With its culturally and historically rich context, the city of Cologne, also called Köln by its locals, is considered one of the most important centers in West Germany. Nestled on the banks of the Rhine River, the city unfolds its architectural narrative through the interplay between historical landmarks, and contemporary interventions. In the old town, the medieval Cologne Cathedral, a UNESCO World Heritage Site and the tallest cathedral in the world, dominates the skyline. The cityscape is also shaped by the Twelve Romanesque churches of Cologne.
Beyond its historical core, Cologne embraces modernity with structures such as the Kranhaus buildings or Renzo Piano’s Weltstadthaus. The tapestry of architectural styles is further underlined by interventions such as Peter Zumthor’s Kolumba Museum, integrating the ruins of a late-Gothic church destroyed during World War II into a tranquil space dedicated to the contemplation of art and history.
Along India's southwest coast dotted with a mix of colonial architecture and ancient heritage, the city of Kochi stands as a relic of foreign influence. A previously colonized town by the Portuguese, Dutch, and British now breathes new life into its built landscape. Across the world, in the German city of Kassel, the scars of World War II are etched into the environment, deep under its revived cultural soul. Both Kochi and Kassel, though worlds apart in geography and history, shared a commonality: the power of art and festivals to heal. In the aftermath of historical trauma, these cities found renewal in the creative expression of artists from around the globe.
The Aga Khan Award for Architecture has announced the Master Jury for the 16th award cycle. The independent panel includes Pritzker Prize laureate Yvonne Farrell, ArchDaily founder David Basulto, and Lucia Allais, director of the Buell Center. Established in 1977 by Aga Khan IV, this competition set out to highlight architectural projects that have a significant positive impact on Islamic communities worldwide. The Award is presented in three-year cycles and has a monetary prize totaling US$1 million.
The Louvre Museum in Paris has announced the American-French consortium WHY Architecture -BGC as the winner of an international competition for the exhibition design of the museum's ninth department, dedicated to Byzantine and Eastern Christian Art. The 5,500-square-meter project aims to offer a more balanced and connected narrative of the Roman, Byzantine, and Islamic civilizations, fostering a greater understanding of the influences and relationships between artistic expressions of these historical regions. The spaces are expected to open to the public in 2027.
Reflecting on the past is often viewed as nostalgia or, from a more critical standpoint, as a sign of regression. However, looking back can offer valuable insights into a society that sometimes appears overly focused—if not obsessed—with the future and technology. In architecture, this reflection allows us to reconnect with our roots and appreciate the knowledge accumulated over generations. It invites us to explore how our ancestors designed durable structures adapted to their environment. Refined through centuries of observation, experimentation, and likely even errors, these systems demonstrate a profound understanding of local materials and building techniques.
https://www.archdaily.com/1020943/heritage-in-mud-stone-and-reeds-rediscovering-ancestral-construction-techniquesEnrique Tovar
From the 1930s to the 1990s, Burle Marx's work anticipated many of today's concerns about sustainability and urban well-being. Long before terms like "sustainable design" or "green infrastructure" became commonplace, Burle Marx was already advocating for the use of native plants, recognizing their role in creating self-sustaining ecosystems that required minimal intervention. His projects often transformed neglected urban areas into vibrant, ecologically balanced spaces that not only improved the environment but also enhanced the quality of life for city dwellers.
Azerbaijan Pavilion. Image Courtesy of Bellprat Partner
The Republic of Azerbaijan has just revealed its design for it's pavilion at Expo 2025 in Osaka, Kansai. Shining a spotlight on the country's culture, history, and forward-thinking approaches, the pavilion aims to promote connection and sustainability. Designed by Bellprat Partner in collaboration with Eleven, the pavilion will offer visitors a journey through Azerbaijan's rich traditions while emphasizing its modern goals for sustainability and international cooperation.
The Chile Pavilion, recently revealed by Constructo Architects for Expo Osaka 2025, blends contemporary industrial design and traditional Mapuche textile artistry. Constructed using industrialized wood (CLT) and featuring handwoven textiles, the pavilion emphasizes both innovation and cultural heritage. The structure is designed to be a "nomadic pavilion," easily assembled and disassembled, allowing it to travel from Chile to Japan and back.
In the first decades of the XXI century, Honduras experienced higher levels of crime and violence compared to its other Central American neighbors. This situation caused the country to be largely avoided by most visitors and investors. However, it didn’t stop Tegucigalpa, its capital city, from experiencing an explosion of residential and office developments which are currently reshaping its skyline. Defined by a unique topography, and tropical weather, the city served as a testing ground for modernist urban principles that contributed to the transformation of a small mining town into one of the largest metropolises in Central America.
