Last September, the EU launched the New European Bauhaus, an initiative designed to transform the built environment into a more sustainable one with higher social value. The project, shaped through an unprecedented co-design process, is now calling for architects, students, specialists, and citizens to share ideas, examples and challenges to help define the movement's concrete steps.
Carlo Ratti Associati's spin-off company Scribit has partnered with leading artist Olafur Eliasson's Little Sun non-profit to draw a crowdsourced illustration of the sun's path in thousands of people's homes. Write&erase robot Scribit works as a smart vertical plotter to create illustrations inspired by sun path charts. The two teams hope to bring the climate crisis center stage and instigate change for the future of the planet.
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 18th Pavilion, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
Can you even call yourself an architect if you don’t have an old box of LEGO that you can’t bare to throw out stored away in an attic somewhere?
LEGO has become a part of architecture’s collective conscience – an inspiration, a modeling tool, a nostalgic driver, a raison d'être for architects who grew up piecing worlds together and imagining alternative realities. With the completion of BIG’s LEGO House in Billund, LEGO is once again in the spotlight. But, as this short documentary explains, it never really left.
Last month the Norman Foster Foundation, created to promote "interdisciplinary thinking and research to help up-and-coming architects, designers and urbanists to anticipate the future," coincided the opening of its new Madrid-based headquarters with an international conference. Future is Now pulled together a broad collection of professionals—including Sir Jonathan Ive, Marc Newson, Olafur Eliasson, Maya Lin, Alejandro Aravena, and Luis Fernández-Galian—who addressed an audience of 1,800 (including 1,100 students) in the Spanish capital's Royal Theater.
Watch the conference in its entirety, or read a summary, after the break.
As part of their series of "Panorama" exhibits being presented this year, Friends Of The High Line have announced that they will host Olafur Eliasson's installation, "The Collectivity Project" from May 29th until September 30th this year on the High Line at West 30th Street. The installation, which has previously traveled to Tirana, Oslo, and Copenhagen, features an interactive imaginary cityscape made of over two tons of white LEGO bricks, with visitors invited to design, build and rebuild new structures as they see fit.
In a twist to the installation's usual presentation, High Line Art has invited high-profile architects who are working in the vicinity of the High Line to contribute one "visionary" LEGO design for the installation's opening, with BIG, David M. Schwarz Architects, Diller Scofidio + Renfro, James Corner Field Operations, OMA New York, Renzo Piano Building Workshop, Robert A.M. Stern Architects, Selldorf Architects, SHoP, and Steven Holl Architects all contributing one building which the public will then be able to adapt, extend or work around.
"Be very sensitive to where you are, in what times and in what parts of the world, and how that constitutes the artistic practice," says Danish-Icelandic artist Olafur Eliasson in this recent video from Louisiana Channel. In Advice to the Young, Eliasson deliberates on creative practice, urging young artists to take risks and produce meaningful work. "Just because you think about a work of art," says Eliasson, "it is not necessarily a work of art." Most recently, Eliasson has made headlines for his immersive exhibition Riverbed at the Louisiana Museum of Modern Art which explores the intersection between nature and the built environment. Revered as one of the world's leading sculptural and installation artists, Eliasson is adamant that the practice of working with art remains to be "very fierce, very strong and very robust."
"There are no real things. This is it. We are living in models and that's how it will always be and has always been... Who has authorship of reality? Who is then real?"
In this new video from Louisiana Channel, Olafur Eliasson meditates on the deeply philosophical questions posed by his provocative exhibition, Riverbed. Discussing themes such as the currency of trust, the authorship of reality through choice of perception, and the intricate relationships between museum, art, artist, and viewer, Eliasson sits within his own artificial landscape and recounts the deep inquiries that drive his work. Describing his views on the complexity of trust in the foundational value of the museum as an institution, Eliasson argues for the empowerment of the public. "If an audience feels trusted," he states, "then they dare to get involved."
“Elements of Architecture,” the Rem Koolhaas-curated exhibition at the 2014 Venice Biennale, delved into several remarkable structural as well as technical components of architecture, including floors, walls, doors, stairs and toilets. But why was light missing?
My manifesto for the inclusion of light as a fundamental element of architecture — after the break.
