The city of Belmonte, on the southern coast of Bahia, has just opened Brazil's first museum entirely dedicated to the chair. The Museum of Brazilian Chairs is a project by designer Zanine de Zanine, son of Zanine Caldas—a Belmonte-born artist and one of the leading figures of Brazilian modernist furniture design—construction entrepreneur Daniel Katz, and the Belmonte Secretariat of Culture and Tourism.

Since the 2013 protests, there has been a clear resurgence of the concept of the public sphere in Brazil, particularly in metropolises like São Paulo. Within a context of speculation and a commodified city—where both spaces and public services are driven by capital accumulation, and where public authority operates merely as power rather than in the public interest—a growing movement to reclaim urban spaces by previously marginalized actors has emerged.

Philip Ross is a mycologist who studies the various possibilities of using fungi. He is responsible for the innovative discovery of using mushrooms as an alternative building material. The specialist found that mycelium—a network of thin fibers that mushrooms form underground—is highly resistant when dry and can be used to create a strong building material that is resistant to fire, water, and mold.

According to data released by the United Nations (UN, 2017), the global population has reached 7.6 billion, with more than half (54%) living in urban areas. In Brazil, according to data from the Brazilian Institute of Geography and Statistics (IBGE, 2010), 84.4% of the population lives in cities.

Brasília has always been a subject of interest for architects worldwide. Proof of this is the vast volume of literature published on Brazil's new capital over the nearly six decades since its inauguration.

Regarding Brasília, several questions emerge[1]: Who spoke about the city? Who criticized its construction? How did Brazilians interpret the idea of a new capital? Surveying those who participated in these debates helps clarify the “state of the art” of architectural interpretation in Brazil. Looking ahead, this historiographical perspective aims to raise new questions and foster a critical stance toward the most common readings of Brazilian modern architecture.

Conceived as a large-scale residential development in an expansion zone of São Paulo, the Jardim Ana Rosa Residential Complex began its subdivision design in 1950, in the Vila Mariana neighborhood, facing Largo Ana Rosa. The development, carried out by the Banco Hipotecário Lar Brasileiro, featured the participation of several prominent São Paulo architects of the time, such as Abelardo de Souza, Plínio Croce, Roberto Aflalo, and Salvador Cândia. In its initial version, the project planned for a few buildings bordering Vergueiro Avenue, with most of the area designated for single-family homes.

On Monday, September 16, the São Paulo City Hall signed the concession of the Pacaembu Stadium to the Patrimônio SP consortium, comprising the engineering firm Progen and the investment fund Savona. The stadium will undergo renovations and is expected to remain closed to the public for the next two years.

The work of the Catalan firm Barozzi Veiga is explored through the tension between tradition and invention in architecture in this article by João Paulo Rapagão, published in partnership with AMAG.

Immaterial Heritage is a concept adopted in many countries and international forums as complementary to the concept of tangible heritage in the formulation and implementation of policies to protect and safeguard cultural heritage, from an anthropological and relativistic perspective of culture. Intangible heritage is also used as a synonymous term to designate the symbolic references of the sociocultural processes of invention, transmission, and continuous practice of traditions that are fundamental to the identities of groups, social segments, communities, peoples, and nations.

There is perhaps no concept so generic and comprehensive, yet at once so impersonal and difficult to reach consensus on, as that of the environment (focusing on the United Nations Conference's own definition of environment—the environment as the set of physical, chemical, biological, and social components capable of causing direct or indirect effects, in the short or long term, on living beings and human activities—we immediately find that establishing a stable, common, and assertive conceptual foundation is highly difficult to achieve, let alone universally recognize...)

The new space of São Paulo's Museum of Image and Sound (MIS) will open its doors with an exhibition on Leonardo da Vinci. Scheduled for October of this year, the opening of the museum's new branch, located in the Água Branca neighborhood in São Paulo's west zone, will host the exhibition Leonardo da Vinci – 500 Years.

