The "Single-Family Residential" Architectural Design Workshop, organized by the architecture firm Cota Paredes Arquitectos, concluded its eighth edition, which invited graduate architects and senior architecture students to develop a single-family housing project over four weeks in either an in-person or online format.
Like the rest of ArchDaily, the ArchDaily Brasil team holds an annual call for graduation projects—or final theses—among students from Lusophone countries, namely Portuguese-speaking nations. With this open call, the editorial team seeks to highlight projects that showcase inspiring ideas and spark discussions for our global audience.
In 2018 ArchDaily spoke in Madrid with Spanish architect Izaskun Chinchilla, who reflected on the challenges our cities face due to gender bias. "We live in cities built by and for men between 35 and 55 years old who drive and commute to work in a private car," the architect states.
According to the academic at UCL, ETSAM, and IE, private transport reveals one of the aspects demonstrating that we live in discriminatory and non-inclusive cities. "Men still drive twice as much as women, and in cities, all we have to do is step outside: they are designed by and for cars," she explains.
It is time to close AutoCAD and Revit, turn off the computer, and put away the ultimate architect's uniform: black clothing. Summer is here, and with it, vacation season. Whether for a few weeks or just a couple of days, here are some activities to clear your mind without leaving the discipline behind.
Construction of Colombia's second-tallest skyscraper, BD Bacatá, is finally resuming following an agreement signed between BD Promotores, Prabyc Aluman, and Acción Fiduciaria. The deal involves a total investment of 48 billion Colombian pesos ($15.5 million), according to reports by local media outlets Portafolio and W Radio.
According to Vitruvius and Pausanias, its origin derives from the tree trunks used in primitive constructions of dwellings and religious buildings. In Egypt and Persia, they were commonly found in palaces and temples. In the Romanesque period, beyond structural necessity, they were employed for the pedagogical purpose of teaching the Holy Scriptures. During the Gothic era, they became stylized and clustered, eventually reaching a second peak during the Renaissance and Neoclassicism, evolving into a symbol of an almost nostalgic rationality. Ultimately, they were heavily and pedantly decorated during the Plateresque and Baroque periods, until all ornament was abandoned in favor of their structural and organizing capacity under the new order imposed by modernity through the free plan.
Originally published in ArquitecturaAhora, architect Ana Sugranyes explores the origin and evolution of the concept of the right to the city, from 1960s Paris to its global expansion.
In the name of social integration or sustainability, the United Nations New Urban Agenda (2016) also incorporated a reference to the right to the city. “Words, then, are of no use: they are just words,” says Alberti. Meanwhile, Chile maintains its high level of income inequality, which has a direct, correlative effect on the deep socio-spatial segregation of its territories and cities; this, in turn, corresponds to worrying levels of social, cultural, and structural violence.
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Spaces and their designated uses are connected through circulation. When navigating the vertical axis, stairs, ramps, and elevators function as the primary systems of movement. Some view these architectural elements as protagonists in spatial configuration.
Stairs undoubtedly span the entire spectrum from mere utility to sculptural installations. The stairs designed by the Bogotá-based firm Yemail Arquitectura are no exception.
On Thursday, October 3, a new space called Design House opened in Mexico City, showcasing a series of interventions that integrate disciplines such as design, architecture, and interior design. Over the past nine years, the initiative has presented cutting-edge proposals from more than one hundred participating firms across various properties. These projects are created in collaboration with showrooms from the Design Route (Ruta del Diseño), which provide the design firms with the pieces and accessories that make up their diverse proposals.
For the third consecutive year, National Monuments Day will take place during the first weekend of May throughout Argentina, coordinated by the National Commission of Monuments, Places, and Historic Assets of the National Ministry of Culture.
The construction company GAYA and SCI-Arc, one of the world's most prestigious architecture schools, have awarded David Aizenman the inaugural “GAYA Talent Scholarship” to study architecture in Los Angeles, starting this August.
SCI-Arc, considered one of the most cutting-edge architecture schools not only in the United States but globally, is dedicated to finding radically new answers to the real-world needs and aspirations of today. The school comprises 500 students and 80 faculty members, who work together in a flexible, non-hierarchical environment to challenge established norms, create, explore, and push the boundaries of architecture.
Continuing with the series of articles by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy, and Ernesto Philibert-Petit on the study of social housing in Latin America, this installment discusses construction work processes and operating systems. Review past publications and the new article below.
What Will Happen Here? (O que vai acontecer aqui?) is a new documentary by Left Hand Rotation, in collaboration with Stop Despejos and Habita, on the housing struggles in Lisbon—a city where rents have increased by 50% over the last three years and that has become the leading European city for real estate fund investment.
Semana de la Madera (Wood Week) is an annual event organized by Madera21, an association founded in 2001 by the Corporación Chilena de la Madera (Chilean Wood Corporation). Its goal is to promote and disseminate the use of this material in Chile, offering a unique opportunity to highlight architecture, design, engineering, and innovation using wood, while encouraging future project development and research by professionals and academics.
