Hungarian Architecture

After a three-year break, Hello Wood’s builder festival returns to welcome students, architects, and young professionals from all across the world to join the 10-day builder camp to test their wooden construction abilities, learn to collaborate, and participate actively in on-site design and construction. For the first time in Hello Wood’s 13-year history, this year’s workshop takes place at a new location, in the crater of an abandoned basalt quarry on Haláp Mountain in Hungary. The workshop also aligns with and supports Veszprém’s title of 2023 European Capital of Culture, which also includes over a hundred other villages and towns across the Bakony-Balaton region. The event took place between July 6 and 15, ending in a two-day music festival open to all.

Though lesser known, the Hungarian city of Veszprém is one of the oldest and most important cities in the country. Designated as the European Union Capital of Culture for 2023, Veszprém boasts a longstanding history, visible through its evolving, yet well-preserved architectural monuments. In fact, one of the first notable observations as one walks through the city streets is its eclecticism and layers of historically diverse buildings, that sporadically arise. Despite the difference in styles and architectural languages, they collectively tell the story of the county and its spiritual and political relevance. Its pedestrian-friendly streets, many parks and public spaces, connect the Veszprém monuments, as one delves into a historic promenade.

For many, schools and kindergartens represent the first contact with public architecture. They, together with every educational facility, serve as the foundation for learning and knowledge dissemination, playing an important role in shaping the formative years of children and young adults. In consequence, these buildings need to respond to the needs of different age groups, while creating functional and flexible spaces for learning, but also for play and unstructured interaction. Light and ventilation needs contribute to the complexity of these architectural programs. However, designing educational facilities presents opportunities for innovation and creative expression, as they are required to adapt continuously to the changing needs of students and faculty while creating a conductive environment for learning.

At this year’s Venice Architecture Biennale 2023, the Hungarian Pavilion focuses on a new museum building in Budapest, the Museum of Ethnography. The Museum was designed by Marcel Ferencz (Napur Architect) and completed in 2022 as one of Europe’s most notable cultural and urban development programs, the Liget Budapest Project. The exhibition in Venice, titled "Reziduum – The Frequency of Architecture" and curated by Mária Kondor-Szilágyi, will present the museum's collection through the digital medium. A short animated film titled Ethnozoom and an interactive computer program, the MotifCreator, will allow visitors to become familiar with Hungarian traditions and create their own motif compositions, thus contributing to worldwide community creation. The Hungarian Pavilion will showcase works by architect Marcel Ferencz, architect and composer Péter Mátrai, architect Judit Z. Halmágyi and light designer Ferenc Haász.

A Hungarian proverb says "Aki tagadja a múltat, az nem talál jövőt", telling of the importance of using our past experiences to write our future, but balancing these two endless worlds – the traditions and culture of one, with the technology and innovation of the other – is often key to creating timeless design.

This week’s curated selection of Best Unbuilt Architecture highlights educational and cultural projects submitted by the ArchDaily community. Through examples from all around the world, the article explores how these spaces of knowledge and discovery are designed to inspire and inform.

Along with several other imperative factors, the success of an architectural project relies heavily on how it is communicated to its users and builders. Most architects opt for realistic computer generated renders to showcase their projects, while others choose to explore different techniques, translating their architectural narratives through photo collages, sketches, animation, hyper-realistic miniature models, walkthroughs, diagrams, and occasionally, script. 

Last week, the unthinkable happened, and war has returned to Europe. As of yesterday, 520,000 people have left Ukraine in the span of only five days, triggering a rapidly-growing refugee emergency and what is considered the largest exodus of people in Europe since the Balkan wars. Unless there is an immediate end to hostilities, as many as 4 million Ukrainians are expected to leave the country in the coming days and weeks, according to the UN. Military violence and indiscriminate bombardments upon residential areas and civil facilities like hospitals and kindergartens further escalate the humanitarian crisis.

Sou Fujimoto’s House of Hungarian Music, a contemporary cultural landmark dedicated to music in Budapest's City Park has officially opened its doors to the public. Considered as one of the most anticipated buildings of the year, the project is nestled within the park's trees, and is designed as an extension of its natural setting through uninterrupted glass volumes and a perforated roof structure. The museum offers a unique artistic experience combining landscape, architecture, and exhibition design, all dedicated to the creation of music and sound.

The diversity of civic spaces in cities and rural areas have continuously showcased how strongly they explore human connections regardless of program, construction technique, scale, and geography. Ranging from educational facilities and museums, to art centers, libraries, religious halls, and memorials, these projects have enriched urban fabrics with cultural programs that have provided members of the community with places to learn, entertain, create, and unwind.