ArchDaily Interviews: The Latest Architecture and News

Sumaya Dabbagh, the founder of Dabbagh Architects, based in the UAE, stands at the forefront of architectural innovation with a focus on identity and connection to place. Her recent participation in the Sharjah Architecture Triennial’s second edition “Earth to Earth" is a showcase of cumulative ideas that Dabbagh Architects has been fostering through their projects. Onsite in Sharjah, ArchDaily had the chance to speak to the architect about her exploration at the Triennial, as well as her broader architecture practice and its impact on the Global South.

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The 3^rd edition of Shaping the City, a forum on sustainable urban development, took place in Venice between November 24-25, following successful events in Chicago and New Orleans. Organized by the European Cultural Centre, this forum was running in parallel to the 2023 Venice Architecture Biennial exhibition, Time Space Existence. The event, hosted at Palazzo Michiel del Brusà in Cannaregio, brings together global urban planners, architects, academics, and politicians. Notably, Japanese architect Kengo Kuma was among the experts invited to explore the intersection of nature and the built environment in Japanese architecture.

Over two days, the conference set out to explore crucial themes such as education, urban commons, displacement, nature integration, and the future of architecture media, a subject discussed during a panel talk attended by ArchDaily’s managing editor, Christele Harrouk. While on-site in Venice, the ArchDaily team sat down with Kengo Kuma to discuss his unique approach to nature-inspired and site-specific designs.

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During this year’s edition of the Venice Architecture Biennale, ArchDaily had the chance to discuss with Giacomo Ardesio and Claudia Mainardi of Fosbury Architecture, the curators of the Italian Pavilion together with Alessandro Bonizzoni, Nicola Campri and Veronica Caprino. The curatorial project, titled “Spaziale: Everyone Belongs to Everyone Else,” aims to provide a distinctive and original portrait of Italian architecture within the international context. The curators discussed the origins of their office, their sources of inspiration and the thinking behind the design decisions that led to the creation of the curatorial project for the Italian Pavilion.

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The UIA World Congress of Architecture 2023 is an international invitation for architects worldwide to explore the future of the built environment. The event this year that brought together 6,000 participants worldwide, focusing on “Sustainable Futures – Leave No One Behind”, was set on discovering how architecture influences the 17 UN Sustainable Development Goals (SDGs), ranging from Climate Adaptation, Rethinking Resources, Health, Inclusivity, and more. While visiting this year’s edition in Copenhagen, the ArchDaily team had the chance to sit down with Jan Gehl, the father of people-centered design. The discussion revolved around 50 years after the launch of his world-renowned book, Cities for People, the first publication to reflect on how to properly develop cities on the human scale. Moreover, the interview followed his keynote speech at the UIA 2023, “Cities for People – 50 Years Later."

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The architecture of Studio Muoto is one that encompasses endless definitions of what architecture should be, but most importantly, of what architecture can become. The scope of work of the Paris-based practice founded in 2003 by Gilles Delalex and Yves Moreau includes projects in the fields of architecture, exhibition design, urban planning, teaching, and research. All of this has led to an architecture of minimal structures that age gracefully, an architecture that evolves and adapts with time, and that is sustainable economically and environmentally.

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The Nordic Countries Pavilion for the 18^th International Architecture Exhibition “Girjegumpi”, is a collaborative library archive of Sámi architecture. While exploring La Biennale di Venezia onsite in Venice, ArchDaily had the chance to speak with the architect Joar Nango and also with the curators James Taylor-Foster and Carlos Mínguez Carrasco about the pavilion and its depths.

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Studio KO’s curation of the Uzbekistan Pavilion for the Venice Biennale is based on research, curiosity, workshopping, and experimenting with the senses. For over two years, the studio has worked alongside the Arts and Cultural Development Foundation, designing the Center for Contemporary Arts and their initiatives to restore and rehabilitate vernacular houses, transforming them into artist residencies. While exploring the 18th International Architecture Exhibition onsite in Venice, ArchDaily had the chance to speak with the founders of Studio KO, Karl Fournier, and Olivier Marty, curators of Uzbekistan National Pavilion. Their exhibition for this year’s theme, “The Laboratory of the Future,” focuses on the country’s rich heritage as a potential tool and inspiration for developing a more sustainable future.

