The Royal Incorporation of Architects in Scotland (RIAS) have announced the winners of the 2014 RIAS Awards. Selected from the 83 entries, these buildings represent the best in Scottish architecture from the past year. This year Glasgow buildings make up significant number of the 13 winners, demonstrating the positive results of the city gearing up to host the 2014 Commonwealth Games later this summer.
The RIAS Awards are held in parallel with the RIBA National Awards, with submitted projects eligible for both. This year, 4 RIAS Award winners were also RIBA National Award winners. See the full list of winners after the break.
London based Heatherwick Studio have won a competition to design a Learning Hub at Nanyang Technological University, Singapore. The construction of the Hub, part of a £360 million scheme, will be the first redevelopment of its campus in twenty years. Having already won the BCA Green Mark Platinum Award for Sustainability from the Singaporean Government, the design seeks to redefine the aspiration of a university building. Within this new context the purpose of the university is to “foster togetherness and sociability” so that students can meet and learn in a space that encourages collaboration.
Last year I saw Beatriz Colomina present Radical Pedagogies, a research project that she led together with PhD students at Princeton University School of Architecture. Radical Pedagogies focuses on schools and programs from around the world that emerged postwar, strongly tied to social changes of the time. The material produced over three years of seminars, interviews and archive digging shows a compelling story of the ways that “architectural pedagogy” have impacted today’s architecture education.
Invited to the Monditalia section of the Venice Biennale, Radical Pedagogies paints a global picture while focusing on some of the strong Italian influences of these new movements—such as Lina Bo Bardi in Brazil and Aldo Rossi in Argentina—in an interactive exhibit that includes augmented reality content by dpr-barcelona.
The exhibition was awarded a Special Mention, cited by the jury for ”highlight[ing] the emergence of new poles of architectural thinking in the current world and mak[ing] these accessible as a living archive. The research project is part of an ongoing global project that shows that knowledge is produced and develops in a networked way beyond national borders and national identities.”
We wanted to show our readers more about this project, but focusing on the physical armature of the exhibit, a dimension that is often ignored from a technical point of view. That’s why we asked Chilean practice Amunátegui Valdés Architects to share the architectural details of the Radical Pedagogies: Action – Reaction – Interaction exhibit and construction. Read more after the break.
Morocco was heavily influenced by European modernism due to its strategic position in Northern Africa. It was governed as a European protectorate for much of the 20th century, and it was in this region that the modern movement found a place for experimentation; a place where modernist ideals met such particular climate conditions that they evolved a unique regional expression.
The Morocco Pavilion for the 2014 Venice Biennale—their first presence at the event—acknowledges this particular expression aligned with the theme of Absorbing Modernity under the title of Fundamental(ism)s. Curator Tarik Oualalou erected it over a ground of desert sand to create a setting for Morocco’s architecture in the past, entitled Living in the City, and the future, Inhabiting the Desert.
ArchDaily is pleased to announce our partnership with the European Union Prize for Contemporary Architecture – Mies van der Rohe Award. The following is an essay from Constructing Europe by Pedro Gadanho, member of the 2013 Prize jury.
When one wants to consider the future of any form of activity, one is tempted to extrapolate trends from current conditions. One translates signs from the present onto the shape of things to come. The conditions of a given moment, however, may be too circumstantial, and one should be particularly aware of their transient nature. This is the dilemma one obviously faces when considering ‘the future of European architecture’.
At the time the European Union Prize for Contemporary Architecture – Mies van der Rohe Award commemorates its 25th anniversary, the European project from which this Prize emanates – and to which it owes its symbolic meaning and promoting purpose – is itself at a crossroads.
In between austerity measures, the South and North divide, growing unemployment, a feeling of impoverishment and insecurity, and the apparent unsustainability of the Welfare State model, which had given the region prosperity after World War II, Europe itself seems to be facing a pivotal, if transient moment.
The US Architecture Billings Index showed a significant improvement in May, jumping to a score of 52.6 and showing some growth after two consecutive months of contraction. As the American Institute of Architects (AIA) reports, its two new measures of growth also showed positive results: the Project Inquiries Index rose to 63.2; and the Design Contracts Index – despite dropping slightly from last month’s 54.6 – still showed growth at 52.5 points.
“Volatility continues to be the watchword in the design and construction markets, with firms in some regions of the country, and serving some sectors of the industry, reporting strong growth, while others are indicating continued weakness,” said AIA Chief Economist Kermit Baker, Hon. AIA, PhD. “However, overall, it appears that activity has recovered from the winter slump, and design professions should see more positive than negative numbers in the coming months.”
A breakdown of regional and sector highlights, after the break
Tadao Ando has unveiled designs of his latest project, a 7 story luxury residential project in Manhattan. The building at 152 Elizabeth Street is Ando’s first in New York, and includes his signature design features of simple cubic forms, polished in-situ concrete and curtain glass.
More on 152 Elizabeth Street after the break
The Danish Agency for Culture has unveiled a new award for Library architecture as part of its Model Programme for Public Libraries project, a programme in association with Realdania which aims to generate new ideas about how the design of public libraries can change to meet the changing needs of today’s society.
