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Japanese Architecture: The Latest Architecture and News

A Look Back at the 9 Japanese Architects Honored with the Pritzker Prize

Last week, Japanese architect and social advocate Riken Yamamoto was announced as the 2024 Pritzker Architecture Prize Laureate, becoming the 9th Japanese architect honored with the profession’s most prestigious award. Throughout the 45-year history of the Pritzker Prize, Japan stands out as the nation with the highest number of laureates. While geography is not a criterion in the selection of the laureates, Japanese architecture consistently impresses with its interplay of light and shadow, the careful composition of spaces, soft transitions between interior and exterior, and attention to detail and materiality. An ingrained culture of building also celebrates diverse designs and encourages global dialogue and the exchange of ideas and best practices. Read on to rediscover the 9 Japanese Pritzker laureates and glimpse into their body of work.

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Japanese Architecture Offices Through the Lens of Marc Goodwin

Continuing his work exploring the office spaces of architecture studios from around the world, Archmospheres photographer Marc Goodwin has reached Japan, where he captured the workspace of architecture studios such as Kengo Kuma & Associates, Tato Architects, Akihisa Hirata, and Nori Architects. Collaborating with Marc Goodwin, architect, and writer Samuel Michaëlsson traveled to Japan in the autumn of 2019 to interview the participants, resulting in a series of videos that further developed the exploration.

The photographs reveal snippets of everyday life in these studios. While not all of the buildings were designed by their occupying architecture studios, each office has added a personal touch to their space, aligning them with their internal culture and traditions. One such example is Tato Architects, for whom the kitchen has become an important gathering space, as they take turns preparing lunch for each other and eating together is a significant part of their office story.

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Combining Danish and Japanese Architecture, BIG Unveils Holiday Homes On Sagi Island, Japan

BIG has released sneak peek images into their “Not A Hotel Setouchi” project in Japan. The scheme draws inspiration from the surrounding beauty and Japanese landscape artworks, situated in the southwest cape of Sagi Island, overlooking the Seto Inland Sea. Consisting of three distinct holiday villas, Not A Hotel aims to blend Japanese and Danish architectural influences.

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Textures, Skyscrapers, and Urban Landscapes: When Anime Meets Architecture

World War II left a profound influence on the evolution of society, introducing significant changes in the fields of urban planning and architecture. During the 1930s, the Congrès Internationaux d'Architecture Moderne (CIAM) promoted modernism on an international scale. After the war, this architectural movement became firmly established as the dominant one, driven by the imperative of reconstruction and technological advancements. Influential figures like Le Corbusier and Alvar Aalto spearheaded this movement.

In 1959, the same year as the final CIAM meeting, Japanese architects like Kenzō Tange, Kishō Kurokawa —the designer of the Nakagin Capsule Tower—, and Kiyonori Kikutake began to explore new approaches to urban design and architecture, known as the Metabolist movement. This exploration was particularly significant in the context of Tokyo's rapid repopulation after the war and the scarcity of resources for reconstruction. Innovative concepts such as Marine City, The City in the Air, and the 1960 plan for Tokyo emerged, which proposed the city as a constantly evolving organism and emphasized the relationship between humans and their built environment. These ideas shaped the concept of "megacities" and reflected Japan's creative response to its challenging postwar situation.

Canadian Architect Raymond Moriyama Passes Away at the Age of 93

Visionary architect Raymond Moriyama, co-founder of Moriyama Teshima Architects and the designer behind some of Canada’s most influential buildings, has passed away at the age of 93. Renowned for designing major buildings across the world, including the Canadian War Museum, Ontario Science Center and the Canadian Embassy in Tokyo, Moriyama focused on creating humane buildings reflecting ideals of democracy, equality, and inclusivity. Moriyama passed away on September 1st, 2023, according to a statement from his firm, Moriyama & Teshima Architects.

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Gluon Preserves the Now-Dismantled Nakagin Capsule Tower Building in the Metaverse

Japanese digital consultancy Gluon plans to preserve the Nakagin Capsule Tower Building in Tokyo, one of the most representative examples of Japanese Metabolism by Kisho Kurokawa. The “3D Digital Archive Project” is using a combination of measurement techniques to record the iconic building in three dimensions and recreate it in the metaverse. The tower is currently being demolished due to the structure's precarious state and incompatibility with current seismic standards, as well as the general state of decay and lack of maintenance.

