OMA Partner Reinier de Graaf on the Social Dimension of Luxury Housing at Holland Green

16:50 - 12 May, 2016
OMA Partner Reinier de Graaf on the Social Dimension of Luxury Housing at Holland Green, © Nick Gutteridge
© Nick Gutteridge

This week, OMA has unveiled their latest project in London, Holland Green. Working alongside Allies & Morrison, the firm has created three new luxury residential buildings on a site of significant cultural importance: the former home of the Commonwealth Institute, designed by Sir Robert Matthew, one of the founding partners of RMJM. As a result, OMA and Allies & Morrison’s Holland Green project involved much more than just adding fuel to the fire of London’s booming luxury residential market—it also involved an extensive conversion to the original 1962 Commonwealth Institute exhibition hall, funded through the scheme’s profitable residential offering, to prepare the heritage building for its new tenants the Design Museum.

ArchDaily spoke with Reinier de Graaf, the partner in charge of the project at OMA, to discuss the development’s social aspirations, the challenges of the London context, and the story behind the project.

© Philip Vile © Sebastian van Damme © Philip Vile © Sebastian van Damme +12

Preview OMA's Installation for Met Museum Exhibition "Manus x Machina"

16:00 - 3 May, 2016
Preview OMA's Installation for Met Museum Exhibition "Manus x Machina", © Albert Vecerka and OMA
© Albert Vecerka and OMA

With the conclusion of this year’s Met Gala, on Thursday the public will have their first look at the Costume Institute of the Metropolitan Museum of Art’s new spring show, "Manus x Machina". According to the museum, “[the exhibition] will explore [an] ongoing dichotomy, in which hand and machine are presented as discordant tools in the creative process, and question the relationship and distinction between haute couture and ready-to-wear.” Occurring in the museum’s Robert Lehman Wing, a 1975 expansion by Kevin Roche and John Dinkeloo, the exhibition design has been developed by Shohei Shigematsu of OMA New York. Organized by Andrew Bolton, the Curator of The Costume Institute, the exhibition will feature over 100 samples of “haute couture and avant-garde ready-to-wear, dating from an 1880s Worth gown to a 2015 Chanel suit.” Read on for a small preview of the exhibition, fashion, and spectacle of Manus x Machina, on view from May 5 - August 14.  

© Naho Kubota and OMA © Albert Vecerka and OMA © Albert Vecerka and OMA Courtesy of OMA +5

After Belonging Agency Announce Conference Speakers for the 2016 Oslo Architecture Triennale

07:00 - 25 April, 2016
2016 Oslo Architecture Triennale Conference
2016 Oslo Architecture Triennale Conference

The After Belonging Agency, the curatorial team behind the 2016 Oslo Architecture Triennale (OAT), have revealed sixteen speakers who will present at the event's central conference at the Oslo Opera House this coming September. Atelier Bow-Wow, Snøhetta alongside a number of other academics, practitioners and decision-makers will come together to "address architecture’s relation to current pressing questions such as refugeeism, migration and homelessness, new mediated forms of domesticity and foreignness, environmental displacements, tourism, and the technologies and economies of sharing."

AD Classics: Dutch Parliament Extension / OMA

04:00 - 22 April, 2016
AD Classics: Dutch Parliament Extension / OMA, © OMA
© OMA

Designed shortly before Zaha Hadid left the Office of Metropolitan Architecture (OMA)—led by Rem Koolhaas—to found her practice, Zaha Hadid Architects, the proposed extension for the Dutch Parliament firmly rejects the notion that imitation is the sincerest form of flattery. Rather than mimic the style of the existing historic buildings, OMA elected to pay tribute to the complex’s accretive construction by inserting a collection of visibly postmodern, geometric elements. These new buildings, unapologetic products of the late 1970s, would have served as unmistakable indicators of the passage of time, creating a graphic reminder of the Parliament’s long history.

