Continuing our annual tradition, we asked our readers who they believe should be awarded the 2025 Pritzker Prize, architecture's most prestigious honor.
Founded by Jay Pritzker and administered by the Hyatt Foundation in the United States, the Pritzker Prize recognizes living architects, regardless of nationality, whose work has made a lasting and meaningful impact on humanity through the art of architecture.
Education has long been a driving force in the Middle East, shaping knowledge, encouraging innovation, and strengthening cultural identity. In recent years, educational architecture in the region has expanded beyond its academic function, evolving into public gathering spaces and cultural hubs. These institutions are designed not only for learning but also for dialogue, research, and collaboration, often integrating open courtyards, multi-use public areas, and architectural elements that reflect local heritage. Whether through their physical openness, adaptability, or connection to the urban environment, these spaces reinforce the idea that universities and research centers are essential to civic life.
Located on the top of the Boa Viagem viewpoint in the city of Niterói, the Niterói Contemporary Art Museum - MAC was designed by architect Oscar Niemeyer. Inaugurated in 1996, it is a modern architectural masterpiece dedicated to housing a collection of Brazilian contemporary art from the 1960s to the 1990s. Rising above the cliff like a lighthouse, it appears to float in the air, resting on a water basin. Facing Rio de Janeiro’s Guanabara Bay in Brazil, its circular lines and revolutionary double-curved form stand out on the horizon, offering an open plaza of 2,500 square meters alongside a reflective pool that gives the structure a remarkable sense of lightness.
Ecuador, though a relatively small country in terms of land area, boasts a vast and diverse range of ecosystems and natural landscapes, including the Andes mountains, the Pacific coastline, and the Amazon rainforest. This makes the natural environment a key player, shaping its relationship with the built environment and demanding that architecture seamlessly integrate with and respect its context.
Over the years, Ecuadorian architecture has developed its own identity, successfully adapting to these diverse settings. Various construction techniques have been implemented, relying on locally sourced materials to create spaces and shelters in complete harmony with the landscape. Amid the growing trend of seeking a closer connection with nature, architecture in different regions of Ecuador has had to adjust to these conditions.
The New Museum is the only museum in New York City dedicated exclusively to contemporary art. From its beginnings as a one-room office on Hudson Street to the inauguration of its first freestanding building on the Bowery, designed by SANAA in 2007, it has evolved into a center for exhibitions, research, and documentation on international living artists. In 2017, Shohei Shigematsu and Rem Koolhaas of OMA were selected to design the New Museum's expansion. The first design images were released in 2019. This year, the Museum announced that its 60,000-square-foot expansion, designed in collaboration with Cooper Robertson, will open in fall 2025 with an exhibition exploring the very definition of humanity.
Zaha Hadid Architects (ZHA) has been announced as the winner of the international design competition for the Napoli Porta Est masterplan, a large-scale urban regeneration project in Naples, Italy. The project, which includes the new Campania Region headquarters, aims to reconnect fragmented urban areas and revitalize a district that has long been considered isolated and unsafe due to inadequate public spaces and physical barriers.
The Van Nelle Factory, located in Rotterdam, is one of the most significant examples of Modernist Industrial Architecture. Designed by Johannes Andreas Brinkman and Leendert van der Vlugt between 1925 and 1931, with the involvement of Mart Stam — a pioneer in modernist furniture design and architecture — the factory was conceived as a progressive and functional building for processing coffee, tea, and tobacco.
Envisioned as a "daylight factory", the Van Nelle complex introduced revolutionary architectural and social concepts for its time. By integrating glass, steel, and concrete into an open, rational layout, it demonstrated how design could transform industrial processes while improving the lives of the people within. It was not merely a space for production but a symbol of optimism, representing the potential of architecture to reshape industries and communities.
Canada's Expo 67 stands as one of the most successful world expos ever held, setting records and leaving an enduring impact on Montreal's urban landscape. As part of Canada's 100 years celebrations, the event provided an opportunity for the city to showcase its cultural and technological achievements on a global platform. With over 50 million visitors in just six months, it shattered attendance records, including an astonishing 569,500 visitors in a single day. An unprecedented feat for a world fair at the time. Now, 58 years later, and with the Osaka Expo 2025 set to showcase how to design the future society for our lives, it is worth revisiting the legacy of Expo 67 and exploring the urban transformations it brought to Montreal.
The Istanbul Foundation for Culture and Arts (İKSV) has appointed Christine Tohmé as the curator for the 18th Istanbul Biennial, which will take place in three phases over three years from 2025 to 2027. According to the Biennial Foundation, this edition was postponed from 2024 by the Istanbul Foundation for Culture and Arts (İKSV). This Biennial remains Türkiye's largest international exhibition dedicated to contemporary art, offering a significant platform for artists globally. Titled The Three-Legged Cat and will unfold in three distinct phases, exploring themes of self-preservation and futurity, reflecting Tohmé's curatorial approach of engaging deeply with artistic production and local communities.
