In a global landscape marked by accelerated change, 2025 emerged as a decisive year for architecture—not only because of the major events that animated the international circuit, but above all because of the voices that stood out within them. From the Venice Architecture Biennale to Expo Osaka, pavilions and installations from the Global South ceased to function as mere exhibition gestures and instead asserted themselves as territories of memory, resistance, and imagination, articulating narratives that expand the horizons of contemporary architectural debate.
Across these works, tradition and future move side by side: ancestral materials reappear in reimagined forms, historical wounds are given sensitive expression, and social urgency is translated into proposals that challenge established ways of building and inhabiting the world.
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First Prize Winner: Edge of presence. Image Courtesy of Buildner
Buildner has announced the results of its Re-Form: New Life for Old Spaces, an international ideas competition examining the adaptive reuse of small-scale existing buildings. The competition invited architects and designers to propose transformations of used, abandoned, or overlooked structures with an approximate footprint of 250 square meters, located anywhere in the world. With no fixed site or program, participants were encouraged to explore alternatives to demolition and new construction through reuse strategies grounded in contemporary social and environmental concerns.
As an open-format competition, Re-Form foregrounded sustainability, feasibility, and community impact over formal or typological constraints. Submissions ranged from precise urban insertions to more speculative rural interventions, reflecting a broad range of approaches to working with existing fabric. Many projects focused on how limited, often marginal spaces could be reactivated to support new forms of collective use while responding to material, climatic, and ecological conditions.
The UIA World Congress of Architects is an international event for architectural dialogue organised by the International Union of Architects (UIA, by its French acronym), a non-governmental organisation that unites national associations of architects from over 100 countries, representing more than one million professionals. The first UIA Congress of Architects, which also marked the institution's founding, was held in Lausanne in 1948 during the post-war reconstruction period. Since then, UIA congresses have been held every three years in a different city within a member country, serving as the organisation's main recurring event. In 2026, the Congress will be held in Barcelona, and UNESCO has consequently designated the city as the World Capital of Architecture 2026. Each Congress focuses on a key topic relevant to the profession, articulated through a central theme. Recent themes include Copenhagen 2023: "Sustainable Futures. Leave no one behind." and Rio 2020–2021: "All the worlds. Just one World." The topic for 2026 is "Becoming. Architectures for a Planet in Transition," welcoming renowned figures in contemporary architectural thought and practice for a broad and critical overview of the possible futures of architecture.
Across Latin America, renovation has become less about preservation alone and more about responding to changing ways of living. Rather than freezing buildings in time, many contemporary projects work with existing structures to adapt them to new domestic routines, social dynamics, and spatial needs. Through strategic changes in materials, composition, color, and light, these interventions reinterpret everyday spaces while maintaining a strong connection to their original context.
In this process, houses and apartments become sites of transformation where flow, continuity, and shared spaces are carefully reconsidered. Renovation operates as a precise architectural tool, one that prioritizes natural light, openness, and flexibility to support daily life as it evolves. Instead of imposing new forms, these projects repurpose what is already there, aligning spatial decisions with the habits and rituals of those who inhabit them.
Ellisse, location: Armando Cose, Designer: Philippe Malouin
Communicating an idea using only the essentials is a far greater challenge than it often appears. From Japanese haikus to the refined sculptures of Constantin Brâncuși, many artistic expressions have sought to condense the maximum meaning with the minimum of elements. This economy of form is not a sign of scarcity, but of intensity: every stroke, every word, every silence gains weight. There is something intrinsically appealing in what presents itself as simple and well-resolved, whether it is a text that wastes no words, a tennis player who moves with purposeful gestures, or a melody that is both direct yet unexpectedly profound.
That same principle, which transcends various artistic languages, resonates deeply in contemporary design. When reduced to the essential, furniture or everyday objects reveal a form of beauty that arises from precision and transcends their function. This is exemplified by HUM, the new collection of taps developed by designer Philippe Malouin for QuadroDesign, in which a simple gesture is transformed into a complete language.
It is a vast rural expanse spread across the planet, assuming different expressions depending on context—from Asian rice fields to African agricultural settlements, from small European farms to the large estates and agro-extractive communities of the Americas. Yet, beneath this plurality, is there something that unites them? And, more importantly, how might architecture illuminate this quiet thread?
This year's selection of Best Latin American Houses brings together both renovations and ground-up projects, covering reinterpretations of local construction techniques and innovative architectural responses. The works are set in a wide range of contexts, from dense urban environments to rural and coastal landscapes.