"The Final Push". Image Courtesy of A.D.A. EDITA Tokyo Co., Ltd. Courtesy of A.D.A. EDITA Tokyo Co., Ltd. "The Podium: Accommodation for Orgies of Speech". Image Courtesy of A.D.A. EDITA Tokyo Co., Ltd. Elevations. Image Courtesy of A.D.A. EDITA Tokyo Co., Ltd. +9

OMA's Pierre Lassonde Pavilion of the Musée National des Beaux-Arts du Québec to Open in June

12:00 - 21 April, 2016
OMA's Pierre Lassonde Pavilion of the Musée National des Beaux-Arts du Québec to Open in June, Courtesy of OMA, Photograph by Iwan Baan
Courtesy of OMA, Photograph by Iwan Baan

OMA’s Pierre Lassonde Pavilion of the Musée National des Beaux-Arts du Québec (MNBAQ) will open to the public on June 24, 2016. Increasing the museum’s space by 90 percent, the 14,900 square-meter pavilion faces Québec City’s Grande Alléee and seeks to fuse the energy of street life with the idyllic landscapes of the adjacent Parc des Champs-de-Bataille.

Courtesy of OMA, Photograph by Iwan Baan Courtesy of OMA, Photograph by Iwan Baan Courtesy of OMA, Photograph by Iwan Baan Courtesy of OMA, Photograph by Iwan Baan +37

What The Demolition of OMA's Netherlands Dance Theatre Says About Preservation in Architecture

16:00 - 17 April, 2016
What The Demolition of OMA's Netherlands Dance Theatre Says About Preservation in Architecture, OMA's Netherlands Dance Theatre was demolished at the end of last year. Image © Hans Werlemann via Metropolis Magazine
OMA's Netherlands Dance Theatre was demolished at the end of last year. Image © Hans Werlemann via Metropolis Magazine

At the end of 2015, OMA’s first major commission, the Netherlands Dance Theater (NDT) was swiftly demolished. The once-praised building was reduced to dust and debris within a few months, without drawing much attention from the architecture world. Koolhaas had heard rumors about the demolition of the NDT over the last decade, but did not expect the lack of public outcry. “There was almost nothing, almost zero,” he said.

Using the NDT as a case study, Metropolis Magazine takes a look at how the early works of our most lauded architects are treated when they are no longer fit for purpose, and asks how we decide on the role preservation plays in the architectural profession. Is the demolition of the NDT a sign of lack of respect for OMA? Or is it a more general sign of our current era of rapidly changing styles and a need for larger buildings? Read the full story by Metropolis Magazine, here.

OMA to Realize First Manhattan Building with Toll Brothers

16:00 - 15 April, 2016
OMA to Realize First Manhattan Building with Toll Brothers, © Flickr User: Daniel Chong Kah Fui דניאל 張家輝  licensed under CC BY-NC-ND 2.0
© Flickr User: Daniel Chong Kah Fui דניאל 張家輝 licensed under CC BY-NC-ND 2.0

OMA's first building in Manhattan will be a condo project at 122 East 23rd Street, built in collaboration with Toll Brothers City Living. Designed by OMA's New York principal Shohei Shigematsu, the residential tower culminates a decade leading the office and several previous attempts to realize a project in the region.

OMA Reveals Design for Mixed-Use Tower in Tokyo

12:00 - 13 April, 2016
OMA Reveals Design for Mixed-Use Tower in Tokyo, View from Bridge Looking up to Sky Box and Upper Atrium. Image Courtesy of OMA
View from Bridge Looking up to Sky Box and Upper Atrium. Image Courtesy of OMA

OMA has revealed the design for its first skyscraper in Tokyo. A tower with a torqued front-facade, the building incorporates an elevated park and access to a new Hibiya Line subway station in a project that mixes hotel, office, and retail components.

