Soft Shells – Porous and Deployable Architecture

Courtesy of Sophia Vyzoviti and BIS Publishers

Cut, Pleat, Tile, Weave. Four principles guide every project in the - a new publication that features porous, deployable, expandable and retractable architecture. Keep reading after the break to see two of the featured projects, but make sure to check out the full book here.

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Make It Right Unveils 5 New Designs for Housing in Fort Peck Reservation

LivingHomes’ Design. Image Courtesy of Living Homes

Make It Right, the organization founded by Brad Pitt to provide housing to those in need, has unveiled 5 designs for their new initiative in the Fort Peck Indian Reservation in Montana. The designs – by GRAFT, Sustainable Native Communities Collaborative, Architecture for Humanity, Method Homes and Living Homes - are inspired by cradle-to-cradle principles, will be LEED Platinum rated and have been developed alongside community consultation with the Sioux and Assiniboine tribes of Fort Peck.

The organization is planning to build 20 new homes on the reservation, as well as developing a sustainable masterplan for the entire 3,300 square mile reservation, with construction planned to start later this year.

More on the development of ’s Fort Peck initiative after the break.

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Vitra Campus Adds A Viewing Tower With a Slide

Slide Tower / Carsten Höller. Image ©

Adding to the world-famous collection of buildings and structures at its campus in Weil am Rhein, Vitra has just unveiled its latest project, a viewing tower and slide designed by Carsten Höller. Located on the Alvaro Siza-designed promenade linking Herzog & de Meuron‘s Vitrahaus with Zaha Hadid‘s Fire Station, the new tower offers two ways to see the Vitra Campus as never before: from above, looking out over the other buildings at the tower’s viewing platform; and on the dizzying descent, as the transparent roof to the slide gives fleeting views of the buildings around you.

More on the Vitra Slide Tower after the break

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RIAS Announces this Year’s 13 Best Scottish Buildings

The Inn at John O’Groats / GLM. Image © Pip Rustage

The Royal Incorporation of Architects in (RIAS) have announced the winners of the 2014 RIAS . Selected from the 83 entries, these buildings represent the best in Scottish architecture from the past year. This year Glasgow buildings make up significant number of the 13 winners, demonstrating the positive results of the city gearing up to host the 2014 Commonwealth Games later this summer.

The RIAS Awards are held in parallel with the RIBA National Awards, with submitted projects eligible for both. This year, 4 RIAS Award winners were also RIBA National Award winners. See the full list of winners after the break.

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Heatherwick Studio To Build “Learning Hub” in Singapore

Courtesy of

London based Heatherwick Studio have won a competition to design a Learning Hub at Nanyang Technological University, Singapore. The construction of the Hub, part of a £360 million scheme, will be the first redevelopment of its campus in twenty years. Having already won the BCA Green Mark Platinum Award for Sustainability from the Singaporean Government, the design seeks to redefine the aspiration of a university building. Within this new context the purpose of the university is to “foster togetherness and sociability” so that students can meet and learn in a space that encourages collaboration.

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Venice Biennale 2014: Radical Pedagogies, Exhibit Design by Amunátegui Valdés Architects

Courtesy of Amunátegui Valdés Architects

Last year I saw Beatriz Colomina present Radical Pedagogies, a research project that she led together with PhD students at Princeton University School of Architecture. Radical Pedagogies focuses on schools and programs from around the world that emerged postwar, strongly tied to social changes of the time. The material produced over three years of seminars, interviews and archive digging shows a compelling story of the ways that “architectural pedagogy” have impacted today’s architecture .

Invited to the Monditalia section of the Venice Biennale, Radical Pedagogies paints a global picture while focusing on some of the strong Italian influences of these new movements—such as Lina Bo Bardi in Brazil and Aldo Rossi in Argentina—in an interactive exhibit that includes augmented reality content by dpr-barcelona.

The exhibition was awarded a Special Mention, cited by the jury for ”highlight[ing] the emergence of new poles of architectural thinking in the current world and mak[ing] these accessible as a living archive. The research project is part of an ongoing global project that shows that knowledge is produced and develops in a networked way beyond national borders and national identities.”

