URB has unveiled plans to develop Africa's most sustainable city, a development that can host 150,000 residents. Known as The Parks, the city plans to produce 100% of its energy, water & food on-site through biodomes, solar-powered air-to-water generators, and biogas production. The 1,700-hectare project will feature residential, medical, ecotourism, and educational hubs to become one of the significant contributors to the growing green and tech economy in South Africa.
The 1970’s were a dark time for New York City. While the economy was down, crime rates were at an all-time high. The negative public image also kept tourists away, driving the city into a financial crisis. To change perceptions about The Big Apple, the New York State Department for Economic Development approached advertising firm Wells Rich Greene to create an inviting marketing operation. After 45 years, the resulting I Love NY campaign remains fresh in the minds of locals and tourists, successfully revamping New York City’s brand. Cities across the world like Paris, Amsterdam and Jerusalem have similarly invested heavily in constructing magnetic brands for themselves.
In an effort to expand the debate around the issues and opportunities facing urban environments worldwide, UN-Habitat has designated October 31 as “World Cities Day”, an event celebrated annually since 2014. This year the events are centered around the theme “Act Local to Go Global”, with the aim to share experiences and approaches to local actions, the initiatives that were successful and those that were not, and to seek to understand ways in which local and regional governments can help create greener, more equitable and sustainable cities.
The theme was chosen based on the understanding that local actions are of critical importance in achieving the sustainable development goals set for 2030. The 2030 Agenda sets out the UN ambition to contribute to creating cities and human settlements more inclusive, safe, resilient, and sustainable. The world’s largest cities are often the most unequal. This year’s theme suggests that there is a path forward through incremental changes and localized actions. By adapting to site-specific conditions, these actions can better respond to the individual needs of the communities, and the natural conditions of climate and topography and can help strengthen the cultural identity of urban environments.
We often walk through the city without knowing the value of the buildings around us. In Chile, there is an architectural multiculturalism that has molded the cities with buildings that, to this day, are awarded a heritage title and are not recognized as such by the inhabitants and visitors.
We live in a world where the experienced, remembered, and imagined, as well as different moments in space and time concerning the past, present, and future are inseparably blended. As of recent, we are being offered various mediums to gain access to other planes of existence, utilizing immersive technologies like virtual and augmented reality (VR and AR), creating a pathway to the metaverse in which we are transported to spaces that are capable of feeling more ‘real’ than anything we presently experience.
Chicago, The Windy City, Chi-Town, or The Second City. It’s a place that is known by many names, but to architects and urban planners alike, it’s famous for its history which has given us some of the best-known buildings and important advancements that have helped to shape other cities across the United States. From its inception, Chicago has long served as an architectural hub for innovation.
“Art aims to represent not the outward appearance of things, but their inward significance”, Greek polymath Aristotle remarked. Public art in cities worldwide seeks to pursue this aim by offering a sense of meaning and identification to its residents. Taking the form of murals, installations, sculptures, and statues, public art engages with audiences outside of museums and in the public realm. This art presents a democratic manner of collectively redefining concepts like community, identity, and social engagement.
This article was originally published on Common Edge.
A famous skyline can evoke rich associations and unleash imagination, but the real experience of a city is in its streets. Early humans evolved to see the first 20 feet in front, above, and around them so they could identify potential threats in the landscape. In our modern urban environment, this is still how we experience buildings and places. While aerial views and Google Earth imagery are useful for reference, the main experience of the outside of a building is what we pass by on the street, up to about the second or third story. The height of a building doesn’t necessarily matter if the street experience is rich and accessible.
The Transportation Alternatives and the Massachusetts Institute of Technology have initiated a new digital tool, Spatial Equity NYC, to help users understand how space is distributed and restricted across the neighborhoods of New York City. The tool asses the use of streets, sidewalks, and public spaces, as they are key factors that influence data such as pollution, traffic fatalities, accessibility, or air quality. The data collected shows a direct correlation between neighborhoods with low-income communities and communities of color and the detrimental ways in which public space is used, leading to health and mobility issues in those communities.