Panel Discussion: Presentation Night ‘With the Masses’

14:30 - 12 April, 2016
Panel Discussion: Presentation Night ‘With the Masses’, Credit: Astrid Nieuwborg
Credit: Astrid Nieuwborg

Five acclaimed international guests join OMA/AMO's Reinier de Graaf and the students of the Berlage Theory Master Class for a final debate on With the Masses - Architecture and Participation this Friday Night. Expect new insights into Het Nieuwe Insituut's collection and new formats for vigorous debate designed by the students. With a.o. Françoise Fromonot, architecture critic and educator, Ricardo E. Bofill, architect, and Lucien Kroll, Atelier Kroll.

OMA and Hassell to Design Perth's New WA Museum

16:00 - 6 April, 2016
OMA and Hassell to Design Perth's New WA Museum, WA Museum in Perth. Image via Perth Now
WA Museum in Perth. Image via Perth Now

The Western Australia Government has commissioned OMA and Hassell to design the new WA Museum in Perth. The team was chosen over three shortlisted consortia for the reputation of "creating dynamic architecture" and "international reputation," according to WA Culture and the Arts Minister John Day. A schematic design is expected to be released this summer. The museum plans to open by 2020. 

OMA Reveals Plans to Redevelop Washington DC's RFK Stadium Campus

12:35 - 6 April, 2016
OMA Reveals Plans to Redevelop Washington DC's RFK Stadium Campus, "Stitch" Layout. Image © Robota
"Stitch" Layout. Image © Robota

Two conceptual plans designed by OMA have been unveiled for the redevelopment of Washington DC's 190-acre Robert F. Kennedy (RFK) Stadium-Armory Campus site. Released by Events DC, the official convention and sports authority for the District of Columbia, the phased design concepts aim to "leverage the District's waterfront, provide neighborhood serving amenities and connect the current site with increased and sustainable green space, flexible recreational fields and natural access to pedestrian-friendly paths."

OMA's First UAE Project to be in Dubai

12:30 - 15 March, 2016
OMA's First UAE Project to be in Dubai , © OMA
© OMA

OMA has won a commission to design their first project in the United Arab Emirates. The winning proposal will transform four warehouses on Dubai's Alserkal Avenue into a new multi-purpose venue that will connect local architects and artists, and highlight the role intelligent design plays in the city. 

“The main strategy for the design of the event space is to blur the boundary between interior and exterior by bringing view and daylight into the space and extending the action and events to the public space outside," said Iyad Alsaka, OMA's MEA Partner in Charge.

5 Major Practices Shortlisted to Expand Buffalo's Albright-Knox Art Gallery

12:00 - 3 March, 2016
5 Major Practices Shortlisted to Expand Buffalo's Albright-Knox Art Gallery, © Flickr CC User Nick Stanley
© Flickr CC User Nick Stanley

Five major firms have been shortlisted for the Albright-Knox Art Gallery's $80 million expansion in Buffalo, New York. Chosen for their "design intellect" and ability to collaborate, the competing firms will envision ways to expand the gallery's exhibition space and create a new public urban area that maximizes the site's potential, as the Albright-Knox campus is located on the edge of Delaware Park - one of Frederick Law Olmsted’s major works.

“The selection of the architects reflects that malleability, because none of them has a fingerprint style,” Albright-Knox director Janne Sirén said. “All of them, almost, specialize in an ability to build for a given context.”

The five practices include:

AMO Brings Prada's 2016 S/S Collection to Life with "Real Fantasies" Video

16:00 - 4 February, 2016

AMO has released the 16th edition of Prada Real Fantasies - a conceptual reinterpretation of the 2016 Spring/Summer Prada collection.

"AMO graphically reinterprets the Indefinite Hangar as a synthetic sunset fixed within a 3 dimensional blank space. The abstract hangar is populated with geometric objects and furniture. Characters move through a neutral scene between the undefined and distilled fragments of daily life. The horizon and scale constantly shifts, manipulating the frame and disrupting a linear sequence: an artificial landscape where fiction and collection collide," says the OMA research studio.  

