The concept of inclusive architecture has gained prominence as the built environment evolves to reflect and address the diverse needs of humanity. This approach prioritizes empathy, accessibility, and equity, striving to create spaces that resonate with individuals across a spectrum of demographics, abilities, and cultural contexts. It moves beyond merely meeting accessibility standards or incorporating universal design elements; instead, it embodies a paradigm shift that humanizes architecture and aligns it with fundamental social values. Through this lens, inclusive architecture fosters connections, embraces diversity, and ensures that physical spaces contribute to collective well-being.
This article explores four interrelated themes — Empathy, Inclusive Architecture, and Spatial Equity and Accessibility— through selected articles published in 2024. Together, these themes reveal how architecture can respond to societal challenges and aspirations, illustrating its potential as a catalyst for social change. From designing for emotional connection to addressing spatial inequalities, the lessons of 2024 emphasize the responsibility of architects to create spaces that transcend functionality, champion inclusivity at every scale, and foster environments where everyone feels seen, valued, and empowered.
Entrance to Salone del Mobile 2024. Image Courtesy of Salone del Mobile.Milano
For the first time, the Salone del Mobile.Milano offers a comprehensive look at its impact with the release of "Milan Design (Eco) System," a research project developed in collaboration with the Politecnico di Milano. This inaugural annual report provides a detailed analysis of Milano Design Week's influence and impact, showcasing Salone's role as an international catalyst within the extensive program of design events. The report aims to establish a robust, long-term monitoring system that addresses key sustainability challenges – environmental, economic, and social – as well as inclusion and cultural developments. This data-driven approach is set to inform the future strategies for Salone and the wider design community.
Salzburg, Austria, set along the Salzach River, is a city where history and architecture merge seamlessly. Dominated by the imposing M Castle, its historic core reflects a rich Baroque heritage. Landmarks like the Salzburg Cathedral, crafted by Santino Solari, and the elegant Leopoldskron Palace showcase a past marked by grandeur and cultural influence. Visitors can trace centuries of architectural evolution through the city's streets, from medieval strongholds to Baroque splendor, all within a UNESCO World Heritage site. Each winter, this setting hosts the Salzburg Christmas Market, recognized as one of the oldest Advent markets in Europe, with roots tracing back to a 15th-century "Tandlmarkt."
Yet, Salzburg is also a city of contrasts. Modern architecture has made its mark, blending harmoniously with its historic backdrop. Modern projects like Stadt Park Lehen and Paracelsus Bad & Kurhaus showcase contemporary design, while the Institute of Pharmacy and Gusswerk Extension add a fresh touch to the city's urban fabric. This balance between the old and the new defines Salzburg, where each architectural layer contributes to the city's dynamic, evolving story.
Aramco Stadium / Populous (Al Khobar). Image Courtesy of FIFA / Saudi Arabia 2024 Bid
Saudi Arabia was officially announced as the 2034 FIFA World Cup host. The country plans to build 11 new stadiums and refurbish four of its existing venues. The proposed host cities include Riyadh, Jeddah, Al Khobar, Abha, and the yet-unbuilt Neom, a 170-kilometer-long linear city proposed to be built on the Red Sea coast. Additionally, the plan involves 134 training sites across the country, with 73 newly built facilities.
Released on December 11, 2024, the announcement came as no surprise, given that only one bid was submitted for each of the 2030 and 2034 World Cup tournaments. Spain, Portugal, and Morocco have been confirmed as joint hosts for the 2030 event, while Saudi Arabia has been chosen to host the 2034 edition.
A look at most of the cities within Latin America reveals striking commonalities across countries, from Mexico down to Argentina: most cities have a well-defined area known as "El Centro" (The Center), anchored by a main plaza (Plaza Mayor), flanked by a church on one side and key buildings like the city hall on another. This is no coincidence, as it can be traced back to an urban planning system established during the Spanish colonization of the Americas in the 17th and 18th centuries. It gave standardized guidelines for city design across its viceroyalties. Unlike French and English colonies, Spanish settlements adhered to regulations that contributed to the emergence of a shared urban identity, with cities displaying similar spatial logic and architectural cohesion despite differing scales and contexts.
As, one by one, the African nations gained their independence in the middle of the twentieth century, building programs were central to the process of nation-building. In several of those countries, this included the construction of the state's institutions such as their respective national assembly. These buildings not only facilitate the legislative process but also symbolize the new nation's governance, identity, and aspirations. The period of independence movements also coincided with the introduction of the Modern Movement across the continent, which was associated with progress and a break from the colonial past. Across Africa, some national assemblies were constructed early and were part of the nationalization process that preceded independence, while some were constructed long after.
Situated along the River Mur in the Lend district, the Kunsthaus challenges traditional architectural norms with its organic, free-flowing design. Rejecting orthogonal geometry, the museum seamlessly merges art, architecture, and public interaction, redefining the concept of a cultural institution. Its impact extends beyond aesthetics, sparking urban revitalization in a once-overlooked neighborhood, and bringing cultural vibrancy and economic activity.
Woodward Avenue, between the Detroit Institute of Arts and the Detroit Public Library, serves as a public mediating ground on the nation's first paved road.. Image Courtesy of Agence Ter - Akoaki
The Detroit Cultural District has announced an ambitious initiative to reshape its urban landscape. This multi-phased project led by the Detroit Cultural Center Association (DCCA) in partnership with Design Leads Akoaki and Agence Ter, will transform the district's character, creating a more vibrant and accessible environment for residents and visitors alike. The project builds upon a comprehensive master plan, outlining a 15-year vision for the 80-acre campus in Detroit, Michigan. The plan's guiding principles focus on unifying the district's twelve institutions, improving pedestrian flow, and fostering a stronger sense of community.
