In recent years, solar energy has become a very popular method to power electric vehicles. This emerging technology has motivated the development of new architectural typologies. An evident evolution of traditional gas stations, it could be foreseen that solar-powered charging stations will begin to significantly grow in numbers in our cities in both public and private spaces.
Although the National Autonomous University of Mexico (UNAM), south of Mexico City, is home to the well-known O’Gorman murals, it is, in fact, the campus itself, that is quite intriguing. Walking through UNAM, individuals find themselves in an architectural display of modernist buildings that date back 70 years, along with open courtyards, hidden walkways, and pavilions. Uniquely, the campus buildings have a little bit of everything: bold geometry, openness, abstraction, humanistic design, permeability with nature, decaying masonry walls, local lava rocks used as walls, and pavers throughout the campus.
As mentioned in our previous article on retail stores under 100 square meters, the spatial distribution of commercial spaces is a determinant for its success. Not only does it address adequate logistics and the circulation of customers, but the variations and innovations that will enable a more efficient and original space.
Below, we've selected projects from our site, with their plan and section, that can help inspire your next project.
Virtual reality offers benefits that, just years ago, were hardly even imaginable. Projects can be walked through before being built; the interiors fully visualized before all the details are decided. It allows architects and clients the ability to work as true collaborators in the design of a project.
The regional expressions of a country’s culture are vital in helping us understand the relation between context and specific conditions of social manifestations. These nuances and singularities inside the realm of construction are translated into what can be called vernacular architecture. Although it has always existed, this universe of local exemplars of architecture with their particular materials, techniques and regional constructive solutions came to be well studied in the second half of the twentieth century in Brazil, in a project that traced national architecture history, headed by Lucio Costa.
In 2017, ArchDaily Brazil reported that Smart City Laguna would become the first “smart city” in Brazil. With its inauguration scheduled for that same year, the venture opened with 1,800 units in its first phase, and in its final phase, 7,065 units divided between residential, commercial and technological uses.
Located in the Croatá district of São Gonçalo do Amarante, the first Brazilian smart city occupies 815 acres directly connected to the federal highway BR-22, which crosses the states of Ceará, Piauí, and Maranhão, starting in Fortaleza towards Marabá, in Pará. Its location has economic reasons: the proximity to Pecém Harbor, in Fortaleza, the Pecém Steel Company (CSP) and the Transnordestina Railroad make Croatá a strategic hub that has been recently occupied by technological companies, becoming a “digital belt” a little over 50 kilometers from the state’s capital.
Artistic expression is often undisciplined. Sometimes, the riot of colors and explosion of lines and forms help unleash a 2D illustration out of its medium, which is precisely what Drawing Architecture Studio (DAS) managed to create in Ucommune’s new branch in Dajiang Hutong, Beijing.
In late 2018, Li Han, co-founder of Drawing Architecture Studio, won the 2018 Drawing Prize for her digital drawing of The Samsara of Building No.42 on Dirty Street, which also illustrates a visual narrative of the city of Beijing and its residential chronology throughout the 21st century. This year, DAS took Qianmen area, co-working brand Ucommune’s location as a subject, transforming its road network, architecture, and urban composition into a dynamic, meticulously detailed panorama titled Under the Zhengyangmen.
3D printing itself is no longer a new technology, but that hasn’t stopped researchers and innovators around the world from coming up with new applications and opportunities. Some experiments with new materials have been driven by sustainability concerns and others are simply the result of imagination and creativity. Others have chosen to invest their time utilizing more traditional materials in new ways. Materials, however, are just the beginning. Researchers have developed new processes that allow the creation of objects that were previously impossible to print and, on a larger scale, new building typologies are being tested - including a Mars habitat!
Clément Blanchet Architecture in collaboration with Etienne Tricaud (AREP) have been shortlisted for the French pavilion at Expo 2020 Dubai. The winner will be announced in February. The proposal is intended to enhance both the virtual world and the real to support human communication, cultures and interactions. The pavilion will be built around the themes of Light and Mobility to create a hidden oasis with two vertical gardens facing one another.
Since its discovery in 8700 B.C., copper has been one of the most used metals in the history of humankind. It has a variety of uses from coins and weapons to statues and even architecture. One of its first architectural uses was in Ancient Egypt for the massive doors of the temple to Amen-Re at Karnak in 300 B.C.