Form Follows Fiction: Ole Scheeren’s TED Talk on Why Architecture Should Tell a Story

08:00 - 28 January, 2016

In his TED Talk filmed at TEDGlobal London in September 2015, Ole Scheeren eschews what he describes as the “detrimental straightjacket” of the modernist mantra “form follows function” in favor a phrase he attributes to Bernard Tschumi, “form follows fiction.” While Tschumi was referencing how cultural artifacts, such as literature, impact architecture, Scheeren reinterprets the phrase, imagining the stories of building users in order to inform the design process. Scheeren recounts, for example, how the daily activities of CCTV employees, the lifestyles of residents of a Singapore housing block, or the traditional tools of Thai fishermen have informed his various designs for OMA and Büro Ole Scheeren.

Of course, this “fiction” that Scheeren describes, these stories, are not really fictions at all, but the real experiences of the people who live or work in his buildings. In that sense, the fiction that drives his forms is really just another type of function, albeit a more human approach to function. Nevertheless, for Scheeren the stories of these designs goes beyond just the users, also encompassing the stories of the hundreds of people it takes to make such buildings a reality, and even how architecture can become a character in the narratives of our own lives.

OMA to Renovate Berlin’s Historic KaDeWe Department Store

08:28 - 19 January, 2016
OMA to Renovate Berlin’s Historic KaDeWe Department Store, Courtesy of OMA
Courtesy of OMA

OMA has been selected to renovate Kaufhaus des Westens (KaDeWe), a historic department store in Berlin – and the biggest in continental Europe. Its giant size “makes it akin to a city: a three dimensional network of paths, squares, neighbourhoods, activitiies and views unfolding through its large extensions and providing opportunities for commercial, social and cultural encounters,” writes OMA.

To address the size, their design divides the department store into four quadrants, breaking “the original mass into smaller, easily accessible and navigable components.” Each quadrant will target different audiences and act as an independent department store. Learn more about the design after the break.

Courtesy of OMA Courtesy of OMA Courtesy of OMA Courtesy of OMA +16

OMA/AMO's Latest Prada Runway is Inspired by 17th Century Auto-Da-Fé Trials

16:00 - 18 January, 2016
OMA/AMO's Latest Prada Runway is Inspired by 17th Century Auto-Da-Fé Trials, © OMA. Photographed by Agostino Osio
© OMA. Photographed by Agostino Osio

When it comes to the modern-day fashion show, the internet has fundamentally changed the way audiences interact with models and designers, say OMA/AMO, arguing: "The assemblage of recorded impressions and digital reactions inserts itself into the once autonomous narrative of the fashion show. The statement of the collective spreads. The mass of fragmented instant data is uploaded and critiqued by a multitude of voices."

With their latest fashion show design for Prada, which was used to showcase the designer's upcoming fall/winter menswear collection in Milan yesterday, the firm sought to enhance this sense of public judgement. "This consumption of images is like a public trial, a contemporary transposition of the Auto-da-fé," explains their press release, referring to the ceremonies of public penance which took place in the Portuguese and Spanish Inquisitions in the 15th-17th centuries.

© OMA. Photographed by Agostino Osio © OMA. Photographed by Alberto Moncada © OMA. Photographed by Agostino Osio © OMA. Photographed by Agostino Osio +7

Why Rem Koolhaas Switched From Scriptwriting to Architecture

04:00 - 18 January, 2016

As part of OMA co-founder Rem Koolhaas' sixth interview with Charlie Rose, the Rotterdam-based Architect discusses why the Dutch port-city is his practice's base – and why he switched from journalism and scriptwriting to architecture. In the discussion, of which four snippets have been made available, Koolhaas also explains why he feels that smart technology has a "sinister dimension," and on how he—and his practice—have a tendency to "resist aesthetic."