The relationship between architecture and the environment is multifaceted. It involves a dynamic interaction between built spaces and the surrounding natural context. It shapes how buildings and cities function, impacts ecosystems, and influences the well-being of inhabitants.
Many factors link architecture and the environment. They span from practical considerations such as natural materials and renewable energy sources to broader aspects like integrating and appreciating local culture. Within this wide range of possibilities, we have selected five interviews that showcase different approaches to this theme. These interviews stimulate essential reflections on the contemporary architectural context.
Science Forest / ADAT Studio. Image Courtesy of ADAT Studio
In the contemporary context, museums face contradictory sets of ideas: becoming attractions on and of themselves but presenting an understated image that shifts the attention to the exhibits, creating a safe and protected environment for the artifacts, yet opening them up to the public, becoming repositories of history yet catalysts for innovation. Searching for the balance between all of these constraints has resulted in the flourishing of diverse types of museums and cultural institutions, from those dedicated to the remembrance of a single event or persona to temporary homes for cultural events or spaces that expand their cultural offering beyond exhibition areas.
This curated selection of Best Unbuilt Architecture highlights projects submitted by the ArchDaily community that demonstrate the fusion of art, technology, and innovation within the realm of museums and cultural centers. Among the featured designs are works from renowned architectural offices, including CAA architects, NextOffice – Alireza Taghaboni, and Fentress Architects, along with several emerging firms. Ranging from a sculptural art museum in Dubai to a local cultural and recreational complex in Senegal, or an immersive science museum in Rome, Italy, this diverse compilation strives to showcase the spectrum of scales and purposes of cultural institutions.
Rafael Viñoly Architects has released new renderings of their design for the new international terminal at Aeroporto Amerigo Vespucci in Florence, Italy. According to the architects, upon completion, the new terminal is expected to welcome over 5.9 million passengers a year, becoming one of the largest airports in the Tuscany region of Italy. In a nod to the Tuscan traditions of winemaking, the terminal’s rooftop features a 19-acre productive vineyard. The project is divided into two construction phases, with the first one scheduled to be completed in 2026, and the second in 2035.
BIG has released sneak peek images into their “Not A Hotel Setouchi” project in Japan. The scheme draws inspiration from the surrounding beauty and Japanese landscape artworks, situated in the southwest cape of Sagi Island, overlooking the Seto Inland Sea. Consisting of three distinct holiday villas, Not A Hotel aims to blend Japanese and Danish architectural influences.
In Norway, the Medieval Churches, known as "StavKirker" (in Norwegian, "Stav" refers to a type of wooden column, and "Kirker" means church), stand out as iconic structures. They emerged in the 11th century following the country's conversion to Christianity, reflecting Norwegian expertise in ship carpentry inherited from the Vikings. This expertise transformed wooden construction, innovating woodcraft techniques and turning these buildings into aesthetically significant compositions.
via Unsplash | Street fair in Tepoztlán, Mexico. Photo by Karo Kujanpaa
Usually defined by their open-air settings, diverse offerings, local and independent sellers, temporary nature, and acting as social hubs, street markets have been around for thousands of years. From the days of the Roman Forum to the Silk Road and the markets of ancient Greece, they are undoubtedly essential parts of urban life, or “the center of all that is unofficial.” Mostly categorized under the informal economy due to lack of regulations and authorization, street markets in the global south have often been seen as a threat to urban development. However, these erratic and adaptive urban spaces serve core functions in any developing city, acting as pillars of community in many different facets of society.
Policymakers and city officials have long struggled with informality, considering it the “antithesis of modernity.” Conventionally, the informal economy consists of activities with market value but are not formally registered, often unregulated, undocumented, and operating outside the incentive system offered by the state. Street vendors, specifically in the global south, constitute a substantial portion of the informal economy. Moreover, as cities grow and approach development, public spaces become more contested and privatized, leading to an overall mission to remove street markets or push them into formalization.
Nassau County International Cricket Stadium / Populous. Image Courtesy of Populous
Designed by the sports and entertainment-focused architecture office Populous, the Nassau County International Cricket Stadium will be located in Eisenhower Park, 30 miles east of Manhattan, and is planned to host eight matches during the ICC Men’s T20 World Cup 2024. The stadium, having a capacity of 34,000 seats with additional VIP and hospitality units, is scheduled to be completed within 3 months. The accelerated process is made possible by the modular system, typically employed in other sports such as Formula 1, Golf, and the Olympic Games.
NEOM - or "new life" in a blend of Greek and Arabic- is a new urban development planned by the Kingdom of Saudi Arabia. Imagined as a cross-border city located in the northwest of the country, it aims to diversify the economy and reduce its dependence on oil. With promises of sustainability and innovation, the mega development has grabbed global attention with its 10 distinct regions.
It is conceptualized as a cutting-edge metropolis, aspiring to emerge as a worldwide epicenter for groundbreaking advancements and an exemplar of eco-friendly lifestyles. Since its announcement in 2017, NEOM has revealed the plans for 10 central regions, featuring a 170km long skyscraper, a futuristic ski resort, an upside coastal hotel, a tourism destination in a mountainous valley, and many more.
