Adaptive Reuse: The Latest Architecture and News

HouseEurope!, a registered non-profit organization focused on promoting the social and ecological transformation of Europe's built environment, has received the 2025 OBEL Award. Presented annually by the Henrik Frode Obel Foundation, the award recognizes architectural contributions with the potential to drive meaningful change. Aligned with this year's theme, "Ready Made," the OBEL Award Jury selected HouseEurope! for its efforts in raising awareness and fostering public engagement around the need for a shift in construction and housing practices across Europe.

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What does a change in use and/or scale in buildings imply? How can a church or chapel be transformed into a home? While the architecture of many contemporary sacred spaces shows a remarkable capacity for adaptation and evolution, the creative boundaries of many professionals extend beyond their conception as structures of spirituality or worship. Globally, the conversion of large churches and small chapels into private residences reveals a wide field for intervention and exploration, one that can preserve, restore, adapt, and/or renew the character of spaces originally conceived for other uses and scales, which for various reasons have been abandoned, become obsolete, or now require transformation.

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Copenhagen and Hamburg-based architecture office ADEPT has won first prize in the international competition to transform a former Karstadt warehouse in the historic center of Braunschweig, Germany, into the Haus der Musik. The 18,000-square-meter cultural complex will include a new concert hall, a public music school, and community-oriented spaces. Emphasizing adaptive reuse, the project retains the existing load-bearing structure and architectural rhythm, positioning the intervention as a continuation rather than a replacement.

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The twentieth century marked a definitive shift in the realm of architecture, as the Modernist movement broke from traditional building styles and encouraged experimentation and innovation. With the help of new materials and technologies, these times represent a crucial moment in the history of architecture as both cities and building styles evolved at an unprecedented rate. The structures that stand testament to this day are, however, nearing the age of a hundred years old. Their stark design features are not always embraced by the public, while the functionalist principles often hinder the adaptability of their interior spaces. Given that they also often occupy central positions within the city, there is increasing pressure to demolish these structures and redevelop the area in its entirety.

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MVRDV and Zecc Architecten have won the competition to transform the St. Francis of Assisi Church in Heerlen into a public swimming pool. Originally built over 100 years ago, the church stopped hosting services in 2023, presenting the municipality with the opportunity to repurpose the building for community use. Nicknamed Holy Water, the adaptive reuse project is meant to give this listed national monument, with its recognizable silhouette, a new social function while preserving its historic elements. The design was created through a collaboration between MVRDV, Zecc Architecten, IMd Raadgevende Ingenieurs, Nelissen Ingenieursbureau, and construction economics consultancy SkaaL, and is expected to be completed at the end of 2027.

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Throughout their relatively recent history, museums have evolved to condense particular aspects of a culture and present them in a coherent and unified manner. This makes the connection between the architecture and the exhibit a crucial matter, as the architect is tasked with designing not only the framework and background of the exhibited arts or artifacts but also taking charge of the journey undertaken by the visitor, harmonizing the cultural gain with the lived spatial experience of walking the exhibition halls. However, not all museums have been purposely built for this task.

Across Europe, museums are being organized within or expanding upon historical monuments and buildings that have lost their original purpose. Then in a state of decay, this decision to reorganize them as cultural venues stops the decay and preserves the historical material, adding a new layer of complexity to the intended exhibits. The architect's role becomes that of introducing order and a system that can balance the heritage of the place with the needs of modern functionality, ensuring that the essence of the original structure is preserved while meeting the needs of contemporary exhibitions and public engagement.

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The gas station is an architectural typology that has undergone significant transformations since its inception. Initially, these structures were simple roadside refueling points designed for functionality rather than aesthetics. As automobile culture expanded, gas stations evolved to accommodate new technologies, shifting urban landscapes and changing consumer behaviors. Over time, they became more than just utilitarian stops — they developed into service hubs, integrating restaurants, motels, and leisure spaces, responding to contemporary transportation increasing demands.

By the late 20th century, however, the widespread standardization of gas stations led them to be perceived as "non-places", a concept defined by anthropologist Marc Augé to describe transient spaces that lack social or cultural significance. With uniform designs and a focus on efficiency, gas stations became interchangeable, reinforcing their role as purely functional infrastructure rather than meaningful architectural interventions. This standardization also departed from the era when fuel stations served as recognizable landmarks, contributing to a homogenized landscape devoid of local identity.

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Gallaudet University was established in 1864, becoming the first American educational institution for the deaf and hard of hearing. The university is officially bilingual, with American Sign Language (ASL) and written English used throughout the educational programs. Over the years, the university has grown, adapting both its teaching methods and its spaces to the needs of its students, in turn learning from them how to counter the challenges they face and create a safer and more comfortable environment. These lessons turned into design guidelines, created to educate the architectural community about the strategies they can employ to create more accessible spaces for all.

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How can architecture professionals transform the atmosphere of a structure? What kinds of interventions can go beyond adaptive reuse to modify spatial perception? As architectural structures are repurposed over time, new uses and needs emerge between spaces and their users. While the structures of old buildings keep the memory of communities alive, the introduction of new life through greenhouses, housing, commerce, offices, or cultural centers brings about new atmospheres where light, ventilation, the integration of nature, and other elements reshape interior experiences.

