"The public square and civic infrastructure are the front lines against this kind of attack", proclaimed then-President of the American Institute of Architects, Thomas Vonier. The decades since 9/11 and mass violence have pressured cities, in the United States and globally, to reconsider what "safety" means. Is it about barriers, bollards, surveillance? Or is it about trust, visibility, evidence, resilience? Several projects confront these questions at various scales to demonstrate how architecture and forensic thinking can collectively protect communities and civic life.
With “The Rock”, fittings manufacturer Dornbracht presents its first Atelier Edition. The clear lines of the classic MEM meet expressive rock–shaped handles made of solid metal, and finished in Brushed Dark Platinum. Image Courtesy of Dornbracht
In an era of digital precision, AI automation, and mass reproducibility, the value of the human craftmanship is being reimagined rather than lost. It's in this intersection between machine logic and material intuition that Dornbracht, the German manufacturer renowned for sculptural fittings, launches The Rock, the debut piece of its new Atelier Editions.
Inspired by the primal force of natural stone, The Rock is a faucet handle that is a tactile, expressive object that restores individuality and sensuality to the contemporary bathroom and kitchen landscape. Revisiting the iconic MEM series, the design introduces a bold, organically shaped handle, milled from solid metal with artisanal hand-finishing. Each piece becomes a singular creation, where industrial precision meets the intimacy of craft.
The first phase of the Barbados National Performing Arts Centre, designed by Adjaye Associates, has officially opened in Bridgetown, marking the commencement of a significant cultural initiative. Originally conceived as a temporarypavilion for Carifesta XV, the timber structure serves as both a functional venue for performances and the foundation for the forthcoming 85,000-square-foot permanent complex, slated for completion in 2026. Developed in collaboration with structural engineer StructureCraft, the project features mass timber construction, low-carbon design strategies, and adaptive reuse of components. This approach provides Barbadians with a "meanwhile use" venue while laying the groundwork for a future national hub within the Barbados Heritage District.
The Brazilian Pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia, open since May 10, 2025, is curated by Plano Coletivo, a group formed by architects Luciana Saboia, Eder Alencar, and Matheus Seco. Titled "(RE)INVENTION," the exhibition represents Brazil through a multidisciplinary approach that connects architecture, nature, and social infrastructure. Presented at the Giardini pavilion, the project is organized by the Fundação Bienal de São Paulo in collaboration with Brazil's Ministry of Culture and Ministry of Foreign Affairs. The exhibition reflects on the recent archaeological discovery of ancestral infrastructure in the Amazon to examine the socio-environmental contradictions of contemporary cities. It invites visitors to learn from ancestral knowledge and explore the interdependence between humans, land, and nature as a foundation for more sustainable futures.
Sound, when emitted by a source — whether a person or a piece of equipment — propagates in all directions through space, being reflected, absorbed, transmitted, or diffracted as it encounters surfaces and objects. As a result, every environment has its own acoustic quality, often difficult to perceive without a trained ear or eyes. But sound shapes architecture in subtle yet profound ways, directly influencing how we concentrate in an office, how students engage in a classroom, how patients recover in a hospital, or how an audience connects in a performance hall. Despite its decisive role, acoustics often remain in the background of design discussions, overshadowed by visual and structural considerations.
Architecture's design process has always been shaped by the tools at hand. We once drew with pen and ink on fragile sheets, copied by blueprint and guarded against smudges and tears; then Mylar arrived, making revisions and preservation easier and nudging drawings toward a leaner, more deliberate economy of lines. Computer-aided drafting followed, speeding coordination and changing how we think about scale and precision. Today, AI adds another layer—gathering information in seconds and spinning images on command—promising new efficiencies while raising fresh questions about authorship and craft. What we make, and how we make it, has evolved with each tool; the history of our methods is the history of our ideas.
Beginning in the post-war era, Mylar (developed in the 1950s) eased drawing reproduction and hastened the shift from blueprint to whiteprint processes. Before Mylar, simply preserving drawings—keeping an idea intact, legible, and undamaged—was a significant task. Post-war design priorities often leaned toward efficiency, simplicity, and an industrial minimalism aligned with reconstruction needs. The tools reinforced this: architectural work remained predominantly hand-drawn, where every line took time to lay down and even more time to erase. That labour sharpened the economy of drawing; each stroke had to earn its place.
