The desert is a landscape in constant transformation. Shaped by the wind, its dunes, ridges, and fissures emerge and fade in an ever-shifting expanse, as if the scenery itself were alive. It is a land of stark contrasts, where the scorching heat of the day gives way to the crisp coolness of the night, revealing nature in its most primal form. In such a dynamic and untamed environment, how can architecture not only integrate but also respect and engage with its surroundings? This is the challenge faced by hotels built within Latin America’s vast desert landscapes.
"Living Scaffolding" is the name of the proposal selected to represent Peru at the 19th International Architecture Exhibition – La Biennale di Venezia. Curated by architects Alex Hudtwalcker, Sebastián Cillóniz, and Gianfranco Morales, along with historian José Ignacio Beteta, the exhibition tells the story of a totora reed raft that, in 1988, embarked on a sea journey to other ports in South America and Polynesia. Its unprecedented expedition began on the Peruvian coast south of Lima and lasted 54 days at sea. The raft was the result of a collective, handcrafted effort and a significant structural challenge. The exhibition aims to highlight the importance of ancestral knowledge in addressing such challenges, celebrate materials essential to Peruvian cultural heritage, and expose the value of collective intelligence.
MVRDV has just released its design for LuLa Light Mall, an open-air shopping center under construction in Chengdu's Luxelakes Eco-City, China. The scheme consists of stacked boxes with open spaces between them, creating terraces, walkways, and staircases that integrate the natural surroundings and provide views of the nearby lake. Luxelakes Eco-City, a developing district in southern Chengdu, spans 5.5 square kilometers and features 1.4 square kilometers of lakes and green spaces. The mall's location, positioned between the natural landscape to the southeast and high-rise buildings to the northwest, serves as a transition between urban and natural environments.
Named one of ArchDaily's Best New Practices in 2024, MEAN* (Middle East Architecture Network) is redefining the architectural landscape of the region by merging computational design, digital fabrication, and material research with local heritage. Founded in 2016, the studio takes a forward-thinking approach, developing site-specific architectural solutions that balance technological innovation with cultural continuity. Their work spans projects of various scales, from experimental furniture like the Mawj Chair to urban-scale interventions such as The Adaptive Majlis, a digitally fabricated reinterpretation of traditional cooling and social spaces. By integrating advanced tools like parametric design, AI, and 3D printing with local materials, MEAN* is crafting a new architectural language that reflects both the aspirations of the future and the depth of the past.
Desert X is a site-specific international art exhibition taking place this year across the Coachella Valley, California. Its fifth edition, curated by Artistic Director Neville Wakefield and co-curator Kaitlin Garcia Maestas, opened on March 10, 2025, featuring eleven installations by international artists integrated into the desert landscape. Artists were invited to propose alternative ways of perceiving a world "increasingly encircled by the transformational effects of nature and humanity," through physical installations in specific locations within the California desert. In this context, architecture is understood as the most visible evidence of human transformation, while immaterial elements, such as wind and light, highlight the transformative effects not only of human activity but also of nature itself. The exhibition is free and open to all, running through May 11, 2025. Below are images and descriptions of the eleven art installations featured in this year's Desert X exhibition.
Diller Scofidio + Renfro has unveiled the design for the new Frederick S. Pardee School for Global Studies at Boston University, a project aiming to integrate sustainability, urban density, and interdisciplinary collaboration. The 70,000-square-foot building will rise 186 feet, making it the tallest mass timber tower in the Northeast United States. Situated on a former parking lot at the heart of the university's campus, the structure will occupy just 10% of the site, allowing for the creation of a central green space in the future.
Humid environments present some of the most complex challenges in architectural design. From the tropical monsoon season of Southeast Asia to the equatorial heat of Central Africa, these environments demand solutions that account for intense moisture, high temperatures, and the constant battle against mold, decay, and stagnation. Yet, for centuries, communities in these regions have developed architectural techniques that do not fight against humidity but instead work with it, leveraging local materials, climate-responsive design, and passive cooling techniques to create sustainable and livable spaces. By considering atmosphere as a sensory and climatic phenomenon, architects will craft spaces that are not only evocative but also responsive, adaptive, and sustainable.
This International Women's Day, we celebrate the contributions of women in architecture, a field traditionally dominated by men. While dominant narratives may overlook their significant impact, as the history of architecture is replete with examples of women subtly but powerfully shaping the profession. When limited to a draftsman position, Ester McCoy took a step back not to disengage but to better observe. She became the first architectural critic and historian to notice the unique flavor of Modernism developing along the West Coast during the 1950s, bringing names such as Richard Neutra, or Luis Barragan to the forefront of architectural discussions. Similarly, the name Aline Louchheim may not be a widely recognized one among architects, but, because of her, the name Eero Saarinen surely is. The profession of architectural publicist also emerged through this collaboration. These stories remind us that recognizing women's achievements in architecture is not about celebrating gender, but about acknowledging a historical bias that has hindered the entire field's progress.