We wanted to show our readers more about this project, but focusing on the physical armature of the exhibit, a dimension that is often ignored from a technical point of view. That’s why we asked Chilean practice Amunátegui Valdés Architects to share the architectural details of the Radical Pedagogies: Action – Reaction – Interaction exhibit and construction. Read more after the break.

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“Inhabiting the Desert” Since 1914: Morocco at the 2014 Venice Biennale

© Luc Boegly

was heavily influenced by European modernism due to its strategic position in Northern Africa. It was governed as a European protectorate for much of the 20th century, and it was in this region that the modern movement found a place for experimentation; a place where modernist ideals met such particular climate conditions that they evolved a unique regional expression.

The Morocco Pavilion for the 2014 Venice Biennale—their first presence at the event—acknowledges this particular expression aligned with the theme of Absorbing Modernity under the title of Fundamental(ism)s. Curator Tarik Oualalou erected it over a ground of desert sand to create a setting for Morocco’s architecture in the past, entitled Living in the City, and the future, Inhabiting the Desert.

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The EU Mies van der Rohe Architecture Award and The Future of European Architecture

© Pepo Segura – Fundació Mies van der Rohe

ArchDaily is pleased to announce our partnership with the European Union Prize for Contemporary Architecture – Mies van der Rohe Award. The following is an essay from Constructing Europe by Pedro Gadanho, member of the 2013 Prize jury. 

When one wants to consider the future of any form of activity, one is tempted to extrapolate trends from current conditions. One translates signs from the present onto the shape of things to come. The conditions of a given moment, however, may be too circumstantial, and one should be particularly aware of their transient nature. This is the dilemma one obviously faces when considering ‘the future of European architecture’.

At the time the European Union Prize for Contemporary Architecture – Mies van der Rohe Award commemorates its 25th anniversary, the European project from which this Prize emanates – and to which it owes its symbolic meaning and promoting purpose – is itself at a crossroads.

In between austerity measures, the South and North divide, growing unemployment, a feeling of impoverishment and insecurity, and the apparent unsustainability of the Welfare State model, which had given the region prosperity after World War II, itself seems to be facing a pivotal, if transient moment.

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May ABI Shows Return to Growth in US Market

May 2014 ABI. Image Courtesy of CalculatedRiskBlog.com

The US Architecture Billings Index showed a significant improvement in May, jumping to a score of 52.6 and showing some growth after two consecutive months of contraction. As the American Institute of Architects (AIA) reports, its two new measures of growth also showed positive results: the Project Inquiries Index rose to 63.2; and the Design Contracts Index – despite dropping slightly from last month’s 54.6 – still showed growth at 52.5 points.

“Volatility continues to be the watchword in the design and construction markets, with firms in some regions of the country, and serving some sectors of the industry, reporting strong growth, while others are indicating continued weakness,” said AIA Chief Economist Kermit Baker, Hon. AIA, PhD. “However, overall, it appears that activity has recovered from the winter slump, and design professions should see more positive than negative numbers in the coming months.”

A breakdown of regional and sector highlights, after the break

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Tadao Ando Designs Luxury Residential Building in New York

Rendering of 152 Elizabeth Street, developed by Sumaida + Khurana. Image ©

Tadao Ando has unveiled designs of his latest project, a 7 story luxury residential project in Manhattan. The building at 152 Elizabeth Street is Ando’s first in New York, and includes his signature design features of simple cubic forms, polished in-situ concrete and curtain glass.

More on 152 Elizabeth Street after the break

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Schmidt Hammer Lassen Sponsors New Danish Library Award

have been involved in a number of Library designs themselves, including the New Library at the University of Aberdeen. Image © Adam Mørk

The Danish Agency for Culture has unveiled a new award for Library architecture as part of its Model Programme for Public Libraries project, a programme in association with Realdania which aims to generate new ideas about how the design of public libraries can change to meet the changing needs of today’s society.

The award, which will be announced at the annual conference of the International Federation of Library Associations and Institutions (IFLA) in Lyon, France, is sponsored by Schmidt Hammer Lassen Architects and has a prize of DKK 25,000.