On the occasion of the recent XXI Chilean Architecture Biennial, Juan Pablo Urrutia, a member of the curatorial team, spoke with Spanish architect Andrés Jaque, founder of the Office for Political Innovation, whose practice explores the intersection of the everyday and the political in architectural design.
On August 27, 2019, the awards ceremony and academic symposium of the first Bogota Public Space Biennale (BEPBOG) took place. The event was the first of its kind in Latin America and the third worldwide, highlighting the value of public space in the Colombian capital and the importance of recognizing best practices regarding the spaces to which everyone is entitled.
Through the Santiago Development Corporation (CORDESAN), and with the support of the Architects Association (CA) and the Association of Architectural Offices (AOA), the Municipality of Santiago (Chile) has announced the winning projects in the design competition to remodel the Ahumada-Puente, Huérfanos, and Estado-21 de Mayo pedestrian promenades in the center of the Chilean capital.
The initiative marks the 40th anniversary of the transformation of Ahumada Street into a pedestrian promenade, a thoroughfare currently used by more than two million people daily, connecting Santiago's Plaza de Armas with the Alameda, the Chilean capital's main east-west arterial road.
"It is necessary to give a new image to [the] pedestrian promenades, which serve as hubs of activity for many residents who work and commute around them, defining the main character of downtown Santiago," explained Felipe Alessandri, Mayor of Santiago and President of the competition, in the competition guidelines.
The Casa sobre el Arroyo, commonly known as the “Bridge House,” was designed by renowned Argentine architects Amancio Williams and Delfina Gálvez de Williams between 1943 and 1946 in Mar del Plata. It was originally built as a residence for his father, the musician Alberto Williams, but served this purpose for only a relatively short period. Although the building is now recognized as a paradigm of 20th-century architecture and a crucial reference for understanding the influence of the Modern Movement in Argentina and Latin America, its future has recently been the subject of debate and speculation. After suffering two devastating fires in 2004 and 2008, the house waited for a protection plan for over twenty years, during which various public and private institutions, both national and international, campaigned for its defense and comprehensive preservation.
In its most recent edition, BBConstrumat, Spain's largest construction trade fair, underscored its commitment to supporting a new model in the construction industry—one centered on the circular economy and sustainable development.
Among the event's key highlights, Ricardo Devesa—editor-in-chief at Actar and urbanNext and professor at IAAC—curated the refreshing congress Logics of Innovation and Change, where presentations and discussions revolved around global challenges such as climate change, robotics, resilience, migration, and new global narratives.
Great architecture continues to decentralize. After presenting the results of the Satipo competition in the Central Jungle a few weeks ago, we are pleased to continue our journey across Peru, this time highlighting a competition in the Central Highlands. Interestingly, both reflect the geographical diversity within the same region of Junín. Huancayo, capital of the department of Junín, is the most important city in the central highlands of Peru, located south of the Mantaro Valley. Recognized for its landscapes, history, and crafts, it is, above all, a major commercial hub. In recent years, it has also been officially recognized as Peru's sixth metropolitan area (the sixth most populous city in the country), a growth reflected in its constantly modernizing urban landscape.
Within the framework of the Interinstitutional Cooperation Agreement signed with the Asociación de Artesanos Sumaq Wuasi, the Colegio de Arquitectos del Perú – Regional Junín (CAP Junín) organized the National Competition for Preliminary Architectural Designs of the Sumaq Wuasi Commercial Building in Huancayo. Currently, the site is occupied by a precarious one-story structure covering the entire lot, which is used for commercial purposes. The goal is to modernize the services, uses, and urban context of the current commercial space through spatial renovation and the design of a new infrastructure that meets the current needs of both users and vendors. This will be developed into a technical dossier for construction during the 2017–2020 administration.
On November 23, Mexican artist Pedro Reyes presented projects from his architectural and design practice for the first time. The exhibition features chairs, tables, bedroom furniture, tiles, and small-scale architectural models that showcase a distinct architectural language that has evolved in recent years.
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On Thursday, September 5, ArchDaily México celebrated its seventh anniversary. This year, Proyecto Público Prim was chosen as the venue—an early 20th-century building of great architectural value featuring interventions by architect Alberto Kalach and the firm PRODUCTORA. The venue served as the backdrop for some of the most influential figures on the contemporary scene to connect with the ArchDaily México team.
On Monday, January 14, 2019, nearly 200 architects and professionals gathered at the Center for Architecture to
discover the winners of the 2019 AIA NY Design Awards. Following two days of deliberations by a jury of independent architects, educators, critics, and planners, AIA New York publicly announced the 27 winning projects during a live event, which was followed by a jury-moderated discussion.
Chilean architect Sandra Ili has been selected as the winner of the 2019 Marta Scheu Award, an annual recognition granted by the Institute of Architecture and Urbanism of the Universidad Austral de Chile (UACh) to outstanding professionals in the fields of architecture and urbanism in Chile, regardless of their nationality.
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