Pelli Clarke & Partners has just completed the Mori JP Tower, now standing as Japan’s tallest building. Situated in the recently revitalized Azabudai Hills district, the tower emerges at the center of this development. Establishing a new focal point for Tokyo’s skyline, the building soars 330 meters at the heart of this dynamic new mixed-use district in the city center.
Just as fashion designers use pins, needles and textiles to bring their creations to life, architects rely on materials to shape our built environment. From steel and glass to wood and concrete, these form the artistic palette that transforms blueprints into tangible structures, bridging the gap between imagination and reality. It's as simple, yet as complex as that. But with so many materials –and countless shapes, finishes, textures and colors– available in this day and age, making the correct choices for a particular project can be quite challenging. Several questions naturally arise: How do architects navigate the endless possibilities to handpick the elements that will breathe life into their designs? What does the material specification process entail? Where does one begin?
As one of the smallest spaces in the home, shower rooms often find it difficult to get enough light. While bedrooms are given priority to choose the most favored spots alongside exterior walls – giving them access to the fresh air, natural light, and better views provided by windows – sanitary spaces are often left to feed from the scraps in the aftermath, afforded only a sliver of external wall, if any.
Due to issues with privacy and water damage, meanwhile, when a shower room does have the opportunity to add a window, it’s rarely positioned in the shower itself. But with many using an energizing shower to gently wake themselves up in the morning, and with steam making the shower an environment with extra high humidity levels, a window in the shower can make a big difference, adding natural light to the space itself, while keeping the entire room well-ventilated.
MAD Architects has just unveiled the design for Lishui Airport in China. Dubbed the "forest city,” Lishui is known for its green landscapes and valleys in the Southwest Zhejiang Province. Situated amidst hilly terrain, approximately 15 kilometers southwest of the city, the airport is envisioned as a domestic, regional transportation hub seeking to harmonize with the natural surroundings.
In the perception of many, the favela embodies contradictory and opposed representations. For those outside its boundaries, the favela is frequently associated with crime, poverty, or illness. Yet, it is also regarded as the aesthetic embodiment of a nation, serving as the birthplace of culturally renowned elements worldwide, such as samba in the case of Brazil.
CityMakers, The Global Community of Architects Who Learn from Exemplary Cities and Their Makers, is working with Archdaily to publish a series of articles about Barcelona, Medellin, and Rotterdam. The authors are the architects, urban planners, and/or strategists behind the projects that have transformed these three cities and are studied in the "Schools of Cities" and "Documentary Courses" made by CityMakers. On this occasion, Jaume Barnada, coordinator of the award-winning Climate Shelters project in Barcelona schools and speaker at the "Schools of Cities", presents his article "Barcelona, the public place as a synonym for the adaptation of the built city."
Cities are dense, built spaces in which pavements have been efficiently imposed on the natural soil. Cities like Barcelona have almost 75% of the land paved and waterproof. Without a doubt, it is an excess to reverse at a time of climate emergency, where we must reconnect with nature. Oriol Bohigas [1] told us that good urbanization had paved the squares of Mediterranean cities and that no one wanted to live in a mudhole. I'm sure he was right. Also, he taught us that the green and, consequently, the natural soil had to have dimension and especially an urban position. Squares are squares and parks are parks, and each space has a type of project. Today, concepts are too frequently confused when urbanizing public places and consequently, we find projects that blur the model.
As an additive manufacturing method, 3D printing has been characterized by the construction of objects through the horizontal deposition of material, layer by layer. This still restricts, nonetheless, the manufacture of elements and limits the shape of early prototypes to within the range that allows the addition of material in a single direction, making it difficult to create complex shapes with smooth curves.
However, the team from the Chair of Digital Construction Technologies at ETH Zurich—integrating computational design, digital manufacturing, and new materials—has been exploring an innovative non-planar robotic additive manufacturing system. This method facilitates the printing of thin structures with double curvature, significantly expanding the possibilities of their application in architecture on a larger scale.