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With offices in Zürich, Barcelona and Majorca, the work of Gus Wüstemann Architects is a constant evolution between matter and context. From the strong heritage of timber and concrete construction in Switzerland, to the blurry boundaries of inside and outside found in Mediterranean architecture, Gus' work always put an emphasis on the core values of the local construction and craftsmanship, mixed with the cross learnings of working across different regions.

Currently working on projects such as A Barn, for Demna’s Atelier and Loïc’s Studio, and a mixed use hybrid concrete/timber in Feldmeilen, along with several residential projects in Italy and the Balearic Islands, Wüstemann's architecture can be seen as archetypical, essential or even raw. The interiors are a direct expression of these core concepts, with a brut aesthetic.

With more than 900 projects in over 40 countries, every project that Zaha Hadid Architects designs and builds has an impact on the narrative of contemporary architecture. At ArchDaily, we know that each architectural project has a team of professionals behind it which makes it possible. In this edition of the ArchDaily Professionals Video Interviews, we talked to Johannes Schafelner, associate director at Zaha Hadid Architects, and Enrique Peiniger, founder of OVI-Office for Visual Interaction about their long-standing collaboration in projects merging design and lighting.

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"It's all about attitude and adjusting to the existing circumstances", explains Boonserm Premthada, when asked about his conceptual process. Founder of Bangkok Project Studio, and one of today's most influential Thai figures in architecture, Premthada has been the subject of Bêka & Lemoine's latest documentary, ‘Big Ears Listen With Feet’. The film highlights the personal story of the architect, unveiling all the events and happenings that shaped his unique identity and sensibility. "Deaf from birth", the short movie looks at how the architect's disability led him to listen in a different way, learning from elephants. who "despite their large ears [...] perceive sound mostly through their feet."

ArchDaily had the chance to talk with Boonserm Premthada, during Milan Design Week 2022 at the DAAily bar. Recipient of the Design Prize 2021|22 for social impact curated by designboom, the architect shared insights about his beginnings, his office as well as his creative approach, and his projects.

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Technology is disrupting the creative industry and it's only getting better, and faster. Innovation in the architecture industry has never been as rampant as it is at this moment. The advent of artificial intelligence (AI) in architecture - the first genuine 21st-century design method - is changing the way buildings are imagined and designed. AI image generators like Midjourney and DALL-E provide an efficient and explorative way of conceiving architectural concepts. Generated in less than 5 minutes, these images unveil an interesting design aesthetic that is emerging. In an exclusive interview with ArchDaily, architect and educator Matias del Campo hypothesizes what the future of architectural aesthetics would be.

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In the complex trade of architecture and construction, you are never alone. And behind every great building there is a strong team of professionals combining their expertise. 

Hanif Kara OBE is a structural engineer and one of the founders of AKT II, one of the top engineering firms in the world. Based in London, he has been closely collaborating with some of the world’s most innovative architects, including Grafton Architects, David Chipperfield, Norman Foster, BIG, Zaha Hadid, Thomas Heatherwick, and many more.

Notable projects include the Kingston University Town House by Grafton Architects, the Bloomberg HQ by Foster + Partners and the Peckham Library by Will Alsop, all recognized with the RIBA Stirling Prize, and the recently completed Twist Museum by BIG, LSE Marshall Building by Grafton Architects, and 404 One Park Drive by Herzog & de Meuron.

This year, one of the winners of the Aga Khan Award was the Renovation of the Niemeyer Guest House by East Architecture Studio. The project is located on Tripoli’s outskirts in Lebanon, and it is part of the Rachid Karami International Fair (RKIF), an unfinished masterpiece by Brazilian architect Oscar Niemeyer. ArchDaily’s Managing Editor, Christele Harrouk had the chance to sit with Charles Kettaneh and Nicolas Fayad, founders of the East Architecture Studio, on-site in "the Niemeyer Guest House Renovation" project. Talking about modern heritage and the challenges of renovations, the architects opened the conversation about the role of architecture in building platforms for change.

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