Humanity has become obsessed with breaking its limits, creating new records only to break them again and again. In fact, our cities’ skylines have always been defined by those in power during every period in history. At one point churches left their mark, followed by public institutions and in the last few decades, it's commercial skyscrapers that continue to stretch taller and taller.
The Council on Tall Buildings and Urban Habitat (CTBUH) has developed its own system for classifying tall buildings, stating that the Burj Khalifa (828 m.) is the world’s tallest building right now. Read on for the 25 tallest buildings in the world today.
Air rights transactions have become essential in urban development, allowing cities to grow vertically while preserving limited land resources. Typically defined as the right to use or sell the space above a property, air rights enable property owners to transfer unused floor area ratio (FAR) to neighboring parcels, creating increased density and financial gain opportunities. However, the definition can vary based on locality and region, as each country interprets air rights and the ability to build or transfer them differently. As urban centers face mounting pressures from limited land supply and population growth, air rights continue to offer a creative solution that fosters architectural innovation and economic efficiency.
The 29th United Nations Climate Change Conference (COP29) took place in Baku, Azerbaijan, from November 10 to November 24, 2024, amid a backdrop of escalating climate challenges. For cities, the epicenters of population growth, economic activity, and climate vulnerability, the outcomes of COP29 are particularly significant. As urban areas contribute over 70% of global carbon emissions and housing more than half of the world's population, their consideration is pivotal in shaping global responses to the current crisis. In fact, cities are on the frontlines of the crisis, facing record-breaking heatwaves, catastrophic floods, and increasing economic losses from extreme weather events. In 2024 alone, urban areas worldwide experienced devastating climate impacts: flooding displaced millions in Africa, droughts crippled urban economies in South America, and storms caused widespread destruction in North America and Europe. The outcomes of COP29 directly affect urban planning, architecture, and sustainability efforts. From commitments to climate finance and carbon markets to renewable energy and resilience-building, the summit's decisions provide a roadmap for transforming cities into hubs of climate innovation and adaptation. Below are the key takeaways from COP29 for the built environment and urban spaces.
The Villa Cavrois stands as a powerful testament to early modernist architecture and the vision of architect Robert Mallet-Stevens. Built between 1929 and 1932 in Croix, France, this landmark residence was commissioned by Paul Cavrois, a prominent textile industrialist, to embody modern values and house his growing family. Mallet-Stevens' design merges Modernist ideals with a luxurious, functional aesthetic that breaks sharply from traditional styles, creating a space defined by clean lines, balanced proportions, and innovative materials.
More than just a family home, Villa Cavrois was designed as an architectural manifesto, presenting bold new ideas in residential design that would inspire generations. Its meticulously crafted layout, advanced technological features, and harmonious connection to the surrounding landscape positioned it as a symbol of modern living.
Adjacent to Toronto's Pearson International Airport, the Bombardier Aircraft Assembly Center represents a landmark project in Canadian aerospace design. Located next to Canada's largest airport, it blends 70,000 m2 (750,000 ft2) of technical precision with a focus on people. ArchDaily's editor Moises Carrasco had the opportunity to speak with Lilia Koleva, partner at NEUF architect(e)s and founder of the firm's Toronto office, which led this project. Koleva shared insights into her professional journey and reflected on the challenges of building and growing NEUF's Toronto-based office. She also discusses the Bombardier Campus, describing it as a defining project in her career, and how it showcases NEUF's ability to tackle large-scale, technically demanding projects while maintaining a focus on the people who use the space. This project builds on the office's prior expertise in industrial design and expands its portfolio of human-centered architectural solutions. Koleva also reflects on the importance of fostering collaboration, adaptability, and a clear understanding of client needs; qualities that have defined her approach to architecture and leadership at NEUF.
Playtime movie (Jaques Tati 1967) . Image via screenshot
Architecture criticism and journalism are often expected to announce "the good, the bad, and the ugly" in architecture and the built environment. Its purposes go however further than that. As Michael Sorkin put it, "seeing beyond the glittering novelty of form, it is criticism's role to assess and promote the positive effects architecture can bring to society and the wider world". In other words, by telling us what they are seeing, critics are also showing us where to look in order to identify and address the issues plaguing our built environment.
The field of architecture journalism has been led by female writers even in times when the pursuit of a career in architecture was discouraged and inaccessible for women. Ada Louise Huxtable established the profession of architecture journalism by holding the first full-time position of architecture critic at a general-interest American newspaper. In 1970, she also received the first-ever Pulitzer Prize for criticism. Esther McCoy started her career as a draughtswoman at an architecture office, yet, because of her gender, she was discouraged from training as a professional architect despite her ambitions to study the field. Through her writings, she managed to bring attention to the overlooked architectural scene of the American West Coast and advocate for the values of regional Modernism.
KCAP has been chosen to design two new skyscrapers in Bratislava, Slovakia. Respectively standing at 260 meters and 180 meters tall, these towers will become key additions to the city's skyline and contribute significantly to its urban landscape by providing over 1,100 residential units with extensive city and landscape views. This district, once an industrial zone, has undergone substantial redevelopment, transforming into a mixed-use urban hub that combines residential, commercial, and leisure spaces. The new towers support this ongoing urban renewal, offering easy access to public transport and nearby cultural landmarks.
Two museums in Africa built in the mid-twentieth century carry the name 'National Museum.' They reflect the story of their respective nation's history and are tied to notions of national identity. Both are also examples of fine architecture built on the principles of Modernism, a movement associated with nation-building in Africa. However, their inception and purpose followed very different paths. This article explores the under-reported architecture of the National Museum of Ghana in Accra and the Sudan National Museum in Khartoum.
