Following the recent success of the FIP World Padel Championships in Qatar and the announcement of Saudi Arabia hosting the FIFA World Cup in 2034, the Middle East is gearing up to be a hub for major sporting events, which drives the demand for high-performance sports infrastructure. From Pickleball and Padel courts to internationally renowned stadiums, the evolution of sports flooring requires innovative, durable, and sustainable solutions.
Terraco, a global leader in construction finishing materials, has consistently delivered cutting-edge solutions for sports complexes worldwide, helping architects, contractors, and developers build facilities that stand the test of time.
Born in the post-war period in the United Kingdom, the Brutalism movement was first met with skepticism but has found a new appreciation in the last decade, capturing the imagination of new designers fascinated with the interplay between striking geometric shapes and the exposed raw materials in which they are rendered. From Britain, the movement spread throughout Europe, Southeast Asia, and Africa, gathering different variations influenced by the cultural and socio-economic status of each area. In this article, we delve into the particularities that define Italy's contribution to the Brutalist movement, exploring the style through the lens of Roberto Conte and Stefano Perego. The two photographers have also published a photographic essay on the subject, taking the form of a book titled "Brutalist Italy: Concrete Architecture from the Alps to the Mediterranean Sea".
The history of household appliances closely mirrors the transformation of the modern home and domestic life throughout the 20th century. Rooted in the technical advances of the Industrial Revolution and driven by urban electrification, these devices were created to mechanize everyday tasks such as cooking, cleaning, and food preservation. A major milestone in this evolution was the Frankfurt Kitchen, designed in 1926 by Austrian architect Margarete Schütte-Lihotzky. Considered the precursor of the modern kitchen, it incorporated efficiency principles inspired by the scientific organization of labor, with optimized spaces and integrated equipment to streamline domestic chores. Developed for social housing in Frankfurt, this kitchen embodies the functionalist spirit of the Bauhaus and establishes a direct connection with German design innovations, a context in which Gaggenau would also solidify its identity, combining technical precision and aesthetic sophistication.
More than 200 universities from 33 countries participated in the 20th edition of the Architecture Student Contest. Students from all over the world imagined projects to transform and challenge the development of a peripheral urban city and a village in a territory at the crossroads of Europe, home to the largest logistical platform of Southern Europe and a major cross-Europe high-speed railway project to come, and linked by the ambition of "Attracting Youth."
A Pan-African Biennale of Architecture is planned for 2026 in Nairobi, Kenya. According to the curator, it "represents an unprecedented opportunity to reclaim Africa's architectural narrative, reasserting the continent's role as a global leader in urban resilience, sustainability, and cultural expression."
Omar Degan, the curator in partnership with the Architectural Association of Kenya, is a practicing architect, professor, and teacher. He leads an architecture office known as DO Architecture Group, which was established between Italy and Somalia—two places deeply connected to his identity. His work focuses on what he describes as "fragile contexts" around the world, including areas affected by natural disasters, refugee camps, slum upgrades, and underserved neighborhoods.
Based in Mexico City, Enrique Tovar brings a multidisciplinary approach to architecture and editorial work shaped by his interest in history, society, art, and craftsmanship. His early experiences in a context where architecture is often self-built or negotiated gave him a nuanced understanding of the built environment as something fluid and evolving with use. This perspective naturally led him to editorial work, which he sees as an extension of architectural practice—one that captures the complexities and tensions that may not be visible in traditional design processes.
As Sponsored Team Editor at ArchDaily, Enrique explores the critical intersections between materials, construction systems, technology, and software. He is especially interested in how these elements influence contemporary architectural practices and the ways in which inclusive and universal design principles can expand the field's reach. His editorial focus encourages environments that respond to diverse bodies, experiences, and modes of inhabiting space, promoting architecture that challenges conventional norms and embraces broader social concerns.
Despite major breakthroughs in other industries, with tools like Cursor reshaping how software gets built, or AlphaFold revolutionizing protein structure prediction, AEC is still waiting on its defining AI moment. Yes, many visualization tools have made waves, especially when it comes to generating beautiful imagery. But they fall short when it comes to understanding the actual design process. They don't grasp the constraints, logic, and decisions that turn those visuals into real, buildable architecture.
And that's exactly where AI's most valuable use case in AEC lies: not in how a building looks, but in how it comes together.
Artificial intelligence is becoming an undeniable presence in our daily lives. It teaches, generates content, and disrupts the fragile boundaries—both visual and imaginative—that once governed our interactions on social media. On platforms like Instagram, we witness a flood of imagery where every kind of speculative exercise is freely shared, recalibrating our understanding of the relationship between architecture and image. Amid this transformation, entire professions find themselves on uncertain ground, as AI begins to challenge areas once defined by human expertise.