In July 2019, the habita-cidade Platform [1] organized the "Ways of Dwelling: Traditional Architectures" Travel-Workshop, which brought students and professors to the Ypawu Village in Kamayurá territory, in the Upper Xingu. The general objective of the "Ways of Dwelling" Travel-Workshops is to foster constructive reflection on the diverse forms of human habitat across the planet. This year, responding to a request from Kamayurá master builders to produce a manual on local architecture, the Travel-Workshop was designed so that the visiting group could support this important endeavor. The idea for the Kamayurá Architecture Manual was first proposed by Kanawayuri L. Marcello Kamaiurá (a local leader) to architect Clarissa Morgenroth (a graduate of Escola da Cidade) and theater director Cibele Forjaz. Escola da Cidade was then invited to join the project, which was taken on by the habita-cidade Platform, an initiative linked to the *lato sensu* postgraduate program "Housing and City."

The Council of Architecture and Urbanism of Brazil, through its Commission for Gender Equity (CTEG), has launched a public survey to collectively build a women's agenda aimed at overcoming challenges in the practice of architecture and urbanism.

Over the next 20 years, 45% of urban land should consist of public spaces (streets, parks, and plazas), according to UN-Habitat. What will be the quality of these spaces? Which stakeholders will assume responsibility for their management? The movement to reclaim public spaces by city dwellers is gaining momentum both in Brazil and globally. The right to the city is at the forefront of urban discourse, and at its core, many citizens are committing to actively participate in decisions regarding their cities, or even in everyday initiatives to improve public spaces.

In the 21st century, smart city management will be one of the most influential factors in economic development. Addressing challenges in housing, sanitation, democracy, education, safety, economic development, and quality of life will be at the forefront of the agenda for city leaders. 

The veranda is one of the architectural elements that most powerfully fosters the connection between interior and exterior spaces. Its precise origins are difficult to pinpoint, as it can be found in vernacular architecture across the East, the Arab world, Europe, and, with particular prominence, Brazil.

+ 16

The Projetar.org portal has released the results of its 30th competition, which challenged participants to design a Bauhaus campus in Brazil. The project would be located next to the Museum of Modern Art in Rio de Janeiro, where Max Bill envisioned one of Brazil's first design schools, based on the principles of the Bauhaus and its German successor, the Ulm School.

The Master Plan is the basic instrument for defining a municipality's development model. It establishes guidelines and strategies for executing plans, programs, and projects, seeking to emphasize public participation as well as economic, social, and environmental sustainability. Yet, its influence on the city goes far beyond what is commonly imagined: it ultimately dictates the volume and form of every new building.

Construction of the Comandante Ferraz Antarctic Station, the Brazilian Navy's research base in Antarctica, is complete after three years of work on the planet's most extreme continent. A masterpiece of architecture and engineering, the facility features 700 tons of steel structures, an aerodynamic shape to withstand winds of up to 200 km/h, and a stilted base to prevent winter snow accumulation from reaching the building. 

Building certified sustainable public buildings is now a viable reality. At least, that is what the Hassis Daycare project in Florianópolis, designed by architect Rachel Braga, demonstrates. The 1,182-square-meter building is the first of its kind in the world and the first public building in Brazil to receive the highest Leadership in Energy and Environmental Design (LEED) rating: Platinum.

Videos

An open lecture on architect Paulo Mendes da Rocha and the Brazil Pavilion at Expo ’70 Osaka, as part of the exhibition "Architecture of Exception – The Brazil Pavilion at Expo ’70 Osaka." Exhibition curators José Paulo Gouvêa and Alexandre Benoit invite FAUUSP professor Guilherme Wisnik and Daniele Pisani, professor at Politecnico di Milano and author of the book Paulo Mendes da Rocha: Complete Works (Gustavo Gili, 2002).

Contemporary architectural production in São Paulo is as diverse as one would expect from one of the most populous cities in the world. While architecture also encompasses the outcomes of urban disorder and population growth — buildings born out of the necessity of people who, with scarce resources, build their own homes — architectural discourse often focuses on production whose genesis lies in deliberate design.

The CAU/BR is studying new rules for issuing Technical Responsibility Records (RRT) and Technical Collection Certificates (CAT) by architects and urban planners. The Professional Practice Commission, which is presenting the proposal to the public, aims to improve the registration system to protect both architects and their clients regarding the technical responsibility of architecture and urbanism services.

The Swiss Federal Institute of Technology in Zurich (ETH Zurich) is offering free online courses on smart cities and future cities. Available through the edX platform, which is shared by institutions worldwide, the courses last ten weeks and are conducted via video.