Protests, civil disobedience, and dissent are not only a defining part of our shared history since the colonial era, they also continue to the present day on campuses, at political conventions, and elsewhere. In this context, some historic marches, sit-ins, and other actions are enshrined in our collective narrative, while others have faded from memory; however, the cultural landscapes that served as stages where these events occurred still exist. These places are the focus of Landslide 2024: Demonstration Grounds and a portal for re-engaging with the stories of little-known or even forgotten events that were pivotal in USA history. The thirteen different sites across the country, represented in the new report and digital exhibition from The Cultural Landscape Foundation (TCLF), touch on events that shaped individuals and sparked movements.
Zaha Hadid Architects have announced the breaking ground for the Centre of Mediterranean Culture in Reggio Calabria, Italy. The 24,000 square-meter structure houses diverse spaces, including a network of exhibition galleries, both permanent and temporary, capable of showcasing a wide range of displays. An integrated aquarium is a key feature, offering visitors a glimpse into the marine life of the Strait. The building also provides conference facilities, including a large auditorium suitable for performances, presentations, and industry events. Dedicated educational spaces are incorporated to support the region's schools, and visitor amenities include a bookshop and a restaurant and bar overlooking the port.
The United Kingdom Government has announced the shortlisted design teams for the national memorial dedicated to Queen Elizabeth II, following the first stage of a two-stage open competition that attracted creative talent from the UK and beyond. The five teams moving forward in the competition are Foster + Partners with Yinka Shonibare and Michel Desvigne Paysagiste; Heatherwick Studio with Halima Cassell, MRG Studio, Webb Yates, and Arup; J&L Gibbons with Michael Levine RDI, William Matthews Associates, Structure Workshop, and Arup; Tom Stuart-Smith with Jamie Fobert Architects, Adam Lowe (Factum Arte), and Structure Workshop; and WilkinsonEyre with Lisa Vandy, Fiona Clark, Andy Sturgeon Design, Atelier One, and Hilson Moran.
The Brick Award is presented every two years to honor innovative, sustainable, and visionary brick architecture worldwide. The upcoming Brick Award 26 will be celebrated in June 2026. Architects, designers, and developers are encouraged to submit projects that showcase creativity and functionality using clay building materials. This prestigious award recognizes excellence across various categories and offers a global platform to highlight the versatility and potential of bricks in contemporary architecture. Submissions for the Brick Award 26 are open until March 9, 2025, offering a unique chance for international recognition. Participation does not require the use of wienerberger products.
Nieuwe Instituut, the national museum and institute for architecture, design, and digital culture in the Netherlands, has opened the Dutch Pavilion at the 2025 Venice Architecture Biennale. This year, the Giardini pavilion, designed by Gerrit Rietveld in 1953, is transformed into a sports bar. Titled "SIDELINED: A Space to Rethink Togetherness", the exhibition is curated by Amanda Pinatih, Design & Contemporary Art Curator at the Stedelijk Museum in Amsterdam, in collaboration with social designer Gabriel Fontana. Through a queer lens, the project examines sport as an architectural system that regulates spaces, bodies, and behavior, offering an alternative perspective on societal norms related to gender, identity, and group dynamics.
Gensler, in collaboration with El Qalaa El Hamraa and Buro Happold, has revealed plans for a new stadium dedicated to Al-Ahly Football Club, a team widely recognized for its prominence in African and Middle Eastern football. The project, more than three decades in the making, envisions a state-of-the-art venue designed not only for football matches but also as a national landmark capable of hosting large-scale events, setting a new standard for sports architecture in the region.
Brutalist architecture in the United States is a monument to collective postwar optimism and reassurance that the city and federal governments are in authority. Conceived as an embodiment of strength and efficiency, Brutalist structures were quickly adopted for the architectural language of civic and governmental institutions in the mid-to-late twentieth century in the United States. Towering monoliths of raw concrete rose across the nation, projecting an image of institutional permanence while simultaneously provoking debate over their social and psychological impact.
With the Hyatt Foundation set to reveal the 2025 Pritzker Prize winner on March 4 at 9 AM EST, speculation is growing over which architect—or architects—will receive the most prestigious award in architecture. Established in 1979, the Pritzker Architecture Prize is widely regarded as "the profession's highest honor," recognizing living architects whose work has made a profound impact on humanity and the built environment.
The synergetic relationship between architectural design and scientific discovery tends to be rarely addressed, yet a lucrative proposition. The built environment holds immense potential in supporting research breakthroughs and innovation and the scientific community. The influence extends beyond physical spaces to include both internal dynamics and external engagement through strategic design interventions that connect various caches of impact, from individual researchers to the broader community.
