OMA Nears Completion of Fondazione Prada’s New Milan Venue

© OMA and Fondazione Prada

When first commissioned by Miuccia Prada and Patrizio Bertelli to design Fondazione Prada’s new space in , OMA set out to “expand the repertoire of spatial typologies in which art can be exhibited and shared with the public.” The result, an “unusually diverse environment” staged within a historic 20th-century distillery south of Milan’s city center that goes beyond the traditional white museum box.

Prada Launches FW2015 Menswear in OMA/AMO’s “Infinite Palace”

© Agostino Osio; and Prada

On Sunday, Prada ditched the classic runway to kickoff their 2015 Fall/Winter menswear line in a “disorienting landscape” designed by OMA’s research counterpart AMO. The partitioned catwalk transformed an exiting room inside the Fondazione Prada at Via Fogazzaro 36 in Milan into an intimate series of interconnected spaces affectionately referred to as “The Infinite Palace.”

“The existing room is disguised into a classic enfilade of rooms, gradually changing proportions as in an abstract mannerist perspective. As opposed to a single stage, the new sequence of spaces multiplies and fragments the show into a series of intimate moments,” described .

Rem Koolhaas and Dasha Zhukova: “Art Partners” Reinventing Moscow’s Garage Museum

February Cover . Image ©

Rem Koolhaas and art philanthropist Dasha Zhukova will be gracing the WSJ. Magazine’s February cover as “art partners” embarking on a transformation that will turn a ruined Brezhnev-era Communist landmark – the Vremena Goda in Moscow’s Gorky Park – into the Garage Museum of Contemporary Art’s new home. “The building is basically a found object,” said Koolhaas, regarding his “raw” design and intent to preserve the structure’s decay. “We are embracing it as it is.”

The museum’s new home will “challenge the white-cube tradition of Western museums,” says Zhukova. A double layer of polycarbonate plastic will encase the intact structure so it appears as a translucent box hovering six feet above ground. Commissioned artworks will be presented on a backdrop of “raw brick and broken tiles.” Learn more about the Garage’s design, here, and read the WSJ. Magazine’s full report, here.

Defining a More Purposeful Architecture: A Guide to Current Architectural Trends

The current state of architectural design incorporates many contemporary ideas of what defines unique geometry. With the advent of strong computer software at the early 21st century, an expected level of experimentation has overtaken our profession and our academic realms to explore purposeful architecture through various techniques, delivering meaningful buildings that each exhibit a message of cultural relevancy.

These new movements are not distinct stylistic trends, but modes of approaching concept design. They often combine with each other, or with stylistic movements, to create complete designs. Outlined within this essay are five movements, each with varying degrees of success creating purposeful buildings: Diagramism, Neo-, Revitism, Scriptism, and Subdivisionism.

OMA Tops Out on Beaux Arts Museum in Quebec

Aerial. Image © MNBAQ, Idra Labrie

Architects: OMA
Location: Discovery Pavilion of the Plains of Abraham, 835 Avenue Wilfrid-Laurier, Québec, QC G1R 5H8,
Architect In Charge: Shohei Shigematsu
Year: 2016
Photographs: MNBAQ, Idra Labrie, OMA / Luxigon, Provencher-Roy, OMA

OMA’s Pantheon-Inspired Faena Forum Set to Open in 2015

© OMA

Alongside the launch of Faena Circle, an experimental collaboration between in Miami Beach and its sister institution in Buenos Aires, comes new images of the OMA-designed Faena Forum. The new center for arts and culture planned for Miami Beach is designed to “catalyze experimentation within and across artistic disciplines and foster cross-cultural collaborations among artists throughout the Western Hemisphere.” A series of flexible spaces formed by interlocking cylindrical and cuboidal volumes will provide for a range of projects, commissions, performances and events. 

OMA Wins Competition for Shanghai Exhibition Center

Courtesy of

OMA has won a competition to design the Lujiazui Exhibition Centre, a 1,500 square meter space in Shanghai  on the site of the former “Shanghai Shipyard.” The design aims to create a concentrated culture and event space within the surrounding financial district, on the edge of the Huangpu River, one of the most photographed waterfronts in the world.

