As the common phrase attests, “history is written by the victors.” We therefore know that the story of the West is that of Europe and the United States, while the other actors in world history are minimized or invisible: it happened to the Chinese and Japanese during World War II, to the Ottoman Empire in sixteenth-century Europe, and to racial majorities in the common reading of Latin American independence. The same thing happens in architecture.
The current boom of the Global South is based not only on new work, but rather on the recognition of an invisible architecture which was apparently not worthy of publication in the journals of the 1990s. The world stage has changed, with the emergence of a humanity that is decentralized yet local; globalized, yet heterogeneous; accelerated, yet unbalanced. There are no longer red and blue countries, but a wide variety of colors, exploding like a Pollock painting.
This serves as a preamble to consider the outstanding projects of 2016 according to the British critic Oliver Wainwright, whose map of the world appears to extend from New York in the West to Oslo in the East, with the exception of Birzeit in Palestine. The Global South represents more than 40% of the global economy and already includes most of the world’s megacities, yet has no architecture worthy of recognition? We wanted to highlight the following projects in order to expand the western-centric world view, enabling us to truly comprehend the extent of architectural innovation on a global scale.
The Piano-designed Jerome L Greene Science Center and Lenfest Center for the Arts are the first two buildings to be completed within the larger campus masterplan, conceived by Piano in collaboration with SOM, that will eventually encompass nearly 19-acres between 125th and 133rd streets in northwestern Manhattan.
Italian architect Renzo Piano (born 14 September 1937) is known for his delicate and refined approach to building, deployed in museums and other buildings around the world. Awarded the Pritzker Prize in 1998, the Pritzker Jury compared him to Leonardo da Vinci, Michelangelo and Brunelleschi, explaining that "his intellectual curiosity and problem-solving techniques as broad and far ranging as those earlier masters of his native land."
Qatar Museums has announced a shortlist of eight finalists that will move on to the third and final stage of the Art Mill International Design Competition in Doha. On a site extending into the Arabian Sea that was only recently occupied by Qatar Flour Mills, Art Mill will integrate gallery and exhibition space with facilities for education, events, conservation, art handling, and research. Joining the Museum of Islamic Art designed by I.M. Pei, and the still under-construction National Museum of Qatar, designed by Jean Nouvel, in the words of the competition brief, “Art Mill will and extend and intensify the cultural quarter being developed in Doha.”
Last week, ArchDaily unveiled the 14 winners of this year’s Building of the Year award. Selected by ArchDaily readers from a pool of over 3,000 candidates, these 14 projects represent the best designs published by ArchDaily in the past year, as determined by an unbiased network of 55,000 voters who took part - each of them a judge in one of the world's most democratic architecture awards.
Representing a diverse field of architects, locations and project types, each design has a very different story about how it came into being, how its design responds to its context, how it fits into an architect's oeuvre, or what it says about the direction which architecture is traveling in. But despite the many different types of story represented, each of the stories behind the Building of the Year winners is a fascinating architectural tale. Here are those 14 stories.
After two weeks of nominations and voting, we are pleased to present the winners of the 2016 ArchDaily Building of the Year Awards. As a peer-based, crowdsourced architecture award, the results shown here represent the collective intelligence of 55,000 voters, filtering the best architecture from over 3,000 projects featured on ArchDaily during the past year.
By publishing them on ArchDaily, these exemplary buildings have helped us to impart inspiration and knowledge to architects around the world, furthering our mission. So to everyone who participated by either nominating or voting for a shortlisted project, thank you for being a part of this amazing process, where the voices of architects from all over the world unite to form one strong, intelligent, forward-thinking message.
And of course, congratulations to all the winners!
http://www.archdaily.com/781768/winners-of-the-2016-building-of-the-year-awardsAD Editorial Team
Protestors have prompted developer Sellar Property Group to pull plans on the Renzo Piano-designed skyscraper sited in London's Paddington area. The 72-story "skinny Shard" has been harshly criticized by locals and Historic England for "blighting views" of the capital and being out-of-place, hence its popular nickname - the "Paddington Pole."
