won a competition to design the 80,000-seat Tokyo National Stadium as a centerpiece for the 2020 Tokyo Olympics, Japan’s Prime Minister has announced that the plans are to be scrapped. Citing spiralling costs as a key reason, Shinzo Abe has declared that the stadium, which was set to replace the existing Kasumigaoka National Stadium, would not be completed in time for the 2019 Rugby World Cup nor the 2020 Olympic Games as originally planned.
Sixty years ago Arne Jacobsen designed the Series 7 chair - the "Sevener." Unlike many other Jacobsen designs, the chair was not designed for a specific use, leaving it to interpretation. In light of the chair's 60th anniversary, Fritz Hansen commissioned "seven cool architects" - BIG, Zaha Hadid, Jean Nouvel, Snøhetta and three others - to recreate the chair. The results, after the break.
Despite harsh criticism for being too large and costly, Tokyo's 2020 Zaha Hadid-designed National Stadium will be realized. As USA Today reports, the Japanese government has announced its decision to move forward with the design, saying any major modifications would lead to construction delays.
The 80,000-seat stadium has already undergone some design changes, due to backlash led by Pritzker laureates Toyo Ito and Fumihiko Maki; it's most recent design is said to be more "efficient, user-focussed, adaptable and sustainable." However controversy continues as the city and central government must now decide how to split the stadium's estimated $2 billion bill.
The first retrospective exhibition of her work in Russia, Zaha Hadid at The State Hermitage Museum provides unprecedented insight into the work of Zaha Hadid in a mid-career retrospective highlighting her exploration of the Russian Avant-garde at the beginning of her career, and the continuing influence of its core principles on her work today.
The exhibition, in the historic Nicolaevsky Hall of the Winter Palace, showcases many of the seminal paintings, drawings, models and design objects of Hadid’s forty-year repertoire; conveying the ingenuity and dynamism of her architectural projects in variety of media including film, photography and installations.
Zaha Hadid has unveiled plans for two "sculptural" towers and a new privately-owned cultural precinct at Mariner's Cove on Australia's Gold Coast. Commissioned by Sunland Group, the $600 million mixed-use project will include two 44-story residential towers, ground floor retail, a 69-suite boutique hotel and underground aquarium, along with an art gallery, museum and outdoor sculptural gardens.
The 54th edition of Milan Design Week (also known as Salone del Mobile) recently came to a close. In celebration of its success, we have compiled a list of the most talked about architect-designed products showcased this year. Take a look after the break to see new products from Rem Koolhaas, Zaha Hadid, David Chipperfield, and more.
In the latest of his provocative posts on Facebook, Patrik Schumacher has come out in defense of iconic design and star architects, arguing that the current trend of criticism is "superficial and ignorant," and "all-too-easy point-scoring which indeed usually misses the point."
Schumacher says that critics "should perhaps slow down a bit in their (pre-)judgement and reflect on their role as mediators between the discourse of architecture and the interested public." In the 1,400 word post, he goes on to elaborate that so-called icons and the star system are inevitable results of this mediation, adding that "explanation rather than dismissal and substitution should be seen as the critics’ task."
Read on after the break for more highlights from Schumacher's argument
Crafted from pure silver and standing at 40-centimeters-tall, the Loa and Vesu vases by Zaha Hadid Architects are as bold and dynamic as the firm's architecture. In this fascinating video, watch Austrian silversmiths Wiener Silber Manufactur handcraft the ornamental vases in their Viennese studio using a combination of traditional and modern techniques. Designed by Zaha Hadid, Patrik Schumacher, and a team of four designers, the vases reference "the volcanic forces of expansion and compression, subtle fluctuations and distortions of ripples", and are both as functional as they are sculptural.