If you search the web for information on MVRDV’s Glass Farm, you’ll find plenty of people writing about the project’s 33-year history, and about its context in the small town of Schijndel. You’ll even find plenty of people theorizing on the nature of those glass walls, and the relationships between image and authenticity and between modern technology and modest tradition. But strangely, you’ll find almost no information on how the project made use of Digital Ceramic Printing, a relatively new process which was able to handle the many colors, variable transparency and fine tolerances required to display an entire farmhouse facade across a thousand glass panels.
In this new installment of our Material Minds series, presented by ArchDaily Materials, we spoke to MVRDV‘s project leader on the Glass Farm Gijs Rikken, and to Niv Raz, an Architect at Dip-Tech – the company who produces the printers, ink, software and support required for the process.
The City of Paris has approved MVRDV’s plans to overhaul a 1970s urban block in Montparnasse. The ambitious plan aims to “reintroduce the human scale” and improve “accessibility and programmatic identity” to the aging mixed-use development. As part of the restructuring, the building’s existing public library, hotel, commercial and office space will be expanded and a new kindergarten, conference center and social housing units will be added.
In the late 20th and early 21st centuries, one of the major changes within cities around the world has been the rise of so-called “privately-owned public space,” a development which has attracted the attention of many urbanists and is still being widely debated. However, for MONU Magazine, the increasing prevalence (and arguably, acceptance) of such privately owned spaces for public use gives us an opportunity to discuss another aspect of public space: interior urbanism. With the rise of the shopping mall and the increasingly diverse functions required by buildings such as libraries, interior spaces now resemble exterior public spaces more and more.
The following interview is an excerpt from the 21st issue of MONU Magazine, in which MONU’s Bernd Upmeyer and Beatriz Ramo interview MVRDV founder Winy Maas, discussing the concept of interior urbanism in the work of MVRDV, in particular in their Rotterdam Markthal, Glass Farm and Book Mountain projects.
MVRDV has been announced as winner of a two-stage, BAI-backed competition for a new “spatially-flexible” tower with a twisting “hourglass figure” near Vienna’s world famous Gasometers. The 110-meter “Turm mit Taille” (Tower with Waist) was shaped to minimize the effect of the building’s shadow cast onto neighboring buildings and an adjacent metro station.
MARK #53 surveys American low-income housing from coast to coast. Michael Webb provides the historical and cultural context for some recent success stories in affordable development and presents three buildings in California designed by Kevin Daly Architects, OJK Architects and Planners, and Rob Wellington Quigley.
Larger low-income developments in New York and Los Angeles, by David Adjaye and Michael Maltzan respectively, speak to overcoming the challenge of aesthetic innovation on a tight budget. In the southern and western states, we find the Rural Studio at Auburn University and Design Build Bluff at the Universities of Utah and Colorado tackling the low-income housing issue outside the city, realizing rural homes for less than €20,000 each.
Then, it’s time for dinner and a show. Tour MVRDV’s mixed-use Markthal, a food paradise for casual grazers and sit-down diners alike, before talking with Jan Versweyveld, who designed the scenography for a stage adaptation of The Fountainhead.
Location: Paris, France
Design Team: Winy Maas, Jacob van Rijs and Nathalie de Vries with Frans de Witte, Bertrand Schippan, Catherine Drieux, Victor Perez, Delphine Borg, Billy Guidoni
Co Architect: North by North West, Paris, FR
Area: 19000.0 sqm
Photographs: Philippe Ruault
Starting December 10, the Hortitecture 01 Symposium will kickstart a (free) public lecture series in Braunschweig, Germany, centered around brainstorming synergistic strategies for integrating architecture and vegetal matter. Stefano Boeri, MVRDV and WORKac are among a list of interdisciplinary experts that will join together to offer discussions focused around the exploration of vernacular wisdom and contemporary architectural solutions to sustainable building problems.
MVRDV, together with Munich-based morePlatz, have been selected among seven teams in an international competition to design two office buildings in Mainz, Germany. The five- and eleven-story “Hafenspitze” structures are expected to spearhead the transformation of the former Zollhafen industrial harbor, which plans to become a new mixed-use city quarter over the coming decades.
More about the towers’ design, after the break.
Rotterdam’s very own, MVRDV has completed the Netherlands’ first covered market: the Markthal Rotterdam. Unlike any other market in the world, the Markthal presents a new urban hybrid that unites a market hall with housing.
Within the hollow core of the 228-unit, “horseshoe-shaped” residential building is an expansive, 40-meter-tall public market, offering 96 fresh food stalls, 8 restaurants and supermarket. Colorful murals cover the arch’s vaulted interior, peering through the largest single glazed cable net facades in Europe, which enclose the market.
This sense of transparency and openness was key, as the Markthal is the driving force to the rejuvenation of the Laurenskwartier area and hopes to attract thousands of visitors each year.
A look inside, after the break.
The October issue of a+u introduces 14 recent works from around the globe. In particular, the issue is focused on architecture that emerged from the relationship with the urban structures or the developmental history of the site. Over time, they influence and transform the surrounding environment. Architects employ diverse “tactics” in order to create such architecture: collaborating with the residents, relating to the neighboring buildings and open spaces, diversifying the building’s programs, and employing intricate construction details. In this issue, we focus our attention on the process of conceiving the projects driven by various tactics. We invite our readers to look beyond a single building and examine the works’ possibilities to be used in a long span of time.
EL CROQUIS, number 173, a monograph on MVRDV, is the third monograph produced by the publisher on this office established in Rotterdam. The current publication collects MVRDV‘s most significant works from 2003 to the present −presented in full with several construction plans, and a profusion of photographs and sketches. The monograph is prefaced by an interview with MVRDV by the architects Charles Bessard and Nanne de Ru, and a critical essay on their work by Aaron Betsky.
Among the buildings and projects featured the most remarkable ones are the Gemini Residences, the Parkrand apartment building in Rotterdam, the rooftop house extension Didden Village in Rotterdam, the Balancing Barn holiday house in Thorington, the Book Mountain in Spijkenisse, the mixed-use centre Glass Farm in Schijndel and the shopping centre Chungha Building in Gangnam.
Chief Architect of Moscow Sergei Kuznetsov yesterday announced MVRDV as the winners in the competition for the refurbishment of the Serp & Molot (Hammer & Sickle) factory in Eastern Moscow. The design by MVRDV is respectful of the history of the 19th-century steel factory, reinterpreting the existing fabric of the site into 1.8 million square meters of mixed-use space, including housing, offices, retail, schools and a local hospital.
Read on after the break for more project description
MVRDV, in cooperation with the Belgian furniture label Sixinch, have designed a playful furniture series that imagines an antidote to the sprawled, generic urban growth of East Asia’s mega-cities. Each of the 77 large cushions in “Vertical Village” – currently on display at Milan’s Design Week – take the form of small, densely-packed houses, colorful alternatives to the horizontal, block-like residential buildings that currently dot East Asia’s skylines. From the exhibition:
“The Vertical Village – observation of the uncontrolled growth of Asian cities, which has lead to the disappearance of urban villages on a human scale, prompts the designers to develop a livable city model that promotes upward growth: a vertical village composed of small residential nuclei that ensure human relationships and, at the same time, leave room for green areas and gathering places. The installation is composed of 77 large cushions in the form of small houses, all different.”
Fast Company has announced who they believe to be the most innovative practices in architecture for 2014. Topping this list is New York’s SHoP Architects who has gone from “boutique to big commissions in only a few years.” See who made the list after the break and let us know who you believe is the world’s most innovative firms in the comment section below.