A few days before the end of November, Gramado, a city known as one of the most sought-after tourist destinations in southern Brazil, grabbed the attention of national and international media. Unfortunately, it wasn't due to its film festival or the traditional lavish Christmas festivities. The city, already suffering from weeks of persistent rain, witnessed the emergence of massive geological rifts tearing through its streets, creating a post-apocalyptic movie-like scenario.

The imminent danger of ground movement alerted the population and the authorities, who promptly evacuated the buildings on the hills of the condemned neighborhood. This course of action proved entirely effective and responsible, as one of the buildings within the designated area did indeed collapse three days after the evacuation. However, it is worth noting a detail: the affected neighborhood consisted of upscale residences and luxury hotels and inns, which raises a question: would the efforts have been the same if the situation occurred in lower-income peripheral neighborhoods?

In July 2023, around one-third of the 45 beds at the Phoenix, Arizona Burn Center were filled with individuals who had sustained severe burns from falling on the city's asphalt streets. Public alerts were issued to caution residents about the hazards of extreme heat, leading to temperatures of up to 82°C on a summer afternoon, just below the boiling point, affecting asphalt, concrete, and sidewalks. The hospital director emphasized the rapid occurrence of severe burns, explaining that a mere fraction of a second of contact with these surfaces could lead to injury. Such burns resulted from both accidental stumbling on the streets and fainting induced by the intense heat.

It is painful to realize, but in this moment of drastic climate change, our city model has proven to be a hindrance that gravely harms its residents.

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In several cities in Brazil, the amount of rainfall has already surpassed the total accumulated for the rest of the year. Flooding, inundations, and landslides are commonplace news in regional newspapers. In this chaotic scenario, a study presented by the National Confederation of Municipalities states that, amidst the rains in the south and drought in the north, 5.8 million Brazilians have been directly affected by disasters in 2023, whether by loss of lives, displacements, or significant economic damages.

Unfortunately, the outlook is not promising either. The national version of the renowned IPCC climate change report, compiled by the Brazilian Panel on Climate Change (PBMC), has already warned that Brazil, along with other countries in Latin America, will not only experience rising temperatures due to climate change but will also witness a drastic shift in its rainfall patterns. In other words, here in the south, we better get used to the sound of rain on our windows, while the north should brace for historic droughts.

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In the global context, the first factories emerged in the latter part of the 16th century, primarily housing typographic workshops. Over time, their purposes expanded to include carpentry, tapestry, and porcelain workshops. However, the recognizable form of industrial buildings we see today only took shape in the 18th century, closely tied to the transformations brought about by the Industrial Revolution. The shift from human labor to machinery fundamentally altered the scale of these structures, turning them into expansive warehouses.

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A home is a sacred realm, a place that embraces and honors a variety of emotions and sensations. As Gaston Bachelard asserts, it serves as our refuge in the world, our initial universe, a true cosmos in every sense of the term. Its intricate symbolism transcends mere functional aspects like room count or bathroom size. Entire universes find their place within its walls.

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The term "rede" in Portuguese traditionally conveys the idea of an interweaving of wires. In a contemporary context, it takes on a broader meaning related to connection, collaboration, and integration, whether among ideas, people, or processes. Not coincidentally, these are the core principles of Rede Arquitetos, a collaborative architecture studio founded in 2011 in Fortaleza, Ceará, by architects Bruno Perdigão, Epifanio Almeida, Igor Ribeiro, and Bruno Braga. Presently, the team is led by Braga, Luiz Cattony, and João Torquato, with their main approach emphasizing collective work and valuing encounters over the domination of ideas as a strategy for achieving the best solutions.

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In 1945, the declaration of the end of World War II brought a wave of euphoria to the streets, and optimism permeated the atmosphere with the promise of brighter days. Inspired by this newfound hope, the United Nations Organization (UN) was established in the same year. The vibrant city of New York was chosen as the headquarters location, and an international team of carefully selected and invited architects was tasked with conceiving the project.

