Architecture News

On construction sites, workers are increasingly using drones to do what humans can’t. In the past, we’ve covered brick-laying drones, their impact (for better or worse) on the urban environment, and how the technology can help improve the accuracy of architectural renders. CNBC recently reported on how drones can be used to take aerial photos of construction sites at hard-to-reach angles—an innovation that has caused drone sales to sharply increase. According to the article, "construction drone usage has skyrocketed by 239 percent year over year."

A skyscraper in Guiyang, China, has attracted headlines thanks to a daring water feature built into its facade. On one side, the 121-meter (397-foot) tall Liebian Building in Guiyang, China, features a spectacular waterfall, providing a dramatic spectacle from the plaza below. At 108-meters (350-feet), the waterfall is among the tallest artificial waterfalls in the world—and easily the largest artificial waterfall located in an urban area, with other record breakers being artificial additions to river and canal networks.

New images have emerged of the revised Foster + Partners-designed Apple Global Flagship Store at Federation Square in Melbourne after the original proposal attracted criticism and comparisons to a “Pizza Hut Pagoda.”

The revised scheme has been the result of workshops involving Fed Square Management, the Victorian Government, the City of Melbourne, and Apple, with input from Donald Bates, chair of architectural design at the University of Melbourne.

LOLA Landscape Architects, Taller Architects, and L+CC have released images of their competition-winning design for a 600-hectare forest and sports park in Guang Ming, Shenzhen, China. Commissioned in response to the exploding technology industry in the Shenzhen metropolitan area, the park will place an emphasis on health, sports, and nature to offer an ecological counterpoint to dense urban surroundings.

The winning collaboration saw off competition from JCFO, SWA, and TCL, with the competition jury praising the scheme for its “fresh approach and [for] being highly attentive to local ecology [while] meanwhile incorporating romantic techniques and realistic urban visions.”

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The fall of the Iron Curtain in 1991 came not only with political, economic, and social implications but also left behind a distinctive style of architecture. This architecture, under the Soviet regime, was a system that relied on quantifiable targets, such as the Five Year Plan. These quotas forced architects to evaluate building projects in terms of material and labor costs, number of units, volume of skilled and unskilled labor, and so forth. As a result, architecture across these regions became an industrial commodity, an outward flex of power and technological innovation, and a collective of architects executing a Stalinist vision.

When you think of the age of hand drafted architecture drawings, what images come to mind? Is it the iconic plans of the Palladian Villas? Fast forward to present day, where architecture software is favored over hand drawings due to its efficiency and ability to create increasingly innovative structures. With all of the software available to architects, have you ever wondered which one might be the "best"? Luckily, TechRadar has just released their list of leading architecture software for this year.

Facebook is moving into new offices in London’s King’s Cross. The announcement from King’s Cross details the social media giant’s commitment to take over 600,000 square feet (55,000 square meters) of office space across three buildings, namely 11 and 21 Canal Reach by Bennetts Associates, and P2 by Allford Hall Monaghan Morris.

The July 23rd deal between Facebook and King’s Cross Central Limited Partnership (KCCLP) represents one of the most significant such commitments in London in the last decade, encompassing around 15% of King’s Cross’ 4-million-square-foot (370,000 square meters) commercial portfolio.

The Architectural Review has chosen a Habitat for Orphan Girls in Iran by ZAV Architects as the 2018 House of the Year. A competition staged by the publication every year, the AR House Awards identify “originality and excellence in the design of dwellings,” recognizing private houses which go beyond the core function of shelter, and become “an object of fantasy, a source of delight, a talisman, and a testing ground.

The ninth edition of the awards saw six projects chosen from a shortlist of 16, which contained schemes from the UK, Ireland, Spain, Scandinavia, Canada, Latin America, Iran, Vietnam, India, Nepal, and Japan. Previous winners have included David Chipperfield’s Fayland House in 2015, UID Architects’ Cosmic House in 2016, and the anti-seismic prototype in 2017 by Edward Ng, Wan Li and Xinan Chi.

Architects and designers are turning into their very own version of Midas, everything they touch turns into concrete. With products like concrete coffee machines, concrete garden gnomes, and even concrete jewelry, designers are finding remarkable ways of experimenting with the material, proving that concrete is a lot more than just a bulky, building component.

Los Angeles based architect-designer J.Byron-H, known for his playfulness with material and unexpected forms, have experimented with concrete and glass-fiber and created contemporary, light-weight pieces of furniture, inspired by skateboards and architectural brutalism.