The award, which will be announced at the annual conference of the International Federation of Library Associations and Institutions (IFLA) in Lyon, France, is sponsored by Schmidt Hammer Lassen Architects and has a prize of DKK 25,000.
More on the award, and how to enter, after the break
The Royal Institute of British Architects (RIBA) has announced the 44 buildings in the UK and 12 EU projects to win 2014 RIBA National Awards. The list includes instantly recognizable projects such as The Shard by Renzo Piano and Mecanoo‘s Library of Birmingham, but also rewards plenty of well-crafted smaller projects, for example Lens House by Alison Brooks Architects.
From this list of National winners, the RIBA will select the shortlist for the RIBA Stirling Prize, which will be revealed next month. See the full list of winners after the break.
For CNN’s George Webster, this year’s Biennale is a “bold reminder that architecture is – or at least should be – about a great deal more than blueprints, digital renderings and scale models.” Taking the British Pavilion as a case in point, Webster argues that Koolhaas’ original thematic provocation has paid off, succeeding “because it places people - our history, culture and even our bodies - at the very heart of its thinking.” Travelling through the pavilions of Romania, Germany, the Dominican Republic, and Russia, you can read the article in full here.
The Pritzker Prize-winning architect Fumihiko Maki has revealed early designs for China‘s “first major design museum”, a project in the Shekou district of Shenzhen commissioned by China Merchants Group (CMG) in collaboration with London’s V&A Museum. The design model was unveiled yesterday at the Foreign & Commonwealth Office in London, where representatives of CMG and the V&A signed a collaboration agreement to deliver the museum, which is hoped to open at the end of 2016.
Maki’s design for the Shekou Museum features three severely cantilevered volumes atop a deconstructed plinth; a staircase at the corner of the building also leads to the green public space on the roof.
More on the project after the break
Biennale Exhibit Examines the “Chinese Condition” – What Happens When 1% of the World’s Architects Design 33% of its Buildings
“Chinese architects account for 1% of the world total, but the turnover from building work is 1/10 of the world total. In other words, one hundredth of the world’s architects must design 33% of all buildings and they must do this for just 1/10 of the profit. How does this condition effect architecture?”
This is the question that motivates THECONDITIONOFCHINE
SOM, working alongside Danish practice Entasis Arkitekter, has been selected to design a new residential building in Gothenburg that will be Sweden‘s tallest tower. Coming out on top against an international shortlist that included Zaha Hadid Architects, SOM’s 230m tall proposal ‘The Pole Star’ features four connected prisms which twist 90 degrees near the top.
The competition, run by developers Serneke, called for proposals for a 32,000 square meter mixed-use masterplan, including a 200+ meter residential tower, in Gothenburg’s Lindholmen area. A particular focus for the jury was for proposals to “demonstrate how the skyscraper can be integrated into the structure of the neighborhood,” adding that “the building should be a part of the area’s social and architectural context, not stand as a solitary monolith.”
Read more about the jury’s decision after the break
The number of unemployed architects in the UK has fallen to its lowest level since before the financial crisis, according to the Office of National Statistics. This is based on the number of architects claiming Jobseekers’ Allowance, which fell to just 310 in May, a figure that has almost halved since May 2013 when 615 architects were claiming.
More on the recovery of UK architecture after the break
From the Curators. By making space the manifestation of content and content an insight of the space, space and content are correlated in the China Pavilion in that content provides an explicit timeline of China’s 100 years’ of architectural thinking (dual theme threads), while space presents an implicit theme of Yi Xiang (imagery-scape) through the history of Chinese architecture.
In our progressively digitized world, factories are often left behind. Outdated and no longer capable of serving their original purpose, these vast spaces become vacant and full of potential. A recent Young Architect Competition (YAC), entitled Space to Culture, recognized this trend and called upon young minds to turn such a factory in Granarolo, Bologna into a center for culture and entertainment. The competition asked entrants to focus on the idea of temporality and ensure the re-purposed factory’s longevity through dynamic and flexible spaces. To see the winning entries, continue after the break.
Wood is the ultimate material - it’s renewable, sequesters carbon and more importantly, it’s buildable. Nevertheless wood is rarely used in tall, vertical construction. Now reThink wood has come out with their Tall Wood Survey (available in full on their website), which surveyed over 50 wood experts to explore three main areas in which wood is usually questioned: financing, insurance and performance. But beyond discussing the pros and cons of wood, the survey also highlights 10 projects that show how wood products are being used in ways you never thought existed. See all ten innovative projects, after the break.
Amsterdam-based firm NL Architects have been selected to design Arnhem‘s new ArtA Center, a new public arts cluster that will house the Arnhem Museum and Focus Cinema. Coming out on top in a shortlist which included BIG, Kengo Kuma & Associates and SO-IL, NL Architects’ terraced design features a rooftop urban park with views over the Rhine, subterranean movie halls and an adaptable, open plan stepped museum.
The jury’s decision commends the design for the way it “radiates enthusiasm”, and the “simple and clear” concept, as well as praising the “inventive and innovative” mentality of the architects.
More on the design and the jury’s selection after the break