Yet beneath this apparent abundance lies the opaque core of closed-source AI: an algorithmic black box that systematically conceals the origins of the data it consumes. As a result, its outputs are inevitably prone to factual distortions, anachronisms, and subtle or overt biases. This same machinery can hollow out the significance behind the languages and stylistic signatures of canonical architects—manifest, for instance, in AI-generated visions speculating how famed designers, living or dead, might have reimagined the Eiffel Tower. We shared one such image to observe and better understand how people—especially architects—respond to AI's current possibilities and limitations, and the ways it mimics architectural intent. The response was quite fascinating, revealing a mix of curiosity, concern, and critical reflection.
What if we imagined buildings as living systems, designed for assembly and disassembly with minimal impact? A form of open, modular, and adaptable architecture designed to evolve with its surroundings, responding to seasonal changes and on-demand needs instead of remaining static. At first glance, the idea seems paradoxical, as many buildings were constructed to last, designed to endure, resist the effects of time, and avoid demolition. Because of this, reversing or undoing could be seen as a setback. But what if that way of thinking no longer fits every scenario?
https://www.archdaily.com/1031388/built-to-not-last-how-reversible-architecture-is-redefining-the-way-we-buildEnrique Tovar
With a balance of emerging talent and established brands, this year's edition of the International Contemporary Furniture Fair fostered meaningful connections, commercial momentum and critical dialogue across the global design community.
Returning to the Javits Center this May, the 2025 edition of the International Contemporary Furniture Fair (ICFF) brought together over 400 design brands from 35 countries, reinforcing its role as a central meeting point for contemporary design in North America. Spanning residential, commercial and hospitality sectors, the fair attracted more than 13,000 attendees and maintained strong engagement across the board — despite ongoing market volatility and tariff pressures.
View of Howl's Moving Castle Replica inside the Valley of Witches area . Image via ghibli-park.jp, under policy of fair use
Studio Ghibli and its co-founder Hayao Miyazaki have become household names in the West, thanks to their impressive body of work, which includes over 10 feature films, 2 Oscars, and more than 100 awards worldwide. Films such as "Spirited Away" and "Howl's Moving Castle" showcase their mastery of world-building, story telling and compelling visuals which have earned them global acclaim. This has created a devoted fan base that previously only had the Studio Ghibli Museum in Tokyo to experience the films in real life. As the studio's popularity and movie portfolio grew, it became inevitable for them to expand into a larger space. That is why November 2022 marked the beginning of a new phase as the Ghibli Park opened its gates in Nagoya, Japan.
Private residence in Varese / Franzetti Primi Architetti Associati
Mathematics shows us how, from just a few elements, we can generate nearly infinite combinations and how each new arrangement can completely transform the original set. Theories like chaos and complexity point in the same direction: small initial variations, such as a choice, a deviation, or a new element, can trigger profound and unexpected changes. In architecture, this manifests concretely in the daily work of a designer. The choice of materials and how they are combined may seem like a merely aesthetic or functional decision, but it holds the power to redefine a building's language, the path a project will follow, and its relationship with the surroundings and its inhabitants.
In India, brick as a construction material holds memory, meaning, and modernity. From the aligned fired bricks of the Indus Valley Civilization to the intricate brick jaalis that decorate homes, public buildings, and landmarks, the material's legacy is deeply embedded within the subcontinent's architectural identity. Yet no one has shaped the narrative of brick in modern Indian architecture more eloquently than Laurie Baker.
Hana Abdel's diverse background bridges interior architecture, art, and a deep appreciation for cultural heritage, shaping her distinctive approach to curating architecture content at ArchDaily. Originally from Lebanon and now based in Canada, Hana has spent more than a decade exploring interior architecture alongside artistic practices such as sculpture, ceramics, and drawing. Although she is no longer actively practicing interior architecture, these experiences continue to enrich her understanding of spatial narratives and the relationship between materiality and place.
As Manager of the Projects Curators team, Hana focuses on identifying architecture that tells compelling stories beyond aesthetics. Her editorial vision emphasizes projects that thoughtfully engage with cultural context, traditional techniques, and emerging voices, ensuring a diverse and inclusive representation. She is committed to shining a light on underrepresented communities and innovative practices that push the boundaries of architecture.