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Many major cities in the United States are grappling with large industrial buildings that have fallen into disuse. These buildings hold historical and architectural significance and are often protected from demolition. Consequently, architects face the challenge and responsibility of adapting these buildings to contemporary functionalities. Opting against demolition reflects a sustainable construction approach and highlights the importance of honoring the built heritage.

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Modernism in architecture emerged at the beginning of the twentieth century, fueled by advancements in science and engineering and a deliberate departure from historical styles. It championed a focus on social equity, urban development, efficiency, and functional design, marking a significant shift in architectural philosophy. Originating primarily in Europe and the United States, modernism captivated the global imagination with its innovative redefinition of space and architecture. Its spread to Asia was facilitated by cross-cultural exchanges—East Asian architects who studied under prominent modernists and European architects working in East Asia through international collaborations or colonial-era influences.

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The architectural practice of reusing and refurbishing should be the first consideration when designing and reshaping our already overbuilt cities. Good architecture prioritizes this approach over demolition, as it can reduce costs, enhance environmental efficiency, and preserve functional structures that can continue serving their purpose for years.

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Silos hold a significant place among the remnants of the industrial era, distinguished by both their technological innovations and their iconic presence in urban landscapes. Typically cylindrical and made of reinforced concrete, these structures effectively addressed the demands and challenges of industrialization, providing a robust and economical solution for storage. However, throughout the 20th century, with the advent of new logistics and the relocation of activities from some urban centers to expanding areas, many of these silos were decommissioned.

However, despite their enclosed design appearing to be an obstacle for new uses, recent decades have seen initiatives that embrace and repurpose these structures. These projects integrate silos into the urban environment, emphasizing their significance as part of the local collective memory.

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If there is one book every architecture student must have on their shelf, it must be an architectural history. There is no more comprehensive yet compact alternative than Kenneth Frampton's Modern Architecture: A Critical History, originally published in 1980 by Thames & Hudson. Its much-expanded latest fifth 734-page, 813-illustration edition came out in 2020. In 2023, I discussed the book at length with the author in a video interview, now available on YouTube.

Regarding one compact yet fundamental survey of the evolution of the Modern movement, Modern Architecture: A Critical History is unquestionably the most authoritative, complete, and in-depth chronicle. The most valuable addition to the new book is the introduction of new chapters focusing on regions such as Canada, Mexico, Colombia, Australia, China, India, and Sri Lanka, among others. These chapters shed light on many before-overlooked practices that operated outside of traditional centers of power, namely Western Europe, the United States, and Japan.

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Office ParkScheerbarth, selected as one of ArchDaily's 2024 Best New Practices, was founded in Berlin in 2019 by principals Moojin Park and Benjamin Scheerbarth. Together, they create a synthesis between architecture, urban planning, and social science, drawings on cultural and educational contexts from Korea, the US, and Germany. Their work creates spaces that welcome versatility, challenges, and growth. The duo embodies a fusion of cultures, nationalities, and diverse disciplines, approaching each project from multiple perspectives and emphasizing adaptability, respect for ownership, and the continuous pursuit of knowledge and innovation. Challenging norms and regulations of the built environment, Moojin Park and Benjamin Scheerbarth share a commitment to pushing and exploring design boundaries. They met during their Master's studies in the US, where their shared vision took shape and marked the beginning of their journey together.

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This article was originally published on Common Edge.

In the post-pandemic era, an oversupply of underutilized churches is a growing reality. Besides offering explorations in adaptive reuse, what does this trend say about modern spirituality? Have humans lost interest in the sacred? In a recent article on Common Edge, Duo Dickinson addressed this concern by claiming that "the cultural change that is causing the abandonment of churches does not end the human search for the sacred."

While correctly stating that no formula can turn architecture into "the holy," he seemed to indicate that a new spirituality might still be found in architectural form. As we consider what changing forms of sacred space mean for the modern era, looking for a revitalization of spirituality through architecture alone risks a repeat of an error made in the last century: expecting too much of aesthetics.

Large-scale infrastructure projects often aim to connect distant locations within urban areas, facilitating quicker transportation, logistics, and commercial activities along their routes. However, while these projects link distant destinations, their substantial physical presence can significantly affect local communities. This may result in the disconnection and disengagement of previously connected neighborhoods, the disruption of public spaces, and generally negative outdoor experiences caused by noise, pollution, and lack of attention and maintenance to these infrastructures.

Nevertheless, several successful built environment projects have re-integrated contentious infrastructure into the community through thoughtful design of outdoor spaces, with Paris' Coulée verte René-Dumont being one of the first examples and New York's High Line being one of the most prominent examples. The High Line demonstrates how well-conceived outdoor projects can address the alienation caused by extensive infrastructure, foster community reconnection, serve as cultural and economic hubs, and even spur further economic redevelopment, as in Hudson Yards.

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The term "retrofit," unlike rehabilitation or restoration, has been adopted by the market to address technological upgrades in existing buildings. These projects focus on aligning constructions with local technical standards and adapting spaces to be more functional and sustainable, meeting current demands.

Retrofit has become a key practice in contemporary architecture, standing out for its ability to revitalize existing buildings without the need for demolition while offering significant economic and social benefits. This approach is gaining ground in the architectural field, driven by iconic projects and public and private initiatives.

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