Quarries can be seen as indelible abandoned scars of human resource extraction. Man-made spaces, perceived as voids, and material gain, have fundamentally shaped our accelerating built environment. All the while, the earth stands still as a silent witness. For decades, these open-pit mines have been viewed as a necessary consequence of consumerism and urban growth, their raw, imposing forms a testament to the large-scale extraction of materials essential for building our cities. However, a global architectural movement is now emerging to engage with these existing forms, transforming these subtractive spaces into sites of innovation, collaboration, and renewed purpose.
Architectural professionals recognize how exterior design choices influence both perception and performance. A canopy is more than a functional overhang — it is a visual statement, a layer of environmental control, and a reflection of the project's overall design vision.
Among available materials, custom aluminum canopies have become a preferred choice in modern architecture for their resilience, adaptability, and sleek aesthetics. The following outlines their primary advantages.
The 18th Istanbul Biennial, organized by the Istanbul Foundation for Culture and Arts (İKSV), has opened its first phase to visitors and will remain on view until November 23, 2025. Curated by Christine Tohmé under the title "The Three-Legged Cat," the biennial is envisioned as a three-year process unfolding between 2025 and 2027. The second phase, scheduled for 2026, will focus on establishing an academy and collaborating with local initiatives through a series of public programs. The third and final chapter in 2027 will bring together the accumulated encounters through exhibitions and workshops.
The City of Copenhagen has announced Team SLA as the winner of a design competition to create a new, large-scale urban park in Nordhavn. The project, titled "Nordør – New Park", was designed by Team SLA and By & Havn, and envisions a 30-hectare (75-acre) coastal nature park. Led by the design studio SLA, Team SLA includes VITA Engineers, Urban Agency, Aaen Engineering, Pihlmann Architects, Buro Happold, Kerstin Bergendal, Holdbart, and Aiming Spaces.
A "nature park" is a protected area where conservation is balanced with sustainable development and human use. It often encompasses human-shaped cultural landscapes and integrates strategies for regional development, supporting local communities and promoting the conscious use of the land. This framework allows the proposal to be understood as a platform for recreation, eco-tourism, environmental education, research, and regional growth.
As cities and landscapes evolve, architecture is increasingly asked to support well-being,performance, and collective experience. From stadiums that honor deep cultural memory to intimate wellness spaces that foster restoration and connection, sports and wellness typologies are expanding beyond mere functionality. They create environments where movement and health intersect with design quality, sustainability, and social meaning. Today, these spaces range from elite training grounds and recreational clubs to contemplative retreats and inclusive public amenities, shaping how communities gather, heal, and celebrate shared identity.
This selection of unbuilt proposals submitted by the ArchDaily community illustrates that diversity. In São Paulo, Luiz Volpato Arquitetura reinvents the historic Santos Futebol Clube stadium with a geometry that preserves fans' memory while introducing new commercial and social uses. In Hanoi, Van Aelst I Nguyen and Partners bring filtered light and fresh air to a dense urban sports complex. In Dubai, RSP proposes Haven, a residential development anchored in holistic wellness and nature-driven experiences, while India's Tropic Responses imagines Aira Club as a climate-conscious leisure hub. High in the Himalayas, Gadasu + Partners carve a meditative spa into mountain stone, and in Isfahan, Arsh4d Studio rethinks segregated women's parks to create inclusive, future-oriented civic space.
Barbie™ has stepped out of the Dreamhouse and into the bathroom for this first-of-its-kind collaboration. Mattel and German architectural fittings specialist HEWI have unveiled the Barbie x HEWI collection – a design-driven range of bathroom products that merges pop culture with universal design principles. Launched in 2025, the collection reimagines HEWI's iconic 477/801 series through Barbie's unmistakable aesthetic, pairing inclusive accessibility with playful yet functional design. With around 40 products, from grab rails and shower seats to LED mirrors and towel holders, the range is set to make a splash in spaces from boutique hotels to maternity wards, children's bathrooms, and private residences.
https://www.archdaily.com/1034436/pop-culture-meets-universal-design-in-the-barbie-x-hewi-collectionEirini Ilia
Architecture is shaped not only by buildings, but by the ideas that make them possible. Before the constraints of capital, regulation, and procurement, there is a moment when architecture is allowed to think aloud. The first confrontation with this fertile moment usually takes place in academia, in the thesis. It is not merely a requirement for graduation, but a space of speculative freedom where architecture formulates hypotheses, builds arguments, and tests positions.
