In a shifting societal and environmental landscape, how can architectural design respond to transformation while meaningfully engaging with what endures? 1110 Office for Architecture, based in Osaka, Japan, approaches this question through a body of work defined by careful residential renovations and precise spatial interventions.
Named a winner of the ArchDaily 2025 Next Practices Awards, the practice represents an emerging voice in redefining architecture's role within conditions of change.
The Contemporary Art Museum of Kumamoto and the Shoei Yoh Archive at Kyushu University are honoring the late Japanese architect Shoei Yoh with an exhibition on view at the museum through March 9. The architect, who passed away on January 8, 2026, was born in Kumamoto in 1940 and, throughout his career, worked across product design, interiors, and architecture. He is recognized as a pioneer of contemporary timber construction and for his early contributions to computational design. The exhibition revisits his projects in Kumamoto through drawings and models from the Shoei Yoh Archive at Kyushu University.
Shou Sugi Ban is a traditional Japanese technique for wood preservation that involves charring the surface of timber to create a protective layer. While its origins are rooted in practical durability, the method has been widely adapted into the modern built environment and shapes a unique and distinctive aesthetic. It is a material of contradiction: it remains bold in its visual language due to its dark tones, yet it simultaneously borrows from and complements its natural surroundings, allowing houses to settle quietly into their sites.
The charred finish among the 22 residences featured here across Canada and the United States serves as a common thread for navigating extreme climates. From humid lakefronts to dense forests, the carbonized skin acts as a resilient shield against diverse conditions. Beyond mere protection, these houses demonstrate how the material's texture changes with exposure to light, transforming from a flat matte in the shade to a silver-flecked, shimmering surface in direct sun. These projects also showcase the technique's ability to define architectural volumes, using the dark cladding to create sharp, monolithic silhouettes or to highlight the voids in a building's mass, such as recessed entryways and sheltered terraces.
Tsuyoshi Tane is a Japanese architect born in 1979 in Tokyo and based in Paris, where he founded ATTA – Atelier Tsuyoshi Tane Architects in 2006. Working across cultural, institutional, and landscape-related projects, Tane has developed an architectural approach that positions memory as a fundamental design driver. In his interview with Louisiana Channel, filmed in his Paris studio, Tane reflects on architecture as a discipline of observation and thought, arguing that meaningful design emerges from carefully reading the traces embedded within a site. For him, architecture is not produced on a blank slate but begins with an inquiry into what already exists, physically, culturally, and emotionally, beneath the surface of a place.
The exhibition Built Environment: An Alternative Guide to Japan at the Université du Québec à Montréal's (UQAM) Centre de design will be on view until January 25, 2026. Curated by Shunsuke Kurakata, Satoshi Hachima, and Kenjiro Hosaka, it features a selection of 80 projects from Japan's 47 prefectures, including works by renowned Japanese architects such as 2014 Pritzker Prize laureate Shigeru Ban, Kengo Kuma, the designer of the Museum of Modern Art's renovation in New York Yoshio Taniguchi, celebrated landscape architect and sculptor Isamu Noguchi, and 2019 Pritzker Prize laureate Arata Isozaki. The selection aims to offer a renewed perspective on Japan through innovative buildings, civil engineering projects, and landscape designs. Organized in collaboration with the Japan Foundation and presented with the support of the Consulate General of Japan in Montreal, the exhibition is conceived as a traveling project exploring the resilience of Japanese architecture and infrastructure in the face of natural disasters and climate change.
Construction has officially broken ground on Tokyo's new global headquarters for NTT, a major Japanese technology company. The project is a key component of PLP Architecture's Tokyo Cross Park masterplan, a large-scale regeneration development in the Tokyo metropolitan area, first announced in 2022. On December 5, 2025, construction began on the first stage of the scheme, one of four towers planned within the masterplan. The NTT Hibiya Tower, designed by PLP Architecture and developed by NTT Urban Development in collaboration with Tokyo Electric Power Company, is a 230-metre-tall, 361,000-square-metre mixed-use building and forms the central element of the 1.1-million-square-metre Tokyo Cross Park Vision. PLP Architecture serves as Design Architect for the tower, as well as Masterplanner and Placemaking Strategist for the wider development.
