This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This article by Jheisson Joseph Lasso Imbachi was originally published under the title "Habitar tras el destierro: Desplazamiento forzado y retorno como configurador de nuevos hábitats en el Putumayo" in the 30th issue of Dearq journal on May 1, 2021 (DOI: https://doi.org/10.18389/dearq30.2021.05).

It explores migration processes in the south of the country, a consequence of extractive economies that have shaped territorial organization and caused exile, forced displacement, and two lesser-studied phenomena: the settlement and permanence of the population in a host territory and the return to their place of origin. To this end, documentary and testimonial sources were studied, analyzed, and interpreted, allowing a direct approach to the community displaced by violence, in order to analyze the diverse ways of living after displacement and conclude with some considerations for future rural housing proposals that are easily accessible to the victim population.

Below, we present it as part of a joint collaboration to contribute to the dissemination of research, analysis, and opinions developed by the national and international academic community on architecture, urban issues, and related fields.

An increasing number of disciplines are engaging with the right to housing. Whether in the realms of architecture, law, economics, urban planning, geography, or political science, diverse voices have sought to identify the obstacles to its fulfillment, especially within increasingly hostile urban environments. Yet, while we all talk about the right to housing, we are not speaking of the same thing.

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Valladolid is a town of just under 50,000 inhabitants, located in eastern Yucatán. It sits halfway between Cancún and Mérida, about 40 minutes from the Chichén-Itzá archaeological zone. Initially, the tourists who visited did so as a stopover during their travels across the peninsula. However, its gastronomy and architecture transformed it from an involuntary rest stop into a tourist destination in its own right.

Peru is a country with an extensive, rich, and deeply significant archaeological heritage. Unfortunately, the passage of time has brought severe deterioration. In their article, "Captura de datos 3D para virtualizar el patrimonio cultural" (3D Data Capture to Virtualize Cultural Heritage), authors Norma León Lescano, Yann Barnet, and Alvaro Racchumi outline the method they used to capture a three-dimensional replica of the Palace of Puruchuco. By doing so, they aim to provide the necessary information to guide and promote the virtualization of this remarkable cultural heritage, expanding its reach, appreciation, and preservation.

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One of the defining features of cities is their undeniable capacity to bring together creative talent through multiculturalism and transdisciplinarity. Today, it is increasingly vital to generate spaces and platforms within these urban environments that serve as creative laboratories—places not only to share but, above all, to reflect on contemporary practice, viewing design not as a decontextualized entity, but as an integrated concept that bridges diverse disciplines.

In the mountain range of the Andes in Peru, at over 3,700 meters above sea level, lies the Q'eswachaka suspension rope bridge, declared an Intangible Cultural Heritage of Humanity by UNESCO. The hand-woven bridge, which connects both sides of a gorge over the Apurímac River, has become the last remaining Inca bridge in use to survive modern times. This has been made possible through the transmission of Inca culture and engineering across generations, which renew the bridge every year to ensure its preservation.

Manuel Bouzas and Santiago del Águila, the authors of La catenaria y el arco in the courtyard of Can Balaguer (by architects Flores & Prats) in Palma de Mallorca, present their urban installation ‘Lucerna,’ created for the A Cel Obert ephemeral architecture festival in Tortosa in October 2021.

This monumental lamp, standing over 6 meters tall and covering an area of 55 square meters, hangs from the main courtyard of the Purissima Concepció monastery, radically transforming this 17th-century building through light and color.

Rodrigo Lagos Vergara and Macarena Paz Barrientos Díaz originally published the article titled "Architecture Education in Chile, 1999-2019: Ecological Potential and Collective Political Meaning of Design Practices" in Revista [i2]: Investigación e Innovación en Arquitectura y Territorio, from the Department of Graphic Expression, Composition, and Architectural Projects of the Universidad de Alicante, on January 1, 2022.

Below, they present some of the most important points of their publication: three pedagogical actions in Chile that understand teaching as a central practice through the academic exercise of the design project.

To promote Peruvian modern architecture internationally, the exhibition of the “Modern Movement Architecture Catalog of Peru (CAMMP)” opened on March 31 at the headquarters of the Official Association of Architects of Madrid (COAM) in Spain. The research, conducted by architects Alejandra Acevedo and Michelle Llona, was supported by the Architecture Program at the University of Lima and the Scientific Research Institute (IDIC), and will be open to the public until April 30 of this year.

This November, REDBAAL will mark its first decade of activity, a milestone celebrated alongside four editions of the Oscar Niemeyer Award for Latin American Architecture (ON Award). Over these years, more than 350 projects have been submitted, all of which share the distinction of having been previously recognized at the most prestigious architectural biennials across Latin America.

Anderson Marín Vidal and Juan Sebastián García, from the research group on Sustainable and Applied Emerging Technologies (T.E.S.A.), present an analysis of the primary impacts expected from the designs for the Río Molino Waterfront (Malecón del Río Molino). Created by the architecture firm Celeste & Piedra, the project won first place in a competition organized by the Mayor's Office of Popayán and Findeter.

