The Museum of Modern Art has commissioned Diller Scofidio + Renfro (DS+R) to design its controversial expansion that will overtake the former American Folk Art Museum in New York. This news comes after an intense backlash from prominent architects, preservationists and critics worldwide pressured MoMA to reconsider its decision to raze the iconic, Tod Williams and Billie Tsien-design museum in order to make way for its new expansion.
In response, DS+R has requested that MoMA gives them the “time and latitude to carefully consider the entirety of the site, including the former American Folk Art Museum building, in devising an architectural solution to the inherent challenges of the project,” as stated by Glenn D. Lowry, MoMA’s director, in a memo sent on Thursday to his trustees and staff. He added, “We readily agreed to consider a range of options, and look forward to seeing their results.”
More on the DS+R’s commission and the fate of the Folk Museum after the break…
The redesign of Lincoln Center is one of the most challenging and innovative civic projects in recent urban history. Over the past eight years, Diller Scofidio + Renfro (DS+R), in close collaboration with FXFOWLE, Beyer Blinder Belle and Lincoln Center’s leadership, has transformed the 50-year-old modernist citadel into a porous and democratic campus. This visually rich document is the first comprehensive book to feature the extensive redevelopment in its entirety. Inside-Out, and still Lincoln Center details DS+R’s interpretation of the modernist project after several generations of social and political change. Through a combination of photographs, drawings, renderings, archival records and texts, the book describes the innovative strategies that have dissolved the public/private divide and effectively turned the campus inside-out, extending the spectacle of the performance halls into the Center’s mute public spaces and surrounding streets.
In an effort to “unlock people’s imaginations” about Penn Station and Madison Square Garden, the Municipal Art Society (MAS) of New York has challenged Santiago Calatrava, Diller Scofidio + Renfro, SHoP Architects and SOM to propose four new visions that exemplify the potential of the highly disregarded area.
The challenge comes amidst a heated debate on whether or not the city should restrict Madison Square’s recently expired special permit to 10 years, rather than in perpetuity as the arena’s owners – the Dolan family – has requested. This would allow time for the city to “get it right” and come up with a viable solution for the arena and station that, as NYTimes critic Michael Kimmelman states, would not only “improve the safety and quality of life for millions of people but also benefit the economy”. Think Kings Cross in London. With a thoughtful mix of public and private investments, the crime-ridden station was transformed into a thriving cultural destination that benefited all parties.
More after the break…
The expandable multi-use cultural venue dubbed ‘Culture Shed’ is one of the most radical proposals to come out of New York’s Hudson Yards Development Project. Designed by Diller Scofidio + Renfro - the New York-based interdisciplinary practice that played a major role in designing the High Line - in collaboration with the Rockwell Group, this 170,000 square foot cultural center will be located at the south end of the Hudson Yards, with the main entrance located near the conclusion of the High Line at West 30th Street.
More information on the Culture Shed after the break…
The Creators Project released two new documentaries this week which feature the brightest new minds in design and architecture. The first piece investigates the work of Diller Scofidio + Renfro, and interdisciplinary design firm behind NYC’s High Line and Lincoln Center, and more. The second piece introduces us to the digital deviants OKFocus behind their new alpha-channel video experience for Tanlines’ “Not The Same.” The first video is above and the second video can be viewed after the break.
After winning the Aberdeen City Garden competition in early 2012, Diller, Scofidio + Renfro‘s ‘Granite Web’ design was rejected over the summer in a 22-20 city council vote for being overly expensive. Despite public approval the proposal, which totaled a whopping £140m, was rejected in favor of a collection of more fiscally responsible city projects, such as refurbishing the Aberdeen Art Gallery and redeveloping the site of the St. Nicholas House.
Just recently, the City of Aberdeen announced a £300m city-wide plan of improving roads, schools and cultural buildings, with only £20m allotted for the city center, which will be pedestrianized but not much else. Thus, confirming the “final nail in the coffin“ for DS+R’s ambitious web of lush gardens and cultural landmarks.
Read more after the break…
The life of a city-funded project is a tumultuous one. After winning a design competition early this year and receiving public support to move forward, Diller, Scofidio + Renfro’s “Granite Web” design for the redevelopment of the nineteenth-century Terrace Gardens in Aberdeen, Scotland was recently rejected by the city council in a 22-20 vote. The project promised to bring a revived pulse to the heart of the city centre with a public space that would bring a year-round civic garden onto the “unattractive” Denburn dual carriageway and railway line.
More after the break.
Columbia University has been at the forefront of medical education for more than two centuries, as it was the first medical school in the United States to award the M.D. degree in 1770. Now, the Columbia University Medical Center (CUMC) has announced plans for a new, state-of-the-art medical and graduate education building that reflects how they believe medicine is and should be taught, learned and practiced in the 21st century.
Located on the CUMC campus in the Washington Heights community of Northern Manhattan, the 14-story facility will aim to achieve LEED Gold certification and incorporate technologically advanced classrooms, collaboration spaces, and a modern simulation center. The design is led by Diller Scofidio + Renfro, in collaboration with Gensler as executive architect.