Each piece of furniture, be it a table, a chair, or a sofa, is much more than just a functional element. It is a bearer of stories, a keeper of memories, and a reflection of the craftsmanship of those who brought it to life. When it comes to wooden furniture, this connection with history and skill is even deeper; every grain, knot, and shade tells the story of the tree it came from, and the craftsmanship of the artisans is manifested in the curves and joints. In the contemporary context, where mass production and fast-paced trends tend to standardize the world around us, furniture making remains a beacon of authenticity, and wood continues to be highly prized. It's a haven where exclusivity and connection with the natural are celebrated, resisting the passage of time.
The State of Kuwait has revealed the design of the upcoming Kuwait Pavilion to take shape at World Expo 2025 in Osaka. Designed by architectural firm LAVA (Laboratory for Visionary Architecture), the temporary structure is envisioned as a “Visionary Lighthouse” representing Kuwait’s embrace of Arab cultures, arts, and social works. The pavilion, developed with main partner and contractor NUSSLI, also offers a response to the exhibition’s overarching theme, "Designing Future Society for our Lives", striving to strengthen the relationship between Kuwait and Japan and foster conversations about visions of a sustainable future.
Construction is currently in progress on “The Grid,” a new office complex by Foster + Partners. Located in Marousi, an established business hub that boasts connectivity to central Athens, the project spans an entire city block. The project features modern, adaptable workspaces, along with landscaped green areas that integrate with a public park. The scheme hopes to revitalize Marousi and attract new business to the existing area.
Rehabilitation involves repairing, renovating, altering, or reconstructing any building or structure. It addresses the need to significantly improve a building's failing features, primarily through strengthening or replacing elements to restore the structure's optimal performance. The impact of building rehabilitation on the physical environment is significant. It is a sustainable strategy for preserving the built environment and mitigating the construction industry's impact on climate change.
However, its social impact is also considerable when viewed as a fundamental framework for sustainable outcomes. Rehabilitation can serve as a model that brings community members together for inclusive repair and restoration of structures. This positively affects communal life quality, social integration, environmental sustainability, and community perception of local architecture.
Sightseeing is an activity closely intertwined with architecture and cities. So much is that Guiliana Bruno adapts the term to site-seeing in her comprehensive book Atlas of Emotions: Journeys in Art, Architecture and Film, emphasizing the link between tourism and the urban landscape. Traveling and exploring new places is not something only architects like, it's among the most enjoyable activities for anyone. It's no coincidence that city guides are consistently among the most visited articles on ArchDaily, offering curated collections of iconic buildings for people to explore.
Now, some of our most popular city guides will not only provide a list of buildings, but also feature interactive maps that position each of the architectural masterpieces within the territory. Powered by Felt, these maps cater to the needs of the architects and curious travelers alike.
Architecture is about giving form to the places where people live. It is no easier, and no more complicated, than that. There are three key words here: "form," "place," and "life." As soon as one reflects on these terms, one immediately comprehends that these things are not all that easy. - Alejandro Aravena
With this phrase in the foreword to ArchDaily's Guide to Architecture, Alejandro Aravena reflects on the underlying complexity of architecture. Something that is essential to our life, but that with the ever growing complexities of our world, becomes a challenging task.
That is why for the 4th consecutive year we embark on a global survey, evaluating the work, ethos and mission behind innovative practices from all over the world. They represent the diversity that is reshaping our field, working across the spectrum between the essence of architecture and its blurry boundaries, ranging from studios to activists, startups and other forms of production, research, and thinking.
These 20 practices, half led by women or as a mix, coming from Europe, South America, North America, Asia and the Middle East, represent the diversity among those who are setting an example of the direction architecture should be heading. At the center of their mission there is a clear forward looking agenda that shapes their work, that reveal a practical consciousness towards the challenges of our world.
