Designed by the architectural practices BIG – Bjarke Ingels Group and Carlo Ratti Associati, the mixed-use CapitaSpring tower in Singapore has been announced as the winner of the International High-Rise Award (IHA) 2024/25. The high rise stood out among the 31 projects considered in the competition. Measuring 260 meters in height, the tower officially opened in 2022, standing out for its strategy of integrating open and green spaces throughout the building.
Nestled in the heart of Southeast Asia, Singapore stands as a beacon of sustainable urbanization. According to the 2016 Green City Index, the city-state of Singapore was the greenest city in Asia at one point. Renowned as the "City in a Garden," Singapore has intertwined lush greenery, verdant parks, and new environmental policies into its urban fabric/ After gaining independence in 1965, the city-state stands as a testament to how urban life can integrate with nature.
From the futuristic marvels of the infamous Marina Bay Sands and Jewel Changi Airport by Safdie Architects to the iconic heritage of the former Supreme Court, now the National Gallery Singapore, the city showcases a rich tapestry of styles and influences. The city has also adopted its version of modernism, such as the Colonnade Condominiums, designed by architect Paul Rudolph, and the Pearl Bank Apartments by Tan Cheng Siong. Renowned architects such as Moshe Safdie, Norman Foster, and WOHA, have each left an indelible mark on the city with their innovative designs.
Architectural grafting, a concept recently popularized by Jeanne Gang in The Art of Architectural Grafting, presents a transformative approach to urban regeneration and sustainability. Drawing inspiration from botanical and horticultural practices — where new growth is added to existing plants for enhanced resilience — this architectural method integrates new structures with existing ones, allowing them to coexist and adapt. Rather than pursuing demolition, grafting prioritizes adaptation, extending the life of buildings while safeguarding their cultural and historical significance.
While Studio Gang has played a pivotal role in advancing this method, architectural grafting embodies a broader principle that architects have long used to enhance sustainability, conserve resources, and honor heritage. Across scales — from individual buildings to urban landscapes —grafting reshapes the relationship between past and present, adapting existing structures for contemporary needs while addressing environmental demands. By reimagining historic buildings for modern use, this approach fosters a sustainable evolution of cityscapes.
Landscape architecture firm SCAPE together with Bjarke Ingels Group have announced plans to transform Connecticut's Manresa Island into a public-oriented development as a hub for learning, exploration, and community engagement. Originally slanted for private waterfront housing, the new scheme aims to open up the area as a public park with ample waterfront access, a project led by SCAPE. Additionally, the decommissioned coal-fired power plant is set to be converted by BIG into a community hub for multiple activities including swimming, small and large-scale events, research, and educational rooms. Supported by a private philanthropic investment from Austin McChord, the project is set to open in 2030 through a phased development.
Bjarke Ingels Group (BIG) is leading the transformation of a former supermarket into the new Museum for Paper Art in Denmark's North Jutland region. With paper art deeply ingrained in Danish cultural heritage, symbolized by Le Klint's folded lampshades and H.C. Andersen's intricate paper cuttings, this renovation and expansion aim to elevate the museum's profile and double its visitor numbers. The design will celebrate paper as both an art form and a craft, extending the museum's role in promoting this unique heritage.
The relationship between architecture and naval design has been a fascinating interplay of form and function that has evolved significantly. Both disciplines have a shared history of innovation, aesthetics, and functionality that have informed and inspired each other. This "love affair" has seen architects drawing inspiration from boats, particularly in the modernist era when ships' streamlined, efficient designs influenced the aesthetic of buildings. Conversely, architectural principles have also been adapted to enhance the functionality and form of boats, demonstrating a reciprocal exchange that continues to shape both disciplines.
On the morning of September 11, 2001, two hijacked commercial jetliners struck the Twin Towers in Lower Manhattan, a third plane struck the Pentagon, and a fourth crashed in rural Pennsylvania. A total of 2.977 people were killed in the terrorist attacks. In the face of this unprecedented loss, the city of New York promised to rebuild Lower Manhattan as a lively neighborhood while honoring and maintaining the memory of this day. Thus began one of the largest reconstruction projects in New York City, a process that is still ongoing now, 23 years after the tragedy.
Space exploration isn’t merely a testament to human ambition or a quest for new territories and resources. Our ventures beyond Earth’s atmosphere are driven by a deeper purpose: to understand better our place in the cosmos and to pioneer innovations that can transform life on our home planet.
While venturing beyond our planet captures the imagination, the true impact of space exploration may be felt much closer to home. Public perception often frames space exploration as a distant endeavor with limited relevance to terrestrial challenges. However, this perspective overlooks the substantial contributions of space programs to our world. By driving technological innovation, expanding our scientific knowledge, and inspiring future generations, space exploration has proven to be an invaluable catalyst for addressing global issues.
The Suzhou Museum of Contemporary Art, spanning 60,000 square meters, is envisioned as a village of 12 pavilions, presenting a contemporary take on the city's historic urbanism, architecture, and landscape. Designed by Bjarke Ingels Group - BIG, ARTS Group, and Front Inc., the project is part of Suzhou's development around Jinji Lake. It reimagines the classical garden 'lang,' or corridor, framing gardens with outdoor art installations. The pavilions' layout draws inspiration from Suzhou’s garden heritage, guiding visitors through an artistic, natural, and aquatic journey. The museum, which recently celebrated its topping out, is scheduled for completion in 2025.