Overall Framework Render. Image Courtesy of Sasaki
Salalah is Oman's largest logistics port and its second-largest city. Located within a two-hour flight from Dubai and a 90-minute flight from Muscat, the city attracted over one million tourists in 2024. As part of the Oman Vision 2040 investment plan, Oman's Ministry of Housing and Urban Planning has commissioned Sasaki to develop a master plan for redesigning the city's waterfront. The plan includes renovating the city's coastal public spaces and constructing new housing and infrastructure to accommodate projected growth. The project is part of a broader initiative to double tourism's contribution to the nation's GDP by 2030, with on-site construction set to begin later this year, in 2025.
Henning Larsen has just launched a new initiative in Esbjerg, Denmark, aimed at rethinking urban spaces through the perspectives of teenage girls. Developed in collaboration with Esbjerg Municipality, Ramboll, Catapult Projects, and KOMPAN, the project builds on research from the Urban Minded framework to explore how co-creation can shape more inclusive public environments. Supported by a 2.3 million DKK grant from the Villum Foundation and 485,000 DKK from the Ramboll Foundation, the initiative seeks to address an often-overlooked demographic in urban planning. As cities continue to evolve, conversations around gender-inclusive urban spaces have gained momentum, particularly in light of International Women's Day.
Westmark Lower School / NBBJ. Image Courtesy of NBBJ
Publicly occupied spaces can be overwhelming. Airports, schools, stadiums, and workplaces all feature environments with visual chaos that can be disorienting and stressful for individuals, especially those who are neurodiverse. The bombardment of stimuli, unpredictable movements, and competing visual information can create barriers to occupant comfort. Architects are regularly encouraged to create spaces that recognize and honor individual differences. Designing for neurodiversity is one way of championing inclusivity and extending principles of universal design.
Prefabrication is one of the most transformative innovations in architecture and construction, redefining how buildings are designed, manufactured, and assembled. While not a new concept, its application has evolved to offer a broader range of advantages. Traditionally valued for its precision and quality, prefabrication is now equally recognized for its cost and time efficiencies, particularly in leveraging regional differences in labor and production. This shift has fueled its resurgence across high-end, design-driven projects and large-scale, cost-efficient public buildings.
In recent years, the Argentine architectural field has been shaped by a group of young architects striving to create architecture that responds innovatively to contemporary needs and, above all, to local contexts. Adding their individual perspectives and interests, among them, we can highlight the work of architects Tomás Balparda and Fernando Brunel.
Portrait of Ricardo Scofidio. Image via Diller Scofidio + Renfro
Ricardo Scofidio, a distinguished figure in the world of architecture, passed away on March 6, 2025, at the age of 89. Born in New York City in 1935, Scofidio co-founded the influential architecture firm Diller Scofidio + Renfro (DS+R) with his partner Elizabeth Diller in 1979. Together, they brought to the profession a conceptual art sensibility, influencing the design of globally recognized cultural landmarks and public spaces. Among their most notable projects are the High Line in Manhattan and the transformation of Lincoln Center, each reflecting the studio's ambition of challenging conventional architectural premises.
In a world facing resource scarcity, rapid digital transformation, and evolving societal demands, the need for dynamic dialogue between architects, designers, product developers, and manufacturers has never been more crucial. In 2025, the ICONIC AWARDS will take things further with an expanded and refreshed platform that unites architecture, interior design, and product innovation—spanning from buildings to furniture—all under one roof. The German Design Council is merging the former "Innovative Architecture" and "Interior Products" awards to create a powerful new stage for visionary ideas and groundbreaking solutions.
In the autumn of 2024, the Kistefos Museum Foundation invited 28 architectural firms to participate in a prequalification process to design a new site-specific standalone gallery. Scheduled to open in 2031, the new museum building will house the art collection of the museum's founder, Christen Sveaas. The gallery will join Kistefos' sculpture park, which features 55 works by international artists such as Yayoi Kusama, Olafur Eliasson, Fernando Botero, and Anish Kapoor, as well as an industrial museum and BIG's award-winning art gallery, The Twist. Additionally, a new visitor center, designed by the Oslo-based architectural firm Lund Hagem, is set to open in 2026.
This month's architecture news highlights a strong focus on sustainability, adaptive reuse, and innovative community-centered design. From environmentally responsiveurban developments to cultural and recreational spaces, architects are redefining how buildings interact with their surroundings. Notable examples include 3XN's Sydney Fish Market redevelopment, which integrates public accessibility with climate-sensitive design, and CambridgeSeven's Seneca Park Zoo expansion, which blends conservation efforts with immersive visitor experiences. Whether it's the creation of high-performance sports facilities in Portland or the transformation of historic sites into contemporary hubs, these projects showcase the evolving role of architecture in shaping communities. Read on to discover the latest architectural news and developments.
In Tokyo's bustling Ginza district, where tradition and modernity converge, the Maison Hermès emerges as a luminous architectural icon. Designed by Renzo Piano Building Workshop and completed in 2001, the 15-story structure serves as the Japanese headquarters of Hermès, the renowned French luxury brand celebrated for its craftsmanship and timeless elegance. Beyond its function as a commercial hub, the building encapsulates Hermès' ethos, transforming its urban site into a dialogue between light, materiality, and context.