Meet ArchDaily's 2024 Best New Practices:
For a long time, the construction industry has followed a linear process - extract raw materials, build structures, demolish them, and then dispose of the garbage in landfills. This approach has serious negative effects on the environment and society and is inherently unsustainable. Reconsidering traditional methods and workflows requires support from all stakeholders and a sense of urgency proclaimed by authorities. In the United States, city organizations have begun to implement new policies to keep construction waste out of landfills and support circular practices. Several cities like Seattle and Pittsburgh, have started implementing deconstruction ordinances that require older buildings to be carefully deconstructed rather than demolished. How might their key provisions influence circular practices in the country?
The Sustainable Hub in Seville emerged as an innovative concept through an open idea passive Sustainable Design Competition, launched in October 2023 with submissions received by February 2024. Spearheaded by Dar[e]-Europe, a renowned research firm based in Seville, Spain, the competition aimed to foster sustainable design solutions while promoting comfort for users with minimal reliance on non-renewable energy sources and environmental impact.
German-based architecture and design studio Beta Realities has developed the “Collective Parts” initiative, a design and technology platform for enabling the construction of affordable 3D printed housing. The project has been recognized as one of the winners of Inititative99 by ICON, a global architecture competition aimed at reimagining affordable housing that can be built for under $99,000. The other winners of the open category are MTspace Studio from New Zealand and For Everyday Life from the United Kingdom. The competition also highlights contributions from students as a separate category, featuring Casa Fami by IAAC from Spain, Juan Felipe Molano from Colombia, and Victoria Roznowski from Germany.
Cobe Architects has just unveiled its winning design for the future Danish Parliament in Copenhagen. Aiming to revitalize Denmark’s historic administrative center, the studio envisioned an inviting, accessible space, “where everyone can experience democracy up close.” The design features an underground visitor center, leading to facilities within the Parliament Courtyard, and an interconnected pathway uniting historic buildings formerly used by the Danish National Archive.
For centuries, arid environments have solved the problem of light, privacy, and heat through a statement architectural feature of Islamic and Arab architecture, the mashrabiya. Crafted from geometric patterns traditionally made from short lengths of turned wood, the mashrabiya features lattice-like patterns that form large areas. Traditionally, it was used to catch wind and offer passive cooling in the dry Middle Eastern desert heat. Frequently used on the side street of a built structure, water jars, and basins were placed inside it to activate evaporative cooling. The cool air from the street would pass through the wooden screen, providing air movement for the occupants.
Similar to the Indian jali, the vernacular language also offers a playful experience with daylight while still maintaining a certain degree of privacy. Traced back to Ottoman origins, the perforated screens protected occupants’ from the sun while simultaneously letting daylight through in calculated doses. Although the mashrabiya was a statement in arab and Islamic architecture languages, it wasn’t until 1987 that the archetypal element began appearing with a revised contemporary application.
In nature, zinc is mainly found as zinc sulphide ore or zinc carbonate, which is mined to obtain the metal. Once refined, it is used in a variety of applications, including metal alloys, battery manufacturing, medicines and supplements, as well as in the fabrication of pigments, chemical compounds and coatings. In the latter, which is used in architectural applications, zinc is well known for its weather resistance and self-healing properties and is highly durable, with a lifespan of up to 100 years, requiring minimal maintenance. In addition, because it is 100% recyclable and has a low environmental impact during its production, zinc is a sustainable choice for construction projects.
When delving into the envelope of construction and examining how the interior relates to the exterior, the concept of greenhouses emerges as an opportunity to cultivate life indoors, whether dependent on external factors or not. Defined as spaces enclosed by glass or other transparent plastic materials, greenhouses facilitate the growth of vegetables and ornamental plants even during periods of adverse external weather conditions. However, what does designing for plants involve? Climate, species, structural design, and the type of covering are just a few of the considerations to take into account.
The architecture of cultural centers in Mexico has gained relevance in recent years. There has been a growing interest in providing spaces for recreation and education, transforming them into urban landmarks that attract visitors from all over the country year after year.