The Museum of Temporal Delight. This image was created, in Midjourney, using 5 language prompts and a few small refinements. Image Courtesy of John Marx/ Form4 Architecture
This article is the seventh in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints.
In so many ways the introduction of AI software has created a sense that we live in a world predicted by science fiction novels. We commonly have rested on the assumption that computers will never be capable of designing. That time has now arrived, and with it comes an opportunity to confront the positives and negatives these new technologies offer.
Populous, along with the Board of Directors of the Qiddiya Investment Company, has unveiled the design for the Prince Mohammed Bin Salman Stadium, a new multi-use venue to contribute to the offerings of Qiddiya City, a new district dedicated to sports and entertainment near Riyadh, Saudi Arabia. Located atop the 200m-high Tuwaiq cliff, the stadium, featuring a vast array of integrated technologies and innovative systems, is anticipated to host some of the country’s biggest sports, entertainment, and cultural events.
The city of Barcelona, along with its metropolitan area, will become a research laboratory as the main venue for the World Congress of Architecture of the International Union of Architects (UIA), scheduled to take place from June 28th to July 2nd, 2026. Its objective is not only for the Congress to be of maximum relevance and interest to the global community of architects but also for real-impact knowledge and practices to emerge in the everyday lives of people and the future of the planet.
Solar Facades on Bornholm Hospital. Image Courtesy of SolarLab
Environmental degradation has shed light on the need for new sources of energy. A shift in energy sources calls for innovative means of storing energy. For centuries, buildings have proven able to store people, objects, and systems, inviting a conversation about their untapped potential to efficiently store large amounts of energy. In this new era, can buildings go beyond being structures of function to potential reservoirs of power?
The “Soil Sisters” initiative explores how architectural design and sustainable material practices can contribute to soil nutrition and resilience. Partnering with SOM Foundation, their joint effort has resulted in an exhibition aiming to redefine our understanding of “environmentally conscious practices.” Titled “Soil Sisters: A Ceiling, A Chair and Table, A Wall and a Threshold,” the display showcases their dedication to redefining soil health as a cross-sectoral objective by emphasizing materiality and color in the built environment.
Silent and endless hallways, white and cold rooms, an impersonal and distant atmosphere: this is a deeply ingrained image in our cultural conception of hospital environments. The whiteness of these spaces, attempting to reinforce the necessary notions of sterility and cleanliness, may also evoke a sense of discomfort and anxiety for patients and their families.
The importance of humanizing hospital, clinic, and office projects is an increasingly discussed and relevant topic in healthcare, extending far beyond the aesthetics of these buildings. It is necessary to create welcoming environments that promote the well-being of patients, families, and professionals, recognizing that architecture can play a fundamental role in the recovery and comfort of these individuals during moments of vulnerability.
Opt Oog Column / Blast Studio. Image Courtesy of Blast Studio
In architectural design, our interactions with non-human organisms have predominantly involved creating barriers to exclude them from the human realm. What if we were to adopt a different approach? Interspecies design is a movement that puts non-human organisms—fungi, insects, and various animals—on an equal footing with humans. This design philosophy provides frameworks that foster non-hierarchical relationships with other species. By doing so, it cultivates empathy for other life forms and shifts our perspective on the world around us. It aims not only for a net-zero approach but also seeks collaboration with non-human organisms to develop environments beneficial to all. Below, explore some emerging material technologies designed to benefit both humans and other life forms.
Cameroon boasts a rich architectural heritage of Catholic Christian worship buildings. These buildings encompass various styles, including contemporary designs, Terracotta brick explorations, and Gothic, and Byzantine architectural influences. Since the arrival of missionaries and colonial communities in 1890, numerous religious buildings have been constructed with the involvement of local communities. These buildings not only contributed to the development of the Christian faith but also served as venues for the exchange of architectural ideals between the local and foreign communities.
During this period, Cameroon explored the Gothic and Byzantine movements, which had reached their peak in Europe, to create these churches. They were interrogated through local building practices and now represent the historical heritage of the country's cathedrals.
For the Fall/Winter Prada 2024 menswear show, AMO has designed a space that draws inspiration from two contrasting elements of modern life: office interiors and the natural landscape. Transforming yet again the space of the Deposito Hall at Foundation Prada in Milano, the designers have chosen to create a contrasting image of seemingly opposite elements: rows of office chairs illuminated by the white glow of LED lights, standing over a pastoral landscape with meandering creaks and ample foliage. The design aims to highlight this separation between natural instincts and the typical environment of modern life.
In 2017, Bjarke Ingels Group (BIG) unveiled its designs for a project in central Copenhagen. The project features an urban IKEA store, a budget-friendly hotel, and residential apartments connected by green spaces. As a significant part of the development, BIG designed two high-rise residential towers known as “KaKtus Towers,” which are linked by a raised public park connecting them. Both towers, with the tallest at 80 meters high, are scheduled to be completed in 2024. A recently released new set of images showcases BIG’s development nearing completion.