In the second half of the twentieth century, driven by the mass adoption of the automobile and exponential population growth, cities around the world expanded at an accelerated pace. Santiago, Chile, was no exception, characterized by an extensive and fragmented urban sprawl that has led to a heavy reliance on cars, environmental degradation, and the loss of agricultural land. Without planning and policies aimed at sustainable urban development, the result is a more polluted and less green city—an alarming scenario considering the climate crisis we face.

Proximity, understood as an urban quality that facilitates the management and pursuit of daily life, has for decades been a key tenet of feminist and gender-responsive urbanism. In the 1970s, academics from various disciplines began analyzing the link between the configuration and use of space and gender relations and roles. Since then, a robust critique of the androcentric configuration of the city has emerged, alongside proposals and criteria to rethink spaces from a gender perspective.

Cooperative housing, or co-housing, is a residential model that promotes access to housing in cities. This model first developed in countries like Denmark and Uruguay, and it is becoming increasingly popular throughout Europe. Indeed, it arrived in Barcelona several years ago and has since steadily expanded throughout the region, spreading beyond the boundaries of the Catalan capital. Below, we explore the cooperative housing model in Barcelona and how it contributes to a more democratic architecture for its citizens.

The team led by Mathias Klotz and Sebastián Mundi of the architecture firms Klotz and SML has been unanimously selected in the open call for the heritage reconversion of the former CCU Brewery in Limache, the Chilean company announced today in a press release.

This project seeks to preserve the brewing heritage represented by the iconic building founded in 1883, through a museum open to the public. 

The TAC! Urban Architecture Festival is an initiative led by the General Directorate for Urban Agenda and Architecture of the Ministry of Transport, Mobility, and Urban Agenda (MITMA), in collaboration with the Arquia Foundation. It is aimed at young architects to design and build a temporary pavilion that will host exhibitions, meetings, and activities.

The New Municipal Swimming Pool of La Calera project in the Valparaíso Region is about to begin construction, as announced by the firm Gubbins Polidura Arquitectos on social media.

The power of visual representation in architecture fosters debate and reflection on various urban issues. "Imaginarios urbanos" (Urban Imaginaries) is a collective initiative by Nómena arquitectura and Cuatro Cero Cuatro Arquitectura. Through a series of evocative images, the project aims to raise awareness and drive change in the design of Lima's streets.

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Videos

Recently opened in December 2021, the Plaza de Toros Real de San Carlos has been restored and repurposed to become a multi-purpose performance venue with a capacity for around 2,500 spectators in the stands and over 2,000 in the arena. Located in Colonia del Sacramento, Uruguay, this work, originally built by architect Josip Marković and engineer Dupuy, adopted a Neo-Mudéjar style, echoing the Spanish bullrings of that era.

More than a decade ago, a new initiative emerged to redefine the architectural pedagogical system. With an influence that today spans countries like Argentina, Peru, Mexico, Venezuela, Guatemala, and the United States, the Virtual Workshop of the Americas (TVA) successfully and synergistically brings together education, collectivity, and virtuality. Architects Nahuel Salcedo and Celeste Gómez Lahoz are part of the coordination team driving this project forward year after year. Here, they explain the initiative in greater detail.

Preserving the planet in its current state or even restoring damaged ecosystems has become a collective imperative across all sectors, and architecture is no exception. In her article “Towards Sustainability from Architecture and Ecosophy: Links Between Mental Ecology, Emotional Neuroscience, and Space,” published in the journal LIMAQ No. 7, Isabel Loredo—architect, co-founder of Signare Estudio, and holder of a master's degree in neuroscience and education—explores the various ways in which ecosophy can be applied to the architectural field.

Videos

The internationally renowned art collective _marina_morón (comprising Dr. Jesús Marina, PhD in History, and architect Dr. Elena Morón, PhD) inaugurated their latest work at the Pabellón de Mixtos of La Ciudadela in the city of Pamplona.
The exhibition is sponsored by the Basque-Navarrese Association of Architects and the Pamplona City Council, and will remain open to the public until March 15, 2022.

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May 3rd is a holiday originating from the Finding of the Holy Cross (also known as May Cross or Feast of the Crosses), which traces its roots back to Roman rites celebrating the Cross of Christ. Over time, this commemoration has evolved and been adopted across cities in Mexico, Chile, Spain, Ecuador, El Salvador, Guatemala, Paraguay, Peru, Trinidad and Tobago, Argentina, Colombia, and Venezuela, where traditions include floral decorations, processions, and dances.

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Mexican interior designer and artist Olga Hanono has been invited to present her latest exhibition, DREAMVILLE, at La Biennale de Venezia Modigliani Opera Vision, from May 1 to July 31, 2022. The collection is inspired by the human capacity to dream, reflecting on imaginary objects that might exist within a dreamscape, along with the variety of colors and shapes found in distant stars, planets, and galaxies. Hanono has created art pieces and furniture using unconventional, luxurious materials.