Zanzibar: The Latest Architecture and News

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Every architectural project is the result of deliberate choices. Beyond form and function, buildings embody technical, political, and cultural decisions that shape their relationship with both their surroundings and the people who inhabit them. ArchDaily’s AD Narratives series explores these processes by bringing together accounts that trace projects from initial conception to built realization. In parallel, the AD Classics series turns to works of historical significance, presenting not only the stories behind these buildings but also technical drawings that allow for a deeper, more informed reading of their architecture.

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In historic Stone Town, the main city in Zanzibar, Tanzania, the story of one cinema building and its imminent restoration is reflective of the city's history and the narrative of cinemas generally. The early twentieth century saw the advent of cinema construction, peaking in mid-century, before declining against competition with multiplexes and home television. While many were demolished or irreparably altered, many also lay abandoned, like time capsules for a bygone era. They are a snapshot of the architecture styles and methods of their time, acting as a reminder of their role in their communities. Restoring and adapting a cinema like the Majestic is a recognition of its heritage and community value.

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Hotels are increasingly being designed as more than just places for accommodation. As expectations around travel shift, architects are approaching hospitality projects as opportunities to explore ideas of context, experience, and identity. Whether integrated into remote landscapes or inserted into dense urban environments, these proposals examine how architecture can shape the guest experience through spatial organization, material selection, and connection to place. The hotel becomes a framework not only for rest, but for interaction with the surroundings, with others, and with the design itself.

Each month, ArchDaily's editors curate a selection of unbuilt projects around a shared typology or theme. Submitted by firms of all scales from around the world, these proposals represent the diversity of approaches within our global architecture community. This month's selection focuses on hotels, ranging from the sculptural Pistachio Villas in Ubud to the modular Dubai Edition Hotel and the vineyard-rooted Terra Dionysia in Santorini. Together, they reflect a wide spectrum of architectural thinking around hospitality, from landscape integration and cultural references to questions of density and public space. Submissions are open to everyone.

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Long celebrated as havens of relaxation and luxury, resorts offer guests an escape from the mundanity of daily life. These sanctuaries seek to offer lavish accommodations, scenic locations, and comprehensive experiences. From sun-drenched beaches to mountain retreats, or secluded spots in the wilderness, resorts can take a variety of forms, each offering a unique experience. The history of architects designing resorts is intertwined with the development of the hospitality industry and the concept of leisure travel. In the realm of architecture, resorts allow designers to meld functionality with luxury living, creating spaces that offer experiences beyond just residences.

The Multifunctional complex “Next Collection” in Georgia by SPECTRUM Architecture illustrates this by adopting organic forms that blend into the seaside, while “Ethereal Mountains” by the Maden Group in Albania seeks to foster youth engagement in a breathtaking landscape. In Indonesia, the Villa complex “Olympus” by Geometrium Studio presents a unique structural concept where each villa’s roof acts as the terrace for the one above, echoing the rice fields of Bali. In this week’s curated selection of unbuilt resorts, submitted by the ArchDaily community, these themes are explored in different settings and design conditions.

Light — how we perceive the world around us — is an integral, emotive architectural element. Access to light is enhanced and limited in an architectural capacity globally, with architects of expensive tropical dwellings celebrating sunny vistas with expansive glazing, while a wide range of art galleries reject light in its natural form, eliminating it in adherence to the sensitive exhibit requirements of art pieces. Light in an architectural and urban sense is also highly symbolic, evident in the many metropolises of our world, but where this symbolism takes on an interesting dimension is in the archipelago of Zanzibar.

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A defining feature of the architecture of the Swahili Coast—apart from its coral stone buildings and mangrove poles used to elaborate those structures—is undoubtedly the ornamented door so commonly found across this coastal area. Richly decorated, and historically often layered with meaning, these doors, apart from serving the more utilitarian function of an entrance, were also signifiers of status and wealth. From this Swahili Coast to the Arabian Peninsula, these doors of the coast are very much markers of their location, representative of trade and migration.

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German-based architecture firm OMT designed Africa's tallest hybrid timber tower in Zanzibar City, Tanzania. In partnership with Birk Heilmeyer Frenzel Architects, engineering firm Knippers Helbig Advanced Engineers, and CPS Developers, the "Burj Zanzibar" will rise 96 meters tall to accommodate 266 residences and recreational and conferencing facilities. The mixed-use tower will promote the locally available wood and support the growing urban infrastructure that, according to the government plans, expects to attract tech companies to turn the island into a leading hub for Africa's technology companies.

Cities have been, and will always be multi-faceted, elastic sites. They are settlements in continuous evolution, molded by proximity to natural resources, by migrating populations, and by capital. Despite the diversity in the urban character of disparate cities, it has been said that cities look alike now more than ever before, a uniformity that means a glass-and-steel tower in Singapore would not look out of place in Mumbai’s Bandra Kurla Complex.

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