Hunnu City Ecological Corridor. Image Courtesy of Bechu & Associés
Bechu & Associés has been selected as the winner of the international open competition for the masterplan of Hunnu City, a new satellite city planned south of Ulaanbaatar, Mongolia. Announced in 2025, the winning proposal establishes a long-term urban framework for a 31,503-hectare site located near Chinggis Khaan International Airport, with phased development planned between 2025 and 2045. The project forms part of Mongolia's broader territorial strategy under the Ulaanbaatar 2040 Master Plan and the national Vision 2050 framework, positioning Hunnu City as a new emerging major city intended to support population decentralization, economic diversification, and long-term urban resilience.
The future Las Vegas Museum of Art (LVMA) will be the city's first stand-alone museum, designed by Pritzker Prize-winning architect Francis Kéré. In fall 2024, the City of Las Vegas granted LVMA two acres of land in Symphony Park, neighboring the city's downtown arts district, as part of a public-private partnership. The project is intended to serve the city's more than 2.4 million year-round residents, including nearly 300,000 students living within a 10-mile radius of the park, as well as tens of millions of visitors from around the globe. The 60,000-square-foot building was designed by Kéré Architecture, which teamed up with Skidmore, Owings & Merrill (SOM) to provide Las Vegas with "a gathering place for community and a beacon for the cultural world," and is scheduled to open in 2029.
In 2025, India's most consequential design projects unfolded largely out of sight. While public attention gravitated toward museums, cultural landmarks, and visually arresting façades, the architecture that most decisively shaped daily life existed underground, at the city's edges, or inside secured compounds few citizens would ever enter. Sewage networks were rebuilt, flood tunnels bored beneath dense neighborhoods, substations lifted above floodplains, and data centers multiplied across peri-urban landscapes. These were not peripheral works of engineering; they were the spatial systems that allowed Indian cities to remain functional through record heatwaves, erratic monsoons, and accelerating urban growth.
As Syria is emerging from over a decade of conflict at the time of writing, it is an opportunity to rediscover its architectural gems. Just to the north of the country's principal port city of Latakia is a Modernist creation that is the Center for Marine Research. Its pyramidal structure is situated on a prominent headland surrounded by sea on three sides. To the east is a bay with hotels and beaches while to the north and west is the open Mediterranean Sea reaching Turkey and Cyprus beyond. Despite its importance both as a research institution and as a piece of architecture, it lies abandoned and isolated today.
Bratislava, the rapidly developing capital of Slovakia—located in the heart of Europe—continues to strengthen its presence on the European architectural map. As a growing hub of contemporary design—already home to projects by Zaha Hadid Architects, Massimiliano & Doriana Fuksas, Stefano Boeri, Studio Egret West, and Snøhetta—the city has now reached another important milestone: an international architectural and urban design competition has been announced to shape the future of Zváračák, one of the last major brownfield sites near the city center.
In 2025, the architectural field has been marked by a dense calendar of exhibitions, a measured slowdown in construction across multiple regions, and a period of reflection that scrutinizes the impact of intelligence (artificial and natural)—both on professional practice and workplace culture, as well as its use as a pedagogical tool. Over this calendar year, ArchDaily has published more than 30 interviews in a range of formats—Q&As, in-person conversations, video features, and more. These exchanges have engaged themes of sustainability and nature, housing and urban development, AI and intelligence, adaptive reuse and public life, and have closely followed major exhibition platforms including the Venice Biennale, Expo 2025 Osaka, Milan Design Week, Concéntrico, and others.
Amid countless questions, reflections, and debates about rethinking what a hotel can be, current hotel architecture faces growing complexities that span user experience, environmental responsibility, and the relationship with local context. Contemporary hotel design shows a clear—and increasingly prominent—intention to blend seamlessly and harmoniously with its surroundings, building a sense of identity that responds to local cultures, traditions, and character. The interconnection with nature, along with the reinterpretation of hotels as spaces for engaging with their surroundings, creates a direct relationship that expands their boundaries beyond the history and origins of the many practices that have shaped—and continue to define—their local characteristics and philosophy of life.
In a time when many hotels are designed to look like destinations, the real challenge is to design hotels that grow from their destination. But how can large-scale urban projects be integrated into sensitive landscapes without overpowering them? How is it possible to build with density while preserving a sense of intimacy and create identity in places that already carry strong local character?