“London’s skyline is unique, iconic and loved. It has to be managed sensitively and with proper planning,” Historic England chief executive Duncan Wilson told The Guardian. “Tall buildings can be exciting and useful, but if they are poorly designed, or in the wrong place, they can really harm our cities. We trust that the revised plans for Paddington Place will take the area’s unique character into account.”
“These finalists offer a variety of backgrounds and styles, and any one of them would be an excellent choice,” Obama Foundation chairman Martin Nesbitt, according to CBS Chicago. “We are excited to see this process moving forward because the Obama Presidential Center will be so much more than a library – this facility will seek to inspire citizens across the globe to better their communities, their countries, and their world.”
"Cities face a choice of building up or building out," says Renzo Piano, according to a recent article on the Daily Mail. Responding to backlash led by the Skyline Campaign, a campaign spearheaded by architect Barbara Weiss that "aims to stop the devastation of London by badly designed and poorly placed tall buildings," Piano is defending London's controversial skyscraper boom by saying it's giving the one thing the city needs most: "space on the ground."
Plans have been unveiled for a "skinny Shard" in London's Paddington area. Designed by Renzo Piano, the 65-story skyscraper is the focus of a £1 billion plan aimed at revitalizing the "soulless" district.
"At the moment you only go to Paddington for two reasons - to catch a train or to see someone in hospital. It is soulless and has no life and yet it is only five minutes from Hyde Park and seven or eight minutes from Marble Arch," Sellar Property Group chairman Irvine Sellar told Evening Standard. "It is a fantastic location but it is stuck in a Fifties time-warp. We intend to create a place for people to go, where they will want to live, work, eat and shop."
The V-A-C Foundation has selected Renzo Piano Building Workshop to re-develop a two-hectare area in Moscow, converting a former power station into a center for contemporary arts and culture. Located on the Moskva river in the city’s Red October district, the GES2 power station was built in the early 1900s and once supplied energy to the city. The project envisions the recuperation of the power station’s original form as well as the reconfiguration of the entire site into a 150 meter by 150 meter square.
Construction is set to commence next week on the Renzo Piano Building Workshop-designed Kum & Go Headquarters planned for downtown Des Moines, Iowa. Dubbed the "Krause Gateway Center," the five-story urban headquarters will be seen as a "natural extension" to the neighboring sculpture park that features a "flexible" work environment that can accommodate Kum & Go's future growth.
“Lightness, simplicity and openness are the main concepts expressed in the design,” says Renzo Piano. “The four vast planes flying over the site will emphasize the lightness and the transparency of the building, and will dialogue with the sculpture park nearby.”
Update:The Chicago Tribune's architecture critic Blair Kaminhas now reported that 140 architects from 60 cities have expressed their interest in designing the Barack Obama Presidential Center in Chicago by submitting qualifications. Of these, 99 are based in the United States, although names have not been released. The below article, originally published on September 1st, lists 11 architects that Kamin was able to confirm had been invited to submit qualifications by the Barack Obama Foundation.
Back in 2012, a dispute arose between the Renzo Piano-designed Nasher Sculpture Center in Dallas and the adjacent Museum Tower, a 42-story residential building which was accused of reflecting so much glare through the museum's glass roof that it risked damaging the art inside, and made the museum's garden areas so warm they were unusable. Last week, that 3-year long dispute appears to have been brought to a close - with nothing happening, as the owners of the Museum Tower, the Dallas Police and Fire Pension System (DPFP), voted nearly unanimously that it is no longer their responsibility to find a solution.
From November 11th, 2015, to February 29th, 2016, the Cité de l’architecture & du patrimoine in Paris (FR) presents Renzo Piano Building Workshop. The Piano Method, an exhibition dedicated to the work of the Italian architect Renzo Piano.
The exhibition intends to reflect the collective approach of the architectural firm Renzo Piano Building Workshop, by showing the collaborative and experimental dimension of its projects, in term of technical innovation and design solutions on the urban scale. Exploiting the potential of different materials by pushing the limits of construction techniques is the idea.
Our friends at the Pavillion de l'Arsenal have shared a collection of videos from their"Paris Architectures" series. Dive into these short films that document remarkable architecture around France's capital city.