The American Institute of Architects (AIA) announced on Thursday, December 4, 2025, that architect Shigeru Ban is the recipient of the 2026 AIA Gold Medal. The award is the AIA's highest individual honor, recognizing individuals whose work has had a lasting influence on the theory and practice of architecture. On this occasion, the Japanese architect's work was highlighted for its inventive use of renewable materials such as paper and timber, his innovation in timber architecture, his commitment to social service through design, and his 30 years as an educator at universities including Harvard, Cornell, and Columbia. Previous honorees include Deborah Berke, the first female dean of the Yale School of Architecture, in 2025; David Lake and Ted Flato of the San Antonio–based practice Lake|Flato in 2024; and civic design leader Carol Ross Barney in 2023.
The new headquarters for Cybernet Systems was designed around the Japanese architectural concept of flexibility, promoting well-being, collaboration, and productivity. As a global leader in Computer-Aided Engineering, supporting industrial production through advanced digital solutions, the headquarters, located in the Fuji Soft Akihabara Building in Tokyo, embodies the company's commitment to creating a dynamic, technology-driven community.
Developed by MB-AA (Matteo Belfiore Architect & Associates) and Shukoh, in collaboration with Cybernet Systems, the project translates corporate values into spatial design. Minimalism, natural light, and openness define the environment. Transparent partitions and adaptable layouts foster communication while allowing each employee to personalize their workspace. Well-being, creativity, flexibility, and technology form the core of the project.
In February 2023, the governor of Kagawa Prefecture, Japan, announced the planned demolition of the Kagawa Prefectural Gymnasium, designed by Pritzker Prize-winning architect Kenzo Tange. Discussion surrounding its fate dates back to its permanent closure in 2014, after a roof leak caused structural problems in the ceiling boards. Since then, several organizations have worked to save the building, including a petition by the World Monuments Fund and an effort by a promotional council to nominate it as a UNESCO World Cultural Heritage site in 2021. Despite these initiatives, on August 7, 2025, the Kagawa Prefectural Government officially announced a public competitive bidding process to select a contractor for the demolition, something the Former Kagawa Prefectural Gymnasium Regeneration Committee is determined to prevent.
Riken Yamamoto, born in Beijing in 1945 and raised in Yokohama shortly after World War II, is a Japanese architect celebrated for fostering community through architecture. After founding his practice, Riken Yamamoto & Field Shop, in 1973, he became renowned for works ranging from social housing, such as Hotakubo Housing and Pangyo Housing, to civic projects like the Hiroshima Nishi Fire Station and Saitama Prefectural University, all unified by modular simplicity. Honored in March 2024 as the Pritzker Architecture Prize Laureate, he was praised by jury chair Alejandro Aravena for "blurring boundaries between public and private," fostering spontaneous social interaction, and "bringing dignity to everyday life" by enabling community to flourish through thoughtful design. In this interview with Louisiana Channel, the architect reflects on the social role of architecture, emphasizing the inseparable bond between housing and context, and the need to create spaces that foster visible, meaningful relationships.
Rinshunkaku is a notable example of early Edo-period residential architecture. Originally built in the Wakayama Prefecture by the Kishu Tokugawa family, the villa was relocated to Sankeien, a traditional Japanese garden in the city of Yokohama, during the Taisho era (1912-1926). The garden was created in the early 20th century by businessman and art patron Sankei Hara and features a number of historic buildings relocated from Kyoto, Kamakura, and other areas of Japan. Rinshunkaku, one of the garden's gems, is a prime example of traditional Japanese architecture and wood construction. Its historical value motivated a large-scale restoration project in 2019, documented in the film Artisans of the Reiwa Era (Reiwa no Shokunin-tachi), filmed and edited by Katsumasa Tanaka and Hiroshi Fujiki. The documentary offers a close, detailed view of Japanese craftsmanship and wood expertise, highlighting rare traditional techniques and paying tribute to the artisans who preserve them.
The Museum of Modern Art (MoMA) in New York is hosting an exhibition dedicated to Japanese architect Kisho Kurokawa's Nakagin Capsule Tower from July 10, 2025, through July 12, 2026. Titled The Many Lives of the Nakagin Capsule Tower, the exhibition offers a retrospective on the building's 50-year lifespan. Constructed in Tokyo's Ginza district in 1972 and dismantled in 2022, the tower is presented through contextual materials, original drawings, archival recordings, and a fully restored capsule. The exhibition invites reflection on how cities address aging buildings and the rapid transformation of urban areas. The diverse materials documenting the tower's continuous evolution over five decades encourage viewers to consider how architecture might endure by taking on new roles and functions beyond its original purpose.