For this ambitious and truly international project, eleven renowned architects were brought together from various corners of the world. These architects, often known for their inflated egos, a common trait in their profession, were accustomed to exercising full control over their architectural designs and even their respective countries. They had to coexist in the same space and collaborate on a single project. The successful collaboration on this project would be a compelling demonstration of the possibility of achieving world peace.

Home is not just a physical structure defined by its materials and spatial characteristics. It is the result of everyday habits, routines, and fond memories blending into the very essence of the place through its walls, textures, and aromas. This is why a true home cannot be instantly created; it demands time, and a sense of continuity, as it reflects the ongoing adaptation of both the family and the individual within that space.

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In 2019, as the world was on the brink of facing one of the most significant pandemics in recent history, Ailton Krenak, a Brazilian indigenous leader, environmentalist, and philosopher, published a book titled Ideas to Postpone the End of the World. This brief booklet, comprising slightly more than 80 pages, came into circulation at a critical juncture, providing both reassurance and a cautionary message to humanity during a time when it observed the rapid evolution of history.

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A few weeks ago, the Royal Institute of British Architects (RIBA) named the recipient of the RIBA Norman Foster 2023 travel grant. Martha Pomasonco from Peru was awarded for her outstanding project titled "Barrios Mejorados."

The research project that impressed the jury aims to explore the impact of highly successful informal settlement improvement initiatives implemented in various Latin American countries. Its primary objective is to uncover valuable design insights related to social and environmental sustainability. The research is founded on the recognition that Latin America is the most urbanized region globally, with approximately 80% of its population residing in cities. Nevertheless, nearly 15% of this urban population resides in informal settlements marked by inadequate infrastructure and a diminished quality of life. Various improvement programs have been implemented, and the active involvement of citizens has been a crucial factor in enhancing their effectiveness.

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If you follow BIG, you have probably already seen Bjarke Ingels talk about hedonistic sustainability and how this concept permeates the most daring projects of the Danish office.

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The issue of gender discrimination in architecture is receiving growing attention and discussion. Many instances, including salary discrepancies, disrespect by male employees in construction sites and team management, and the historical oversight leading to women's lack of recognition are detailed and illustrated. These demotivations mean that, despite being the majority in architecture courses worldwide, only a few women manage to consolidate and gain prominence in the profession.

However, sexism doesn't end there. In addition to the discrimination experienced in professional contexts, one can observe the objectification of women in architectural images and concepts.

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After years of dominance, orthogonal lines and right angles are giving way to organic designs and rounded shapes within interior design projects. This profound shift in formal language has led to the infiltration of gentle curves and amorphous volumes into design pieces, furniture, and decorative elements, a transformation that's becoming increasingly evident. Some argue that this change may be indirectly linked to the growing interest in sustainability and the pursuit of strategies that reconnect people with nature, as seen in the consistent presence of biophilia across projects of various scales. The period of social isolation during the COVID-19 pandemic further heightened this inclination, prompting individuals to devise ways to incorporate nature into their living spaces, thereby enhancing well-being in day-to-day life.

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Increasingly, the concept of social sustainability has become a central theme in contemporary architecture discussions as users' subjective and non-static needs become paramount in the design process. Social sustainability in architecture aims to design and construct buildings and urban spaces that promote well-being, inclusion, and community cohesion. It focuses on creating environments that enable positive human interactions, support diverse needs, and improve the overall quality of life for people who inhabit and use these spaces. Socially sustainable architecture considers the social, cultural, economic, and health aspects of a community to address societal challenges and provide long-term benefits to residents.

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The idea of integration between art and architecture dates back to the very origin of the discipline, however, it took on a new meaning and social purpose during the Avant-Garde movement of the early twentieth century, becoming one of the most defining characteristics of Modernism. This close relationship is evident in the works of some of the greatest modern architects, such as Mies van der Rohe, Le Corbusier, and Oscar Niemeyer, to name a few.

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