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AMKNA, the Dubai-based studio, has been shortlisted for the 2018 World Architecture Festival, in recognition of their design proposal of a cultural center in Sedhiou, Senegal. The proposed “Sedhiou Cultural Center” will provide citizens with a rich cultural, social, and educational experience, all while sustaining the surrounding environment and keeping African heritage alive.

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Situated in the Loire region of France, Nantes could be regarded as a “tale of two cities” from many angles. Once a bustling node for European shipping, former vast, industrial warehouses have become a hotbed of cultural and artistic expression. Meanwhile, divided by the Loire river flowing towards the Atlantic, a maze of Haussmann-style terraces, ornate cathedrals, and monumental museums sit in contrast to an island of outlandish mechanical contraptions, and young, modern, free-spirited innovation.

The sheer variety of artistic and architectural wonders alone make Nantes a destination for architects and designers. Merged with culinary excellence, highly-instagrammable hotels, and a determination by public and private officials to maintain and expand on the city’s vibrant, playful design scene, and Nantes becomes a must-see, undiscovered architectural gem.

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The Australian Institute of Architects has announced the winners of their 2018 International Chapter Awards. Recognizing projects from beyond Australia, but designed by members of the Australian Institute of Architects, the jury has honored six projects from a shortlist of 17.

The projects span commercial, interior, public, residential, and small architecture, with winners hailing from across Asia and the Pacific, including three in Singapore.

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Located in a small village in Poland, this proposed music center honors the birthplace of famous Polish composer and pianist, Frédéric Chopin. Designed by ELEMENT as a part of an international competition, the Chopin Music Center captures the picturesque landscape of endless forests through "leisure and relaxation."

The Center integrates with the park through window views of Frédéric Chopin's birth house and the surrounding landscape. The proposed international music center utilizes a combination of natural materials and glazing to create a seamless connection with its site. The existing park can be reached by pathways and bridges near the building, prompting visitors to experience the outdoor area.

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Videos

Adaptive reuse, the process of refashioning a defunct structure for a new purpose, is ubiquitous these days—so much so that hearing a phrase like “converted warehouse” or “repurposed factory” barely causes one to blink an eye. However, a new project from a cohort of Dutch architecture firms highlights the innovative nature of adaptive reuse with a scheme that reimagines disused cargo ships as houses. With their fully intact exterior shells, the ships remind residents and visitors of their industrial, seafaring past.

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The iPhone Photography Awards (IPPAWARDS) has announced the winners of the 2018 edition of the annual competition. Founded in 2007, the same year as the release of the first iPhone, IPPAWARDS is the first and longest running iPhone photography competition. Now in its 11th year, the awards continue to select the best images taken by iPhone, iPad or iPod touch from a variety of categories including Landscape, Animals, People, Still Life and Architecture.

This year’s architecture category was won by Massimo Graziani from Italy for a shot “Rampage,” taken at the Via Allegri in Rome. Second prize was awarded to KuangLong Zhang from China with an image of one of the oldest mosques in Iran, while third prize went to Nasra Al Sharji from Oman with an early-morning shot of the Burj Khalifa in Dubai.

In an effort to spark public discussion and new ideas on how sustainable design can manifest as decent, affordable housing, Yale University has collaborated with UN Environment and UN-Habitat to unveil a “tiny house” fully powered by renewable energy. At 22-square-meters, the eco-house is designed to “test the potential for minimizing the use of natural resources such as water.”

The prototype was unveiled during the United Nations High-Level Political Forum on Sustainable Development, constructed from locally-sourced, bio-based renewable materials. While the first prototype is designed for the climate and context of New York, future iterations can be adapted for site-specific conditions around the globe. Design and fabrication of the module was carried out by Gray Organschi Architecture, working in direct partnership with the Yale Center for Ecosystems in Architecture.

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Few subjects evoke as much sensitivity and refection, both within architecture and beyond, as those of death and mortality. Frank Lloyd Wright’s timeless reflection that “youth is a quality, and once you have it, you never lose it, and when they put you in the box, that is your immortality” offers one insight into how architects place not just their buildings, but also their lives and careers in perspective.

Furthering this engagement between architecture and mortality is HofmanDujardin, a Dutch studio which has sought to “rethink the way we say goodbye” with the design of a new Funeral Centre. Placing the coffin at its epicenter, the scheme translates the memorial sequence into three moments: the gathering of friends and family, the ceremony of remembrance, and the moment of social encounter.

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