As part of a wider design-led revitalization process, Türkiye Design Council has announced a new urban plan for the revitalization of Antakya and the wider Hatay province in Türkiye, an area heavily affected by the Türkiye-Syria earthquake on 6 February 2023. The master plan has been developed by Foster + Partners, Buro Happold, MIC-HUB, along with Turkish practices DB Architects, and KEYM Urban Renewal Centre. The plan covers a 30-square-kilometer area of Antakya, the capital district of Hatay, and an important urban center of antiquity known as Antioch. Eight design principles have been outlined to guide the rebuilding efforts in an attempt to maintain the spirit of the city, which suffered extensive damages estimated at 80 percent.
As major cities continue to develop, we face intriguing challenges regarding the preservation and adaptive reuse of significant buildings, sites, and artifacts. This poses a complex question that involves political history, architectural theory, and cultural significance. Adaptive reuse extends beyond architectural and spatial designs; it allows cities and communities to reflect, reevaluate, and reinterpret their history from different perspectives. However, unlike books and words, buildings may not withstand the test of time themselves and serve as firsthand evidence of the stories they tell. How should we question ourselves on what to preserve and demolish? How can communities be involved in the active restoration or adaptation of historic buildings?
The Massachusetts administration, under Governor Maura Healey, has unveiled a new housing-centric proposal for the controversial Boston Government Service Center designed by Paul Rudolph and opened in 1971. Previously proposed to be redeveloped by the architecture office NBBJ with offices and commercial spaces, the updated vision aims to transform the Erich Lindemann and Charles F. Hurley buildings into housing facilities as part of the state’s goal to address the housing crisis while allowing for the historic preservation of the Brutalist structure.
In the whirlwind of daily life, a large majority of urban centers transform to accommodate new functions and/or needs demanded by their populations, seeking to improve, renovate, or update the infrastructures, equipment, networks, and spaces that enable community life. Although times change, and with them, many buildings that once served important protective or sheltering functions start to become obsolete. However, the heritage they leave behind reflects the passage of time and provides a living testimony of their history, contributing to the consolidation of identity and the recognition of a sense of belonging.
RSHP’s design proposal for the Bromley-By-Bow Gasworks regeneration project has just been approved by the London Borough of Newham’s Strategic Development Committee. The 23-acre site dates back to the 1870s, housing the largest collection of Victorian gasholders worldwide, making the project one of the largest regeneration proposals in the Lower Lea Valley in London. After three years of design development, the scheme reimagines the gas holders into a mixed-use development offering new high-quality residential architecture.
In the mountain valleys of China’s Fujian Province, thousands of large, rammed earth fortresses lay abandoned. Once used for both defense and collective housing, the tulou typology is an integral part of the region’s cultural heritage, with 46 of them being recognized by UNESCO as World Heritage Sites. Despite this, the rural communities surrounding them have struggled to find new roles and purposes for these buildings. Going beyond the need for conservation, architect Xu Tiantian of DnA_Design and Architecture set out to develop and adapt this heritage to reintroduce it into community life. The Fujian Tulou | Adaptive Reuse project recently won the Gold Prize of Holcim Awards 2023 for Asia-Pacific, recognized for creating “an exemplary model for building conservation initiatives.”In a video interview for ArchDaily, Xu Tiantian discusses the principles that underpin this initiative and the potential outcomes of adaptive reuse in rural communities.
Squama Museum building from the Aura river. Image Courtesy of Sigge Architects
Finnish office Sigge Architects has been announced as the winner of the international competition for the design of the Museum of History and the Future in Finland's oldest city, Turku. The proposal, selected out of over 400 entries, creates a permeable structure along the waterfront, acting as a catalyst for the regeneration of the area. The museum aims to showcase the most innovative scientific research through a wide variety of exhibitions, audio-visual installations, and educational spaces. Construction is expected to start in 2027 and be completed by 2029, with a public opening scheduled for 2030.
The Grand Palais, an iconic Parisian landmark, is set to play a significant role in the 2024 Paris Olympics following a major restoration by French studio Chatillon Architectes. The first images of the refurbished building, captured by Laurent Kronental, reveal the progress of the extensive project that began in 2021. While the full restoration is expected to be completed by 2025, the initial phase will be unveiled this summer, allowing the historic venue to host Olympic events, including the fencing and taekwondo competitions.