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Brazilian Designs Inspired by Japanese Architecture

Brazilian Designs Inspired by Japanese Architecture - Featured Image
Quarto Suna / OSA Osvaldo Segundo Arquitetos. Image © Fabio Jr

June is the month in which the day of Japanese immigration is celebrated in Brazil, a country that has the largest Japanese colony outside Japan, with more than 2 million people, Japanese or descendants. Since the 20th century, Japanese families immigrated to Brazilian rural regions, forming a solid colony in the interior of states like São Paulo, influencing many aspects of the local culture.

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Architecture in Japanese Manga: Exploring the World of Jujutsu Kaisen

Manga is an umbrella term for a wide variety of comic books and graphic novels originally produced and published in Japan, and unlike western comic books that we may be more familiar with seeing printed in full color, are primarily published in black and white. Manga is the Japanese word for comics published in Japan, with the word itself comprising of two kanji characters: man (漫) meaning 'whimsical' and ga (画) meaning 'pictures'.

Not to be confused with the popular Japanese medium of anime, manga is print media whilst anime stands as visual media that is either hand-drawn or computer-produced, combining graphic art, characterization, cinematography, and other forms of creative and individualistic techniques. It is most notable that a lot of anime is developed as a result of a successful franchise that began as mere manga novels, but what continually unites the medium of manga and anime is the use of diverse art styles throughout various narratives that have been constructed for us consumers to follow.

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Built to Not Last: The Japanese Trend of Replacing Homes Every 30 Years

In most countries around the world, value is placed on older buildings. There’s something about the history, originality, and charm of an older home that causes their value to sometimes be higher than newly constructed projects. But in Japan, the opposite is almost always the preference. Newly-built homes are the crux of a housing market where homes are almost never sold and the obsession with razing and rebuilding is as much a cultural thing as it is a safety concern, bringing 30-year-old homes to a valueless market.

Kisho Kurokawa's Nakagin Capsule Tower in Visually Captivating Film 'Kochuu'

‘’In the background there is still invisible Japanese tradition’’, expresses Kisho Kurokawa, in an excerpt from the film ‘Kochuu’. He puts an emphasis on Japanese tradition, an architectural tradition that rejects symmetry despite the utilization of high-tech. He contemplates the Nakagin capsule tower (1972) a mixed-use residential and office tower located in Tokyo, Japan. The first of capsule architecture built for practical and permanent use.

Jesper Wachtmeister’s ‘Kochuu’ is based upon the influence and origins of Modernist Japanese architecture. Through visions of the future, tradition and nature, it amplifies elements of Japanese tradition and its impact on Nordic design. The narrative tells us of how contemporary Japanese architects strive to unite the ways of modern man with old philosophies to create anew.

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Tokyo Travel Diary: Architecture and Manga

Traveling around Japan can be an impressive experience for a Western tourist - especially if they have some connection with architecture. In addition to the huge cultural differences, the country is known for its rich architectural production - eight of the 42 Pritzker Prize laureates are Japanese - which has maintained its consistency since the 1960s.

2019 Serpentine Pavilion to be Designed by Japanese Architect Junya Ishigami

London's Serpentine Gallery has announced Japanese architect Junya Ishigami as the designer of the 2019 Serpentine Pavilion. Ishigami, who at 44 is the second-youngest designer of the pavilion (after 2018 designer Frida Escobedo), is known for his light and ephemeral approach to design.

Ishigami's design for the pavilion takes the form of a slate sheet rising from the landscape of the park, held up by light pilotis that form an interior field reminiscent of a forest. The single-canopy space takes inspiration not just from natural canopies but from roofs - the essential structural element that defines and unites architecture. Within, the darkness of the slate roof will create a serene space for contemplation and relaxation. Ishigami explains that his design for the pavilion exemplifies his 'free space' philosophy in which he "seeks harmony between man-made structures and those that already exist."

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Laurian Ghinitoiu Captures Dreamlike Nature of Junya Ishigami's Work at Fondation Cartier in Paris

From March 30 to June 10, 2018, the Fondation Cartier pour l'art contemporain will host Junya Ishigami's exhibition, Freeing Architecture. This is the first major solo exhibition that the Fondation Cartier in Paris has devoted to an architect, and fitting that it would lend itself to an important and singular figure of Japan's young architecture scene.

Ishigami - winner of the Golden Lion award at the Venice Biennale in 2010 - has instilled this conceptual body of work with his trademark flair: calm, free fluidity, with bright tones and playful curves. The projects in the exhibition range from large scale models to films and drawings, and when placed in the context of the exhibition, they bring to life Jean Nouvel's iconic building as well.

Laurian Ghinitoiu gives us a glimpse inside the exhibition ahead of the opening day tomorrow. His photos reveal the lightness and ethereal quality of Ishigami's hand. 

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