More on the design after the break

New Images Released of OMA’s Norra Tornen Towers in Stockholm

© bloomimages

UPDATE: has released new images of the Norra Tornen project (previously named “Tors Torn”), as the close to 300 apartments planned for the residential towers have been put on the market. The ground-breaking of the Stockholm towers is currently set for May 2015. 

OMA has won the design competition for Tors Torn in Stockholm, beating out four competing practices for the opportunity to build the third tallest twin skyscrapers in .

Existing urban guidelines call for a gateway to the new Hagastaden area of Stockholm, and OMA’s proposal accommodates a mixed-use program with a set of “rough-skinned” towers. The protrusions and inversions at different heights produce an alternating pattern of indoor living spaces and protruding outdoor spaces. OMA explains that their design “challenges the expected uniformity and homogenous façade treatment that is often assigned to tower structures. Instead, it extends the skin to expose the individuality of the separate living units in the two blocks – a true vertical, urban agglomeration.”

More on OMA’s winning proposal after the break…

Three OMA-Designed “Park Grove” Towers to Rise in Miami

© Bloom

OMA is set to realize their first commercial residential project in the US: Park Grove. Planned to rise alongside the Biscayne Bay in ’s Coconut Grove, in close proximity to BIG’s “Grove” residences at Grand Bay, the three-tower luxury residential project will be the last building allotted for the “walkable” Floridan neighborhood.

Reflections on the 2014 Venice Biennale

Fundamentals (Central Pavilion): Ceiling. Image © David Levene

Fundamentals, the title of the 2014 Venice Biennale, will close its doors in a matter of days (on the 23rd November). From the moment Rem Koolhaas revealed the title for this year’s Biennale in January 2013, asking national curators to respond directly to the theme of ‘ 1914-2014’, there was an inkling that this Biennale would be in some way special. Having rejected offers to direct the Biennale in the past, the fact that Koolhaas chose to act not only as curator but also thematic co-ordinator of the complete international effort, was significant. This announcement led Peter Eisenman (one of Koolhaas’ earliest tutors and advocates) to state in one interview that “[Rem is] stating his end: the end of [his] career, the end of [his] hegemony, the end of [his] mythology, the end of everything, the end of architecture.”

13 Things You Didn’t Know About Rem Koolhaas

A still from the 1,2,3 Rhapsody (1965), in which Koolhaas served as both cameraman and actor. . Image Courtesy of Rene Daalder

1. When he was young he collaborated with the director Jan de Bont, whose credits would later include Speed and Twister.

2. Koolhaas dates his desire to become an architect to a speech he delivered to a group of architects at the University of Delft when he was 24. 

3. The drawings from his final project at the AA are the most requested items from MoMA’s Architecture and Design collection. (Smithsonian Magazine)

Spotlight: Rem Koolhaas

Courtesy of Strelka Institute for Media, Architecture, and Design, via Flickr

The celebrated architect Remment (Rem) Koolhaas, the 2000 Pritzker Prize laureate and curator of the 2014 Venice Biennale, began his architectural education at the Architectural Association in London in 1968, eventually founding OMA (Office of Metropolitan Architecture) with one of his former professors, Elia Zenghelis (along with Zoe Zenghelis and Madelon Vriesendorp).

Despite OMA’s current ubiquity, the firm’s beginnings in 1975 were fairly modest. The commission of the high-profile Euralille project in 1989 was a turning point; the firm then began to move away from small scale projects (such as the Villa dall’Ava) to the large scale works that they’re known for today. Koolhaas’ firm is now known almost exclusively for large-scale works, such as the CCTV Headquarters (named the “Best Tall Building in the World” in 2013) and the Seattle Library (which is widely regarded as one of the most important buildings of the 21st century).

Help Us Honor Rem Koolhaas On His 70th Birthday

Courtesy of Strelka Institute for Media, Architecture, and Design, via Flickr

Rem Koolhaas, one of today’s most celebrated architects, has lived a significant year. With the closing of his much-talked about Venice Biennale just days away, the Dutchman also turns 70 years old this coming Monday. 