The versatility of the material continues in architecture to this day, allowing for a variety of unique designs and uses. The innovative, efficient, and lightweight material is versatile in its use, ranging from facades to roofs, interior applications, and high tech solutions. Sustainable in its natural form, the material is 100% recycled. As the state of architecture becomes more focused on sustainability, copper becomes the ideal material for the buildings of today.
Below, we’ve selected 7 projects that use architecture's original bling.
To live in a residence designed by a renowned architect is a dream for many, however, a dream that will most likely never come true. But, there is an alternative. Many architecture enthusiasts have rented or even bought apartments in iconic buildings designed by their favorite architects.
In regards to the work of Oscar Niemeyer, fluidity and flexibility may best express his plans and typologies.
Below, we've selected four apartments in buildings designed by Neimeyer that reinterpret his original plans.
Designing commercial spaces has historically been a challenge. In these environments, spatial distribution plays a fundamental role, even more so if we have a few extra square meters. With this being said, the study of these spaces in plan and section can be a great starting point. It not only allows us to analyze the logistics and circulation of customers but also helps us find efficient variations and innovations that will enable your store to stand out from the others.
Below, we've selected a series of 25 examples in plan and section that can help you understand how different architects faced the challenge.
For the fresh architecture student, the “jury,” “review,” or “crit” is far from glorious—sounding more like a death knell than a customary critique session. The concept, as Kathryn Anthony explores in Design Juries on Trial: The Renaissance of the Design Studio, goes as far back as the 1980s when the Ecole Nationale et Speciale des Beaux-Arts in Paris became the first art and architecture school to experiment with a format that would soon be adopted by architectural schools across the world. While some schools have taken steps to loosen traditional hierarchies, others continuing to reinforce them, much to the terror of fledgling first-year students who aren’t used to being “tried.”
So what can one really do to ease into this rather uncomfortable aspect of architectural education? Below is a fairly simple list of dos and don’ts that could go a long way in helping you out.
This article was originally published on Common Edge as " Why Architects Still Struggle With Disability Requirements 28 Years After Passage of the ADA".
The recent death of President George H.W. Bush occasioned assessments of his administration’s legislative achievements, one of which was the far-ranging Americans with Disabilities Act (ADA), a civil rights act signed into law in 1990. The law included accommodations for people with disabilities in buildings. In the ensuing decades the ADA has had a significant impact on the design and construction of the built environment in the U.S. To gauge the impact of ADA, how it has evolved, common misconceptions about ADA, and its role in promoting social equity in architecture, I spoke with Peter Stratton, Senior Vice President and Managing Director of Accessibility Services at Steven Winter Associates, who works with architects and others in the construction industry on the application of the ADA design standards. (I worked at the Connecticut-based Winter firm between 1996 and 2006; Stratton was a colleague.)
As 2018 winds to a close, we've started to look ahead to the projects we're most looking forward to in 2019. Many of the projects listed here have been in the works for years, having experienced the frustrating false starts and lulls that come in a profession dependent on long-term and significant capital investment, not to mention changing politics.
Spanish architect Fran Silvestre is well known for his portfolio of nuanced, clean, and decidedly modern works. Each project is as stunning as the next, the type of home that shows up in Bond films and populates the Pinterest boards of aspiring homeowners.
Religious architecture has long been one of the most exciting typologies, one has long paved the way for various design and structural innovations. Faith & Form magazine and Interfaith Forum on Religion, Art and Architecture (IFRAA) annually recognize the continued creativity defining the field.
This year's winners include 35 projects that span a variety of religious denominations, sizes, and location. Additionally, the award has recognized two trends defining contemporary religious architecture: "the preference for natural materials in worship environments, and inventive design solutions to address tight budgets."
Why do we build? How do we build? Who do we ultimately build for? These have been questions that have dominated the worlds of both practice and pedagogy since the early ages of architecture. On a basic level, those questions can be answered almost reflexively, with a formulaic response. But is it time to look beyond just the simple why, how, and who?
In a world where the physical processes of architecture are becoming increasingly less important and digital processes proliferate through all phases of architectural ideas and documentation, we should perhaps be looking to understand the ways in which architects work, and examine how we can claim the processes—not just the products—of our labors.