Continue after the break for more details!
New York City-based Diller Scofidio + Renfro has been chosen to design the gallery and visitor experience at the historic Smithsonian Cooper-Hewitt National Design Museum – the only museum in the United States that is exclusively devoted to historic and contemporary design. The New York City landmark is currently under undergoing an extensive, $64 million transformation that will expand gallery space by sixty-percent. The new environment will be laced with interactive elements in which Local Projects will help integrate into the gallery space as they have been selected as participatory media designer.
The contemporary vision of the re:design aims to become a modern exemplar for museum design, while still preserving the historic Carnegie mansion. The renovation is led by Gluckman Mayner Architects and Beyer Blinder Belle. It will achieve LEED certification and is scheduled to be complete by 2014.
“It is because of their keen abilities to translate ideas and concepts into boundary-stretching design that Cooper-Hewitt selected DS+R and Local Projects as the ideal partners to help re-envision the design of its gallery, visitor and participatory digital experiences,” explained Bill Moggridge, director of the museum.
Despite all of the preconceived notions about New York City being overpopulated, noisy and constantly bustling, there are numerous pockets within the five boroughs that offer respite from the city. This design strives to be one such pocket – or island. Governors Island has a long military history that dates back to 1776. It was controlled by the U.S. Government first for the U.S. Army and later for the Coast Guard. In 2002 the island was “sold” to the people of New York and declared a national monument. In 2010, Mayor Bloomberg and Governor Paterson agreed on the future operations, planning and redevelopment of the island through the Trust for Governors Island. Since then, the island has been open during the summer months for visitors to enjoy the unique seclusion offered by the the old military grounds. But the Trust had bigger plans. Choosing a team of architects, urban planners, designers and landscape architects that include Rogers Marvel Architects, Diller Scofidio + Renfro, Mathews Nielsen and led by West 8, plans began to unfold that would reimagine the island as a getaway for New Yorkers. Playing up to its isolation, its abundance of lawns and trees, and the views that it offers, the first phase of the plans have officially broken ground and are scheduled for completion in Fall 2013.
Check out what’s in store for Governors Island after the break.
Liz Diller, founding principle of Diller, Scofidio + Renfro, shares the story of creating the pneumatic addition to the Hirshhorn Museum in Washington, DC. Commonly known as the “Bubble”, the inflatable event space is planned for the cylindrical courtyard of the National Mall’s modernist museum that was originally designed by Gordon Bunshaft in 1974. The first inflation of the “Bubble” is expected to take place at the end of 2013.
“To truly make good public space, you have to erase the distinctions between architecture, urbanism, landscape, [and] media design.” – Liz Diller
The ten finalists competing in the final phase of the National Mall Design Competition are dreaming big. Proposals to restore the National Mall include flourishing lakeside gardens, contemporary cafés hovering over water, grassy new amphitheaters and underground pavilions exposed at the foot of the Washington Monument. Since the announcement of the finalists, the teams have been refining there proposals behind closed doors.
Now, the Trust for the National Mall has released the highly anticipated proposals to the public. From now until Sunday, at the Smithsonian Castle and the National Museum of American History, you can view each proposal in its entirety. If you don’t live in the D.C. area, no need to worry. Continue after the break to catch a glimpse of each submission and learn how you can help the jury decided who will revamp America’s “front yard”.
Last night, ArchDaily joined the community of Chelsea and Friends of the High Line in the crowded auditorium of PS 11: The William T Harris School eager to see James Corner and Rick Scofidio’s latest ideas for the third installment of the High Line. This last segment of the amazing elevated park project is the designers’ most crucial intervention as it culminates the strategies introduced in Phases 1 and 2 and must adaptively respond to new contextual relationships between 34th and 30th Streets. Corner and Scofidio’s eloquent and coherent presentation very much responded to the community’s input from the last public meeting held in December, as the design addressed the need for a child’s play area with an idea for a section with rubberized beams, a place for spontaneous and planned performances, and more seating. Scofidio kidded, “There are some things we could do better, and that’s exactly why we get to do the third phase.”
More about Phase 3 after the break.
The people of Aberdeen, Scotland have voted in favor of the £140m Aberdeen City Garden redevelopment proposal designed by the New York-based practice Diller, Scofidio & Renfro (DS+R), in collaboration with local architects Keppie Design and Philadelphia landscape architects OLIN.
DS+R plans to redevelop the nineteenth-century Union Terrace Gardens with a Granite Web that intends to “fuse nature and culture into a vital social network at the heart of the city” with an “elastic web of three-dimensional interconnections” that spans across the six-hectare site. Continue reading for more information.
After Mayor Bloomberg, Cornell President Skorton and Technion President Lavie announced Cornell’s victory over Stanford to build an eleven acre state-of-the-art tech campus on Roosevelt Island in New York City, the team has now tackled their next step in choosing six high-profile architecture firms competing to design the schools first academic facility.