Koolhaas’ approach to architecture and architectural thinking holds tremendous importance and weight – so much so that Bjarke Ingels, one of his many protegés, has called him “the Le Corbusier of our time.”

In recognition of his contribution to the world of architecture (and on the occasion of his birthday) we’re asking you, our readers, to post video and/or visual tributes to Rem to your social media accounts using the hasthtag #Rem70. Has Koolhaas influenced the work of your studio or office? Show your support or appreciation in a short video clip! Would you like to share a portrait or illustration of Rem or his projects? Do you have an anecdote or story? Be creative! We’ll be publishing our favorites on his birthday, so start tagging (#Rem70) and stay tuned.

In Progress: Stadskantoor / OMA

© Ossip van Duivenbode

Architects: OMA
Location: Meent 119, 3011 JH Rotterdam, The Netherlands
Partners In Charge: Koolhaas, Reinier de Graaf
Associate: Alex de Jong
Project Team: Philippe Braun, Clarisa Garcia Fresco, Maaike Hawinkels, Andrew Linn, Takeshi Murakuni, Peter Rieff, Tom Tang, Sakine Dicle Uzanyayla, Mark Veldman
Interior Team: Saskia Simon, Andrea Giannotti, Ross O’Connell, Mafalda Rangel, Lucia Zamponi, Grisha Zotov
Area: 43370.0 sqm
Year: 2015
Photographs: Ossip van Duivenbode, Courtesy of OMA

Why China’s President Says “No More Weird Buildings”

The President of the People’s Republic of China, Xi Jinping, has reportedly called for an end to the “weird buildings” being built in China, and particularly in the nation’s capital, Beijing. In a two hour speech at a literary symposium in Beijing last week, Mr Xi expressed his views that art should serve the people and be morally inspiring, identifying architectural projects such as OMA’s CCTV Headquarters as the kind of building that should no longer be constructed in Beijing.

With ’s construction boom being one of the most talked about features of today’s architecture scene – and many a Western practice relying on their extravagant projects to prop up their studios – the Chinese leader’s comments have the potential to affect the landscape of architectural practice worldwide. But what is behind these sentiments? Read on after the break to find out.

Video: Rem Koolhaas Answers Questions From Fans as Part of ‘REM’ Kickstarter

In December of last year, we brought you news of Tomas Koolhaas‘ kickstarter campaign to fund a documentary about his father, Rem Koolhaas. Well, not only was Koolhaas’ REM documentary fully funded, three generous backers offered up $500 each in return for one question to be answered directly by Koolhaas himself. The video above is the result of those questions, in which Koolhaas responds to questions on urbanism in the developed country of the Netherlands compared to still-developing India, as well as a question about how his early work in film-making and scriptwriting influenced his architectural career.

Watch the video above and read on after the break for a synopsis of Koolhaas’ answers

OMA + OLIN Selected to Design D.C.’s 11th Street Bridge Park

© OMA & Luxigon

The competition jury for Washington D.C.‘s 11th Street Bridge Park has unanimously selected OMA + OLIN‘s design to turn the ageing freeway structure over the Anacostia River into an elevated park and new civic space for the city. With their dynamic intersecting structure, OMA + saw off competition from three other teams composed of: Wallace Roberts & Todd (WRT), NEXT Architects and Magnusson Klemencic AssociatesStoss Landscape Urbanism and Höweler + Yoon Architecture; and Balmori Associates and Cooper, Robertson & Partners.

Read on after the break for more on the design and a complete set of images.

4 Visions Released for D.C.’s First Elevated Park

© OLIN / OMA

OMA, Höweler + Yoon, NEXT Architects, and Cooper, Robertson & Partners are amongst four interdisciplinary teams competing to design ’s first elevated public park. As part of a six month nationwide competition, the shortlisted teams have just released their preliminary design proposals for what will be known as the 11th Street Bridge Park.

Suspended over the Anacostia River, the multi-use park aims to re-connect two disparate city districts and re-engage residents with the riverfront by offering a 21st century civic “playscape.” Education and performance spaces, as well as a cafe and water sport areas will all be included in the masterplan.

A preview of the four shortlisted schemes, after the break…