Architectural presentations to clients typically include renders, diagrams, and drawings. Interpreting these and envisioning the final product requires imagination and architectural insight to fill in the gaps and visualize a final product. BIG and Squint/Opera, a partnership between an architectural powerhouse and a creative digital studio, explore innovative methods to convey spatial and architectural design beyond traditional means. They reimagine architectural storytelling beyond static 2D visuals through cutting-edge video production and immersive technology, enabling clients and the general public to fully experience their futuristic visions of city planning and architectural design. Their notable collaborations include the video production for the Toyota Woven City Project and the creation of the VR collaborative design tool HyperForm.
In a conversation with ArchDaily, Daniel Sundlin, partner at BIG, and Matt Quinn, Commercial Director at Squint/Opera, discuss their insights on the future of architectural digital storytelling.
Prague, the capital of the Czech Republic, is one of Europe's best-preserved cities, having miraculously survived the widespread bombings of World War II. As the capital of the Czech Republic, Prague is home to over 1.3 million people and features an architectural heritage spanning centuries, covering a variety of architectural styles from Romanesque, Gothic, Renaissance, Baroque, and Rococo, to Modernist, Deconstructivism, and contemporary tendencies. The Old Town Square, where various architectural styles coexist, is a testament to this diversity. Known as the "Mother of all Cities," “the Golden City and “The City of a Hundred Spires,” Prague blends history and contemporary culture seamlessly. Its origins, steeped in legend, add to the city's charm.
Over the past few years, the city has also seen interest from internationally-recognized architectural offices. Following an international competition, BIG has set out to design a for the Vltava Philharmonic Hall on the riverbanks of the Vltava River, Zaha Hadid has recently completed an office and retail building in the city center, while Henning Larsen has been announced as the winner of the commission to redesign Prague Central Station, Nový Hlavák.
ICON, the office that pioneered large-scale 3D printing, has announced a new residential development of 3D-printed homes to take shape at Wimberley Springs, in Texas, United States. The complex, comprising 8 single-family homes, features designs from ICON’s CODEX Digital Architecture Catalog. The houses, currently under construction and available for sale, leverage ICON’s robotic technologies to create an energy-efficient, low-carbon construction process.
Deutsches Architekturmuseum (DAM) has announced the International High-Rise Award 2024/25. Selected from more than 1,000 new high-rises worldwide dating from the past two years, the nominated projects are located in 13 counties from 5 continents. In autumn, the five finalists will be announced, followed by the winner announcement scheduled for November 12, 2024. The main objective of the award is to highlight good practices in the ongoing trend of mixed-use high-rises.
With the increase in the construction of high-rises, special features such as the introduction of greenery in the design, unusual shapes, or the construction of clusters of towers, have become the new normal. DAM’s research this year also shows a growing eco-awareness, as the focus in high-rise construction is increasingly on the use of existing buildings. While the majority of tall buildings continue to be erected in China, followed by the USA, Australia, and Singapore have emerged as new hubs of high-rise architecture.
Skyscrapers are iconic symbols of modern urbanization and technological advancements all over North America. These structures are a sign of economic prosperity, urban density, and the capabilities of humanity’s ambition. In major cities across the continent, they shape the skyline and give identity to these metropolises. Cities like New York City, Toronto, and Florida utilize these cutting-edge designs to showcase power beyond their physical stature.
In general, skyscrapers are characterized by their remarkable height and pioneering engineering capabilities. They use advanced materials such as steel, glass, and concrete and serve as multifunctional spaces, ranging from housing to hotels and offices. Architects all around the world continually push the boundaries of architectural creativity, design, sustainability, and functionality while crafting these buildings. The structures allow architects to maximize land use in new ways, tackling densely populated urban areas.
Since its launch in 2000, the Serpentine Pavilion has been providing renowned and emerging architects with a platform for design experimentation, becoming an important display of contemporary architecture. Each year, the commissioned architects and designers envision a temporary structure that speaks not only to their roots as creators, but also brings into focus what they consider to be important themes in the architectural world, from the need to redefine spaces for contemplation or conviviality, to explorations into the potential of natural materials or vernacular building techniques. On the day of the public opening of the 2024 Serpentine Pavilion, the "Archipelagic Void" designed by Korean architect Minsuk Cho and his firm Mass Studies, we look back at the last eight editions of the famous annual structure.
BIG, in collaboration with BNIM and the University of Kansas School of Architecture & Design, has revealed a mass timber structure named the “Makers’ KUbe.” Designed for collaborative learning, the structure features a timber diagrid frame. The scheme was developed with students, faculty, and the university's board of directors to serve as a studio space and an educational showcase for sustainable practices.
“The Mindfulness City will be a sustainable city. To be mindful is to be aware — to perform best,” said Giulia Frittoli, partner and head of landscape at BIG. The Kingdom of Bhutan is a landlocked Buddhist country in the eastern Himalayas, nestled between China and India. It covers 14,000 square miles and has a population of nearly 800,000.
The Royal Office of Bhutan asked BIG, Arup, and Cistri to develop a plan for a new Mindfulness City in Gelephu in southern Bhutan, near the border with India. The city will span 386 square miles and include a new international airport, railway connections, hydroelectric dam, university, spiritual center, and public spaces.
The future Saudi tower designed by Foster + Partners is expected to reach a staggering height of two kilometers. This multibillion-dollar project, towering twice as high as the current record holder, the Burj Khalifa in Dubai, will dominate the skyline of Riyadh, accommodating offices, residences, and entertainment spaces. It forms part of a development program led by Saudi Arabia, driven by the vision of Crown Prince Mohammad bin Salman to establish the country's presence through ambitious, large-scale projects. While these super-tall towers symbolize visibility and global recognition, they face criticism for their extravagant construction costs and environmental impact.
