Andres Gallardo’s photo series “Urban Geometries” continues, this time the self-taught photographer chose to capture the architecture of Milan. The series focuses on the architectural contours of contemporary structures, varying in both age and function while highlighting the materiality of the façades, architectural, industrial details of each building.
Gallardo’s Milan series features the work of Zaha Hadid Architects and Grafton Architects. Other images in the series include elements of the city that often go unnoticed, such as a series of colorful recycling receptacles.
In a world rapidly transitioning toward primarily digital content creation, more and more people are beginning to experiment with various digital media. There is undoubtedly an intimate relationship between architecture and photography, and many architects enjoy experimenting with taking pictures, both of their own work and of their surrounding environment. But how do you know if you have the right gear needed to start off on the right foot? And more importantly, how can you get the most out of your equipment?
In honor of World Photography Day this month, we have put together a helpful guide to get started with lenses for architectural photography. This guide will specifically highlight the best lenses (for both DSLR and mobile) to use for your shots and why.
Having previously assembled sets of images featuring the offices of architecture firms in Dubai, London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, and Barcelona, architectural photographer Marc Goodwin continues the series with an exploration of 17 large and small offices in the Netherlands. Occupying buildings formerly used as offices, banks and old factories, the interior and exterior images capture a glimpse of the lives of these designers and their daily architectural surroundings.
In recent years, the 1968 development has extended its popularity beyond architectural circles, having been featured in the music video for Martin Solveig’s hit “Do It Right.” Gallardo’s photoset, which you can see below or on his website, zooms in on the sharp, clean-cut, vibrant form of the development, informed partly by shadows cast from the hot Mediterranean sun. Despite the somewhat exact and pristine nature of the development, Gallardo also captures details of human habitation and everyday life, such as plants, vehicles, and furniture.
The winners of the DJI Drone Photography Award have been announced, a competition calling for ideas to make creative use of drone photography, and to explore subject matters impossible to experience on foot. This year, the two winning projects consisted of a new perspective on Spain’s 3.4 million abandoned houses, and the documentation of salt production across Europe.
Situated behind Snøhetta's iconic Oslo Opera House is another set of buildings which mark out Oslo as a cutting-edge architectural hub. The Barcode Project is a masterplanning project consisting of a row multi-purpose high-rise buildings which largely make up the skyline of Oslo. Each of the buildings is the creation of different combinations of European architecture firms; however, together they form an enticing composition with the gaps between them creating the impression of a barcode—hence the project’s clever nickname.
Each of the resulting buildings pushes the idea of what a high-rise building can be. Whether they take the form of a giant staircase or resemble a 3D version of Tetris, each of the buildings has its own peculiarities. The firms involved in the project included Dark Arkitekter, A-lab, MVRDV, and Snøhetta adding their stamp on the architecture of Oslo. Read on to see German architectural photographer Rainer Taepper’s stunning set of photographs on the Barcode Project.
The Republic of Georgia’s past is defined by turbulence and a struggle for identity. A former republic of the USSR, Georgia is perhaps best known as the birthplace of Joseph Stalin. The nation's history has been anything but calm, and remnants of the architectural past provide a glimpse into the nation that was.
The country's remaining Soviet landmarks give Georgia an air of being caught between the past and the present. Italian photographers Roberto Conte and Stefano Perego capture this in their photo series, Soviet Architecture Heritage in Georgia, with a compilation of photos that highlights the existing Soviet heritage in Georgian architecture today.
Alves captures emblematic national architecture projects in addition to work by prominent architects worldwide, “fusing the vision of the architect” with that of the photographer. He is also known for his “Archilapse” videos, which feature timelapse montages of architectural works.
Read an interview with Alves and view a selection of his images after the break.
Iwan Baan was twelve years old when he received his first camera and, "within a week, [he] had traded it in for a better one." He is one of the most well-known and highly sought after architectural photographers in the world, recognised for shooting cities from above and for always highlighting people (occupation) in his images. In a short interview with Jonathan Glancey Baan is the first to state that he "doesn't know much about architecture" — something which has not inhibited his ability to produce some of the most successful photographs of the built world, and how we design, construct and occupy it.
Brazilian photographer Joana França first became captivated with capturing architectural form when she started taking pictures at the age of 15. A graduate of the University of Brasilia with a degree in architecture, França has a keen eye for the city and built work.
The Brazilian capital -- where she was born -- has become one of her main objects of exploration, and she photographed the city for the Guide to Oscar Niemeyer’s Works – Brasilia 50 Years.
Since 2012, she has worked to document art exhibitions in Brazil, publishing, for example, “Peasant Da Vincis” which highlighted exhibitions by the Chinese artist Cai Guo-Qiang in Brasilia, São Paulo and Rio de Janeiro in 2013.
Enjoy an interview with França as well as a selection of her photographs after the break.
