Modernism: The Latest Architecture and News

This article was originally published on Common Edge.

"O beautiful, for spacious skies, for amber waves of grain, has there ever been another place on earth where so many people of wealth and power have paid for and put up with so much architecture they detested as within thy blessed borders today?"

Tom Wolfe wrote this in his 1981 book From Bauhaus to Our House. The conflict between modern and traditional design has barely abated since, as is evident in this recent article. In the U.S., modern buildings are often met with community aversion, for familiar reasons: their perceived coldness and lack of contextual sensitivity, the impact on local character, and the loss of historical continuity. But on another level, the critique against modern design finds even more purchase on the larger scale: the city. Modern U.S. cities reek of traffic congestion and pollution, social inequality and gentrification, a loss of community and cultural spaces, and a lack of usable open space.

In the first decades of the XXI century, Honduras experienced higher levels of crime and violence compared to its other Central American neighbors. This situation caused the country to be largely avoided by most visitors and investors. However, it didn’t stop Tegucigalpa, its capital city, from experiencing an explosion of residential and office developments which are currently reshaping its skyline. Defined by a unique topography, and tropical weather, the city served as a testing ground for modernist urban principles that contributed to the transformation of a small mining town into one of the largest metropolises in Central America.

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His work – more than 250 buildings in the span of 30 years – was lauded by critics and colleagues, cited for international design awards, and landed the architect on the cover of Time. But today, even practitioners and aficionados might be challenged to name one of Minoru Yamasaki's buildings beyond his two most infamous creations that no longer exist: the Pruitt-Igoe housing project in St. Louis and New York’s World Trade Center towers. Paul Kidder explores this complex architect and his work in a new book, Minoru Yamasaki and the Fragility of Architecture (Routledge).

Kidder, a professor of philosophy at Seattle University, provides a fresh, sobering assessment not only of Yamasaki's architecture but the man himself: his challenges, triumphs, and contradictions, as well as the fragility of architectural achievement. The loss of this architect’s most famous buildings suggests the growing scope of architecture’s fragility, especially today, when real-estate investment often augers against preservation of even late-modern works. Yet, paradoxically, Yamasaki believed that fragility could be a desirable architectural quality—the source of its refinement, beauty, and humanity.

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This article was originally published on Common Edge.

Christopher Alexander (1936–2022) and Joseph Rykwert (b. 1926) were two giants of 20th century architectural theory who began their work in England and eventually created lasting legacies at two great American architectural schools: the University of California at Berkeley (Alexander) and the University of Pennsylvania in Philadelphia (Rykwert). Their careers not only coincided with a critical period of social and cultural research among designers and urbanists, but in many ways continue to inspire the current generation of committed critics of late capitalist development on our imperiled planet. Yet to many they are too little known.

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Republic Square in Ljubljana holds immense historical and symbolic significance for Slovenia. It is located in the historic center of the city and features a blend of buildings with different designs, scales, and dimensions, together with interconnected open spaces, passages, and underpasses. These elements form a multifunctional complex whose construction lasted more than 20 years and underwent several volumetric and programmatic reconfigurations. Visible from a distance and standing out above the Ursuline Church’s bell tower, two prominent office towers rise as part of this work designed by Edvard Ravnikar, the most prominent Slovenian architect of the second half of the 20th century.

The controversial London Wall West redevelopment project, which involves the demolition of the former Museum of London and Bastion House, is set to proceed. The redevelopment, designed by architecture firms Diller Scofidio + Renfro and Sheppard Robson, will replace the landmark 1970s buildings with a modern office complex. The City of London has confirmed that the Secretary of State for Leveling Up, Housing, and Communities, Michael Gove, has decided not to call in the plans to reevaluate the former museum, allowing the project to move forward.

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The Victoria & Albert Museum is set to present an expansive exhibition focused on Tropical Modernism, an architectural movement that emerged in the late 1940s. British architects Jane Drew and Maxwell Fry were instrumental in developing this approach, combining modernism’s functional goals with local climate adaptations in warm and humid weather. This movement, which embodies Britain's unique contribution to international modernism, evolved against a backdrop of anti-colonial resistance, blending colonial architectural principles with local needs.

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Officials have just confirmed that Antonio Gaudi’s iconic Sagrada Família's final stage of construction has commenced, on track to be completed in 2026, 144 years after its establishment. The announcement was made last Wednesday, aligning with the centenary of the architect’s passing. According to the annual report, construction efforts have resumed, finalizing the Evangelists towers in November 2023. Additionally, active construction is ongoing for the Chapel of the Assumption and the tower dedicated to Jesus Christ, which are on track to be completed in 2025 and 2026, respectively. The towering 172.5-meter central spire is included in the project, planned to stand as the tallest edifice in Barcelona, Spain.

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