Studio Ghibli and its co-founder Hayao Miyazaki have become household names in the West, thanks to their impressive body of work, which includes over 10 feature films, 2 Oscars, and more than 100 awards worldwide. Films such as "Spirited Away" and "Howl's Moving Castle" showcase their mastery of world-building, story telling and compelling visuals which have earned them global acclaim. This has created a devoted fan base that previously only had the Studio Ghibli Museum in Tokyo to experience the films in real life. As the studio's popularity and movie portfolio grew, it became inevitable for them to expand into a larger space. That is why November 2022 marked the beginning of a new phase as the Ghibli Park opened its gates in Nagoya, Japan.
When examining photos of Japanese houses, one frequently notices a recurring space with tatami mats, often slightly elevated and integrated into the public areas of the home. This is the washitsu, or Japanese-style room: a traditional, multipurpose space still commonly found in modern residential architecture. Used for activities ranging from reading and sleeping to hosting a family altar, its versatility is central to its continued relevance. This article explores the Washitsu's layout and meaning, beginning with its historical origins to better understand its role and interpretation in contemporary Japanese homes.
Osaka, Japan's third-largest city, is a vibrant blend of tradition and modernity, making it a compelling destination for architecture enthusiasts. Known historically as the "nation's kitchen" for its role as a mercantile hub, Osaka is also a city of cultural and architectural diversity. Its landmarks range from the historic Osaka Castle to striking contemporary developments, each reflecting Japan's evolving urban identity.
As the host city for the highly anticipated Expo 2025, Osaka is poised to showcase its architectural prowess on a global stage. The city's skyline features innovative works by renowned architects and urban planners, including cutting-edge cultural centers, transportation hubs, and waterfront redevelopments. With contributions from celebrated Japanese architects such as Tadao Ando, Kengo Kuma & Associates, and Takenaka Corporation, alongside international figures like Dominique Perrault, Renzo Piano Building Workshop, and Pelli Clarke & Partners, Osaka seamlessly blends modernity with tradition, creating a unique architectural identity that reflects its past while looking boldly to the future.
In my 2008 interview with Kengo Kuma in Manhattan—the Tokyo-based architect was in town for a lecture at Cooper Union and to oversee the construction of a house renovation in nearby Connecticut— he summarized the intention of his work for me, "The closest image to the kind of architecture I try to achieve is a rainbow." The architect designs his buildings as a chef would prepare a salad or a florist arrange a bouquet of flowers—by carefully selecting ingredients according to their size, shape, and texture. He then tests whether they should touch, overlap, or keep a distance to let the airflow pass through. The process is closer to a trial-and-error scientific experiment rather than an artistic exercise in projecting visionary forms and images. Although his buildings surely look strikingly artistic and utterly breathtaking. They are both precise and loose, primitive and refined, material and transient. The architect's fascination with materiality is startling, and despite having completed many dozens of buildings all over the world over the course of his distinctive career, in our conversation last month over Zoom, Kuma told me, "I stand at the beginning of a long process of material exploration."
Japanese architect and humanitarian Shigeru Ban has been named the 35th Laureate of the Praemium Imperiale Award for Architecture. Established in 1988 by the Japan Art Association, the annual award seeks to recognize exceptional achievements in Painting, Sculpture, Architecture, Music, and Theatre/Film. Shigeru Ban's contributions to architecture have been significant, not only for the distinctive design aesthetics but also for the innovative use of materials, particularly in the context of emergency interventions and humanitarian work.
Continuing his work exploring the office spaces of architecture studios from around the world, Archmospheres photographer Marc Goodwin has reached Japan, where he captured the workspace of architecture studios such as Kengo Kuma & Associates, Tato Architects, Akihisa Hirata, and Nori Architects. Collaborating with Marc Goodwin, architect, and writer Samuel Michaëlsson traveled to Japan in the autumn of 2019 to interview the participants, resulting in a series of videos that further developed the exploration.
The photographs reveal snippets of everyday life in these studios. While not all of the buildings were designed by their occupying architecture studios, each office has added a personal touch to their space, aligning them with their internal culture and traditions. One such example is Tato Architects, for whom the kitchen has become an important gathering space, as they take turns preparing lunch for each other and eating together is a significant part of their office story.