More on the award, and how to enter, after the break

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RIBA Announces 2014 National Award Winners

King’s Cross Station / John McAslan + Partners. Image © Hufton+Crow

The Royal Institute of British Architects (RIBA) has announced the 44 buildings in the UK and 12 EU projects to win 2014 National . The list includes instantly recognizable projects such as The Shard by Renzo Piano and Mecanoo‘s Library of Birmingham, but also rewards plenty of well-crafted smaller projects, for example Lens House by Alison Brooks Architects.

From this list of National winners, the RIBA will select the shortlist for the RIBA Stirling Prize, which will be revealed next month. See the full list of winners after the break.

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A Biennale of “Bold Reminders”

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For ’s George Webster, this year’s Biennale is a “bold reminder that architecture is – or at least should be – about a great deal more than blueprints, digital renderings and scale models.” Taking the British Pavilion as a case in point, Webster argues that Koolhaas’ original thematic provocation has paid off, succeeding “because it places people - our history, culture and even our bodies - at the very heart of its thinking.” Travelling through the pavilions of Romania, Germany, the Dominican Republic, and Russia, you can read the article in full here.

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Fumihiko Maki Commissioned to Design China’s First Design Museum

Model of the Shekou Museum. Image © China Merchants Property Development &

The Pritzker Prize-winning architect Fumihiko Maki has revealed early designs for China‘s “first major design museum”, a project in the Shekou district of Shenzhen commissioned by China Merchants Group (CMG) in collaboration with London’s V&A Museum. The design model was unveiled yesterday at the Foreign & Commonwealth Office in London, where representatives of CMG and the V&A signed a collaboration agreement to deliver the museum, which is hoped to open at the end of 2016.

Maki’s design for the Shekou Museum features three severely cantilevered volumes atop a deconstructed plinth; a staircase at the corner of the building also leads to the green public space on the roof.

More on the project after the break

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Biennale Exhibit Examines the “Chinese Condition” – What Happens When 1% of the World’s Architects Design 33% of its Buildings

© MCPH Marco Cappelletti

“Chinese architects account for 1% of the world total, but the turnover from building work is 1/10 of the world total. In other words, one hundredth of the world’s architects must design 33% of all buildings and they must do this for just 1/10 of the profit. How does this condition effect architecture?”

This is the question that motivates THECONDITIONOFCHINESEARCHITECTURE, the exposition TCA ThinkTank displayed within the Chinese Pavilion at this year’s . Read the curators’ description of their exposition’s look into the perceptions and reality of Chinese architecture, after the break.

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SOM Wins Competition for Sweden’s Tallest Tower

Courtesy of Serneke

SOM, working alongside Danish practice Entasis Arkitekter, has been selected to design a new residential building in Gothenburg that will be Sweden‘s tallest tower. Coming out on top against an international shortlist that included Zaha Hadid Architects, SOM’s 230m tall proposal ‘The Pole Star’ features four connected prisms which twist 90 degrees near the top.

The competition, run by developers Serneke, called for proposals for a 32,000 square meter mixed-use masterplan, including a 200+ meter residential tower, in ’s Lindholmen area. A particular focus for the jury was for proposals to “demonstrate how the skyscraper can be integrated into the structure of the neighborhood,” adding that “the building should be a part of the area’s social and architectural context, not stand as a solitary monolith.”

Read more about the jury’s decision after the break

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UK Architecture Unemployment Falls to Pre-Crash Levels

© Rene de Wit

The number of unemployed architects in the UK has fallen to its lowest level since before the financial crisis, according to the Office of National Statistics. This is based on the number of architects claiming Jobseekers’ Allowance, which fell to just 310 in May, a figure that has almost halved since May 2013 when 615 architects were claiming.

These statistics are backed up by observations revealed by the RIBA Future Trends Survey for May, released later this month, which reportedly shows a 10% increase in workload among practices.

More on the recovery of UK architecture after the break

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China’s Pavilion at Venice Biennale 2014: Mountains Beyond Mountains

© Nico Saieh

From the Curators. By making space the manifestation of content and content an insight of the space, space and content are correlated in the Pavilion in that content provides an explicit timeline of ’s 100 years’ of architectural thinking (dual theme threads), while space presents an implicit theme of Yi Xiang (imagery-scape) through the history of Chinese architecture.

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