La Biennale di Venezia has announced that architects Wang Shu and Lu Wenyu will curate the 20th International Architecture Exhibition, opening in May 2027. Founders of Amateur Architecture Studio and leading voices in contemporary practice, the duo is known for an approach rooted in craftsmanship, material reuse, and deep engagement with place. Their appointment brings renewed attention to vernacular knowledge, construction cultures, and the social realities shaping architecture today.
The 19th International Architecture Exhibition of La Biennale di Venezia, "Intelligens. Natural. Artificial. Collective.," curated by Carlo Ratti, closed on 23 November 2025 as the most visited Architecture Biennale to date. The exhibition recorded 298,000 visitors, in addition to 17,584 preview attendees, surpassing previous editions despite the temporary closure of the Central Pavilion for restoration. Bringing together 303 projects and 758 invited architects, along with 66 National Participations and 11 Collateral Events, the edition extended across the Giardini, Arsenale, and multiple sites throughout Venice.
This article introduces our new Opinion section, a format for argument-driven essays on critical questions shaping our field.
The Venice Architecture Biennale has always been larger than itself. Never content with merely being an exhibition, it has always carried ambitions that expand beyond the grounds of Arsenale and Giardini. Rem Koolhaas's Fundamentals sought to deconstruct architecture into a universal grammar; Alejandro Aravena's Reporting from the Front reframed it as a tool for social justice on the ground; Lesley Lokko's The Laboratory of the Future set out to decolonize and decarbonize the architectural canon.
The Tallinn Architecture Biennale (TAB) has been organized by the Estonian Centre for Architecture (ECA) since 2011. Since its founding, it has become Estonia's leading international festival dedicated to architecture and the built environment. The ECA recently announced that the upcoming edition will be curated by Stuudio TÄNA and Mark Aleksander Fischer, winners of the Curatorial Competition for the 8th International Tallinn Architecture Biennale (TAB 2026). Their winning proposal, titled "How Much?", poses the question of what affordability truly means in architecture today. The event, which in previous editions has included exhibitions, lectures, seminars, tours, satellite events, and installations across Tallinn, seeks to open a space for reflection on how architecture and design can be genuinely cost-effective, addressing the broader implications of cost and consumption. TAB 2026 will take place in the Estonian capital from 9 September to 30 November 2026.
Architecture has never been confined to the act of building. It constantly negotiates between material practice and intellectual reflection, yet throughout the twentieth and twenty-first centuries, many architects felt that the built project alone was insufficient to address the full range of questions facing the discipline. Economic pressures, political contexts, and programmatic demands often narrowed the scope of practice.
Exhibitions and curatorial platforms, by contrast, created spaces of experimentation and critique, opening arenas where architecture could interrogate itself, where its past could be reinterpreted, its present challenged, and its future projected. In this tension, the figure of the architect-curator emerged, treating curating itself as a form of design — not of walls or facades, but of discourse, narratives, and frameworks of meaning.
The Vincent Scully Prize, established in 1999 by the National Building Museum in Washington, D.C., recognizes exemplary practice, scholarship, or criticism in architecture, historic preservation, and urban design. Named after its first recipient, Vincent Scully, Sterling Professor Emeritus of the History of Art at Yale University and Visiting Professor at the University of Miami, the prize has been awarded to figures such as Theaster Gates, Jane Jacobs, Laurie Olin, Denise Scott Brown and Robert Venturi, and Mabel O. Wilson. The 2025 prize will go to Barry Bergdoll, art historian and former curator at the Museum of Modern Art in New York.
The Belgian Pavilion at the Venice Architecture Biennale 2025 presents a prototype that integrates landscape architecture into architectural interiors. Designed by Bas Smets in collaboration with Stefano Mancuso, the exhibition transforms the pavilion into a microclimate modeled after the understory of a subtropical forest, creating an indoor jungle that actively regulates temperature and humidity. The curatorial concept, supported by the Flanders Architecture Institute and its director, Dennis Pohl, promotes landscape thinking as an active design force rather than exterior decoration. In this video interview from Venice, Bas Smets and Dennis Pohl explain to ArchDaily editors how the project positions architecture as a platform for climate resilience and proposes a shift in design paradigms, from static images to evolving, living processes.
The Sharjah Architecture Triennial has announced the theme for its upcoming edition: Architecture Otherwise: Building Civic Infrastructure for Collective Futures. Scheduled for November 2026, the event will unfold across the city and the Emirate of Sharjah, UAE, through site-specific installations, exhibitions, performances, workshops, and public programs. Positioned as a platform for architectural and urban exploration across West Asia, South Asia, and the African continent, the Triennial will combine practical and theoretical approaches to contemporary urban life. Conceived by its curators, Vyjayanthi Rao and Tau Tavengwa, SAT03 aims to explore how architecture can shape collective life in regions undergoing rapid urban transformation. Consequently, selected participants will take part in month-long residencies, embedding their work within the social and cultural fabric of Sharjah.