Selected from over more than 40 firms from the U.S. and abroad, the finalists include Skidmore, Owings & Merrill, Diller Scofidio + Renfro, the Office for Metropolitan Architecture (OMA), Morphosis Architects, Steven Holl Architects and Bohlin Cywinski Jackson. Continue reading for more information.
Aberdeen City Garden Trust has announced Diller Scofidio + Renfro (DS+R) as winner of the international design competition that will transform the center of Aberdeen. The New York City based firm will be working with the Scottish practice Keppie Design and Philadelphia landscape architects OLIN. The “rich and varied” shortlist included Diller Scofidio + Renfro, Foster + Partners, Gustafson Porter, Mecanoo, Snøhetta & Hoskins and West 8. After an extended run-off between DS+R and Foster + Partners, the Aberdeen City Garden competition will be DS+R’s first major win in a European design competition.
Continue reading for more!
Trust for the National Mall has announced the Stage II results, naming the ten design teams selected to continue in the third and final stage of the National Mall Design Competition. The National Mall will undergo an approximate $700 million restoration in three selected areas – Union Square including the Reflecting Pool and the Ulysses S. Grant Memorial, Sylvan Theater on the Washington Monument Grounds, and the Constitution Gardens between the Vietnam Veterans Memorial and the Lincoln Memorial.
“We are excited about the teams selected to advance to Stage III and have no doubt each of them will create beautiful, useful and sustainable designs for the National Mall,” said Caroline Cunningham, President of the Trust for the National Mall. “We are eager to share their final designs with the public in April.”
Continue reading for more information and the complete list of finalists.
Over 1,200 entires from 30 states and 10 countries submitted applications for the National Mall competition. Late last month fifteen design teams were chosen as finalists to advance to the second stage of this prestigious contest.
Hosting 25 million visitors annually, the National Mall will undergo an estimated $700 million restoration beginning in 2012. The competition has been broken down into three areas of restoration: Union Square including the Reflecting Pool and the Ulysses S. Grant Memorial, Sylvan Theater on the Washington Monument Grounds, and the Constitution Gardens between the Vietnam Veterans Memorial and the Lincoln Memorial.
Among the finalists to move on to stage two of the competition, Diller Scofidio Renfro, Weiss/Manfredi, and Rogers Marvel Architects who are shortlisted for two out of the three areas of restoration, as well as Snohetta, Michael Maltzan Architecture, Ten Arquitectos, and Bohlin Cywinski Jackson who are finalists for one area of restoration.
“Entrants were evaluated on past design performance, philosophy, design intent, thoughtfulness, creativity and overall resume,” according to a release from the Trust of the National Mall. The jury, compiled of architects, professors and other members of the architecture community, included Michael Gericke of Pentagram NYC and Pritzker Prize Laureate Thom Mayne founder of Morphosis.
The second stage of the competition includes interviews of the teams conducted by the Trust for the National Mall and the National Park Service, and the last stage will include proposed plans for the restoration. The competition will culminate in May 2012 and the proposed designs from stage three of the competition will be available to the public prior to the winning design being selected.
Follow the break for a complete list of design finalists for the National Mall Competition.
Berkeley Art Museum and Pacific Film Archive presents Diller Scofidio + Renfro’s design for new museum complex
The University of California, Berkeley Art Museum and Pacific Film Archive (BAM/PFA) today held a community open house to present the schematic design for its new facility to the public. The project, designed by the renowned New York City-based firm of Diller Scofidio + Renfro (DS+R), will unite a repurposed former UC Berkeley printing plant at 2120 Oxford Street with a new structure. More information and images after the break.
For this week the Architecture City Guide series headed to the city of Boston including neighboring Cambridge just across the Charles River Basin. This area has an overwhelmingly large amount of modern architecture in a small radius, and our list reflects just that. What buildings do you want to see added to our Boston list, share them with us in the comment section below.
The Architecture City Guide: Boston list and corresponding map after the break!
The Perry and Marty Granoff Center for the Creative Arts, designed by Diller Scofidio + Renfro, recently opened for spring semester classes at Brown University. Providing performance space, exhibitions, installations, and an outdoor amphitheater, the Center’s long structural spans, high ceilings, and large floor plates stimulate a necessary collaborative environment with flexibility. Seeking LEED Gold certification, the exterior venetian blind system and green roof are just a few of the sustainable features for the Granoff Center.
Charles Renfro, partner-in-charge for the project, stated the following about Diller Scofidio + Renfro’s design:
In creating the design for the Granoff Center, we needed structural elements that would stimulate the creative process from virtually every aspect of the building. The Granoff Center is a merger of architectural gesture and academic pedagogy. Our strategy was to encourage and illustrate collaboration across every level.
The six half-levels that make up the Granoff Center were derived from a stacked floor slab system. The three initial floors were divided in half down the length of the building and then offset. This intentional misalignement provided a unique connection between levels, therefore the landings were expanded, providing gathering space for breakout sessions for both students and faculty.
Architects: Diller Scofidio + Renfro
Location: Providence, Rhode Island, USA
Construction Management: Shawmut Design & Construction
Project Area: 38,815 sqf
Project Year: 2011
Photographs: Iwan Baan