This week's architectural news reflects a broad engagement with how institutions, practitioners, and cultural platforms are positioning themselves in relation to both legacy and long-term change. Across museums, galleries, and major cultural events, architecture is being framed as an evolving public infrastructure, one that must respond to expanding collections, shifting curatorial models, and growing expectations around accessibility, sustainability, and civic presence. Alongside these institutional developments, professional recognitions and appointments have foregrounded practices rooted in site specificity, conservation, and critical research, highlighting architecture's role in mediating between historical contexts and contemporary needs.
December 18 marks the United Nations' International Migrants Day, which aims to highlight the need for safer, fairer, and more inclusive migration systems. Proclaimed on December 4, 2000, the day seeks to recognize the multiple dimensions of migration beyond its economic and humanitarian aspects. According to the UN, mounting evidence indicates that international migration is beneficial for both countries of origin and destination. In this sense, International Migrants Day offers an opportunity to spotlight the value of the possibility to migrate and the contributions of millions of migrants worldwide to the cities and cultures in which they are integrated.
Aligned with this perspective, the UN's 2025 theme, "My Great Story: Cultures and Development," emphasizes how human mobility drives growth, enriches societies, and helps communities connect, adapt, and support one another. At the same time, International Migrants Day also acknowledges the increasingly complex environment in which migration occurs. Conflicts, climate-related disasters, and economic pressures continue to force millions of people from their homes in search of safety or opportunity. From both perspectives, it is essential to recognize the role of architecture in building integrated, multicultural communities and in responding to the conditions that lead people to migrate from their territories in the first place.
This article is part of our new Opinion section, a format for argument-driven essays on critical questions shaping our field.
Who designs architecture today? In a professional landscape increasingly defined by collaborative workflows, generative software, and distributed teams, the figure of the architect as a singular creative author feels both anachronistic and inadequate. This article argues that architectural authorship is no longer an individual act, but a collective and distributed condition shaped by institutions, technologies, and shared forms of labor. The transition from individual to collective authorship is not simply a consequence of larger offices or digital tools; it signals a deeper structural shift in how architecture is produced, communicated, and validated.
Kistefos Museum has announced Swiss architectural practice Christ & Gantenbein as the winner of its international design competition for a new museum building at the Kistefos site in Jevnaker, approximately one hour north of Oslo. Conceived as a significant new addition to one of Europe's leading sculpture parks and cultural destinations, the project is scheduled to open in 2031 and will house the art collection of Kistefos founder and collector Christen Sveaas through the Christen Sveaas Art Foundation. Following the announcement, Christ & Gantenbein will now work with Kistefos Museum to further develop the concept design toward realization.
The 8th edition of the Lisbon Architecture Triennale is scheduled to take place in the autumn of 2028. As in previous editions, the curatorial process begins three years in advance, allowing time to fully develop the project and build on the work of earlier Triennales. The 7th edition, curated by Ann-Sofi Rönnskog and John Palmesino, founders of Territorial Agency, ran from October 2 to December 8, 2025. It was structured around the question How heavy is a city?, proposing an understanding of cities not as fixed objects but as dynamic systems extending beyond urban boundaries into the atmosphere, oceans, and deep time. This approach was explored through three main exhibitions, Fluxes, Spectres, and Lighter, alongside a wider set of initiatives. With the 7th edition concluded, the Triennale has announced Portuguese architect and academic Joaquim Moreno as Chief Curator of the upcoming edition, responsible for developing a new curatorial project for the event.
The phenomenon known in biology as convergent evolution describes how distant species can develop similar structures when confronted with comparable challenges. Dolphins and ichthyosaurs, for example, are separated by millions of years of evolutionary history, yet both evolved nearly identical hydrodynamic bodies. Architecture has its own parallels: A-frame structures emerged independently in both the European Alps and Japan, even without direct cultural exchange, as spontaneous responses to snow, wind, and material scarcity.
https://www.archdaily.com/1037027/converging-trends-in-2025-architecture-circularity-biomaterials-and-carbon-conscious-designArchDaily Team
Bolete Lounge BIO®. Image Courtesy of Andreu World
What is the current global outlook on the recyclability of materials used in architecture? To what extent are contemporary societies truly committed to reducing environmental impact? In the effort to live in balance with nature, replacing fossil fuels with renewable energy sources is one of the key strategies for cutting greenhouse gas emissions and addressing global warming. Looking to nature for inspiration as a way to protect it means creating designs that incorporate sustainability, circularity, and recyclability from the very first sketch. From building systems to surface finishes, the use of biomaterials in architecture reflects a mindset rooted in long-term responsibility for a material's full life cycle.
