Six internationally-acclaimed teams have been selected as finalists in a competition to design a new home for London Symphony Orchestra and Guildhall School of Music & Drama to be known as the Centre for Music London.
Planned to contain a world-class concert hall, education, training and digital spaces, top-grade facilities for audiences and performers, and a number of supporting commercial areas, the Centre for Music building will become a new landmark within the heart of London, aimed at becoming “a place of welcome, participation, discovery and learning fit for the digital age.”
Designing a museum is always an exciting architectural challenge. Museums often come with their own unique needs and constraints--from the art museum that needs specialist spaces for preserving works, to the huge collection that requires extensive archive space, and even the respected institution whose existing heritage building presents a challenge for any new extension. In honor of International Museum Day, we’ve selected 23 stand-out museums from our database, with each ArchDaily editor explaining what makes these buildings some of the best examples of museum architecture out there.
http://www.archdaily.com/871555/23-examples-of-impressive-museum-architectureAD Editorial Team
Within the framework of the recent election of Malta to the Presidency of the Council of the European Union—a position that will be held through June 2017—architectural photographer Danica O. Kus has created a photo series detailing Renzo Piano Building Workshop’s Valletta City Gate in Malta.
Completed in 2014, the project is composed of four parts: the Valletta City Gate and site, an open-air theater “machine,” a Parliament building, and landscaped space. Experience the project in beautiful detail though the photo series, after the break.
Plans for 555 Howard, a mixed-use hotel and residential tower to be located in San Francisco’s Transbay neighborhood, have been revealed by the city’s Planning Department. Designed by Renzo Piano Building Workshop for developer Pacific Eagle, the 36-story tower would house 69 residential units and 255 hotel rooms, as well as a publicly-accessible open-air rooftop terrace. The project represents Piano’s second project in the city, following 2008’s California Academy of Sciences.
As the common phrase attests, “history is written by the victors.” We therefore know that the story of the West is that of Europe and the United States, while the other actors in world history are minimized or invisible: it happened to the Chinese and Japanese during World War II, to the Ottoman Empire in sixteenth-century Europe, and to racial majorities in the common reading of Latin American independence. The same thing happens in architecture.
The current boom of the Global South is based not only on new work, but rather on the recognition of an invisible architecture which was apparently not worthy of publication in the journals of the 1990s. The world stage has changed, with the emergence of a humanity that is decentralized yet local; globalized, yet heterogeneous; accelerated, yet unbalanced. There are no longer red and blue countries, but a wide variety of colors, exploding like a Pollock painting.
This serves as a preamble to consider the outstanding projects of 2016 according to the British critic Oliver Wainwright, whose map of the world appears to extend from New York in the West to Oslo in the East, with the exception of Birzeit in Palestine. The Global South represents more than 40% of the global economy and already includes most of the world’s megacities, yet has no architecture worthy of recognition? We wanted to highlight the following projects in order to expand the western-centric world view, enabling us to truly comprehend the extent of architectural innovation on a global scale.
The Piano-designed Jerome L Greene Science Center and Lenfest Center for the Arts are the first two buildings to be completed within the larger campus masterplan, conceived by Piano in collaboration with SOM, that will eventually encompass nearly 19-acres between 125th and 133rd streets in northwestern Manhattan.
Italian architect Renzo Piano (born 14 September 1937) is known for his delicate and refined approach to building, deployed in museums and other buildings around the world. Awarded the Pritzker Prize in 1998, the Pritzker Jury compared him to Leonardo da Vinci, Michelangelo and Brunelleschi, explaining that "his intellectual curiosity and problem-solving techniques as broad and far ranging as those earlier masters of his native land."
Qatar Museums has announced a shortlist of eight finalists that will move on to the third and final stage of the Art Mill International Design Competition in Doha. On a site extending into the Arabian Sea that was only recently occupied by Qatar Flour Mills, Art Mill will integrate gallery and exhibition space with facilities for education, events, conservation, art handling, and research. Joining the Museum of Islamic Art designed by I.M. Pei, and the still under-construction National Museum of Qatar, designed by Jean Nouvel, in the words of the competition brief, “Art Mill will and extend and intensify the cultural quarter being developed in Doha.”
Last week, ArchDaily unveiled the 14 winners of this year’s Building of the Year award. Selected by ArchDaily readers from a pool of over 3,000 candidates, these 14 projects represent the best designs published by ArchDaily in the past year, as determined by an unbiased network of 55,000 voters who took part - each of them a judge in one of the world's most democratic architecture awards.
Representing a diverse field of architects, locations and project types, each design has a very different story about how it came into being, how its design responds to its context, how it fits into an architect's oeuvre, or what it says about the direction which architecture is traveling in. But despite the many different types of story represented, each of the stories behind the Building of the Year winners is a fascinating architectural tale. Here are those 14 stories.
After two weeks of nominations and voting, we are pleased to present the winners of the 2016 ArchDaily Building of the Year Awards. As a peer-based, crowdsourced architecture award, the results shown here represent the collective intelligence of 55,000 voters, filtering the best architecture from over 3,000 projects featured on ArchDaily during the past year.
By publishing them on ArchDaily, these exemplary buildings have helped us to impart inspiration and knowledge to architects around the world, furthering our mission. So to everyone who participated by either nominating or voting for a shortlisted project, thank you for being a part of this amazing process, where the voices of architects from all over the world unite to form one strong, intelligent, forward-thinking message.
And of course, congratulations to all the winners!
http://www.archdaily.com/781768/winners-of-the-2016-building-of-the-year-awardsAD Editorial Team
Protestors have prompted developer Sellar Property Group to pull plans on the Renzo Piano-designed skyscraper sited in London's Paddington area. The 72-story "skinny Shard" has been harshly criticized by locals and Historic England for "blighting views" of the capital and being out-of-place, hence its popular nickname - the "Paddington Pole."
“London’s skyline is unique, iconic and loved. It has to be managed sensitively and with proper planning,” Historic England chief executive Duncan Wilson told The Guardian. “Tall buildings can be exciting and useful, but if they are poorly designed, or in the wrong place, they can really harm our cities. We trust that the revised plans for Paddington Place will take the area’s unique character into account.”
“These finalists offer a variety of backgrounds and styles, and any one of them would be an excellent choice,” Obama Foundation chairman Martin Nesbitt, according to CBS Chicago. “We are excited to see this process moving forward because the Obama Presidential Center will be so much more than a library – this facility will seek to inspire citizens across the globe to better their communities, their countries, and their world.”
"Cities face a choice of building up or building out," says Renzo Piano, according to a recent article on the Daily Mail. Responding to backlash led by the Skyline Campaign, a campaign spearheaded by architect Barbara Weiss that "aims to stop the devastation of London by badly designed and poorly placed tall buildings," Piano is defending London's controversial skyscraper boom by saying it's giving the one thing the city needs most: "space on the ground."
Plans have been unveiled for a "skinny Shard" in London's Paddington area. Designed by Renzo Piano, the 65-story skyscraper is the focus of a £1 billion plan aimed at revitalizing the "soulless" district.
"At the moment you only go to Paddington for two reasons - to catch a train or to see someone in hospital. It is soulless and has no life and yet it is only five minutes from Hyde Park and seven or eight minutes from Marble Arch," Sellar Property Group chairman Irvine Sellar told Evening Standard. "It is a fantastic location but it is stuck in a Fifties time-warp. We intend to create a place for people to go, where they will want to live, work, eat and shop."