Photographer Andres Gallardo, who has captured images of noted architectural works such as Zaha Hadid’s Dongdaemun Design Plaza and MAD Architects’ Harbin Opera House, has turned his lens on ZHA's Galaxy Soho, located in Beijing. The shopping complex, which was completed in 2012 is one of famed architect Zaha Hadid's late career works.
Zaha Hadid Architects
New drone footage and photographs have been released of the One Thousand Museum, designed by Zaha Hadid Architects, as work progresses in Miami, Florida. Having topped out in February 2018, the 62-story residential tower is due for completion later in the year.
The new imagery showcases the 700-foot-high (210-meter-high) tower’s curved structural exoskeleton, comprising 5,000 pieces of glass-fiber-reinforced concrete. The photo gallery also offers some of the first images of the scheme’s interior spaces, still under construction, showing the influence of the exoskeleton on the internal environment.
Zaha Hadid Architects have released images of their proposed redevelopment of the historic Mercury House, situated in the tourism and entertainment center of Paceville on Malta’s east coast. An extensive renovation to the existing structure will see the integration of residential apartments, a boutique hotel, and a range of public spaces and amenities.
The boldest addition to the derelict heritage site will be a 31-story tower, rotating as it rises in response to different functional programs. The resulting form seeks to instill “a sense of dynamism within its silhouette that changes when viewed from different directions around Paceville."
German photographer Hans Georg Esch has released a new video offering sweeping footage of Zaha Hadid Architects’ King Abdullah Petroleum Studies & Research Centre (KAPSARC) in Riyadh, Saudi Arabia. The 7-minute-long video celebrates the scheme’s “hexagonal prismatic honeycomb structures” through interior and exterior moments.
The video's release comes weeks after the KAPSARC was shortlisted for the World Architecture Festival Awards 2018 in the Completed Higher Education and Research category.
As the 2018 World Cup approaches, we architects can already look ahead to the next tournament. The 2022 FIFA World Cup in Qatar offers the most exciting opportunity in stadium design for decades, with the competition relying on an almost entirely new footballing infrastructure. Several world-renowned designers have submitted proposals, and the following set of newly released time-lapse videos show the progression of each stadium, as we approach four years to the competition’s start. Emphasising the structural shells, the videos highlight a sometimes overlooked facet of stadium design. To materialize the effortless magic of the initial renders - like those produced by Foster + Partners and Zaha Hadid Architects - phenomenal levels of engineering and problem solving are required, and in the early stages of construction, this becomes the visual focal point. Read on to see the beauty of these structural marvels, but be warned - you may develop World Cup fever.
Zaha Hadid Architects, in collaboration with photographer Paul Warchol, has released images of their boutique pavilion for the make-up brand Il Makiage, located in the label’s store in SoHo, New York City.
The pavilion coincides with the launching of Il Makiage’s new 800-piece makeup collection, and was designed to convey the label’s “characteristically bold graphic identity.”
Zaha Hadid Architects has won an international competition for the Admiral Serebryakov Embankment masterplan in the city of Novorossiysk on Russia’s Black Sea coast. Connecting Russia with the Mediterranean, Atlantic Ocean, and Suez Canal, the industrial city is home to the nation’s largest shipping port, and the third busiest in Europe by turnover.
The ZHA masterplan, designed in collaboration with Russian studio Pride TPO, seeks to integrate new public space and amenities into the rich maritime history and traditions of Novorossiysk, achieved through careful consideration of building orientation, views, and landscape.
This article was originially published by Metropolis Magazine as "Architects, Armed with Data, Are Seeing the Workplace Like Never Before."
A workplace that improves employee productivity and efficiency has been a white whale of corporate managers for decades. But even before the office as we know it today was born, designers and innovators were already studying sites of labor, such as the factory, to devise strategies to boost worker performance. By the 1960s, Robert Propst, the inventor behind Herman Miller’s Action Office line of workplace furniture, and others were conducting workspace research that would ultimately lead to the creation of the modern cubicle.
These developments relied largely on observation and intuition to organize office workers in purportedly effective ways. Now, advances in technology allow designers to take a more sophisticated approach, using sensors, internet-connected furniture and fixtures, and data analytics to study offices in real time. “You can take into account every single employee, and people are very different,” says London architect Uli Blum. “It’s about solving the fundamental problems of getting people the environment they need. And the easiest way is to ask them,” he adds. But finding out the needs of hundreds, sometimes thousands, of workers can quickly become an exercise in futility.