How does the design of contemporary interiors create different experiences through its materials? How does the adaptability and reuse of certain materials make it possible to generate contrasting and/or complementary atmospheres within a single space? According to each material's textures, proportions, colors, or properties, interior architecture currently recognizes the opportunity to create environments where materiality plays more than just an aesthetic role. With special attention to the final experience of its users, El Equipo Creativo aims to combine designs where landscape, nature, culture, and art stand out in interior compositions that accommodate broad programs and audiences.
When designing a space—whether at the scale of interiors, architecture, or infrastructure—materiality is a central concern. Beyond aesthetics, materials determine how a project functions, ages, and endures. Some architects—such as Wang Shu and Kengo Kuma—have built their practices on a deep sensitivity to the potential and limits of materials. But even in the most pragmatic sense, the question arises: What lasts? What doesn't? And how do materials change over time? Naturally, materials shape atmosphere and appearance—qualities that often matter most to clients. Yet increasingly, the discourse around materiality has shifted from structural substance to surface treatment. When did we start focusing more on "decorating" our spaces by layering one material over another, rather than relying on the inherent beauty and performance of the building fabric itself?
For the third year in a row, Melbourne has been selected as one of the top five most liveable cities in the world. The city is widely viewed as the leading architectural hub in Australia for its unique street culture and diverse design expression, with its layers and bold mix of architectural styles. From the very well-restored Victorian era edifices with their intricate ornamentation and detailing to the adjoining Contemporary landmarks, the city seems to achieve a nice balance of all typologies and design movements, while still being very inviting and engaging to its citizens.
Collective living continues to be a central theme in contemporary housing discourse, one that extends beyond questions of density or typology to engage broader concerns of land use, social cohesion, and spatial identity. This selection of conceptual unbuilt projects, submitted by the ArchDaily community, explores the potentials of shared living environments, not only as functional housing solutions but as frameworks for interaction, environmental integration, and cultural continuity. Whether in urban or remote settings, they reflect a growing interest in rethinking how domestic space can support both individual privacy and communal life.
Public space has long been central to architectural thought, often framed in terms of planning, infrastructure, and regulation. From Haussmann's Paris to contemporary masterplans, architects have worked to define and formalise collective life through spatial tools. Yet, outside of these frameworks, artists have continuously offered alternative ways of understanding and inhabiting public space—ways that rely not on construction or permanence, but on presence, perception, and participation. Through actions, objects, or atmospheres, artists engage the city as a site of friction and imagination. These gestures challenge architectural conventions and invite artists to reconsider public space not as a solved form, but as a contingent and open process.
SketchUp 2025 introduces new tools and enhancements aimed at improving how architects and designers visualize, collaborate, and communicate their work.
This release brings more realistic materials and immersive environments, making it easier to create compelling visual representations of architectural models. These visualization updates are available across SketchUp for Desktop, Web, and iPad, as well as in LayOut and 3D Warehouse, allowing for a consistent experience across platforms.
Juneteenth, observed annually on June 19th, commemorates the emancipation of enslaved African Americans in the United States, marking a moment of liberation and reflection on a complex and often overlooked history. Originally celebrated in Texas, Juneteenth has grown to symbolize broader themes of freedom, resilience, and cultural identity, fostering conversations about justice and representation. This day also presents an opportunity to highlight the ways in which architecture can serve as a medium for preserving and presenting African American history and cultural values.
Architecture, beyond its functional and aesthetic qualities, can reflect and collect narratives, values, and hidden histories, giving a tangible and visual presence to communities often underrepresented in cityscapes. Buildings dedicated to African American history and culture become physical landmarks that anchor these stories within the daily life of cities. They serve as places of learning, reflection, and celebration, creating meaningful spaces that engage the public and foster a sense of communal identity.
The desire to see the world from above transcends cultures and time — an almost instinctive impulse to seek new horizons, gain perspective, and momentarily step outside everyday life. Observation towers embody that desire: built in forests, mountains, urban parks, or coastal landscapes, they invite us to pause, look closely, and discover the surroundings in a quiet or playful way. These structures offer more than just views; they offer experiences. As we climb their steps or ramps, our bodies take part in a ritual of transition — from ground to sky.
Glass bricks have been widely used in architecture, eventually becoming a staple of the 1980s architectural styles. Some examples of construction with this material could be the classic "Maison de Verre" by Pierre Chareau and Bernard Bijvoet in Paris or the more modern take of Hiroshi Nakamura & NAP with the Optical Glasshouse in Japan. In recent years, glass bricks are becoming increasingly popular, no longer relegated to older aesthetics. Instead, they have evolved into versatile design elements that bring light, texture, and character into contemporary interiors. Their ability to diffuse natural and artificial light while maintaining privacy has reignited interest among designers seeking innovative ways to enhance indoor spaces while taking advantage of natural light.