It's clear that architecture inspires and impassions Timothy Soar - not only has the UK photographer spent most of his life visiting and capturing great architectural works, but - unlike most photographers, or architects for that matter - he also speaks eloquently about the architecture that inspires him. Describing his favorite building, AHMM's Yellow Building, he tells us it "delivers exquisite simplicity out of a complex lattice. The building has a lyrical poetry in the way it wraps and folds itself around the occupants – deft, confident and generous. It is one of London’s great spaces."
Moreover, Soar believes deeply that his architectural photography does more than merely idealize built forms; not only do his images enable the architects he works with to "refine and amplify" the ideas within their built works, and thus aid them in defining their next work, but it also seeks to advocate architecture for all: "My work as a photographer is predicated on a desire to [...] to be an advocate for design that elevates, to help construct an argument where good design isn’t an occasional, rare and special thing but an everyday, routine and expected event." Read the whole interview and see more of Soar's fantastic images, after the break
Architectural photographer, José Campos had the privilege of being born in an architectural paradise: Porto, Portugal. Having trained as an architect as well as a graphic designer, Campos brings a mature architectural eye and a keen attention to detail, light and color to his shots. His work has been published in dozens of well-known national and international books and publications. ArchDaily interviewed Campos to learn more about his start and artistic process. Read the entire interview, and check out his amazing images, after the break.
Allan Crow may be, as he humbly puts it, just one of "two blokes that take photos." But Hufton+Crow, the photography studio founded by him and Nick Hufton ten years ago, has reached far more than humble success. The duo have shot some of the most talked-about architectural works of the last few years -from Zaha Hadid's Galaxy Soho to Steven Holl's Sliced Porosity Block to BIG's Danish Maritime Museum - and have been published in renowned websites and magazines around the world. Learn more about how Crow began his career as well as his favorite architecture, after the break.
Working independently since 1988, Roland Halbe started out shooting commercial architecture, but quickly became one of the most recognized professionals in architecture photography, earning international commissions from architects, agencies and all kinds of media outlets.
In 1996 he co-founded Artur Images, an online archive of architecture and interior images, representing over 200 photographers from all over the world including, of course, himself.
In honor of World Photo Day, we've rounded up the 13 architectural photographers who have been impressing us most in 2013. From industry heavyweights, like Iwan Baan and Thomas Mayer, to relative new comers, such as Miguel de Guzmán and Fran Parente, these photographers have traveled the world, getting the architectural shots we only dream of. See all 13, after the break...
Born in Munster – Germany and now based in Berlin, Christian Richters‘ working area is currently all over Europe, the USA and Asia, shooting projects for some renown architects like Bernard Tschumi, Toyo Ito, Zaha Hadid, UN Studio and David Chipperfield among others. He studied design and photography at the Folkwang Art School in Essen, but it was architecture that finally drove his career to the next level… And we are very lucky for that. He now works with VIEW Pictures, where you can check out his extensive portfolio of amazing architecture.
1. When and how did you start photographing architecture?
I have always been photographing – it started as a hobby when I was a young boy, and already then it was buildings, streets, industrial sites, ships which fascinated me.
After finishing my studies at Folkwang Art School in Essen, Germany, I initially mainly photographed historic architecture for books and magazines. In the early 1990s there was a shift towards contemporary architecture, and more and more architects were becoming my clients. This is what I am focussed on today, but I still maintain working on long-term historic projects for book publishers or NGOs.
Architecture can be experienced in several ways, from writings to a travel, but so far it has been photography the main medium to transmit this experience. At ArchDaily we’ve had the chance to work with some of the world’s best photographers (amateur and pros), and in this section we present you more about their work and thoughts.
This time we present you Cristobal Palma (@CPalmaPhoto on Twitter, and Facebook), who has been featured several times at ArchDaily with his work that not includes architecture but also urban and documentary photography, which appears in media such as The New York Times, Monocle, Wallpaper, among others.
Back to the “experience”, Cristobal has been experimenting with video, exploring an enhanced experience that allows us to see architecture in a different, dynamic way. Take for example our recent feature about the Clifftop House in Maui by Dekleva Gregoric Arhitekti, in which the combination of video + text + drawings offers us another experience.
1. When and how did you start photographing architecture?
I started shooting architecture as a student at the Architectural Association and then I learned a bit more about the profession working as an assistant to Sue Barr. After working for Sue I slowly started to work independently for small practices in London and Santiago and for magazines.
In our AD Photographers section we are now featuring portuguese photographer Joao Morgado. Born in 1985, he has made his photographer career during the last 4 years, working regularly with offices from Portugal, Spain, Netherlands and Italy.
1. When and how did you start photographing architecture?
I always had a passion about photography but it became more intense during my studies in architecture.
Through that time, i visited a lot of buildings and i spent several hours a day in libraries absorbing architecture and somehow i missed something from the photos of the buildings i have visited before. Since then i became more and more interested, not only in my own point of view, but specially in the truth of architecture.
A couple of months later, i had an invitation from an editor to photograph buildings of three respect Portuguese architects for a yearbook publication: Aires Mateus, Promontorio and Menos é Mais.