Zaha Hadid Architects has unveiled its design for the Lushan Primary School, an educational campus that will serve around 120 students from 12 villages in a rural area of Jiangxi Province in China. The design features a series of barrel and parabolic vaults constructed from concrete, which are oriented to offer optimum lighting conditions and views out to the landscape.
In a recent video published by Metropolis Magazine, Ed Gaskin, a senior associate at Zaha Hadid Architects, takes us on a comprehensive tour of ZHA's 520 West 28th Street, the late architect's only project in New York City. The video describes the project's interesting relation to the adjacent High Line, as well as taking us through the lobby, courtyard and inside the residential units of the building.
On a hillside forest outside of Moscow, amongst 65-foot-high (20-meter-high) pine and birch trees, sits the only private house to be designed and built by Zaha Hadid in her lifetime. With a form defined by its natural surroundings, the Capital Hill Residence is divided into two components, one merging with the sloping hillside, and another “floating” 72 feet (22 meters) above ground to unlock spectacular views across the Russian forested landscape.
Zaha Hadid Architects (ZHA) has won an international competition for the design of the Navi Mumbai International Airport (NMIA). A long-awaited infrastructural project for India’s largest city, the scheme addresses capacity issues for the existing Chhatrapati Shivaji International (CSI) Airport, which features a terminal designed by SOM.
ZHA’s brief will encompass the design and execution of new NMIA terminal building, an Air Traffic Control Tower, and associated access. The airport will be situated across Mumbai Harbor, connected to the city by a planned rail link, and access to national rail networks. ZHA's previous work in the airport sector includes the Beijing Daxing International Airport (pictured), which is slated to be the world's largest airport terminal.
Zaha Hadid Architects has won an international competition for the design of a Central Hub for Aljada, a prominent masterplan for the UAE city of Sharjah. Regarded as the ‘cultural capital of the Arab world', Sharjah will play host to ZHA's unmistakeable brand of fluid, curving, sculpted urban design.
Zaha Hadid Architects has revealed a proposal for the pedestrianization of their home city, London, that would gradually transform the city into an interconnected system of walkable roads.
Named Walkable London, the research proposal has identified the arteries and areas of the city that would most benefit from pedestrianization. The transformation would be implemented over three phases: primary avenues, secondary avenues, and finally, entire districts. Notable avenues marked for alteration include Upper Street, Oxford Street and Regent Street.
Construction of Zaha Hadid Architects’ Al Wakrah Stadium for the 2022 World Cup in Qatar is marching forward, with an opening date anticipated by the end of 2018. As shown in a video released by the Supreme Committee for Legacy & Delivery, the stadium’s concrete lower bowl has been poured and its massive roof pillars have been successfully installed.
The building was the subject of the season premier of "Impossible Builds," which profiles "the creation of some of the world’s most ambitious, complex and technologically advanced construction projects."
Described by the show as "one of the most complex skyscrapers ever to make it off the drawing board," the 62-story tower features a unique glass fiber reinforced concrete exoskeleton – a system never before seen at this scale.
The show is now available to watch in its entirety online. Check it out below!
Thinking broadly of architecture, the masterpieces of the past inevitably come to mind; buildings constructed to withstand the passage of time, that have found an ally in age, cementing themselves in the history of humanity. Permanence, however, is a hefty weight to bear and architecture that is, due to its program, ephemeral should not be cast aside as "lesser-than."
In Zaha Hadid Architects' description of their Library and Learning Centre at the University of Economics Vienna, they describe the exterior of the building as "characterized by two elements of contrasting colors separated by a glass joint: shell and shadow." For that reason, the building was a perfect subject for architect and photographer Edwin Seda, who says he is fascinated by the effect light has on buildings. "Design is created to work with natural light but is never really in control of this aspect," says Seda. "This set of images therefore explores light as a medium for architectural transformation, a sort of fourth dimension, that only materializes once the building is complete and the seasons begin to change."
Seda's photoset captures the Library and Learning Centre throughout the course of a day: from the daytime when the building's light and dark elements are clearly distinguished; to sunset when one side of the building is closer to orange than the white or black planned by the architects; then to the evening, when the building's internal lights bring an entirely different dynamic to the building's composition. Read on to see the full set of images.