For many, it is also the first opportunity to think beyond the structure of academic programs — a first chance to explore something more personal, unresolved, or even unreasonable. While often seen as an endpoint, the thesis is better understood as a beginning: the first engagement with architecture as a form of reasoning, where the project is not yet a response, but a question.
Buildner, in partnership with the Government of Dubai, has announced the results of the 2024/25 House of the Future competition. Following the success of its inaugural edition in 2023, this second edition invited architects and designers worldwide to develop an affordable, expandable, and forward-thinking prototype home tailored to the evolving needs of Emirati families.
Organized in collaboration with the Mohammed bin Rashid Centre for Government Innovation and the Sheikh Zayed Housing Programme, the competition offered a total prize fund of €250,000 (1 million AED). Winning entries are now being reviewed for potential inclusion in the UAE's national catalogue of housing designs, which provides citizens with a selection of pre-approved, innovative home models.
This week, architectural developments around the world highlighted the balance between continuity and change in the built environment. Conversations around sustainability, heritage, and resilience highlight how architecture adapts to shifting cultural, social, and environmental conditions, reimagining the role of design in shaping future communities. Across different contexts, projects, and initiatives, ongoing efforts to address environmental challenges, preserve cultural landmarks, and prepare new infrastructures reflecting the diverse scales and directions shaping architectural practice today.
A globally-recognized advocate for ecological urbanism, Yu gained international relevance after his "sponge city" philosophy was adopted as a national policy in China in 2013. The approach prioritizes nature-based solutions, such as wetlands, parks, and permeable pavements, to absorb and retain water. This novel method stood in stark contrast to traditional concrete infrastructure, offering cities a way to combat urban flooding and accelerate climate change by working with nature rather than against it. His ideas have since been implemented in hundreds of cities worldwide.
The North Gate of Taipei, also known as Beimen, stands not only as a reminder of the city's complex history but also as a witness to the changing urban landscape around it, and its shifting attitudes towards the urban spaces bordering heritage buildings. Initially a Chinese imperial frontier, spared from demolition during the Japanese colonial dominion, crowded by overpasses and highways in the postwar modernization efforts, it has recently regained its prominent status through the development of the plaza that now frames it. The gate's resilience through shifting urban priorities and architectural policies tells a story of heritage preservation not only through the built form, but also through the open spaces framing it.
Daylight is one of the most effective tools in architecture. It creates atmosphere, improves comfort, and reduces energy demand. However, integrating daylight successfully requires precision at every project stage, from the first sketches to detailed planning. VELUXBIM tools give architects the flexibility and verified data to make that possible.
The Prince Moulay Abdellah Stadium in Rabat has officially opened as Morocco's new national stadium, following its inauguration by Crown Prince Moulay El Hassan on September 4, 2025. Designed by Populous, the stadium has a capacity of 68,700 and was developed under the direction of the National Agency for Public Facilities of Morocco to meet FIFA standards, enabling it to host matches up to the semi-finals of the 2030 FIFA World Cup. The redevelopment replaces the original 1983 stadium, positioning it as Morocco's flagship sports venue ahead of a series of international events.
SANAA, led by architects Kazuyo Sejima and Ryue Nishizawa, has unveiled its design for the Taichung Art Museum in central Taiwan. The new institution is scheduled to open on December 13, 2025, as part of the Taichung Green Museumbrary project, developed in collaboration with local firm Ricky Liu & Associates. Conceived as a major cultural initiative, the project combines a contemporary art museum, library resources, and public parkland. It aims to create a new institutional model for Taichung, one that supports artistic exchange and public programming while positioning the city as an international cultural hub.
The preservation of the environment and the harmonious integration of the built and natural elements are fundamental principles in contemporary architecture. Various design strategies are employed to achieve this balance, ranging from the revival of vernacular techniques to the use of advanced technologies. However, this concern goes beyond the choice of specific construction systems or innovative materials; it also manifests in the design approach that ensures the preservation of the site's natural elements. In this context, we present 15 homes designed to protect local trees, showcasing how architectural decisions can adapt to nature rather than impose on it.