The Fay Jones School of Architecture and Design at the University of Arkansas, in collaboration with DesignConnects and the Crystal Bridges Museum of American Art, has been chosen by the U.S. Department of State's Bureau of Educational and Cultural Affairs to represent the United States at the 2025 Venice Architecture Biennale. The selected theme, "PORCH: An Architecture of Generosity," explores the timeless architectural and cultural significance of the American porch, showcasing its continued relevance as a space for connection, inclusivity, and civic engagement.
The Lebanese Pavilion at the Venice Architecture Biennale 2025 explores the land as a site of memory, intelligence, and resistance. Titled The Land Remembers, the exhibition is presented by the Collective for Architecture Lebanon, composed of Lynn Chamoun, Elias Tamer, Shereen Doummar, and Edouard Souhaid, and takes the form of a fictional public institution: the Ministry of Land Intelligens. The pavilion addresses the ongoing ecological crisis in Lebanon through an architectural lens, framing ecocide as both an environmental and social injustice. Positioned within this year's curatorial framework Intelligens: Natural. Artificial. Collective. the project calls for a reevaluation of how architecture engages with damaged landscapes. In this interview with ArchDaily editors during the Biennale, the curators explain how the project impels a rethinking of architecture's foundational commitment to the land.
Thomas Heatherwick has been appointed as the General Director and curator of the 2025 Seoul Biennale of Architecture and Urbanism. In its fifth edition, the Seoul Biennale serves as a platform for addressing urban challenges faced by major global cities, fostering innovative solutions and public discussions around architecture and urbanism. As Asia's largest architecture biennale, scheduled to take place from September 1 to October 31, 2025, the exhibition will focus on making cities more joyful, engaging, and radically human-centered. At the heart of this mission is an ambitious public engagement program that directly involves citizens in shaping the Biennale. Through an open call, ten multidisciplinary teams, comprising architects, urban planners, sculptors, community organizers, metalworkers, and textile designers, have been selected to collaborate with local communities. These projects will respond to two central questions: How do buildings make people feel? And how can they be transformed to foster a deeper sense of connection?
The National Pavilion UAE has opened at the 19th International Architecture Exhibition - La Biennale di Venezia with the exhibition titled Pressure Cooker. Curated by Emirati architect Azza Aboualam, assistant Professor at Zayed University and Co-founder of Holesum Studio, the exhibition explores the evolving relationship between architecture and food production in the UAE, proposing innovative solutions for sustainable and self-sufficient food systems. Positioning the built environment as a catalyst for ecological resilience, it asks: In the face of climate and resource challenges, how can design shape more secure and sustainable food systems?
The 19th Biennale Architettura, which opened in Venice on May 10th, 2025, sees the Belgian pavilion transformed by an exhibition titled "Building Biospheres," curated by a team comprising landscape architect Bas Smets and biologist Stefano Mancuso. Initiated by the Flemish government and the Flanders Architecture Institute, this thought-provoking exhibit explores a transformative approach to architecture through the lens of plant intelligence.
Commissioned by the Istanbul Foundation for Culture and Arts (İKSV), the Türkiye Pavilion presents the exhibition titled "Grounded" at the 19th International Architecture Exhibition of La Biennale di Venezia in 2025. Curated by Ceren Erdem and Bilge Kalfa, the project explores soil as a medium that carries both ecological and cultural memory, presenting it as an active ecosystem with the capacity to store and transmit information. Based on research, the project uncovers new possibilities that integrate diverse artistic and interdisciplinary perspectives. Curators invite visitors to reconsider their relationship with nature and to engage with the complexity and significance of the ground beneath their feet. The exhibition features contributions from 10 individual participants and 10 collaborative teams, alongside a selection of works chosen through an open call.
Sumayya Vally, architect, curator, and founder of Counterspace architecture office, joins the jury for the 2024 Obel Award. This international architectural prize, organized by the Henrik Frode Obel Foundation, honors projects that significantly impact people and the planet. The 2024 theme, "Architecture WITH," invites a re-examination of the architectural profession, emphasizing collaborative and co-creative processes that integrate diverse bodies of knowledge into the core of design. Vally's perspective on redefining architectural roles aligns with the theme's focus on non-hierarchical, co-creative approaches.
In Timișoara, Romania, Beta Architecture Biennial opens to the public today, September 13, under the curatorial direction of Oana Stănescu. Now in its 5th edition, thus celebrating 10 years since its inauguration, the 2024 biennial proposes a wide-ranging program of debates, exhibitions, guided tours, and artistic performances. The two main components of the biennale are the Main Exhibition, cover me softly, led by Stănescu, and the Beta Awards, aiming to highlight architects and professionals from Romania, Hungary, and Serbia who actively contribute to the improvement of the built environment. The biennale is open between September 13, and October 27, 2024.
In January this year, Romanian architect, designer, and educator Oana Stănescu has been named the curator of Beta 2024 - Timișoara Architecture Biennial, now in its fifth edition. Based in New York and Berlin, Oana Stănescu is internationally recognized for her diverse portfolio of interventions around the world, challenging the confines of the profession and addressing significant societal issues. Recently, Stănescu, along with the team behind Beta, announced the theme of the main exhibition, taking place in Timițoara, Romania, between September 13th and October 27th.