From smartphones to space rockets and self-driving cars, the power of technology in this modern digital era is enormous (and practically limitless). It has impacted every aspect of our lives and will continue to open up endless possibilities that today we cannot even begin to fathom. When applied in a socially and environmentally responsible way, technology has the power to enhance productivity, communication and sustainability, enabling global communities to function efficiently, addressing people’s everyday needs and improving their quality of life. Simply put, good technology serves humanity. And just as the healthcare or manufacturing industries have taken advantage of this, the architecture, design and construction world cannot fall behind.
The global pause of the COVID pandemic has provided an opportunity to assess present-day globalism and the architecture that has emerged alongside it. Stemming back to the broad expansion of free trade in the 90s at the end of the Cold War, globalism’s cultural promise was simple and aspirational: integrating markets globally would increase the interaction between and learning of different cultures. By normalizing such experiences in our daily lives, we would become global citizens liberated from our previous prejudices–all well-intentioned objectives.
BDP Quadrangle has revealed the design of a 54-storey, mixed-use tower in downtown Toronto, Canada. The project will replace an existing 10-storey office tower built in the 1960s. The new tower will contain office and residential units, with amenities and outdoor terraces on the 11th floor and at the ground floor. The building is planned to accommodate a total of 278 apartments with penthouses on the 52nd and 53rd floors. The project is currently in the pre-construction phase.
A new urban tech district is planned for the Creekside of Al Jaddaf area in Dubai. Developed by URB, the district aims to generate over four thousand jobs in urban technologies, education, and training, while also welcoming entrepreneurs to encourage a collaborative tech ecosystem. The district will provide facilities for training, research, conferences, business incubations, shared-desk spaces, and dedicated offices. It will also be home to an urban tech institute, which hopes to drive innovation by investing in applied research and by enabling public-private partnerships.
This article was originally published on Common Edge.
The U.S. housing shortage is most severe on the more affordable side of the market. At a time when costs are escalating broadly and homes that were recently attainable by many have moved out of reach of most, this is no surprise. The problem is most acute in the heated markets, of course, where affordability mandates and rent controls seek to retain rental affordability for some, as owning a home in such markets is a dream accessible only to the wealthiest. (No measures in this post have any impact on these markets.)
Danish architecture office CEBRA won the competition to design a new landmark in the capital of Albania, Tirana. While located in the heart of the city, the project takes inspiration from the natural landscape surrounding the city, thus celebrating Albania's national identity and cultural heritage. The project proposes a 185-meters multifunctional tower containing housing, commercial facilities, a boutique hotel, a business area with offices and parking facilities, and all the necessary amenities like restaurants and cafes.
Material researchers and Ph.D. students at Imperial College London, Sam Draper and Barney Shanks have won the 2022 OBEL AWARD for Seratech, a solution for carbon-neutral concrete. With a special focus this year on “embodied emissions”, the OBEL AWARD jury selected scientists to obtain the architecture award to “encourage innovative cross-disciplinary solutions to the challenges of climate change”.
Succeeding to the 2021 laureate, the 15-minute city concept by Professor Carlos Moreno, to 2020’s Anandaloy, a community building made from mud in Bangladesh by Anna Heringer, and Junya Ishigami’s Water Garden in Japan, winner of the 2019 edition, Seratech is the fourth winner of this new international prize for architectural achievement.
While the United Nations has been continuously urging architects, engineers, and city shapers to put the 2030 agenda and the SDGs into action, and the IPCC report revealed intensifying climate change, sparking widespread discussion over insufficient action, the 83rd ongoing session of The United Nations Economic Commission for Europe - UNECE Committee on Urban Development, Housing and Land Management taking place in San Marino, has just issued a special declaration on “how to build better, safer, more inclusive, and resilient" cities, ahead of COP27. This set of “Principles for Sustainable and Inclusive Urban Design and Architecture”, or the San Marino declaration has gathered the signatures of Norman Foster and Stefano Boeri.
Architecture practice Rogers Stirk Harbour + Partners (RSHP) has won the international competition to design a new nearly net zero operational carbon business center in the city of Vilnius, Lithuania. The competition, organized by the Lithuanian Union of Architects and the Right Bank Development Fund, requested the design of a 19,200-square meters office space in the Central Business District of the city. One of the key ambitions of the project was the reduction of embodies carbon, achieved through a number of strategies, including the use of cross-laminated timber floor planks and locally sourced materials.
