Foster + Partners has just unveiled the opening of “Radial,” a new summer pavilion for the London Festival of Architecture. Situated at Principal Place, an office space also designed by Foster + Partners in London, the pavilion brings new life to the plaza. “Radial” is constructed from readily available and reusable materials, showcasing a commitment to sustainability. The structure also provides a welcoming space for rest and contemplation.
Heatherwick Studio has unveiled the design of a new large-scale glass canopy to become one of the main attractions of Olympia, an ambitious regeneration project aimed at transforming the 138-year-old exhibition halls in London into a global culture and entertainment destination. Originally designed by Sir Henry Edward Coe, Olympia is set to offer visitors a wide range of venues and activities, including two hotels, over 30 restaurants, bars and eateries, a 4,400-capacity live music hall, a theater, and spaces for the Wetherby Performing Arts School, in addition to over 2.5 acres of accessible public spaces. The revival project is co-designed by Heatherwick Studio and SPPARC.
The official opening date for the 23rd Serpentine Pavilion has been announced for June 7th, 2024. The structure designed by Seoul-based Korean architect Minsuk Cho and his firm Mass Studies, will welcome visitors until October 27, 2024, in London’s Kensington Gardens. Titled “Archipelagic Void,” the pavilion is composed of five islands displayed around a central void in reference to the mandang, a type of open courtyard found in traditional Korean houses. The intervention will be activated throughout the summer with a diverse program of events, starting with a conversation between Minsuk Cho and Serpentine Artistic Director Hans Ulrich Obrist on June 7, 2024.
When he was invited to design the 21st Serpentine Pavilion in London’s Kensington Gardens public park, Chicago-based artist Theaster Gates envisioned a calm space to offer respite and a subtle exploration into the power of sound and music in architecture. Created out of lightweight stained wood, the “Black Chapel” demonstrates more than just artistic and architectural sensibilities. In addition to the use of sustainable materials, the project also pays close attention to how the building materials are sourced, bringing visibility to the problem of modern slavery in the construction materials supply chain.
To ensure fair labor conditions not just on-site, but throughout the entire production process, the Serpentine Pavilion collaborated with Grace Farms, a US-based non-profit foundation helping designers and industry leaders to eliminate forced labor in the building materials supply chain, thus establishing more ethical practices and a more humane future.
As the demand for affordable housing grows and the availability of low-cost properties diminishes, stakeholders in housing must become more innovative in their approach to social housing development. One opportunity lies in restoring and repurposing abandoned buildings. While building new houses remains the primary strategy for Housing Authorities and Associations, rehabilitating derelict buildings can be a more economical option. This approach not only maximizes the use of dilapidating infrastructure but also provides an economic opportunity to increase affordable housing within the city. Although rehabilitating derelict residential buildings may seem like an obvious solution, it becomes even more crucial when considering abandoned commercial, institutional, or historical buildings for social housing.
The controversial London Wall West redevelopment project, which involves the demolition of the former Museum of London and Bastion House, is set to proceed. The redevelopment, designed by architecture firms Diller Scofidio + Renfro and Sheppard Robson, will replace the landmark 1970s buildings with a modern office complex. The City of London has confirmed that the Secretary of State for Leveling Up, Housing, and Communities, Michael Gove, has decided not to call in the plans to reevaluate the former museum, allowing the project to move forward.
Seoul-based Korean architect Minsuk Cho and his firm Mass Studies have been selected to design the 23rd Serpentine Pavilion, to open on June 5, 2024, in London’s Kensington Gardens. Titled “Archipelagic Void,” this iteration of the iconic commission will consist of five ‘islands’ displayed around an open space, breaking down the structure into a series of smaller elements intertwined with the park’s natural ecology. The pavilion will be open to the public from June 7, until October 27, 2024, with a press preview two days before the opening.
Delving into the realm of unbuilt architectural projects by renowned offices offers a peak into the design principles and ethos of the studios. The curated list of unbuilt projects submitted by established architecture practices has the potential to reveal new perspectives on the socio-cultural and environmental factors shaping contemporary architecture. These designs often respond to complex challenges such as sustainability, urbanization, and cultural preservation, reflecting architects' efforts to navigate and contribute meaningfully to the built environment.
Within this curated selection, one standout project is Rafael Viñoly Architects' Médano El Pinar, marking the late architect's last contribution to the architectural landscape. Other projects such as Aedas' Ellinikon Commercial Hub explore the opportunities of new developments, such as the disused airport transformed into Europe’s largest coastal park in the periphery of Athens, while others are highlighting natural landscapes or offering spaces for creative and innovative programs. Featuring internationally recognized offices like SOM, Kohn Pedersen Fox, Gensler, or GAD Architecture, the selection showcases the unrealized concepts and architectural experimentations of renowned offices.
Foster + Partners’ development in Bankside, London, has just been granted planning approval. Designed in collaboration with Lipton Rogers and real estate developer Hines, the Southwark Council has just agreed to proceed with the development. Titled “18 Blackfriars Road”, the project aims to revitalize a neglected two-acre brownfield site that has sat vacant for two decades.
Representing 32% of the global population, Generation Z (those born between 1995 – 2010) accounts for a healthy chunk of the workforce (27% by 2025 and rising every year). These are the fresh young minds employers are fighting to attract. With prospective employers’ impact on society (93%) and a healthy work/life balance (77%) the two biggest motivators in deciding where Gen Z’ers want to work, a large part of any new office building’s design brief is green space.
While hybrid working and flexible hours represent the most obvious ways to improve work/life balance for many, because of the missed social interactions and the lack of space or functionality at unproductive home workspaces, the majority of 16-24-year-olds are the only age group who prefer to work from the office.
Allford Hall Monaghan Morris (AHMM)’s architectural studio has revealed the plans to convert a 1950s London office building into a co-living residential scheme. Initiated by developer HUB and Bridges Fund Management, “Cornerstone” is nestled on the fringes of the iconic Barbican estate, hoping to seamlessly transform the original office building to integrate 174 co-living residences.
On February 21st, 2024, American Hotelier MCR Hotels acquired the renowned BT Tower in London. The tower, a Grade II listed marvel, is nestled within London’s Fitzrovia, standing as a testament to the city’s heritage. Initially used as the British Telecommunications Tower and was known as the Post Office Tower, the BT Tower will be repurposed by Heatherwick Studio, with plans underway to breathe new life into this iconic structure.
